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Books on the topic 'Successione digitale'

Author: Grafiati

Published: 10 March 2023

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1

Hung, Chung-Chih, and Shih-Hsing Wang. Ultra-Low-Voltage Frequency Synthesizer and Successive-Approximation Analog-to-Digital Converter for Biomedical Applications. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88845-9.

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2

3DO Games Secrets: Book Two. Maui, HI: Sandwich Islands Publishing, 1996.

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3

Thomas, Pradip Ninan. The Politics of Digital India. Edited by Adrian Athique, Vibodh Parthasarathi, and S. V. Srinivas. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199494620.001.0001.

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Transforming India into a digital state has been an objective of successive governments in India. However, the digital, by its very nature, is a capricious, multi-dimensional entity. Its operationalization across multiple sectors in India has highlighted the fact that the digital compact with publics in India is a two-edged sword. On the one hand, devices such as mobile phones have enabled access and efficiencies, and on the other, they have increased the scope for surveillance capitalism and the expansion of governmentality. The digital is at the same time a resource, commodity, and process that is absolutely fundamental to most if not all productive forces across multiple sectors. As a part of the Media Dynamics in South Asia series, this volume explores the making of digital India and specifically deals with the contradictions of an imperfect democracy, internal compulsions, and external pressures that continue to play crucial roles in the shaping of the same. Mindful of the key roles played by political economy and context and based on conversations with theory and practice, it makes a case for critical understanding of the digital embrace in India.

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4

Yu, Fu-Lai Tony, and Ho-Don Yan. Routledge Companion to Asian Family Business: Governance, Succession, and Challenges in the Age of Digital Disruption. Taylor & Francis Group, 2021.

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5

Yu, Fu-Lai Tony, and Ho-Don Yan. Routledge Companion to Asian Family Business: Governance, Succession, and Challenges in the Age of Digital Disruption. Taylor & Francis Group, 2021.

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6

Yu, Fu-Lai Tony, and Ho-Don Yan. Routledge Companion to Asian Family Business: Governance, Succession, and Challenges in the Age of Digital Disruption. Taylor & Francis Group, 2021.

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7

Aiyappa, Rekha. Section 22. 12-Bit High-Speed Successive Approximation Register (SAR) Analog-to-Digital Converter (ADC). Microchip Technology Incorporated, 2017.

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8

Aiyappa, Rekha. Section 22. 12-Bit High-Speed Successive Approximation Register (SAR) Analog-to-Digital Converter (ADC). Microchip Technology Incorporated, 2015.

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9

Yang, Ada. Section 22. 12-Bit High-Speed Successive Approximation Register (SAR) Analog-to-Digital Converter (ADC). Microchip Technology Incorporated, 2017.

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10

Ultra-Low-Voltage Frequency Synthesizer and Successive-Approximation Analog-To-Digital Converter for Biomedical Applications. Springer International Publishing AG, 2022.

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11

Ferrigan, Kelly. Section 22. 12-Bit High-Speed Successive Approximation Register (SAR) Analog-to-Digital Converter (ADC). Microchip Technology Incorporated, 2020.

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12

Aiyappa, Rekha. Section 22. 12-Bit High-Speed Successive Approximation Register (SAR) Analog-to-Digital Converter (ADC). Microchip Technology Incorporated, 2017.

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13

Yang, Ada. Section 22. 12-Bit High-Speed Successive Approximation Register (SAR) Analog-to-Digital Converter (ADC). Microchip Technology Incorporated, 2015.

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14

Hung, Chung-Chih, and Shih-Hsing Wang. Ultra-Low-Voltage Frequency Synthesizer and Successive-Approximation Analog-To-Digital Converter for Biomedical Applications. Springer International Publishing AG, 2021.

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15

Aiyappa, Rekha. Section 22. 12-Bit High-Speed Successive Approximation Register (SAR) Analog-to-Digital Converter (ADC) FRM. Microchip Technology Incorporated, 2019.

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16

Aiyappa, Rekha. Section 22. 12-Bit High-Speed Successive Approximation Register (SAR) Analog-to-Digital Converter (ADC) FRM. Microchip Technology Incorporated, 2016.

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17

Bleak House (Audiofy Digital Audiobook Chips). Audiofy/Jimcin, 1987.

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18

Martin Chuzzlewit (Audiofy Digital Audiobook Chips). Audiofy/Hayes, 2006.

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19

Shakespeare, William. Macbeth (Audiofy Digital Audiobook Chips). Audiofy/Naxos, 2002.

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20

Shakespeare, William. King Lear (Audiofy Digital Audiobook Chips). Audiofy/Naxos, 2006.

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21

Shakespeare, William. Hamlet Prince of Denmark (Audiofy Digital Audiobook Chips). Audiofy/Naxos, 2001.

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22

Jane, Austen. Sense and Sensibility on Playaway: Ready-To-Go Digital Audiobooks. Findaway World, 2006.

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23

Potter, Simon J. This is the BBC. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192898524.001.0001.

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This book examines one hundred years of the history of the British Broadcasting Corporation (BBC), from 1922 to 2022. It looks at that history in terms of people and programmes, and also explores the BBC as an institution. It examines the role of politicians and civil servants in shaping and guiding the work of the BBC, and the impact of successive technological innovations, from radio, to television, to the new digital age. It shows how the BBC has changed over the last century, adapting to dramatic shifts in its political, social, and cultural environment. The BBC was initially constituted as a monopoly, controlling all broadcasting in Britain, including an Empire Service for white listeners in Britain’s colonies. It went on to provide services for audiences at home and overseas throughout the Second World War and into the Cold War, seeking to ‘inform, educate, and entertain’, roughly in that order of priority. From the 1950s, it faced domestic commercial competition, as politicians overturned the idea of a public service monopoly. It has since faced multiple challenges from those who question whether the public sector has a legitimate role to play in the mass media, and from governments seeking to control and influence what gets broadcast. Today it can be regarded as a vast machine for commissioning programmes, patronizing the arts, doing journalism, promoting the Union, and projecting British cultural influence to a global audience.

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