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1
Kattari, Kimberly. "Surviving through subculture: Finding undeath in psychobilly." Punk & Post Punk 9, no. 1 (February 1, 2020): 77–94. http://dx.doi.org/10.1386/punk_00019_1.
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While some scholars suggest that subcultures are a thing of the past, that we are living in a post-subcultural era, an ethnographic exploration of psychobilly shows that subcultures still play a meaningful role in contemporary society. Since its development in the early 1980s, psychobilly has uniquely blended punk, rockabilly and horror to express countercultural values and aesthetics. Like the groups studied by the Centre for Contemporary Cultural Studies in the 1960s and 1970s, the psychobilly subculture is characterized by consistent and distinct values and tastes, a shared sense of collective identity, committed involvement over a long period of time, and relative independence from the culture industry. By participating in this obscure but strongly defined subculture, psychobillies not only express their resistance to mainstream culture but also find strategies to manage and improve their lived experience. As a result of their committed subcultural involvement, psychobillies feel alive, or, rather, ‘undead’, a metaphor made all the more symbolic because of the subculture’s interest in a host of undead creatures. This article thus argues for continued application of subcultural theory to understand the significant meaning and impact of participation in non-conformist communities today.
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Kuzovenkova, Yuliya A. "Paradigm approach in the analysis of Russian and European youth subcultures." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 60 (2021): 42–54. http://dx.doi.org/10.37816/2073-9567-2021-60-42-54.
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European scientific tradition distinguishes between modern and postmodern subcultural paradigms. Contrary to that, the issue of youth subcultural paradigms in Russian research tradition is still open. The specificity of the Russian subcultures is that they trace their origin either in Europe or the USA. In view of this, it is important to identify the features of European cultural phenomena that are present in the Russian cultural space. The European paradigm approach is introduced through the works of D. Hebdige and D. Muggleton. Paradigm features of subcultural analysis offered by these scholars provide the basis for analysis of the Russian empirical material. In particular, the study takes into account such characteristics as the presence / absence of a border between subcultures, the presence / absence of the ideology of a subculture, the fixity / fluidity of subcultural identity, the presence / absence of the influence of mass media on subcultural identity, the presence / absence of capitalist values in the subculture, the presence / lack of protest potential in subcultures. Interviews with representatives of the first and second waves of the Samara graffiti subculture became the empirical material of the study. We identified paradigmatic characteristics in the first and second waves of the subculture and compared them. The results obtained allow concluding that the Russian subcultural space has its own specifics, and the subcultural paradigms of both the first and second waves are of a hybrid nature, containing features of both modern and postmodern paradigms.
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Johnston, Hank, and David A. Snow. "Subcultures and the Emergence of the Estonian Nationalist Opposition 1945–1990." Sociological Perspectives 41, no. 3 (September 1998): 473–97. http://dx.doi.org/10.2307/1389560.
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It is widely recognized that subcultural organization provides fertile soil for the development of social movements. There has not, however, been a systematic analysis of how different subcultures may be configured and what characteristics may encourage or inhibit mobilization. This paper takes an initial step in that direction by suggesting a typology of subcultures based on the degree of congruency of subcultural values and behaviors with the those of the dominant culture. We examine two subcultural types which are particularly relevant to social movement development: accommodative subcultures and oppositional subcultures. By drawing on interviews with activists in the former Estonian Soviet Socialist Republic, we specify the conditions by which accommodative and oppositional subcultures exist and are successfully transformed into social movements. We trace the evolution from an accommodative subculture under Stalinist terror to an oppositional subculture as state repression lessened under Krushchev's liberalizations, to mass mobilization of the Estonian independence movement in the late 1980s.
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Wang, Yin, and Ruiling Yao. "Optimization of rhizogenesis for in vitro shoot culture of Pinus massoniana Lamb." Journal of Forestry Research 32, no. 1 (December 16, 2019): 203–9. http://dx.doi.org/10.1007/s11676-019-01076-8.
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AbstractThe rooting capacity of Pinusmassoniana is poor, especially for mature trees, and has prevented the development of clonal forestry for P.massoniana. In this study, we varied explant types, subculture times and exogenous hormones for plantlet regeneration and assessed shoots for rooting rate and root number for P.massoniana. Following five repetitive grafts, new shoots from grafts used as explant sources were rejuvenated as observed from juvenile shoot morphology and anatomy, leading to greatly enhanced plant regeneration in comparison to that of mature materials from 26-year-old P.massoniana trees. The rooting capacity of subcultured shoots increased with successive subcultures, reaching a peak at 20 subcultures with 35–40 days per subculture. However, rooting performance was significantly reduced after 30 subcultures. The addition of naphthaleneacetic acid (NAA) plus indoleacetic acid in the medium improved the root number, but the combination of exogenous NAA with paclobutrazol (PBZ) increased rooting rate and root number. We thus greatly improved the rooting capacity of mature P.massoniana trees by optimizing explant types (rejuvenated), subculture times (20 subcultures, 35–40 days per subculture) and addition of NAA + PBZ to the rooting medium. The conditions can be used for efficient plantlet regeneration of P.massoniana.
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Xu, Junhao. "A Study on the Impact of Subcultural Capital on the Management of Chinese Official Media." Advances in Economics, Management and Political Sciences 37, no. 1 (November 10, 2023): 1–7. http://dx.doi.org/10.54254/2754-1169/37/20231819.
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China's official media business model transformation pressure is increasing day by day. The contradiction of the binary system business model is becoming increasingly prominent. Official media need to take into account the goals of ideological propaganda, commercial operation, and improving profitability. Against this background, subcultural capital has become the favored breakthrough of traditional media. Cultural capital and subcultural capital, as a kind of resource that can be invested in and reproduced, reveal the internal logic of the subculture industry and provide a new perspective for people to study the effect of subcultures on the operation of official media. This paper uses the economic management model SWOT-PEST mode analysis model to explore the impact of subcultures communication on the operation of China's official media, as well as the advantages, disadvantages, opportunities, and threats brought by cultural communication in the political, economic, technological, and social environment. This paper tentatively puts forward the concept of mainstreaming of subculture and probes into the contradiction between official media's subcultural capital investment and the development path of subculture itself.
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Vujović, T., Dj Ružić, and R. Cerović. "In vitro shoot multiplication as influenced by repeated subculturing of shoots of contemporary fruit rootstocks." Horticultural Science 39, No. 3 (August 15, 2012): 101–7. http://dx.doi.org/10.17221/208/2011-hortsci.
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In vitro shoots of vegetative rootstocks for cherry (Gisela 5 and Gisela 6), plum (Fereley Jaspi) and pear (Pyrodwarf) were repeatedly subcultured for 10 subcultures on Murashige and Skoog medium of unchanged hormonal composition. Shoot formation capacity decreased over repeated subculturing in all genotypes. The first significant decrease in multiplication index was observed after first subculture in Gisela 6 and Fereley Jaspi, while in Gisela 5 the decline occurred after second subculture, and remained at that level. As for Gisela 6 and Fereley Jaspi, multiplication index was mainly stable from second to forth subculture, whereupon the second decline in shoot formation was observed. Although Pyrodwarf showed very low multiplication capacity, shoot multiplication slightly increased over the first three subcultures and then declined. This irreversible decline could be due to residual effects of hormones. However, no visible morphological variations or aberrations of shoots were found in successive subcultures in any genotype. Quality of shoots in terms of shoot length varied during subculturing, but the highest quality was observed in later subcultures (from fifth subculture onwards). After subculturing, several media were evaluated for induction of rhizogenesis in order to achieve high rooting rates in tested rootstocks. The highest rooting ability (100%) among genotypes was observed in Fereley Jaspi, followed by Pyrodwarf and Gisela 6 (the best rooting percentage being 90% in both) and Gisela 5 (70%). Rooted shoots were successfully acclimatized under the mist system in greenhouse.
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Placido. "Between Pleasure and Resistance: The Role of Substance Consumption in an Italian Working-Class Subculture." Societies 9, no. 3 (August 14, 2019): 58. http://dx.doi.org/10.3390/soc9030058.
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In this article I discuss how illegal substance consumption can act as a tool of resistance and as an identity signifier for young people through a covert ethnographic case study of a working-class subculture in Genoa, North-Western Italy. I develop my argument through a coupled reading of the work of the Centre for Contemporary Cultural Studies (CCCS) and more recent post-structural developments in the fields of youth studies and cultural critical criminology. I discuss how these apparently contrasting lines of inquiry, when jointly used, shed light on different aspects of the cultural practices of specific subcultures contributing to reflect on the study of youth cultures and subcultures in today’s society and overcoming some of the ‘dead ends’ of the opposition between the scholarly categories of subculture and post-subculture. In fact, through an analysis of the sites, socialization processes, and hedonistic ethos of the subculture, I show how within a single subculture there could be a coexistence of: resistance practices and subversive styles of expression as the CCCS research program posits; and signs of fragmentary and partial aesthetic engagements devoid of political contents and instead primarily oriented towards the affirmation of the individual, as argued by the adherents of the post-subcultural position.
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Roberts, Derek. "Subcultural boundary maintenance in a virtual community for body modification enthusiasts." International Journal of Cultural Studies 20, no. 4 (February 2, 2016): 361–76. http://dx.doi.org/10.1177/1367877916628240.
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While it has been suggested that tattoos and piercings have gone mainstream, there remains a body modification subculture dedicated to more extreme forms of modification than are accepted by the majority of society. I present data from an ethnographic study of the subculture, focusing on various attempts to uphold group boundaries in a virtual community designed for body modification enthusiasts. As the website began to shift away from its subcultural roots, members increasingly criticised the new administration and mainstream body modifiers. Emphasising the social distance between themselves and those with discreetly modified bodies, members of the subculture ultimately abandoned the online community they helped build. This study contributes to the understanding of the significance of virtual spaces to real-world subcultures.
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Isaeva, Humay Islam. "Some stages of the formation of youth subcultures in Azerbaijan (historical aspects)." KANT Social Sciences & Humanities 9, no. 1 (January 2022): 81–87. http://dx.doi.org/10.24923/2305-8757.2022-9.7.
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The purpose of this article is to describe the forms in which the phenomenon of subculture manifested itself and developed in Azerbaijan from the 1980s to 2010, first as part of the USSR, and then during the period of independence. It is noted that in almost all the republics of the former USSR, including Azerbaijan, subcultural social groups were formed, consisting of pro-Western, creative adolescents and youth, which radically differed from official public organizations, pioneer movements and other Soviet ideological lines, were even officially registered under the name of public associations and operated openly. Methods used. The article mainly used the methods of content analysis, the method of generalization, the method of historical analysis and other general scientific methods. Novelty in the article. For the first time in the domestic scientific literature, the issues of the formation and development of the youth subculture in Azerbaijan were subjected to careful analysis. Conclusions. The final part of the article summarizes the analysis of the stages of formation and development of the youth subculture in Azerbaijan, shows the main motives for the emergence of various types of this culture in social and spiritual life. It is also noted that when comparing informal associations in the former USSR with Western subcultural models, first of all, it should be noted that there was censorship in this system, lack of information, inaccessibility of foreign music and periodicals, etc. Due to these factors, the culture of young people was monotonous, dry and gray. Thus, in the examples of 3 types - club, hip-hop and emo, the formation and development of subcultures that existed in the Soviet and post-Soviet periods in Azerbaijan were laid not characteristic of the national mentality of values, forms of behavior and thinking. It is noted that there has always been a chaotic, unstable picture of the subculture in Azerbaijan. In most cases, instead of constancy and staticity, a process of fluidity can be observed in the subcultures of Azerbaijan. This can be seen in the example of almost all subcultural media. In the West, the human subculture is usually both a way of life and a source of income. However, due to the underdevelopment of the phenomenon of subculture in Azerbaijan, carriers of the subculture become a kind of amateurs.
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Ulusoy, Emre, and Fuat A. Fırat. "Toward a theory of subcultural mosaic: Fragmentation into and within subcultures." Journal of Consumer Culture 18, no. 1 (September 15, 2016): 21–42. http://dx.doi.org/10.1177/1469540516668225.
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We present an integrated and more nuanced analysis of the observed tendency toward eclectic, fragmented, and paradoxical subcultures in contemporary society. Through a critical ethnographic approach, we investigate the factors contributing to the motives that impel people to seek subcultural membership, which leads to fragmentation. We interview people who are avid participants of music-based subcultures. Findings reveal that subcultural antagonism and identity politics are the two factors guiding fragmentation into subcultures in contemporary society. People seek solace in membership in multiple subcultures since each subculture provides a distinct escape from different oppressions perceived in the mainstream. This cultivates the impetus for fragmentation within subcultures. Subcultural fragmentation is voluntary, resistive, and subversive. The constant fragmentation and the multiplicity and fluidity of subcultural memberships give rise to what we call a radical subcultural mosaic referring to eclectic subcultural affiliation and composite subcultural memberships fermenting presentational discourses of resistance. Members of the radical subcultural mosaic seek agency and collectivity, creativity in heterogeneity, and propose novel alternative modes of living.
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Leo, Tobias. "Der Nazis neue Kleider: Die Vereinnahmung jugendlicher Subkulturen durch die extreme Rechte." historia.scribere, no. 8 (June 14, 2016): 83. http://dx.doi.org/10.15203/historia.scribere.8.486.
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Far right parties, organisations and movements try to usurpate youth subcultural movements. As a result, Skinheads are primarily xenophobic and racist thugs for the public and media, although this subculture in reality is very heterogeneous. But it is true that right-wing extremist Skinheads are a large part of it. Today the Autonomous Nationalists try to conquer and copy left subcultures, but much more subtle and on a broad social base. The focus of this work is the acquisition of the Skinhead subculture and the attempt to do the same at left movements by the extreme right. As an explanatory model, the Hegemony Theory of Antonio Gramsci is used here.
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SAUTKIN, Aleksander. "SUBCULTURE’S CREATIVITY AS AN IDENTITY FORMATION MECHANISM / SUBKULTŪROS KŪRYBIŠKUMAS KAIP TAPATUMO FORMAVIMOSI MECHANIZMAS." Creativity Studies 10, no. 1 (January 13, 2017): 59–71. http://dx.doi.org/10.3846/23450479.2016.1231138.
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This article is about the present day value transformation of Western European civilization, happening through production of alternative models of identification in different subcultures. Subcultural creativity is reviewed as an important differentiating factor of the previous ideological integrity, turning into some contradicting parts. We made an emphasis on black metal subculture, which actively sets itself in opposition to the dominant culture. The main ideological sources of black metal subculture are The Satanic Bible by Anton LaVey and neo-paganism. The analysis reveals that neo-paganism is a more important identification factor of the rebels coming out against the dominant culture, than their commitment to LaVey’s ideas, which align quite well with the goals and aims of the late capitalist society. In black metal subculture neo-paganism sometimes combines with extreme right-wing ideologies, transferring anti-Christian nihilism, adolescent misanthropy, and aesthetical radicalism into political aspect.
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Lazutova, Natal'ya Mikhailovna, Varvara Sergeevna Semenova, Varvara Vasil'evna Vodzinskaya, and Klara Milagrosa Tope Aranda. "Hip-hop Subculture as a Media Phenomenon." Litera, no. 2 (February 2024): 171–82. http://dx.doi.org/10.25136/2409-8698.2024.2.69287.
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Subcultures are of significant interest to researchers in the humanities. The processes of digitalization and mediatization, when media network activity and media activities globally affect basic social institutions, suggest a systematic study of subcultures in the context of communication theory. It is noted that the formation and further stability, up to the rooting in the general culture, is characteristic of the youth subculture of hip-hop. The authors of the article set a strategic goal - to find out, on the basis of theoretical and methodological approach, due to what systemic (formal and content) characteristics hip-hop has spread among young people, what communicative characteristics of this subculture determined its flourishing in the period of digitalization. Among the tasks that were solved are the following: characterization of the hip-hop industry as a network media phenomenon is given, the dynamics of its changes at the level of subsystems is considered. The authors for the first time put forward and proved the hypothesis that hip-hop reflects all five stages of development of the system of mass communications. The analysis reveals the rhizome-like nature of the hip-hop subculture as the main reason for the systemic stability of this media phenomenon. The article comprehensively considers the totality of components of the hip-hop subculture as effective communicative practices: graffiti, breakdancing, DJing, rap (rap battles). The tendency of active entry of some subcultural processes and products into mass culture is noted. The peculiarities of hip-hop slang are outlined. The article brings the media-communication approach into the agenda of further scientific research of youth subcultures (primarily hip-hop) and actualizes it.
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Bhoj, Rasika, Riya Thapa, and Aritrika Roy Chowdhury. "Effects of recreation of subcultures on social media on the subculture, inter-subculture community and intra-subculture community individuals." Fashion, Style & Popular Culture 00, no. 00 (September 13, 2022): 1–17. http://dx.doi.org/10.1386/fspc_00147_1.
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In order to create their social identity, humans have a tendency to express their feelings and self in the form of views and opinions that they expect from their immediate society. In today’s tech-savvy world, social media has become the most important platform for expressing one’s feelings, experiences and creating self-identity. Subcultures based on these online identities have a direct or indirect effect on fashion, subculture, intercommunity (individuals within the subculture community) and intracommunity (individuals outside the subculture community) individuals. The rise in popularity of social media platforms has led to the recreation of such subculture communities as an online trend. The current article talks about the relation between fashion, social media and these online identities. Multiple identities that are shaped and expressed through fashion and style are created and enacted through social media. Multiple case studies were analysed for qualitative secondary research to understand the effects of recreation of multiple online subcultures, which was filtered down to the Cottagecore, E-girls and Dark Academia subcultures while keeping in mind the relevance on social media and availability of resources. These were taken as interviews from articles and blogs as secondary research pertaining to each subculture. The objective of the article is to understand the effects of recreation of online subcultures on the particular subcultures, its intercommunity, intracommunity individuals, as well as the fashion industry. Mixing and recreation of subcultures create different styles and aesthetics; thus, fashion keeps changing according to that, and trends keep coming up in the fashion industry.
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Lee, Hyoeun, and Haenghoon Kim. "Vigorous Growing of Donor Plantlets by Liquid Overlay in Subcultures Is the Key to Cryopreservation of Endangered Species Pogostemon yatabeanus." Plants 11, no. 22 (November 16, 2022): 3127. http://dx.doi.org/10.3390/plants11223127.
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Cryopreservation is a unique option for the long-term conservation of threatened plant species with non-orthodox or limitedly available seeds. However, the wide application of cryopreservation for the protection of wild flora is hampered by some reasons: limits of source material available, difficulties in in vitro propagation, needs to re-optimize protocol steps for new species, etc. In this study, using an endemic and endangered Korean species, Pogostemon yatabeanus, we investigated subculture medium and supplements on in vitro growth of donor plants: medium strength, gelling agents, liquid overlay, plant hormones, and activated charcoal. Subculture conditions of each cycle tested significantly impacted on height and dry weight of subcultured donor plantlets. Among the treatments tested, the overlay of the liquid medium on top of gellan gum-gelled medium significantly increased the growth of shoots and roots. In the droplet-vitrification procedure, the survival and regeneration of cryopreserved shoot tips were critically impacted by the dry weight of donor plantlets (CORELL = 0.85~0.95) which was affected by the following subculture conditions. Moreover, every subsequent subculture cycle before cryopreservation positively or negatively impacted post-cryopreservation regeneration. This study highlights the vigor of donor plantlets for post-cryopreservation regeneration and provides practices for the revitalization of donor plants during subcultures.
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Williams, J. Patrick. "The Straightedge Subculture on the Internet: A Case Study of Style-Display Online." Media International Australia 107, no. 1 (May 2003): 61–74. http://dx.doi.org/10.1177/1329878x0310700108.
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This article discusses one way in which cultural studies theories can be applied to current research of subcultures on the internet. Starting from Clarke's and Hebdige's theories of subcultural style and Frith's theory of music and identity, a case study of an online subcultural website is used to highlight the ways in which resistance is displayed by members of the ‘straightedge’ music subculture. In particular, usernames and signature files are analysed to demonstrate how style is constructed to communicate subcultural values and beliefs. At the same time, a critique of semiotic analyses of subcultural style is raised. It is argued that ethnographic methods are better suited to interpreting social psychological and cultural meanings attributed to subcultural activities in cyberspace.
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Sutopo, Oki Rahadianto, and Agustinus Aryo Lukisworo. "From our own voices: The meaning making of subculture among extreme metal musicians in Indonesia." Metal Music Studies 9, no. 3 (September 1, 2023): 359–67. http://dx.doi.org/10.1386/mms_00114_1.
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In the mid-1990s, extreme metal music in Indonesia was defined as a threat to the authoritarian regime’s unquestioned values of harmony and social stability. Consequently, the music had to rely on the local communities in Yogyakarta, Jakarta and Bandung. After the downfall of the military-based authoritarian regime in 1998, the alliance between extreme metal subculture and the state changed moderately. Extreme metal is no longer considered as a ‘folk devil’, nonetheless as a marketable commodity relevant to the new agenda of creative economy policy. This article draws from stories of Indonesian extreme metal musicians to illustrate the relevance of subculture concept in extreme metal music in the contemporary neo-liberal era. Using the life biographies approach, we highlight how extreme metal musicians make and remake the actual and symbolic meanings of their involvement in music subcultures based upon the temporal and spatial situatedness of their lifeworld. We focus on the narratives of two informants who have been continuously devoted to their ways of life as metalheads, not only in relation to ‘musicking’ but also in respect to maintaining ‘subcultural values’ throughout their life biographies. Regarding this, we conducted interviews with Indonesian extreme metal musicians from two major ‘metal’ cities in Indonesia: Jakarta and Bandung. In this article, we argue that as rookies, the meaning of extreme metal subculture is as a space to embody the authenticity, autonomy and community as a manifestation of subcultural values. As aficionado, they reinterpreted the meaning of extreme metal subculture as a space to maintain the values of authenticity, autonomy and community. In short, extreme metal musicians incrementally made and remade the meaning of subculture centred on the particular temporal and spatial contexts in their life biographies.
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Ivanov, Dmitrii I. "“The Dying Criminal”: The Image of the Anarchist Shlioma Asnin and the Political Struggle in Petrograd, June 1917." Historia provinciae – the journal of regional history 4, no. 3 (2020): 884–928. http://dx.doi.org/10.23859/2587-8344-2020-4-3-6.
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The paper considers the process of forming political authority during the 1917 Russian Revolution on the example of anarchist Shlioma Asnin. The importance of belonging to a subculture for building a political figure’s image and an enemy image is demonstrated. Various options of participation in a revolutionary subculture are considered, and mutual influence between common-criminal and revolutionary subcultures is described. Hard labor created “counter-mores” shared by both groups of criminals but social capital accumulated within political-prison subculture could not necessarily be translated into political authority at liberty. In Asnin’s case, perception of him as a revolutionary was undermined by a tattoo discovered on his body, the tattoo being linked to his common-criminal past before his “conversion” into a convinced anarchist. A revolutionary’s image was “assembled” from the elements some of which made the person unacceptable for society in general. Pathologization of opponents, in part due to subcultural identity, made political dialogue more difficult and increased the probability of violence. Methods of sociology of deviance were employed as the paper’s analytical apparatus.
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Zhu, Weiwei, Jinbo Hu, Jingliang Chi, Yang Li, Bing Yang, Wenli Hu, Fei Chen, Chong Xu, Linshan Chai, and Yongming Bao. "Label-Free Proteomics Reveals the Molecular Mechanism of Subculture Induced Strain Degeneration and Discovery of Indicative Index for Degeneration in Pleurotus ostreatus." Molecules 25, no. 21 (October 24, 2020): 4920. http://dx.doi.org/10.3390/molecules25214920.
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Pleurotus ostreatus is one of the widely cultivated edible fungi across the world. Mycelial subculture is an indispensable part in the process of cultivation and production for all kinds of edible fungi. However, successive subcultures usually lead to strain degeneration. The degenerated strains usually have a decrease in stress resistance, yield, and an alteration in fruiting time, which will subsequently result in tremendous economic loss. Through proteomic analysis, we identified the differentially expressed proteins (DEPs) in the mycelium of Pleurotus ostreatus from different subcultured generations. We found that the DNA damage repair system, especially the double-strand breaks (DSBs), repairs via homologous recombination, was impaired in the subcultured mycelium, and gradual accumulation of the DSBs would lead to the strain degeneration after successive subculture. The TUNEL assay further confirmed our finding about the DNA breaks in the subcultured mycelium. Interestingly, the enzyme activity of laccase, carboxylic ester hydrolase, α-galactosidase, and catalase directly related to passage number could be used as the characteristic index for strain degeneration determination. Our results not only reveal for the first time at the molecular level that genomic instability is the cause of degeneration, but also provide an applicable approach for monitoring strain degeneration in process of edible fungi cultivation and production.
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Rutten, Kris, and An van. Dienderen. "‘What is the meaning of a safety-pin?’ Critical literacies and the ethnographic turn in contemporary art." International Journal of Cultural Studies 16, no. 5 (March 11, 2013): 507–20. http://dx.doi.org/10.1177/1367877912474561.
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In this contribution we address the concept of critical literacies by analyzing how symbolic representations within subcultures can be understood as an engagement with specific literacy practices. For some time now, cultural studies researchers with an interest in literacy have depended upon ethnographic methods to document how members of subcultural communities mobilize literacy practices to achieve critical ends. But the extent to which ethnography actually grants researchers access to subcultural perspectives on literacy has come into question. In this article, we aim to problematize and thematize the ethnographic perspective on literacy in general – and subculture as a situated literacy practice in particular – by critically assessing contemporary art practices that focus on the representation of subcultural identities. We therefore specifically look at artwork by Nikki S. Lee, who focuses on subcultures in her work through ‘going native performances’.
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Jan, Tour, Ikram Ullah, Bilal Muhammad, _. Tariq, Ali Mansoor, Zaheer Ullah, and Muhammad Asif Nawaz. "EFFICIENT in vitro PROPAGATION OF Amaranthus viridis L. USING NODE EXPLANTS." Acta Scientiarum Polonorum Hortorum Cultus 19, no. 4 (August 28, 2020): 41–51. http://dx.doi.org/10.24326/asphc.2020.4.4.
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Hyperhydricity is a frequently problem in plants during in vitro culture and affected micropropagation ofplants. To develop an efficient in vitro regenerated system without hyperdydricity, we demonstrated the effectof different disinfected agents (mercuric chlorite and hypochlorite), growth regulators, their concentrationsand combinations, Agar, pH, ammonium nitrate (NH4NO3) and number of subcultures. Mercuric chlorite at0.07% and exposing time (9–10 min) was appropriate for hygienic culture. The shoots induced by Benzyladnine(BA) alone or in combination with α-Naphthaleneacetic acid (NAA) exhibited maximum multiplicationwith symptoms of hyperhydricity than those induced by Kinetin alone or in combination with NAA. Hyperhydricitywas also reduced by increasing the concentration of agar, pH and elimination of NH4NO3 from themacroelements of Murashig and Skoog (MS) medium. Repeated subcultures affected both multiplication andhyperhydricity. The multiplication of shoots increased from parental culture up to 5th subculture and thereafterdeclined in 6th subculture. Although shoot hyperhydricity were observed from 1st subculture (19%) andthen increased up to 85% in 6th subculture. This increased in hyperhydricity could be due to the remaininginfluence of hormones. In shoots of 5th subculture the content of chlorophyll (dark green) were higher thanshoots of 6th subculture.
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Sá, Aline de Jesus, Ana da Silva Lédo, Carlos Alberto da Silva Lédo, Moacir Pasqual, Ana Veruska Cruz da Silva, and Josué Francisco da Silva Junior. "Sealing and explant types on the mangaba micropropagation." Ciência e Agrotecnologia 36, no. 4 (August 2012): 406–14. http://dx.doi.org/10.1590/s1413-70542012000400004.
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In micropropagation, especially for mangaba tree botanical variety of Northeastern Brazil, limiting aspects such as ethylene accumulation in the cultivation flask and loss of vigor in subcultures have been observed. This study was aimed at assessing the technical and scientific knowledge of the in vitro propagation of botanical mangaba tree variety and at improving the micropropagation protocol, establishing the in vitro cultivation time, the best type of flask sealing and explant at different micropropagation stages. For the establishment phase and for the first and second subcultures, the MS medium with 3% sucrose and 0.6% agar, supplemented with 1 mg L-1 IAA and 1 mg L-1 BA was used. Evaluations were performed at 30, 50 and 65 days of in vitro cultivation. The best types of flask sealing for the establishment phase were the PVC film and Para-film® and for the first subculture the Para-film® seal. In the second subculture the PVC film and Para-film® seals promoted the best growth. The median and basal nodal segments presented the best performance in the first subculture. No significant effect of explant type was observed in the second subculture. The ideal subculture interval in the establishment phase and the first and second subcultures is 50 days.
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Iddon, Martin. "What Becomes of the Avant-Guarded? New Music as Subculture." Circuit 24, no. 3 (December 1, 2014): 51–68. http://dx.doi.org/10.7202/1027610ar.
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In a short ‘vox pop,’ written for Circuit in 2010, on the subject of the ‘future’ of new music, I proposed that new music — or the version of it tightly intertwined with what was once thought of as the international avant-garde, at any rate — might today be better thought of as a sort of subculture, akin to the spectacular subcultures of goth and punk, but radically different in that they developed from the ‘grassroots,’ as it were, while new music comes from a position of extreme cultural privilege, which is to say it has access, even now, to modes of funding and infrastructure subcultures ‘proper’ never have. This essay develops this line of enquiry, outlining theories of subculture and post-subculture — drawing on ‘classic’ and more recent research, from Hebdige and Cohen to Hodkinson, Maffesoli, and Thornton — before presenting the, here more detailed, case that new music represents a sort of subculture, before making some tentative proposals regarding what sort of subculture it is and what this might mean for contemporary understandings of new music and what it is for.
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U. V., Nastoiashcha. "Subculture of convicted as from criminal subculture: cultural and historical aspect." Scientific Herald of Sivershchyna. Series: Education. Social and Behavioural Sciences 1, no. 6 (July 2, 2021): 98–111. http://dx.doi.org/10.32755/sjeducation.2021.01.098.
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The purpose of the article is to distinguish the subculture of convicts and criminal subcultures as a known concept Methodology. The basis of this study is a theoretical analysis, synthesis, generalization, systematization of available scientific literature on the subject. Results. The theoretical analysis of scientific works on the basis of an interdisciplinary approach helped to distinguish the subculture of convicts and the criminal subculture in the context of their manifestations in the public consciousness. It is determined that the subculture of convicts develops on the basis of the criminal subculture, which performs a regulatory function in relation to convicts. The criteria of delimitation of subcultures are singled out, which gives each of them a separate place in the general continuum and concerns: attitude to social and legislative norms, places of formation and forms of manifestation, peculiarities of communication and self-presentations. It is proved that a clear distinction between the convicted subculture and the criminal subculture will provide a basis for the rehabilitation of convicts and the effectiveness of the penitentiary service in prison conditions. It was established that the subculture of convicts is a structural element of the criminal subculture with its own system of norms, values, traditions, customs that regulate the behavior of convicts in the informal structure of penitentiaries. Its emergence and existence in places of imprisonment causes a compensatory psychological reaction with a forced desire to adapt, ensure their safety, assert themselves in a community of their own kind, where inevitably formed a system of values, concepts, customs, regulating relations between individuals isolated from society. Practical implications. The subculture of convicts is created and manifested in places of imprisonment, is characterized by the preservation of norms, values, traditions, customs of the criminal subculture, provides for the formation of adaptive mechanisms for places of imprisonment with subsequent inclusion in the rehabilitation process. Value (originality). The clarity of the distinction between the subculture of convicts and the criminal subculture will create the basis for the deployment of prison rehabilitation processes and increase the efficiency of the penitentiary service. Key words: subculture (criminal, prison, convicts), penitentiary institutions, norms of behavior regulation.
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Xing, Li Jun, Tian Lei Qiu, Qiong Qiong Zhang, Bing Hao Su, and Xu Ming Wang. "Effect of Different Subculture Methods on Fruit-Body Yield of Cordyceps militaris." Advanced Materials Research 183-185 (January 2011): 1242–45. http://dx.doi.org/10.4028/www.scientific.net/amr.183-185.1242.
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Different inoculation methods were employed in the process of the Cordyceps militaris subculture. The experimental results indicated that fruit-body yields of strains obtained by mycelium subculture using transfer needle were unstable, and the subcultures obtained by transferring mycelial cakes made by using a punching bear had the relatively high stability. Two kind of subcultures had a significant difference in fruit-body yield using one-way ANOVA analysis (P<0.05).
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Collier, Ben, Richard Clayton, Alice Hutchings, and Daniel Thomas. "Cybercrime is (often) boring: Infrastructure and alienation in a deviant subculture." British Journal of Criminology 61, no. 5 (April 15, 2021): 1407–23. http://dx.doi.org/10.1093/bjc/azab026.
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Abstract The boredom and alienation produced by capitalist societies and countervailing forces of attraction and excitement are at the heart of the subcultural account of crime. The underground hacker subculture is no exception, commonly represented as based around exciting, technically skilled practices and high-profile deviance. However, the illicit economy associated with these practices has become industrialized, developing shared infrastructures that facilitate the sale of illicit services rather than skilled technical work. We explore how this shift in the nature of work has shaped the culture and experiences of this subculture. Developing a novel concept—the ‘illicit infrastructure’—and drawing on an extensive analysis of empirical data from interviews and novel data sources such as forums and chat channels, we argue that as they industrialize, deviant subcultures can begin to replicate the division of labour, cultural tensions and conditions of alienation present in mainstream capitalist economies.
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Sweetman, Paul. "Structure, Agency, Subculture: The CCCS, Resistance through Rituals, and ‘Post-Subcultural’ Studies." Sociological Research Online 18, no. 4 (November 2013): 227–36. http://dx.doi.org/10.5153/sro.3246.
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Post-subcultural studies has emerged as a critical response to perceived difficulties with the previously dominant approach to subcultures associated with the Birmingham Centre for Contemporary Cultural Studies (CCCS). Alternative terms such as scene and tribe have been suggested in light of the supposedly more amorphous nature of contemporary formations. Others have defended the CCCS approach, or argued for a revised understanding of subculture which attends to difficulties with the CCCS framework whilst implying greater stability than other more recent terms. The following outlines these debates before focusing specifically on Hall and Jefferson's (2006) own response. Whilst agreeing with the argument that subcultural studies needs to be properly contextualised, it suggests that post-subcultural studies reminds us also of the need properly to attend to subcultures in practice. It then interrogates the claim that the CCCS did both, noting not just the lack of ethnography in Resistance through Rituals, but the bias against ethnography implicit in the Centre's Marxist-realist approach, and the unresolved tension between their culturalist and structuralist leanings, to which semiotic analysis came to the rescue by allowing agency to be read-off from subcultural assemblages rather than explored in practice. It also addresses some of the problems with this. It concludes by suggesting how the concept might be reformulated to address lacunae in the CCCS project and shifts in the nature of contemporary ‘subcultures’, whilst retaining a sense of their importance and not reducing them to the status of either youth-culture in general or any-other-lifestyle.
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Maulina, Novaria, Yuyun Wahyu Izzati Surya, and I. G. A. K. Satrya Wibawa. "Subculture of female Korean culture fans: pleasure, creativity, and sisterhood." Jurnal Studi Komunikasi (Indonesian Journal of Communications Studies) 8, no. 1 (March 28, 2024): 104–14. http://dx.doi.org/10.25139/jsk.v8i1.6427.
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The entry of the Korean wave in the early 2000s in Indonesia, which was facilitated by internet technology, has become part of communication activities. This has led to the formation of subcultures of fans of Korean wave products, namely K-Drama and K-Pop, including women's subcultures who like K-drama and K-Pop. This subculture was built and developed through social media such as Facebook and WhatsApp. This article reviews how the digital era has changed how female fans interact to empower themselves through subcultures in the online space, mainly focusing on female fans of K-pop bands and K-dramas. Using the ethnographic research method, the research results show that along with the digital era that continues to develop, the subculture of female fans, initially formed through a physical collective group, has now evolved into a subculture of female fans formed through internet-based interactions. The subculture of female fans in the online space has become a forum for exploring pleasure, creativity, and self-empowerment through text production and reproduction of media texts supported by digital technology. Exploration of fun, creativity, and self-empowerment merged in a sense of sisterhood, participatory and collaborative culture.
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Kraniauskas, Liutauras. "Miesto erdvė ir subkultūrų dinamika Klaipėdoje 1991–2010 m. (1)." Sociologija. Mintis ir veiksmas 30, no. 1 (January 1, 2012): 165–209. http://dx.doi.org/10.15388/socmintvei.2012.1.402.
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Santrauka. Tekste svarstomas klausimas apie miesto erdvių sąsajas su subkultūrų raišką. Pasitelkus dviejų dešimtmečių empirinę medžiagą, bandoma rekonstruoti Klaipėdos muzikinių subkultūrų dinamiką posovietiniu laikotarpiu. Šioje studijoje siekiama suderinti britų kultūros studijų įžvalgas apie hegemoninės jaunimo kategorijos santykį su subkultūromis, Kevino Hetheringtono ekspresyvios tapatybės teoriją ir Michelio Maffesoli teorines įžvalgas apie šiuolaikinio socialumo formas. Visos teorinės prielaidos susijusios su erdvės ir tapatybės santykio pažinimo klausimu. Posovietinio laikotarpio Klaipėdos subkultūrinių erdvių tyrimas atskleidžia, kad 1991–1996 m. galima stebėti subkultūrų subordinaciją hegemoninei jaunimo kategorijai, stilių hibridiškumą ir subkultūros suartėjimą su popkultūra. 1997–2002 m. subkultūros pradeda trauktis iš viešosios erdvės, jaunimo laisvalaikio vietų ir socialinės kontrolės akiračio, kas vedė link naujų erdvių paieškos ir jų pritaikymo subkultūrinės tapatybės raiškai. 2003–2010 m. laikotarpiui būdinga subkultūrų diferenciacija, ideologinis išsigryninimas ir ritualinių erdvių uždarumas. Įvardinti subkultūrų dinamikos procesai interpretuojami platesniame urbanistinių pokyčių kontekste. Šiame žurnalo numeryje spausdinama pirmoji straipsnio dalis.Pagrindiniai žodžiai: subkultūra, jaunimas, miesto erdvės, subkultūrinė tapatybė, ideologija, Klaipėda, posovietinis laikotarpis, socialiniai pokyčiai.Keywords: subculture, youth, urban space, subcultural identity, ideology, Klaipeda, post-Soviet, social changes. ABSTRACTURBAN SPACES AND SUBCULTURAL DYNAMICS IN KLAIPEDA IN 1991–2010The main issue discussed in the article is relationship between urban spaces and subcultural identity: what empirical analysis of subcultural places say about social processes in a city? The present study is empirical reconstruction of the dynamics of musical subcultures as spatial phenomena in a post-Soviet city (Klaipeda, Lithuania) and covers two decades of rapid urban changes. In our study of post-Soviet period we follow Marxists interpretation proposed by CCCS about relationship between hegemonic youth category and subculture, apply Kevin Hetherington’s theory of expressive identity, and empirically explore Michel Maffesoli’s ideas about changing sociality. All theoretical assumptions differently focus on relations of space and identity.The study locates three periods of subcultural dynamics in Klaipeda. In 1991–1996 subcultures were subordinated to hegemonic youth category; pop culture and subcultures were not differentiated; the different styles were mixed in hybrid identities. In 1997–2002 subcultures leave public spaces and escapes from social control, what leads them to exploration and appropriation of new spaces for ritual performances. 2003–2010 are marked by subcultural differentiation, ideological purification of subcultural identity and seclusion of ritual spaces. Identified processes are discussed in a wider context of urban changes. In this issue of the journal is published only the first part of the study.
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Litz, Richard E. "Effect of Osmotic Stress on Somatic Embryogenesis in Carica Suspension Cultures." Journal of the American Society for Horticultural Science 111, no. 6 (November 1986): 969–72. http://dx.doi.org/10.21273/jashs.111.6.969.
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Abstract Suspension cultures derived from Carica papaya L. ovular callus were subcultured on modified Murashige and Skoog medium containing 60 g·liter−1 sucrose, 400 mg·liter−1 glutamine, 9 μm 2,4-D, and either 0–0.45 m sodium chloride (NaCl) or the osmotically equivalent concentrations of mannitol. After 4 successive subcultures (120 days), the suspensions from each NaCl treatment were inoculated into the entire range of salt-containing media, and were subcultured on the same media formulations for 4 months. Cultures grown in the presence of mannitol were treated in the same manner. Sodium chloride generally inhibited somatic enbryogenesis; however, somatic embryogenesis was stimulated greatly following subculture from media with 0.18 m NaCl into media containing lower concentrations of salt. Enhancement of somatic embryogenesis also occurred following preconditioning with 0.30 m and 0.45 m mannitol. The increased rate of somatic embryogenesis was lost after 2 to 3 subcultures in media having lower osmolarities. Chemical names used: (2,4-dichlorophenoxy)acetic acid (2,4-D).
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Malakhova, E. V. "The aesthetics of symbol in modern youth subculture." Izvestiya MGTU MAMI 7, no. 4-2 (April 20, 2013): 82–88. http://dx.doi.org/10.17816/2074-0530-68004.
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Modern youth subculture is a specific space of communication with symbols which are aesthetic objects at the same time. This symbols form a subcultural context around themselves. They are a mirror of a world-view of people involved in subculture. And after all, they can be a connection link between youth subculture and the larger context of modern society’s culture.
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Osadcha, L. V. "Personal identity in the space of virtual culture: on the example of geek and glam subcultures." Anthropological Measurements of Philosophical Research, no. 22 (December 28, 2022): 90–98. http://dx.doi.org/10.15802/ampr.v0i22.271341.
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Purpose. The article presents exploring the cultural and anthropological traits of consumers and producers of cultural services and products in the digital epoch. There have been singled out two types of cultural subjectivity according to the aim of a person’s activity in the virtual net: either production of things, services, and technologies or the consumption and creative use of all mentioned innovations. So these sociocultural formations are called "geek" and "chic" subcultures. Theoretical basis. The historical genealogy of the definitions was analyzed, so as the changes in social esteem of the contribution of geeky persons to modern art and design practices. Social and cultural identities of those who belong to the modern youth-subcultural communities have been formed according to the topology and temporality of digital trends. To explain the worldview characteristics of the members of those subcultures the concept of "the New Middle Ages" was used to discover the values and pursuits of those who represent geek and chic subcultures. The study is based on the theoretical works of such classical authors as A. Toffler, and Z. Bauman, as well as current investigators of youth cultures. They are Calum Finister, Thomas V. Pollet, Nick Neave, Jessica McCain, Billy Wong. The chic subculture is oriented toward the imitation of visual images, consumer habits, and the way of life of successful (or seemed to be such) people. Glamorous followers need to receive approvals and likes from like-minded people. The geek subculture is more inner-sense-oriented. It unites intellectuals and activists who have common creative intentions. Originality. There have been analyzed the main attributes and features of such modern subcultures were conditionally named chic and geek. They were analyzed in the context of the concept of the New Middle Ages. Conclusions. The virtual user’s life world seems to be diverse only quantitatively, but qualitatively it is as narrow, mythopoetic, and esoterically uncritical as the world of the Medieval person, who used to live the whole life in the same place, mai in one’s village. But thanks to the merger of the IT industry with effective social management, the geek culture becomes a powerful super-subculture that defends values of social good, industrial productivity, and cultural creativity. Chic subculture creates new trends in fashion and art discourse. It develops modern lifestyles, its visual images with which our era will be associated in the future.
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Ilgūnė-Martinėlienė, Rita. "Impact of Subcultures on Educational Process in School: the Approach of Teenagers Belonging to Subcultures." Pedagogika 121, no. 1 (April 22, 2016): 124–35. http://dx.doi.org/10.15823/p.2016.09.
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Analysis of scientific literature suggests that the topic of subcultures attracts the attention of scientists. A number of authors analyse the behavioural characteristics of subculture groups, search for the concept of subcultures that reflects several theories (structural functionalism, social class theory and the post subcultural approach) approach to the problems of youth subcultures. It should be noted that there is a perception of public that teenagers who belong to the groups of subcultures stand out from their peers due to their behaviour. Due to this reason they are often classified as teenagers from risk groups, sometimes called “difficult teenagers” or identified as teenagers-delinquents. This provision that is often wrong and forms a negative attitude towards teenagers belonging to the subcultures. There are stereotypes that such teenagers have problems in education, they are not successful in schools. Such public provision causes a task for scientists to clarify youth manifestations of otherness and manage them, positively use otherness of the students in education. It is important to conduct systematic research that would help to reveal the impact of subcultural lifestyle on the achievements of teenagers, their behaviour, and communication with teachers, to set the arising problems and offer possible solutions. It is especially important in Lithuania because the research relating this issue in our country is rare. Problematic questions can be raised: what influence of subcultures on educational process is identified by the teenagers belonging to various subcultures? How do they feel in the society: are they valued and recognized?
The article refers to the approach of teenagers belonging to the subcultures on (self-) educational process in school and presents the opinion of these teenagers about the recognition and evaluation of subcultures in public. In order to more deeply understand the impact of subcultures on the process of (self-) education in a school, exploratory qualitative study has been carried out on March-April in 2014. The results of the study which was aimed to reveal the opinions of teenagers belonging to alternative subcultures about the impact of subcultural life on their (self-) education achievements, behaviour and communication with teachers allow to state that these teenagers in sciences are similarly successful as their other classmates. The people around do not seek for other reasons of the failure of these students. The approach to the discrepancies of teenagers belonging to the subcultures and traditions and social behaviour of the society should not be treated as deliberate violation of non-compliance with norms and established rules. It is more rational to recognize a subculture as an alternative of established culture or its strain in the space full of changes.
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Ryan, Kathleen. "Pin Up! The Interactive Documentary." Interactive Film and Media Journal 2, no. 1 (January 30, 2022): 122–35. http://dx.doi.org/10.32920/ifmj.v2i1.1513.
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Pin Up! The Movie: An Interactive Documentary uses oral history to explore an international subculture. In it, women and men adopt vintage style and advocate for social and political change. Specifically, they use the subculture to advocate for anti-racist practices, call for body positivity, and lobby for full equity and acceptance of LGBTQI subcultural members. These advocates do this with acknowledgement of historical racism and sexism, which is sometimes echoed in the contemporary subculture. This i-doc intentionally uses non-professional storytelling tactics (vertical video, online video recordings, strait to camera interviews) to transform notions of a proper “aesthetic” within the documentary genre. It also invites subcultural members to take over its social media feeds. This paper argues that actively approaching the i-doc as a shared authority demonstrates how emerging formats, gamification of storytelling, and non-narrative structures can result in a sense of subcultural authenticity: a way to use the documentary format to provide agency to both members of the subculture featured in the project, as well as to audience members.
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Harrison, Jane. "The applicability of different subculture theories to the Istanbul metal scene in the early twenty-first century." Metal Music Studies 9, no. 3 (September 1, 2023): 335–41. http://dx.doi.org/10.1386/mms_00112_1.
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This article discusses various subculture theories and the contemporary metal scene in Istanbul. This vibrant scene is part of the global metal transculture, where local and global elements interact. In addition to aspects of Kahn-Harris’s and Hodkinson’s theories, Weinstein’s characterization of metal subculture as a community revolving around a distinctive sound world is especially appropriate. Discourses of distinction are not a primary component of this subculture. Hebdige’s subculture theory, despite its weaknesses, is helpful for understanding this subculture, especially the articulation of subcultural resistance in terms of its relationship to the parent culture. This metal subculture retains many local parent culture features, including norms of morality, respect for elders and gender relations. At the same time, subculture members believe that metal songs empower them to make autonomous decisions in a culture that strongly values collectivism, challenge the dominant religious ideology, and contest aesthetic conventions of traditional and pop genres in Turkey.
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Serova, O. E., and E. P. Guseva. "The Spiritual Space of Modern Education: Problems, Theory, Practice. The Interregional Conference in Memory of A. D. Chervyakov." Psychological-Educational Studies 9, no. 4 (2017): 118–24. http://dx.doi.org/10.17759/psyedu.2017090412.
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The authors provided information on the first interregional conference of scientific and pedagogical community of the Yaroslavl region dedicated to the memory of the Psychological Institute employee A.D.Chervyakov - scholar, historian of psychology, methodology and organizer of work on the formation of spiritual and moral content of training courses for children and teenagers. In the plenary session speakers invited to discuss a wide range of General methodological issues: the moral lessons of the creative heritage of Russian ascetics, scholars and teachers; the importance of the Orthodox culture in historical educational research context; the practice of the study of old Russian literature as a factor in the spiritual development of students; studying in school and University language of the icon as the basis of spiritually-moral education of a person; moral criteria for the development of the individual student in the modern education; the spiritual foundations of psychological perspectives; ethical and moral standards in the work of the teacher. Discussion at the round table "Youth subculture: tradition and deviation, moral and psychological-pedagogical problems" turned on: a subculture as a tool of socialization and moral formation adolescents; antisocial practices in subcultural spaces; the moral and psychological degradation as a consequence of aggressive subcultural associations; the way to build a dialogue of generations in the modern educational space; the family as an important resource for the confrontation of anti-social effects of youth subcultures; the spiritual and moral traditions of the Yaroslavl region as a means to counter the influence of destructive youth subcultures.
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Kuzovenkova, Yu A. "SUBCULTURES OF PROVINCE: A TRIBUTE TO THE CAPITAL'S FASHION OR A REQUEST FROM THE YOUTH SPHERE? (ON MATERIALS OF THE HIP-HOP SUBCULTURE)." Aspirantskiy Vestnik Povolzhiya 19, no. 3-4 (June 15, 2019): 74–79. http://dx.doi.org/10.17816/2072-2354.2019.19.2.74-79.
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The article discusses the causes that led to the spread of hip-hop subculture in regional cities of Russia. We decompose the time period covering the end of the 1990s - the beginning of 2000s. Material for the study are semistructured interviews taken from representatives of this subculture during this period. Fashion for this subculture from Moscow is not the only reason for the spread of hip-hop in Samara. The study showed that the spread of hip-hop in Samara was strongly influenced by the social situation in which young people lived in the first decades after the collapse of the Soviet Union. Young people felt a deep social and spiritual crisis in the country. There were several youth subcultures in the city in this background: skinheads, rastamans, rockers, hip-hop. The materials of the interviews allow us to say that a choice of young people among these subcultures bases on their priorities and values. The representatives of hip-hop have two key priorities: a healthy lifestyle and creative selfrealization. Subculture of hip-hop has become for teenager’s special cultural space that is different from the dominant cultural which had strong value uncertainty. We believe that the spread of the hip-hop subculture in regional cities was not only a tribute to the capital fashion, but also a means of overcoming the social crisis arised from the collapse of the USSR.
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PONOMAREV, SERGEY B., DMITRY S. PONOMAREV, and VERA E. POLISHCHUK. "Prison subculture as a factor of professional deformation of employees of the penal system of the Russian Federation: problem formulation." Vedomosti (Knowledge) of the Penal System 234, no. 11 (2021): 25–31. http://dx.doi.org/10.51522/2307-0382-2021-234-11-25-31.
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The article examines the negative impact of the prison subculture on society, studies the roots of the problem. Protracted communication with bearers of the prison subculture can lead to individual degradation and loss of the ability to cope with the deforming influence of the prison subculture. This contributes to a decrease in the individual cultural and intellectual development and devalues such human values as compassion, love, trust and socially acceptable behavior. Thus, in the focus of the study there was the problem of the prison subculture as a factor of professional deformation of employees of the penal system. At the same time, the subject of research was the prison subculture, and the topic of research was the direct influence of the prison subculture on the professional deformation of penal system employees. As a result of the work carried out, the problems of the prison subculture’s influence of the on society were investigated and measures to counteract its impact on the professional deformation of employees of the penal system were proposed. Key words: prison subculture, society, destructive influence, expansion, socialization.
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Prickman, Gregory J. "A Network and its Ephemera before the Internet: The Hidden Treasures and Clear Challenges of Apazines." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 9, no. 1 (March 1, 2008): 136–41. http://dx.doi.org/10.5860/rbm.9.1.303.
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Subcultures produce many types of ephemera, and they often have linguistic conventions that accompany them. To those outside, words such as “minac,” “egoboo,” “annish,” and “akicif ” have little meaning, but they are all examples from a particular subculture’s ephemeral publication that even goes by a name that is obscure: the apazine. What is an apazine, why are they increasingly important, and how is this type of ephemeral material made accessible? These questions can be answered by looking at how apazines developed and the characteristics of the subculture of science fiction fandom that created them.Message boards, listservs, and other ...
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Schrijnders, Marlene. "From London to Leipzig and Back: A Transnational Approach to the Endzeit (R)Evolution (1976–92)." Britain and the World 11, no. 1 (March 2018): 75–100. http://dx.doi.org/10.3366/brw.2018.0288.
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Twenty-five years ago, just as the Cold War ended with the fall of the Berlin Wall in 1989, the suitably-titled West German goth fanzine Glasnost announced that a festival called Wave-Gotik-Treffen was to be held in the East German city of Leipzig. Today, the Wave-Gotik-Treffen is the biggest such festival in the world. Initially, however, its significance lay in allowing East and West German goths to meet and dance together, revealing differences in their respective experiences and understanding of the dark subculture. This article will examine two inter-related questions. First, what was the relationship between ‘goth’, as a music and aesthetic, across the frontier of the cold war? Second, to what extent were the goth subcultures of East and West Germany informed by and understood in relation to the original goth subculture emergent within the UK? The article will feed into the debate on the politics of youth culture, but also on the ways by which subcultural meanings and identities are transmitted and redefined across national borders.
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Bastari, Rendy Pandita, Idhar Resmadi, and Wahyu Lukito. "NILAI-NILAI SUBKULTUR DALAM MEREK MATERNAL DISASTER." Jurnal Bahasa Rupa 4, no. 2 (April 21, 2021): 134–45. http://dx.doi.org/10.31598/bahasarupa.v4i2.670.
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Subculture is a movement against the mainstream that is manifested through music, fashion and lifestyle. One of the supporting element of the manifestation of a subculture is the existence of products from certain brands that have authenticity. The authenticity of a brand can be formed through the interaction of a brand with its community. A brand is not constructed by itself, but it must be built with various actions towards a community with its own ecosystem so as to give rise to consumer attitudes and habits towards a brand's product. Previous studies have shown that general consumers with subcultural actors show different attitudes towards a product from a certain brand. Another study shows that brands imitate the behavior patterns of a subculture and make it their target market to sell products. This study aims to take another approach, namely a sociological approach, by conducting a case study of a brand that is associative with a subcultural movement, one of which is Maternal Disaster. The method used in this study was an unstructured interview with the owner of the Maternal Disaster brand, visual samples analysis and an analysis based on the sociological theory of Pierre Bourdieu. The result of this research is a recommendation, brands that want to start moving in the subculture must prioritize the values that are upheld by the subculture movement. In addition, interaction with the community must be built through the support of activities in the subculture.
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Bae, Jinjoo, Jae-Young Song, Young-Yi Lee, Ye-ji Lee, Youn Jung Choi, Oh-Keun Kwon, Sung-Hee Nam, Ho-sun Lee, Seok Cheol Kim, and Ji-Won Han. "Micropropagation and Shoot Tip Cryopreservation of ‘Sunny Gold’ Freesia." Plants 13, no. 12 (June 14, 2024): 1655. http://dx.doi.org/10.3390/plants13121655.
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Cryopreservation is a promising method for the long-term preservation of plant germplasm, especially for vegetatively propagated species like freesias. In this study, we investigate streamlining the cryopreservation process for ‘Sunny Gold’ Freesia, starting from effective in vitro initiation and proliferation using various plant growth regulator combinations. We also assess the impact of subculture on regrowth rates after cryopreservation. The shoot tips were successfully initiated in vitro after sterilization. The shoots were multiplied an average of three times in media containing N6-benzyladenine and kinetin. The regrowth rates of non-cryopreserved shoot tips excised from different subculture cycles did not differ significantly, with rates of 44% observed for plants from more than five subcultures and 47% for those from three subcultures. However, only the shoot tips excised from cultures subjected to three subculture cycles were able to recover after cryopreservation, with a regrowth rate of 31%. Our findings lay the groundwork for the development of an efficient cryopreservation protocol for freesias in the future.
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Yegorova, N. A., and I. V. Stavtzeva. "Clonal micropropagation of essential oil rose cultivars and breeding samples at long-term subcultivation in vitro." E3S Web of Conferences 224 (2020): 04010. http://dx.doi.org/10.1051/e3sconf/202022404010.
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The development of explants of 12 cultivars and breeding samples of essential oil rose (obtained with the participation of Rosa damascena Mill., R. gallica L., R. alba L.) during long-term micropropagation was investigated. At the second multiplication stage 5 subcultures were carried out. Increase of the studied morphometric parameters of explants to 3-4th subcultures was established. In some genotypes, the maximum multiplication index was in the third subculture (сultivars ‘Raduga’, ‘Zolushka’, ‘Lada’, ‘Krymskaya Krasnaya’, ‘Lany’, ‘Vesna’ and samples N37-24, M215), while in others (сultivar ‘Kazanlykskaya’ and samples N138, G2168, N37-2) – in the fourth. The largest increase of the multiplication index in 3-4th subcultures compared to the first (3.0-4.8 times) was found in the cultivars ‘Lada’, ‘Lany’, ‘Raduga’, ‘Krymskaya Krasnaya’ and sample N37-24. In the fifth subculture the multiplication index decreased. However, in most cultivars and breeding samples it was higher than in the first subculture. The best morphogenetic potential was noted for сultivar ‘Raduga’ and samples G2168, N37-2, in which the multiplication index reached 14.2, 14.4 and 11.8, respectively. The minimal ability to propagation in vitro was in samples M215 and N138 – their multiplication index did not exceed 1.1 - 4.0.
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Sheveleva, Anna. "Values of Professional Sphere in Youth Subcultures." Open Psychology Journal 13, no. 1 (April 21, 2020): 27–39. http://dx.doi.org/10.2174/1874350102013010027.
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Background: Solving the problem of professional self-determination is an important task of social development in adolescence. All social functioning of the personality takes place in the context of culture, with subculture being one of its components. Objective: Identification of peculiarities of ideas about professional values in different youth subcultures. Methods: The respondents are young people belonging to the subcultures “rock” and “anime”, and those who do not belong to any subcultures, a total of 180 people. The techniques “Career Anchors” by E. Schein and “Terminal values questionnaire” by I.G. Senin were used. The methods of statistical processing are Spearman correlation analysis, Friedman criterion, Mann-Whitney criterion. Results: The differences of ideas about professional values in different subcultures and at the persons who do not refer themselves to any subcultures are revealed. The results describe the preferences of different career anchors and their consistency or inconsistency towards the terminal values of the professional sphere. Conclusion: Taking into account the subcultural affiliation of young people with the psychological support of their professional self-determination can influence the effectiveness of work with youth.
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Kolesnik, Elena Andreevna, Vladimir Gennadyevich Stepanov, and Larisa Leonidovna Pavlova. "The Study of the phenomenon of the youth subculture and its place in the cultural and educational environment of the Russian higher education institution." Revista Amazonia Investiga 9, no. 26 (February 21, 2020): 88–96. http://dx.doi.org/10.34069/ai/2020.26.02.10.
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The article considers the youth subculture from the position of its place in the cultural and educational environment on the example of universities in Tyumen. The authors concluded that the concept of subculture accumulates a certain system of values and attitudes inherent in this or that isolated social community, as well as their ways of behavior and life styles. In the process of analysis it was determined that there was a positive attitude towards youth subcultures in universities. At the same time, the educational environment of universities is not always able to accept the diversity of youth subcultures. In this regard, the authors proposed some areas of interaction between universities and youth subcultures - the introduction of trendy elective courses in the educational space, the development of technical creativity through the maker culture, strengthening the health of students through the introduction of sports subcultures, etc.
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Medvedeva, Irina A. "IDEAS ABOUT FAMILY AND MARRIAGE AMONG REPRESENTATIVES OF YOUTH SUBCULTURES." Научное мнение, no. 10 (October 23, 2023): 73–77. http://dx.doi.org/10.25807/22224378_2023_10_73.
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The article presents the results of studying the ideas about family and marriage among representatives of different youth subcultures. The study sample consisted of representatives of three areas of youth subculture: anime fans, adherents of healthy lifestyle and gamers. The results obtained indicate that gamers and representatives of the anime subculture are focused on the egalitarian type of family, and representatives of the healthy lifestyle direction are focused on the traditional family model.
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Ryabtsev, S. V., P. E. Kirillov, and L. A. Fomina. "Religious destructiveness in subcultural groupings." E-Journal of Dubna State University. A series "Science of man and society -, no. 3 (September 2020): 39–45. http://dx.doi.org/10.37005/2687-0231-2020-0-9-39-45.
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An attempt is made to reveal the phenomenon of religious subculture in its destructive manifestations. The influence of the subcultural image of religion on social practices is analyzed. Correlation of religion and subculture is made, which allows us to trace the development of the phenomenon of superstition outside and inside subcultural groups, their external signs and characteristic traits. Attention is drawn to methods serving to suppress individual manifestations of personality, to achieve the goals outlined by the leaders of the groups, to the detriment of not only the individual, but also society as a whole
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Rytov, D. A. "Folk musical instruments in the childhood subculture." Vestnik of Saint Petersburg State University of Culture, no. 3 (44) (September 2020): 88–93. http://dx.doi.org/10.30725/2619-0303-2020-3-88-93.
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The article is concerned with the problematics of resource analysis of folk musical instruments in childhood subculture. The features and main characteristics of the childhood subculture are revealed. The sociocultural experience acquired by a child is classified, the options of musical activity and folk instruments as well as the mechanisms of their application in the childhood subculture are distinguished. The attributes of childhood lifesustaining activity are considered, folk musical instruments as the attributes of childhood life-sustaining activity and the features of their functioning are analyzed. The main diff erences and positive effects of folk musical instruments and playing them within the childhood subculture are distinguished and presented, a comparative analysis of their use in the typology of cultures is carried out. The subcultural forms of children’s interaction when playing folk instruments are presented. The key potentials that actively infl uence the formation and development of the modern childhood subculture with the use of folk instruments are identifi ed and substantiated.
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Moghaddam, Kimia. "Rock music fans’ subculture in Tehran." Social Responsibility Journal 11, no. 3 (August 3, 2015): 424–38. http://dx.doi.org/10.1108/srj-11-2014-0151.
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Purpose – The purpose of this paper is to the investigate the rock music, and in particular the genre known as heavy metal, subculture in Iran and identify its relationship to social responsibility. Design/methodology/approach – The research was conducted qualitatively through in-depth interview with more than 100 rock music fans who identify themselves as belonging to the particular subculture under investigation. It also investigates the history of such music within the country to explain that it is marginalized and forbidden in a way which is not generally understood in Western countries. Findings – The findings of the paper show that the fans of the music identify themselves as a particular subculture within the society and share not just an interest in the music but also in social concerns, politics and religion. Social implications – This paper shows that subcultures are interrelated with social responsibility and that this is dependent upon the nature of the society in which the subculture resides. This is important in understanding the dynamics of change within a country. Originality/value – This is one of the very few papers which looks at the link between subcultures and social responsibility and, therefore, is important in showing that social responsibility can develop independently of any organization while not being bounded by the nature of the society which spawns it.
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Tapia, Mike. "Modern Chicano Street Gangs: Ethnic Pride Versus “Gangsta” Subculture." Hispanic Journal of Behavioral Sciences 41, no. 3 (June 25, 2019): 312–30. http://dx.doi.org/10.1177/0739986319858966.
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This article examines the subcultural characteristics of modern Chicano street gangs, using San Antonio, Texas, as a case study. It is informed by archival material, police data, and multifaceted fieldwork with gang members and police in that city. The result is a broad sweeping analysis of the role of various social forces in shaping the form of contemporary Chicano gangs. I find that gang migration, the social mimicry of Black gangs, and the weakening of ethnic pride have all profoundly affected modern street gang subculture. However, ethnic pride norms have not completely faded away, presenting an interesting bifurcation among modern Chicano gangs. Profiling the most violent and reputable gangs from the early 1990s to 2015 in San Antonio drives this analysis of barrio longevity versus cultural succession. This study concludes that there are “period effects” that are not well accounted for in the current literature on youth gang subcultures.