Academic literature on the topic 'Subculture'

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Journal articles on the topic "Subculture"

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Kattari, Kimberly. "Surviving through subculture: Finding undeath in psychobilly." Punk & Post Punk 9, no. 1 (February 1, 2020): 77–94. http://dx.doi.org/10.1386/punk_00019_1.

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While some scholars suggest that subcultures are a thing of the past, that we are living in a post-subcultural era, an ethnographic exploration of psychobilly shows that subcultures still play a meaningful role in contemporary society. Since its development in the early 1980s, psychobilly has uniquely blended punk, rockabilly and horror to express countercultural values and aesthetics. Like the groups studied by the Centre for Contemporary Cultural Studies in the 1960s and 1970s, the psychobilly subculture is characterized by consistent and distinct values and tastes, a shared sense of collective identity, committed involvement over a long period of time, and relative independence from the culture industry. By participating in this obscure but strongly defined subculture, psychobillies not only express their resistance to mainstream culture but also find strategies to manage and improve their lived experience. As a result of their committed subcultural involvement, psychobillies feel alive, or, rather, ‘undead’, a metaphor made all the more symbolic because of the subculture’s interest in a host of undead creatures. This article thus argues for continued application of subcultural theory to understand the significant meaning and impact of participation in non-conformist communities today.
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Kuzovenkova, Yuliya A. "Paradigm approach in the analysis of Russian and European youth subcultures." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 60 (2021): 42–54. http://dx.doi.org/10.37816/2073-9567-2021-60-42-54.

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European scientific tradition distinguishes between modern and postmodern subcultural paradigms. Contrary to that, the issue of youth subcultural paradigms in Russian research tradition is still open. The specificity of the Russian subcultures is that they trace their origin either in Europe or the USA. In view of this, it is important to identify the features of European cultural phenomena that are present in the Russian cultural space. The European paradigm approach is introduced through the works of D. Hebdige and D. Muggleton. Paradigm features of subcultural analysis offered by these scholars provide the basis for analysis of the Russian empirical material. In particular, the study takes into account such characteristics as the presence / absence of a border between subcultures, the presence / absence of the ideology of a subculture, the fixity / fluidity of subcultural identity, the presence / absence of the influence of mass media on subcultural identity, the presence / absence of capitalist values in the subculture, the presence / lack of protest potential in subcultures. Interviews with representatives of the first and second waves of the Samara graffiti subculture became the empirical material of the study. We identified paradigmatic characteristics in the first and second waves of the subculture and compared them. The results obtained allow concluding that the Russian subcultural space has its own specifics, and the subcultural paradigms of both the first and second waves are of a hybrid nature, containing features of both modern and postmodern paradigms.
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Johnston, Hank, and David A. Snow. "Subcultures and the Emergence of the Estonian Nationalist Opposition 1945–1990." Sociological Perspectives 41, no. 3 (September 1998): 473–97. http://dx.doi.org/10.2307/1389560.

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It is widely recognized that subcultural organization provides fertile soil for the development of social movements. There has not, however, been a systematic analysis of how different subcultures may be configured and what characteristics may encourage or inhibit mobilization. This paper takes an initial step in that direction by suggesting a typology of subcultures based on the degree of congruency of subcultural values and behaviors with the those of the dominant culture. We examine two subcultural types which are particularly relevant to social movement development: accommodative subcultures and oppositional subcultures. By drawing on interviews with activists in the former Estonian Soviet Socialist Republic, we specify the conditions by which accommodative and oppositional subcultures exist and are successfully transformed into social movements. We trace the evolution from an accommodative subculture under Stalinist terror to an oppositional subculture as state repression lessened under Krushchev's liberalizations, to mass mobilization of the Estonian independence movement in the late 1980s.
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Wang, Yin, and Ruiling Yao. "Optimization of rhizogenesis for in vitro shoot culture of Pinus massoniana Lamb." Journal of Forestry Research 32, no. 1 (December 16, 2019): 203–9. http://dx.doi.org/10.1007/s11676-019-01076-8.

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AbstractThe rooting capacity of Pinusmassoniana is poor, especially for mature trees, and has prevented the development of clonal forestry for P.massoniana. In this study, we varied explant types, subculture times and exogenous hormones for plantlet regeneration and assessed shoots for rooting rate and root number for P.massoniana. Following five repetitive grafts, new shoots from grafts used as explant sources were rejuvenated as observed from juvenile shoot morphology and anatomy, leading to greatly enhanced plant regeneration in comparison to that of mature materials from 26-year-old P.massoniana trees. The rooting capacity of subcultured shoots increased with successive subcultures, reaching a peak at 20 subcultures with 35–40 days per subculture. However, rooting performance was significantly reduced after 30 subcultures. The addition of naphthaleneacetic acid (NAA) plus indoleacetic acid in the medium improved the root number, but the combination of exogenous NAA with paclobutrazol (PBZ) increased rooting rate and root number. We thus greatly improved the rooting capacity of mature P.massoniana trees by optimizing explant types (rejuvenated), subculture times (20 subcultures, 35–40 days per subculture) and addition of NAA + PBZ to the rooting medium. The conditions can be used for efficient plantlet regeneration of P.massoniana.
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Xu, Junhao. "A Study on the Impact of Subcultural Capital on the Management of Chinese Official Media." Advances in Economics, Management and Political Sciences 37, no. 1 (November 10, 2023): 1–7. http://dx.doi.org/10.54254/2754-1169/37/20231819.

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China's official media business model transformation pressure is increasing day by day. The contradiction of the binary system business model is becoming increasingly prominent. Official media need to take into account the goals of ideological propaganda, commercial operation, and improving profitability. Against this background, subcultural capital has become the favored breakthrough of traditional media. Cultural capital and subcultural capital, as a kind of resource that can be invested in and reproduced, reveal the internal logic of the subculture industry and provide a new perspective for people to study the effect of subcultures on the operation of official media. This paper uses the economic management model SWOT-PEST mode analysis model to explore the impact of subcultures communication on the operation of China's official media, as well as the advantages, disadvantages, opportunities, and threats brought by cultural communication in the political, economic, technological, and social environment. This paper tentatively puts forward the concept of mainstreaming of subculture and probes into the contradiction between official media's subcultural capital investment and the development path of subculture itself.
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Vujović, T., Dj Ružić, and R. Cerović. "In vitro shoot multiplication as influenced by repeated subculturing of shoots of contemporary fruit rootstocks." Horticultural Science 39, No. 3 (August 15, 2012): 101–7. http://dx.doi.org/10.17221/208/2011-hortsci.

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In vitro shoots of vegetative rootstocks for cherry (Gisela 5 and Gisela 6), plum (Fereley Jaspi) and pear (Pyrodwarf) were repeatedly subcultured for 10 subcultures on Murashige and Skoog medium of unchanged hormonal composition. Shoot formation capacity decreased over repeated subculturing in all genotypes. The first significant decrease in multiplication index was observed after first subculture in Gisela 6 and Fereley Jaspi, while in Gisela 5 the decline occurred after second subculture, and remained at that level. As for Gisela 6 and Fereley Jaspi, multiplication index was mainly stable from second to forth subculture, whereupon the second decline in shoot formation was observed. Although Pyrodwarf showed very low multiplication capacity, shoot multiplication slightly increased over the first three subcultures and then declined. This irreversible decline could be due to residual effects of hormones. However, no visible morphological variations or aberrations of shoots were found in successive subcultures in any genotype. Quality of shoots in terms of shoot length varied during subculturing, but the highest quality was observed in later subcultures (from fifth subculture onwards). After subculturing, several media were evaluated for induction of rhizogenesis in order to achieve high rooting rates in tested rootstocks. The highest rooting ability (100%) among genotypes was observed in Fereley Jaspi, followed by Pyrodwarf and Gisela 6 (the best rooting percentage being 90% in both) and Gisela 5 (70%). Rooted shoots were successfully acclimatized under the mist system in greenhouse.
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Placido. "Between Pleasure and Resistance: The Role of Substance Consumption in an Italian Working-Class Subculture." Societies 9, no. 3 (August 14, 2019): 58. http://dx.doi.org/10.3390/soc9030058.

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In this article I discuss how illegal substance consumption can act as a tool of resistance and as an identity signifier for young people through a covert ethnographic case study of a working-class subculture in Genoa, North-Western Italy. I develop my argument through a coupled reading of the work of the Centre for Contemporary Cultural Studies (CCCS) and more recent post-structural developments in the fields of youth studies and cultural critical criminology. I discuss how these apparently contrasting lines of inquiry, when jointly used, shed light on different aspects of the cultural practices of specific subcultures contributing to reflect on the study of youth cultures and subcultures in today’s society and overcoming some of the ‘dead ends’ of the opposition between the scholarly categories of subculture and post-subculture. In fact, through an analysis of the sites, socialization processes, and hedonistic ethos of the subculture, I show how within a single subculture there could be a coexistence of: resistance practices and subversive styles of expression as the CCCS research program posits; and signs of fragmentary and partial aesthetic engagements devoid of political contents and instead primarily oriented towards the affirmation of the individual, as argued by the adherents of the post-subcultural position.
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Roberts, Derek. "Subcultural boundary maintenance in a virtual community for body modification enthusiasts." International Journal of Cultural Studies 20, no. 4 (February 2, 2016): 361–76. http://dx.doi.org/10.1177/1367877916628240.

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While it has been suggested that tattoos and piercings have gone mainstream, there remains a body modification subculture dedicated to more extreme forms of modification than are accepted by the majority of society. I present data from an ethnographic study of the subculture, focusing on various attempts to uphold group boundaries in a virtual community designed for body modification enthusiasts. As the website began to shift away from its subcultural roots, members increasingly criticised the new administration and mainstream body modifiers. Emphasising the social distance between themselves and those with discreetly modified bodies, members of the subculture ultimately abandoned the online community they helped build. This study contributes to the understanding of the significance of virtual spaces to real-world subcultures.
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Isaeva, Humay Islam. "Some stages of the formation of youth subcultures in Azerbaijan (historical aspects)." KANT Social Sciences & Humanities 9, no. 1 (January 2022): 81–87. http://dx.doi.org/10.24923/2305-8757.2022-9.7.

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The purpose of this article is to describe the forms in which the phenomenon of subculture manifested itself and developed in Azerbaijan from the 1980s to 2010, first as part of the USSR, and then during the period of independence. It is noted that in almost all the republics of the former USSR, including Azerbaijan, subcultural social groups were formed, consisting of pro-Western, creative adolescents and youth, which radically differed from official public organizations, pioneer movements and other Soviet ideological lines, were even officially registered under the name of public associations and operated openly. Methods used. The article mainly used the methods of content analysis, the method of generalization, the method of historical analysis and other general scientific methods. Novelty in the article. For the first time in the domestic scientific literature, the issues of the formation and development of the youth subculture in Azerbaijan were subjected to careful analysis. Conclusions. The final part of the article summarizes the analysis of the stages of formation and development of the youth subculture in Azerbaijan, shows the main motives for the emergence of various types of this culture in social and spiritual life. It is also noted that when comparing informal associations in the former USSR with Western subcultural models, first of all, it should be noted that there was censorship in this system, lack of information, inaccessibility of foreign music and periodicals, etc. Due to these factors, the culture of young people was monotonous, dry and gray. Thus, in the examples of 3 types - club, hip-hop and emo, the formation and development of subcultures that existed in the Soviet and post-Soviet periods in Azerbaijan were laid not characteristic of the national mentality of values, forms of behavior and thinking. It is noted that there has always been a chaotic, unstable picture of the subculture in Azerbaijan. In most cases, instead of constancy and staticity, a process of fluidity can be observed in the subcultures of Azerbaijan. This can be seen in the example of almost all subcultural media. In the West, the human subculture is usually both a way of life and a source of income. However, due to the underdevelopment of the phenomenon of subculture in Azerbaijan, carriers of the subculture become a kind of amateurs.
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Ulusoy, Emre, and Fuat A. Fırat. "Toward a theory of subcultural mosaic: Fragmentation into and within subcultures." Journal of Consumer Culture 18, no. 1 (September 15, 2016): 21–42. http://dx.doi.org/10.1177/1469540516668225.

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We present an integrated and more nuanced analysis of the observed tendency toward eclectic, fragmented, and paradoxical subcultures in contemporary society. Through a critical ethnographic approach, we investigate the factors contributing to the motives that impel people to seek subcultural membership, which leads to fragmentation. We interview people who are avid participants of music-based subcultures. Findings reveal that subcultural antagonism and identity politics are the two factors guiding fragmentation into subcultures in contemporary society. People seek solace in membership in multiple subcultures since each subculture provides a distinct escape from different oppressions perceived in the mainstream. This cultivates the impetus for fragmentation within subcultures. Subcultural fragmentation is voluntary, resistive, and subversive. The constant fragmentation and the multiplicity and fluidity of subcultural memberships give rise to what we call a radical subcultural mosaic referring to eclectic subcultural affiliation and composite subcultural memberships fermenting presentational discourses of resistance. Members of the radical subcultural mosaic seek agency and collectivity, creativity in heterogeneity, and propose novel alternative modes of living.
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Dissertations / Theses on the topic "Subculture"

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Петрушенко, Юрій Миколайович, Юрий Николаевич Петрушенко, Yurii Mykolaiovych Petrushenko, and A. Kirichenko. "Subculture in organization." Thesis, Видавництво СумДУ, 2006. http://essuir.sumdu.edu.ua/handle/123456789/8454.

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McDowall, Matthew Lewis. "What choice? subculture films, naturalization, and the postmodern condition /." Connect to the multimedia version of this title online Connect to the PDF version of this title online, 2003. http://www.creighton.edu/%7Espoko/subculture/.

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Woodlock, Natalie. "Subculture and Queer Subjectivity." ScholarWorks@UNO, 2018. https://scholarworks.uno.edu/td/2531.

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My work explores subculture as a form of cultural resistance to the dominant ideology. I'm concerned with the ambiguous relationship we occupy as subjects to the material produced by popular culture, and how this is digested and understood by female viewers and cultural outsiders. The specific temporality of the queer subject is a key theme in my work.
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Marshall, David Herman. "The Marine Corps subculture." CSUSB ScholarWorks, 1995. https://scholarworks.lib.csusb.edu/etd-project/1145.

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This thesis analyzes the subculture within the United States Marine Corps. It attempts to bring the traditional literature of criminal subculture and the subculture of violence together with literature of occupational subculture to explain many of the behaviors exhibited by Marines.
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Hunter, Gordon S. "Political subculture : a resilience modifier." Thesis, Monterey, California. Naval Postgraduate School, 2011. http://hdl.handle.net/10945/5573.

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CHDS State/Local
Approved for public release; distribution is unlimited
author proposes to use analysis of disaster case studies from three representative communities-each highlighting one of Dr. Elazar's three subcultures of Traditional, Individual and Moral-to determine whether pre-evaluated resilience values and predicted response to disaster coincide with actual event outcomes. By using the Social Vulnerability Index values as a baseline metric for a quantifiable measure of resilience, the author found that political subculture does alter the predicted outcome and should be further researched as a potential modifier of planned resilience and response.
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Xiao, Jian. "Exploring punk subculture in China." Thesis, Loughborough University, 2015. https://dspace.lboro.ac.uk/2134/19562.

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This thesis explores the punk phenomenon in China. In order to examine punk members and practices, an ethnographic research was conducted in large-scale cities, such as Beijing and Shanghai, and small-scale cities, such as Wuhan and Huaihua in China, as well as on the Internet. In particular, the thesis focuses on two prominent themes subculture and resistance as the main directions of analysis. Through discussing findings from the three dimensions of the individual, collective and online, it is argued that the Chinese punk phenomenon exists as a subculture and punk subcultural practices can be regarded as manifesting forms of resistance in China. First, this study presents a detailed individual biography of one punk musician and then further examines those of other participants. It is discovered that subcultural resistance can have a different impact at different stages of a person s life. Second, this study demonstrates forms of collective practices and how they are manifested, and reveals how Chinese punk subculture members collectively produce different forms of subcultural resistance. Finally, this study examines Chinese punk online. It focuses on how online group members produce meanings of their activities and deploy specific techniques to resist online norms and censorship. Overall this thesis contributes to the ongoing discussions in current field of subcultural studies. By providing a study on punk subculture in China, the research engages empirically in the question of power relations in a society from both individual and collective levels, which has rarely been undertaken before.
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Choong, Wi Yan Kelly. "Cryptic marketing : strategic targeting of subculture markets." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/79904/4/Wi_Choong_Thesis.pdf.

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This research aims to understand what factors influence consumers' behaviour to subculture marketing and how companies can strategically overcome potential brand alienation. Findings validate cryptic marketing as a strategy for organizations to communicate effectively with their chosen market through the use of cryptic cues, symbols and messages while circumventing negative responses from non-target audiences. The thesis contributes to extending current understanding of marketing communication through the use of covert strategies, employing covert tactics on the non-target, wider market instead of the target, subculture market.
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Lau, Wing-shan Elaine. "A place for HK music subculture." Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/hkuto/record/B31983984.

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Thesis (M.Arch.)--University of Hong Kong, 1998.
Includes special report study entitled : In search of urban space for music activities. Includes bibliographical references. Also available in print.
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Lau, Wing-shan Elaine, and 劉詠珊. "A place for HK music subculture." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31983984.

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Hunt, Pamela M. "A Quantitative Approach to Studying Subculture." Kent State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1213888416.

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Books on the topic "Subculture"

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Beverley, John. Subculture and homogenization = Subcultura i homogeneïtzació. Barcelona: Fundació Antoni Tàpies, 1998.

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Hebdige, Dick. Subculture. London: Taylor & Francis Inc, 2004.

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Bennett, Andy, and Keith Kahn-Harris, eds. After Subculture. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-21467-5.

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Macdonald, Nancy. The Graffiti Subculture. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230511743.

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Tosoni, Simone, and Emanuela Zuccalà. Italian Goth Subculture. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39811-8.

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E, Goodlad Lauren M., and Bibby Michael 1957-, eds. Goth: Undead subculture. Durham: Duke University Press, 2007.

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E, Goodlad Lauren M., and Bibby Michael 1957-, eds. Goth: Undead subculture. Durham: Duke University Press, 2007.

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Unknown. Custom car subculture today. London: LCP, 2000.

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Hebdige, Dick. Subculture: The meaning of style. London: Routledge, 1988.

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John, Bushnell. Moscow graffiti: Language and subculture. Boston: Unwin Hyman, 1990.

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Book chapters on the topic "Subculture"

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Short, James F. "Subculture." In Social Problems and Mental Health, 153–55. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003261919-45.

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Anaraki, Nahid Rahimipour. "Prison Subculture." In Prison in Iran, 55–128. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57169-6_3.

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Bennett, Andy, and Keith Kahn-Harris. "Introduction." In After Subculture, 1–18. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-21467-5_1.

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Hodkinson, Paul. "The Goth Scene and (Sub)Cultural Substance." In After Subculture, 135–47. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-21467-5_10.

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Bloustien, Gerry. "Buffy Night at the Seven Stars: A ‘Subcultural’ Happening at the ‘Glocal’ Level." In After Subculture, 148–61. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-21467-5_11.

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Bennett, Andy. "Virtual Subculture? Youth, Identity and the Internet." In After Subculture, 162–72. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-21467-5_12.

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Frith, Simon. "Afterword." In After Subculture, 173–78. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-21467-5_13.

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Martin, Peter J. "Culture, Subculture and Social Organization." In After Subculture, 21–35. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-21467-5_2.

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Chaney, David. "Fragmented Culture and Subcultures." In After Subculture, 36–48. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-21467-5_3.

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Stahl, Geoff. "‘It’s Like Canada Reduced’: Setting the Scene in Montreal." In After Subculture, 51–64. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-21467-5_4.

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Conference papers on the topic "Subculture"

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Kuzovenkova, Yuliya. "Formation of Subcultural Entity under the Influence of Public Sphere." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-07.

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The last two decades have been a time of serious transformation of youth subcultures. Researchers speak about the formation of the postmodernism paradigm of subculture and the virtualisation of sociocultural phenomena. The subcultural subject and the power that formed it continue to exist in the new realities, but are undergoing a transformation. Changes having occured to the public sphere were especially significant for a subcultural entity since it is the public sphere where a subcultural entity can present itself to authorities, thereby maintaining its social subsistence. Our research was aimed at studying how the transformation of the public sphere has affected the entity’s subculture. For the study, the authors employed the method of a qualitative half-structurated interview and draw on the disciplinary authority concept suggested by M. Foucault. The analysis was based on materials of interviewing some representatives of the graffiti subculture in the city of Samara (twenty-two people) from 2016 to 2018. The author has established that the subcultural subject is processual and dependent on the practices in use; a change in practices leads to a change in the subject. Changes of practices in the graffiti subculture were a result of the virtualisation of culture. The author has identified the changes that have taken place in the subcultural subject under the influence of the transformation of the public sphere (the ‘short time’ of instantaneous fame prevails over the ‘long time’ of the symbolic capital of the nickname, new space-time coordinates within which the entity exists, the ‘digital body’ of the subcultural entity becomes ever more informative rather than that which was created via sketches placed in urban space). Unlike the public sphere, the private sphere under the influence of a subculture ideology remains unchanged.
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Stoliarchuk, N. М., and А. V. Zasadko. "THE INFLUENCE OF YOUTH SUBCULTURES ON MODERN ART (ON THE EXAMPLE OF PUNK SUBCULTURE)." In АКТУАЛЬНІ ПРОБЛЕМИ РОЗВИТКУ УКРАЇНСЬКОГО ТА ЗАРУБІЖНОГО МИСТЕЦТВ: КУЛЬТУРОЛОГІЧНИЙ, МИСТЕЦТВОЗНАВЧИЙ, ПЕДАГОГІЧНИЙ АСПЕКТИ. Liha-Pres, 2023. http://dx.doi.org/10.36059/978-966-397-317-3-45.

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Burlakova, Irina A. "Subculture Elements Of Modern Preschoolers." In Psychology of subculture: Phenomenology and contemporary tendencies of development. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.07.11.

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Shatalina, Maria Gennadievna. "SUBCULTURE AS A SOCIAL PHENOMENON." In Российская наука: актуальные исследования и разработки. Самара: Самарский государственный экономический университет, 2022. http://dx.doi.org/10.46554/russian.science-2022.02-1-274/277.

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Erofeeva, Elena. "AMBIVALENT NATURE OF GAMERS� SUBCULTURE SOCIOLECT." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/32/s14.068.

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WEI, Xiao-Meng, and Run-De LU. "Overview of Research on Enterprise Subculture." In Proceedings of the 4th Annual International Conference on Social Science and Contemporary Humanity Development (SSCHD 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/sschd-18.2019.8.

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Пистолетов, Данил Андреевич. "YOUTH SUBCULTURE DEAD INSIDE AND ITS PROBLEMS." In Проблемы внедрения инновационных научных решений: сборник статей международной научной конференции (Калининград, Февраль 2023). Crossref, 2023. http://dx.doi.org/10.37539/230203.2023.15.56.008.

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Статья затрагивает достаточно известную и часто обсуждаемую молодёжную субкультуру, появившуюся менее 10 лет назад. Удивительно, что сама субкультура, имея высокую известность среди молодёжи Российской Федерации, не получила должного внимания в научной среде. Более того, субкультура Dead Inside появилась именно в Российской Федерации, а не была заимствована из других стран. Её нельзя игнорировать, так как она весьма специфична и может оказать негативное влияние на подростков. The article touches upon a fairly well-known and often discussed youth subculture that arose less than 10 years ago. It is surprising that the subculture itself, which is highly popular among the youth of the Russian Federation, has not received due attention in the scientific community. Moreover, the Dead Inside subculture appeared in the Russian Federation, and was not borrowed from other countries. It cannot be ignored, as it is very specific and can have a negative impact on adolescents.
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8

Belinskaya, E. "Mediatization Of Coping Strategies In Virtual Subculture." In Psychology of subculture: Phenomenology and contemporary tendencies of development. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.07.10.

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9

Khoroshilov, D. "Precarity As Identification Criterion Of Protest Subculture." In Psychology of subculture: Phenomenology and contemporary tendencies of development. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.07.31.

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10

Tcacenco, Victoria. "The problem of studying the new ontological forms of non-academic musical culture in the Republic of Moldova during the first decades of the 21st century." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.19.

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The article is dedicated to the new ontological forms of popular music in the Republic of Moldova during the first two decades of the 21st century. The author offers the main characteristics of virtual culture, its connections with modern subcultures and modern sub-cultural styles. The basic types of subculture — game, rebel and style — are identified and the virtual phenomena of Moldovan popular music phenomena are exemplified. Among them are: rapper Mani, the Project Carla’s Dreams, the Wax Road and POT rock music bands. As a conclusion the following trends are sketched: there is an increase in the virtual status of musical products made in Moldova; new virtual forms give the Moldovan artists unlimited opportunities to promote their creation and to win the international markets; the underestimation of the virtual forms might be a risk for Moldovan musical projects development.
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Reports on the topic "Subculture"

1

Hickey, James. The Electronic Hardware Music Subculture in Portland, Oregon. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7470.

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2

Lee, Jinkyoung, and Younhee Lee. Expression Methods of Superculture from Subculture in Contemporary Womenswear Collection. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1718.

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3

Kahler, David W., and Carmen M. Arroyo. Normal Human Astrocyte Instructions for Initiation of Cultures from Cryopreserved Cells and Subculture. Fort Belvoir, VA: Defense Technical Information Center, October 2004. http://dx.doi.org/10.21236/ada442897.

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4

Williams, Miranda, Anne Mitchell, and Nancy Hodges. The American Lolita Subculture: An Exploration of Self-Authentication, Postmodernism, and Social Belonging. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-103.

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5

Fischer, Scott A. Army and Air Force Subcultures Effects on Joint Operations. Fort Belvoir, VA: Defense Technical Information Center, March 2006. http://dx.doi.org/10.21236/ada449436.

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Arnold, Christine Helen, Kathleen Clarke, and Tricia Seifert. Examining the Role of Faculty Subcultures in Perceptions of Student Retention Initiatives. Journal of the Australian and New Zealand Student Services Association, October 2023. http://dx.doi.org/10.30688/janzssa.2023-2-08.

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Scholars and practitioners have argued that student success must be a shared responsibility among members of the campus community. Academic and student affairs cultures play imperative roles in the establishment and success of partnerships designed to support student success. However, little is known about the differences within the academic affairs culture that shapes faculty members’ perceptions of such initiatives. Understanding how faculty members perceive student retention efforts is essential in developing a shared responsibility for student success. This research examines the extent to which faculty with various academic ranks (tenured/promoted, tenure track, and non-tenure track/non-promotional), years employed at current institution, and broad disciplinary areas vary in their perceptions of departmental and institutional retention initiatives. Faculty members’ perceptions of these retention initiatives are measured according to awareness of their departments’ and institutions’ academic and co-curricular activities, dedication of resources towards promoting retention, and communication about available support services. Results revealed variations among faculty members in their perceptions of departmental and institutional retention efforts according to the subcultures analysed. Implications for faculty members, student affairs staff members, and administration are considered.
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7

McGuirk, Charles H. Two Air Force Subcultures Collide as General McPeak Sets a New Course for the Air Force. Fort Belvoir, VA: Defense Technical Information Center, April 1996. http://dx.doi.org/10.21236/ada308584.

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