Relevant bibliographies by topics / Subcomandante Marcos

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  2. Dissertations / Theses
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Academic literature on the topic 'Subcomandante Marcos'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Subcomandante Marcos"

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Henck, Nick. "Subcomandante Marcos: the latest reader." Latin Americanist 58, no. 2 (June 2014): 49–73. http://dx.doi.org/10.1111/tla.12026.

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McCaughan, Michael. "An Interview with Subcomandante Marcos." NACLA Report on the Americas 28, no. 1 (July 1994): 35–37. http://dx.doi.org/10.1080/10714839.1994.11724611.

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Gregory, Stephen. "John Berger & Subcomandante Marcos." Third Text 14, no. 52 (September 2000): 3–9. http://dx.doi.org/10.1080/09528820008576861.

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Herlinghaus, Hermann. "Subcomandante Marcos: Narrative Policy and Epistemological Project1." Journal of Latin American Cultural Studies 14, no. 1 (March 2005): 53–74. http://dx.doi.org/10.1080/13569320500062250.

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Vitali, Marcela Araújo. "Literatura rebelde zapatista: a produção e a escrita do subcomandante insurgente Marcos." Revista Eletrônica da ANPHLAC, no. 17 (March 22, 2015): 189–213. http://dx.doi.org/10.46752/anphlac.17.2014.2168.

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ResumoEste artigo tem como objetivo apresentar algumas considerações acerca da produção literária do subcomandante insurgente Marcos, membro militar e político do denominado movimento zapatista, ou EZLN (Exército Zapatista de Libertação Nacional). Além das participações ativas no referido movimento, desde sua aparição pública no estado mexicano de Chiapas, em 1994, o subcomandante exerceu habilidades literárias no campo da criação textual e discursiva. Dessa forma, entendemos sua produção como parte integrante da comunicação oficial do EZLN, que em forma de histórias, contos e personagens se integrou aos comunicados zapatistas. Entre suas produções, analisaremos Los arroyos cuando bajan, Los zapatistas no se rinden e La historia de la noche y las estrellas. Nestas, seu personagem principal é representado pelo ancião indígena Velho Antônio, que mantém forte interlocução com o subcomandante, enriquecendo assim sua produção. A partir dessa análise, demonstraremos as operacionalizações guiadas por sua produção literária, tais como a legitimação de discursos políticos e a tentativa de representação étnica. A metodologia utilizada será a denominada Análise Crítica do Discurso; realizaremos as análises a partir de uma concepção inter-relacional entre criação e contexto, no que diz respeito à produção e publicação dos documentos.Palavras-chave: subcomandante Marcos; Velho Antônio; literatura zapatista; discursos zapatistas; EZLN.
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Jorgensen, Beth Ellen. "Making History: Subcomandante Marcos in the Mexican Chronicle." South Central Review 21, no. 3 (2004): 85–106. http://dx.doi.org/10.1353/scr.2004.0041.

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SILVA, Cláudio Rodrigues da. "Los otros cuentos: relatos del Subcomandante Insurgente Marcos." Revista ORG & DEMO 22, no. 1 (July 19, 2021): 63. http://dx.doi.org/10.36311/1519-0110.2021.v22n1.p63.

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Neste texto, resultante de pesquisa documental e bibliográfica, tem-se como objetivo apresentar problematizações, de uma perspectiva da Educação, sobre os dois volumes de Los otros cuentos: relatos del Subcomandante Insurgente Marcos, à luz da Declaração Universal dos Direitos Humanos e de bibliografia atinente a essa temática. Considera-se que Los otros cuentos abordam questões consoantes e/ou passíveis de estabelecimento de nexos com a temática dos Direitos Humanos. Essas obras contribuem para a problematização e para a difusão, em clave literária e crítica, de diversos elementos da Declaração Universal dos Direitos Humanos e, por conseguinte, para o processo de (auto)educação dos zapatistas, bem como de outros setores das classes trabalhadoras.
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Henck, Nick. "The Subcommander and the Sardinian." Mexican Studies/Estudios Mexicanos 29, no. 2 (2013): 428–58. http://dx.doi.org/10.1525/msem.2013.29.2.428.

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Numerous scholars have adopted a Gramscian framework when analyzing the Zapatistas and Subcommander Marcos. Some, however, have gone beyond the evidence, claiming that Marcos was influenced by Gramsci. Inspection of the Subcommander’s discourse provides no proof that he has been directly influenced by the Sardinian; instead, indigenous thought and practice appear more influential in having shaped Marcos’s political philosophy. Marcos’s independence from Gramsci distances him from other contemporary Central American guerrillas and has wider implications concerning the timing and extent of Gramsci’s diffusion in Mexico. Gramsci did, however, contribute to an atmosphere of “antiauthoritarian eclecticism” among the Latin American new left from which Marcos emerged. Muchos estudiosos han adoptado el marco teórico gramsciano para analizar a los zapatistas y al Subcomandante Marcos. Pero algunos han pasado por alto la evidencia y afirman que Marcos recibió influencia de Gramsci. Al inspeccionar el discurso del Subcomandante no se encuentran pruebas de que haya recibido influencia directa del pensador de Sardinia; en cambio, el pensamiento y la práctica indígenas aparecen como influencias más notorias en la conformación de la filosofía política de Marcos. La independencia de este último respecto de Gramsci lo aparta de otras guerrillas contemporáneas centroamericanas y tiene implicaciones más amplias en lo que toca al momento y alcance de la difusión de Gramsci en México. Lo cierto es que éste contribuyó a una atmósfera de “eclecticismo antiautoritario” entre la nueva izquierda latinoamericana de la que surgió Marcos.
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Rivera, Omar. "Political Ontology (and Representative Politics), Agamben, Dussel . . . Subcomandante Marcos." Epoché 16, no. 1 (2011): 125–38. http://dx.doi.org/10.5840/epoche201116110.

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Gacinska, Weselina. "Los movimientos indígenas y la globalización en los reportajes de Manuel Vázquez Montalbán." MVM: Cuadernos de Estudios Manuel Vázquez Montalbán 5, no. 1 (June 16, 2020): 26–45. http://dx.doi.org/10.5617/mvmcemvm.8060.

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El artículo analiza la presencia de la temática indígena en la obra de Manuel Vázquez Montalbán, ya que esta, debido al carácter político y social de los escritos que la abarcan, está fuertemente vinculada con la globalización y el neoliberalismo. En la poesía, Vázquez Montalbán recurre a la figura indígena en los textos “Las palabras descansan en la bandeja y “En Conemara” recogidos en el poemario Pero el viajero que huye (1990). Allí el indígena, o el “indio”, es percibido a través de una mirada occidental, incidiendo en la pérdida de la identidad. Posteriormente, en la entrevista con Rigoberta Menchú incluida en Y Dios entró en la Habana (1998), el autor profundiza en sus reflexiones acerca de la autodeterminación de los pueblos indígenas de Chiapas y Guatemala, que serán desarrolladas en Marcos: El señor de los espejos (1999). Tanto Menchú como Marcos aportan una visión desmitificadora de la lucha indígena y de la relación de las etnias con los “ladinos”, siempre dentro del marco ideológico anticapitalista y antiglobalizador. Se estudia el acercamiento crítico de Vázquez Montalbán a los planteamientos de los líderes indígenas y se sistematiza desde el punto de vista antropológico las reflexiones sobre la cultura, el mestizaje y el sincretismo. Palabras clave: indigenismo; Chiapas; antropología; globalización; Subcomandante Marcos; Rigoberta Menchú. Keywords: indigenismo; Chiapas; anthropology; globalization; Subcomandante Marcos; Rigoberta Menchú. Título en inglés: Indigenous movements and globalization in the journalistic reports of Manuel Vázquez Montalbán
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Dissertations / Theses on the topic "Subcomandante Marcos"

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Létocart, Araujo Mélanie. "Les récits postindigénistes du sous-commandant Marcos." Lille 3, 2009. http://www.theses.fr/2009LIL30063.

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Le propos de cette thèse est de lire les récits du sous-commandant Marcos ayant comme principaux référents l'Indien et son univers. Plus précisément, nous avons analysé les représentations littéraires et l'investissement indigéniste produits afin d'établir les rapports de ces récits avec l'indigénisme chiapanèque : d'autre part, en repérant les traitements donnés au différend indigène ; d'autre part, en y explorant certaines facettes encore méconnues de cette écriture sur l'Indien. Nous postulons dans ce travail la refonte narrative de l'Indien chiapanèque et de son univers obtenue à travers différents facteurs qui font émerger une construction hétérogène et protéiforme : le procédé du double perspectivisme indigène et occidental adopté, l'introduction d'importants changements génériques, thématiques mais aussi sémantiques, et la tension de l'écriture entre différend indigène et ludisme humoristique. Tout en reprenant certains thèmes récurrents de l'indigénisme chiapanèque - la domination, le religion, l'espace - cette pratique d'écriture signifie un nouveau positionnement esthétqiue qui change au gré de la conjoncture historique et des divers territoires imaginaires sélectionnés par Marcos. Elle offrirait un paradigme narratif en rupture, partiellement affranchi de l'authenticité anthropologique et des contraintes morales faisant du référent indigène un signe subjectif et un pilier central de la stratégie rhétorique élaborée par le sous-commandant Marcos pour catalyser le soutien du lecteur à la cause zapatiste
The main objective of this thesis is to interpret the stories written by Sub-commandant Marcos which refer predominantly to Amerindians and the Amerindian world. In particular, we have chosen to analyze the literary representations and indigensit writing techniques employed, is an effort to establish a connection between the author's stories and Chipan indigenism. This is achieved, on the one hand, by examining the way in which the differend is dealt with, and on the other, by exploring some of the less familiar aspects of this literature on Amerindians. This study involves a narrative overhaul of both the Chiapan Amerindians and their world, with the help of several literary components in order to achieve a heterogenous and protean construction, such as the use of an indigenous and occidental dual perspective, the introduction of important generic, thematic and semantic changes and the literary to Chiapan indigenism, such as domination, religion and space, this form of narration offers a new esthetic positioning which is transformed over the course of historical events and over various imaginary territories chosen by Marcos. This style of writing offers a dislocated narrative paradigm, relatively free of anthropological aunthenticity and moral constraints, turning the indigenous reference into a subjective element and making in the backbone of a rhetorical strategy elaborated by Sub-commandant Marcos in an effort to gain the reader's support for the Zapatista cause
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Teixeira, Lucas Rodrigues. "A quien corresponda : a produção epistolar do Subcomandante Marcos." Universidade Estadual de Londrina. Centro de Letras e Ciências Humanas. Programa de Pós-Graduação em Letras, 2017. http://www.bibliotecadigital.uel.br/document/?code=vtls000217326.

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O propósito desta dissertação é analisar como se constrói o discurso zapatista dentro da produção epistolar do Subcomandante Marcos, do Exército Zapatista de Libertação Nacional (EZLN). Para tanto, tratamos do formato escolhido pelo guerrilheiro para disseminar suas ideias e sua luta, que é a carta e, neste primeiro momento, é traçado um panorama e uma análise deste gênero fronteiriço do qual Marcos se aproveita para conquistar interlocutores. Cuidamos também das questões relativas à estrutura narrativa (tempo, espaço, personagem, narrador) e de como estas são exploradas no escritos do Sup. Então, por fim, é analisado o discurso do ideário zapatista, este que é produto do hibridismo entre a cultura ancestral indígena maia e o cânone literário ocidental, tendo por base as teorias relacionadas à Análise de Discurso francesa.
The purpose of this dissertation is to analyze how the zapatista discourse is built in the epistolary production of Subcomandante Marcos, member of the Zapatista Army for National Liberation (EZLN). We have dealt with the epistolary format which is the guerrilla's chosen style to spread his ideas and struggle. Thus, a panorama is drawn as well as an analysis of this frontier genre that Marcos' uses in order to conquer interlocutors. We have also handled with the issues related to the structure of the narrative (time, setting, character, narrator) and how they are explored in Sup's writings. Finally, under the focus of French Discourse Analysis theories, the zapatista discourse is examined assuming that it is the result of the hybridism between Mayan indigenous ancestry culture and Western literary canon.
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Assis, Frederico Souza de Queiroz. "Para além do cachimbo de Magritte: messianismo e utopia na construção da figura do Subcomandante Marcos." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-30012014-103003/.

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O trabalho tem o objetivo central de identificar como se construiu historicamente a figura do Subcomandante Marcos, na esteira do processo de formação do movimento zapatista em Chiapas. Marcos, cuja identidade era ocultada por si mesmo (embora o governo mexicano tenha declarado publicamente, em 1995, que ele era o professor Rafael Sebastián Guillén Vicente), é o principal porta-voz do Exército Zapatista de Libertação Nacional (EZLN) e destaca-se como figura-símbolo do referido movimento. Diante disso, busca-se apresentar a importância chave do indivíduo para o movimento zapatista (no plano intelectual e político), bem como compreender como se deu a dissolução de sua própria individualidade no plano simbólico na medida em que Marcos pareceu encarnar o ideário revolucionário zapatista. A ênfase analítica, para tanto, recairá sobre os aspectos de messianismo inseridos nesse processo, assim como sobre os elementos que sinalizem em Marcos a representação da própria experiência utópica, para que então se compreenda as razões pela quais sua liderança pareceu ter uma dimensão sui generis. Tal análise, feita a partir do levantamento de fontes primárias e da revisão da literatura secundária, mostra-se necessária frente à constatação de que o zapatismo constituiu-se como um dos movimentos políticos mais relevantes da contemporaneidade. Assim, realizando um estudo sistemático desse conjunto de aspectos, busca-se articular os temas de modo pertinente, para que se compreenda, então, o significado histórico deste ator político contemporâneo.
This work aims to identify the historical construction of Subcomandante Marcos image, in the wake of the process of the construction of the Zapatista movement in Chiapas, Mexico. Marcos, whose real identity is hidden by himself (though the Mexican government publicly declared in 1995 that he is Professor Rafael Sebastián Guillén Vicente), is the main spokesperson of the Zapatista Army of National Liberation (EZLN) and stands as a symbol-image of the movement. Therefore, the dissertation seeks to present this individuals key importance to the movement (in the intellectual and political spheres), as well as understanding the dissolution of his own individuality (in the symbolic sphere) as Marcos seems to incarnate the revolutionary ideas of Zapatismo itself. The analytical emphasis, therefore, is on the messianist aspects inserted in this process, as well as on the elements that demonstrate representations of his own utopian existence, in order to understand the reasons why his leadership seems to have a sui generis dimension. This analysis, based on a thorough survey of primary and secondary sources, is relevant because the Zapatistas have established themselves as one of the most relevant contemporary political and social movements. Thus, conducting a systematic study of these aspects, it seeks to understand the historical importance of Subcomandante Marcos within the context of the rise of the Zapatistas.
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Serrato, Sánchez Gloria María Guadalupe. "La construcción de personajes: El Subcomandante Marcos y la prensa en México 1994 a 1995." Doctoral thesis, Universitat Autònoma de Barcelona, 2013. http://hdl.handle.net/10803/129399.

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Esta tesis revisa y analiza la construcción de personajes en la prensa mexicana, con el caso del discurso del Subcomandante Marcos a partir de la información generada por el Ejército Zapatista de Liberación Nacional (E.Z.L.N.) y publicada en el periódico mexicano especializado en finanzas El Financiero, durante el periodo comprendido de enero de 1994 a enero de 1995, y las apariciones esporádicas que ha tenido en la prensa en los últimos 19 años, la actualización está marcada con las entrevistas que se le hicieron a los periodistas que cubrieron el acontecimiento. El objetivo general es identificar los elementos periodísticos que contribuyen a la construcción de personajes en la prensa, a partir del análisis del discurso de El Financiero, distinguiendo los significados locales y globales de los textos a partir de las declaraciones informativas del Subcomandante Marcos. Revisamos los géneros periodísticos que se emplearon. Explicamos cómo ocurrió la apropiación del personaje periodístico, cómo se escribió del Subcomandante Marcos en un medio especializado en finanzas, para ello se revisó, describió y correlacionó los tópicos que emplearon los periodistas para la caracterización del personaje en un mundo posible. Comprobamos que la carga emocional con que el periodista recibe los acontecimientos la refleja en el texto que escribe, las emociones que percibe en la realidad las logra colocar en el texto e incidir en la interpretación del lector, de modo tal que favorece al personaje. Se trabajó sobre cuatro líneas teóricas, 1) Análisis del contexto social y político. 2) Análisis de la prensa en México, las rutinas de producción, los géneros periodísticos. 3) Análisis del discurso para la revisión concreta de los textos periodísticos. 4) Análisis de personajes basado en teoría literaria con la perspectiva semiótica para la configuración pasional de los personajes en la prensa con los postulados de Algirdas J. Greimas y Jaques Fontanille Se revisaron un total de 196 ejemplares de periódicos de El Financiero y se entrevistó en el 2012 a 20 periodistas que trabajaron durante 1994 en dicho periódico, se siguió la presencia del personaje en la prensa para revisar cómo aparece y qué tratamiento informativo le da la prensa actualmente. La tesis se divide en dos partes, en la Primera “La construcción de personajes en la prensa”, consta de seis capítulos En la segunda “La Generación de personajes en la prensa”, queda conformada en dos capítulos. En México, las nuevas generaciones lo tienen como un mito o un héroe del pasado, no relación su existencia al mundo real, le consideran un personaje que sólo existió en el imaginario colectivo de una sociedad. El Subcomandante Marcos, es ahora un mito.
This thesis reviews and analyzes the creation of media personalities in the Mexican press, in this case, Subcomandante Marcos’ discourse derived from the information created by the Zapatista Army of National Liberation (E.Z.L.N.) and published in El Financiero, the Mexican Newspaper that specializes in finance, from January 1994 to January 1995, and the sporadic turn outs that have been in the press in the last 19 years, the update is marked by the interviews that were made to the journalists who covered the event. The main objective is to identify the journalistic elements that contributed to the creation of personalities in the press based on the analysis of El Financiero, making a distinction between the local and global meaning of the texts from Subcomandante Marcos’ informative statements. We examine the journalistic genres that were used. We explain how the journalistic personality was appropriated, how Subcomandante Marcos was written about in a medium that specializes in finance, and for which the topics that the journalists used were revised, described and correlated for the characterization of this personality in a conceivable world. We find that the emotional charge with which the journalists receive the events is reflected in the texts they write, and the emotions that they perceive in reality manage to get into the text, influencing the reader in a way that favors the media personality. Four theoretical lines were explored: 1) Analysis of the social and political context. 2) Analysis of the press in Mexico, the production routines, and the journalistic genres. 3) Analysis of the discourse for the concrete review of the journalistic texts. 4) Analysis of the personalities based on literary theory with a semiotic perspective for the impassioned shaping of the personality in the press with the postulates of Algirdas J. Greimas and Jacques Fontanille. A total of 196 editions of the newspaper El Financiero were reviewed, and in 2012, 20 journalists who worked at the paper during that period of 1994 were interviewed, the presence of the personality was followed in the press to review how it appears and what is the current informative treatment given by the press. The thesis is divided into two parts. The first, “Creating personalities in the press”, consists of six chapters. The second, “The creation of personalities in the press” is made up of two chapters. In Mexico, Subcomandante Marcos is a myth or a hero from the past to the new generations. They do not relate his existence to the real world and consider him a personality which only exists in the collective imagination of society. Subcomandante Marcos is now a myth.
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Aczel, Audrey M. "A communications analysis of the Chiapas uprising : Marcos' publicity campaign on the internet." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37181.pdf.

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Turner, Bethany, and n/a. "Strategic translations: the Zapatistas from silence to dignity." University of Canberra. Creative Communication, 2004. http://erl.canberra.edu.au./public/adt-AUC20051123.144212.

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This thesis demonstrates that the discursive strategies that characterise the political struggle of the Zapatista (EZLN) movement are produced in response to the political and economic realities of Mexico and the southeastern state of Chiapas. The EZLN�s intentionally ambiguous discourse of dignity epitomises these strategies. By deploying various incarnations of dignity to counter the Mexican Government�s strategic political manoeuvres, the EZLN destabilises the political, economic and social hegemonies of the nation. This destabilisation creates a space for the EZLN to suggest the possibility of an alternative political logic to the Mexican populace. However, the marginalised social location and ethnic diversity of the movement�s indigenous constituents impedes their ability to effect significant political change. This impediment is overcome when they coalesce around the politically advantageous subjectivity of indigenous Zapatistas and engage with the mestizo Subcomandante Marcos to produce the EZLN. The movement enacts a progressive coalitional politics that articulates radical political alternatives for Mexico through the strategic practice of translation. Thus, translation is posited as a powerful political practice for marginalised groups engaged in resistance struggles in the contemporary global conditions.
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Avellaneda, Rino G. "History, self-construction, and oppositional discourse in the testimonios of Domitila Barrios de Chungara, Rigoberta Menchú Tum, and Subcomandante Marcos." 2001. http://www.library.wisc.edu/databases/connect/dissertations.html.

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Mauzerolle, Sophie. "Les écrits du Sous-Commandant Marcos, vers une réhabilitation de la fonction heuristique et critique de l'utopie." Thèse, 2013. http://hdl.handle.net/1866/10631.

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Ce mémoire porte sur le caractère heuristique et critique du discours utopique qu’il conviendra de mettre en lumière à travers les écrits du Sous-Commandant Marcos, écrits qui constituent un cas exemplaire des mécanismes que met en œuvre le discours utopique. Partant de la définition opératoire de l’utopie comme expression d’un imaginaire social qui relèverait d’une pratique utopique dont la fonction serait de critiquer le caractère idéologique des représentations spatio-temporelles induites par l’ordre dominant et, se questionnant par la suite sur la nature de l’ordre dominant contemporain et le caractère spatial de son hégémonie grâce aux travaux d’Henri Lefebvre et de David Harvey, il s’agira de montrer comment, au sein de ses textes, Marcos parvient à produire un espace représentationnel alternatif dans lequel opère un mécanisme de neutralisation des contradictions (Louis Marin), une véritable épochè, une suspension du jugement, seule condition de possibilité du dépassement des contraintes de l’ordre dominant dans le discours et les représentations.
This thesis focuses on the heuristic and critical character of the utopian discourse, as it will be demonstrated through the Subcomandante Marcos’ writings, which present an exemplary case of the mechanisms at play in the utopian discourse. Starting with the operational definition of utopia as an expression of a social imagination resulting from a utopian practice whose function would be to criticize the ideological nature of spatiotemporal representations imposed by the dominant order and, subsequently questioning the contemporary dominant order and the spatial nature of its hegemony with the help of Henri Lefebvre and David Harvey’s works, the objective will be to demonstrate how, in his texts, Marcos produces an alternative representational space in which a mechanism of neutralization of oppositions (Louis Marin), an epoché, a judgment suspension occur, that is the only condition of possibility for overcoming the dominant order constraints in the realm of discourse and representations.
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Šmausová, Veronika. "Komunikační strategie zapatistického hnutí v Chiapasu." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-348651.

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(in English): In this thesis I present the Zapatista movement and its media strategy. Further I describe its visual communication by means of a case study. After evaluating the significance of media strategies of the zapatista movement, I will prove that Zapatistas' media communication played a crucial role in the transformation of Mexican society in the late 90s and directly influenced the process of transition to democracy in Mexico. In the introduction I will explain how news photographs can be a source of exploration of the Zapatistas and I will introduce the basic hypotheses of my research. In the historical part of my introduction I will put the movement in the context with the political, social and historical development of Mexico and the state of Chiapas, where the uprising broke out in 1994 and I will explain the causes of the rebellion and introduce its goals. Before I describe the aspects of Zapatistas' communication, I will focus on the Mexican media environment so that I can link it with the media outlets of the Zapatista movement. I will describe in general terms media strategies and myths created by the movement. In the case study I will examine photographs of EZLN published in the magazine Proceso in the years 1994 and 2001, I will compare the Zapatistas' visual communication with...
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Books on the topic "Subcomandante Marcos"

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Grange, Bertrand de La. Subcomandante Marcos, la genial impostura. [Madrid]: El País Aguilar, 1998.

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Ramonet, Ignacio. Marcos: La dignidad rebelde : conversaciones con el subcomandante Marcos. [Valencia]: Ediciones Cybermonde, 2001.

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Ramonet, Ignacio. Marcos: La dignidad rebelde : conversaciones con el subcomandante Marcos. Valencia: Ediciones Cybermonde, 2001.

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Marcos. Corte de caja: Entrevista al subcomandante Marcos. [Mexico]: Búnker, 2008.

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El tejido del pasamontañas: Entrevista con el subcomandante Marcos. 2nd ed. México: Rizona, 2001.

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Marcos. Cuentos para una soledad desvelada: Textos del subcomandante insurgente Marcos. México, DF, México: EKOSOL, 1998.

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Marcha y memoria: Análisis del discurso de la entrevista de Julio Scherer al subcomandante Marcos. Monterrey, Nuevo León: UANL-Facultad de Filosofía y Letras, 2006.

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La disidencia en Disneylandia: El pensamiento político del Che Guevara, Agustín Cueva y el subcomandante Marcos : ensayo. Quito [Ecuador]: Eskeletra Editorial, 1998.

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Marcos. Shadows of tender fury: The letters and communiqués of Subcomandante Marcos and the Zapatista Army of National Liberation. New York: Monthly Review Press, 1995.

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Vargas, Carla Valdespino. De noches, dioses y creaciones: Un acercamiento a Relatos de el Viejo Antonio : textos del Subcomandante Insurgente Marcos. Toluca, Estado de México: Universidad Autónoma del Estado de México, 2009.

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Book chapters on the topic "Subcomandante Marcos"

1

Orr-Álvarez, Brianne. "Masking Revolution: Subcomandante Marcos and the Contemporary Zapatista Movement." In Performing Utopias in the Contemporary Americas, 111–29. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-56873-1_7.

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"The Quixote in the Stories of Subcomandante Marcos." In International Don Quixote, 53–69. Brill | Rodopi, 2009. http://dx.doi.org/10.1163/9789042029187_005.

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Elhaik, Tarek. "Epilogue." In The Incurable-Image. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474403351.003.0008.

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In this epilogue, the author reflects on his time in Mexico City during one of those routine visits characteristic of fieldwork follow-ups. In particular, he talks about the announcement made by Subcomandante Marcos, the charismatic leader of the Zapatista Liberation Front, that he was going to retire. Marcos's announcement was enigmatic and of great signifcance to anthropologists. He took everyone by surprise because of the insistence with which his message wished to update both the metaphorics and materiality of his usual mask with the vernacular of digital media. The author wonders why Marcos chose to replace the mask with the meme and the hologram, and without removing the mask. He concludes with the belief that what will remain of Mexico is an assemblage of friends, incurable-images, a hologram, and the task of curating anthropos: an ars curatoria in search of an anthropology to come.
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"4. “Todos Somos Santos”: Subcomandante Marcos and the EZLN." In Borderlands Saints, 142–81. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813562353-006.

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"REVOLUCIÓN, NACIÓN Y NARRACIÓN EN LOS CUENTOS DEL SUBCOMANDANTE MARCOS." In El laberinto de la solidaridad, 155–67. Brill | Rodopi, 2002. http://dx.doi.org/10.1163/9789004334076_011.

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Vanden Berghe, Kristine. "Introducción. JUGAR CON FERNANDO VALLEJO, NELLIE CAMPOBELLO Y EL SUBCOMANDANTE MARCOS." In La invasión de los alter egos: estudios sobre la autoficción y lo fantástico, 7–32. Iberoamericana Vervuert, 2021. http://dx.doi.org/10.31819/9783968691275-001.

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"Hacia Una Epistemología Alternativa De La Imaginación. El Subcomandante Marcos Y Los Enigmas De La Identidad Narrativa." In Renarración y descentramiento, 209–50. Vervuert Verlagsgesellschaft, 2004. http://dx.doi.org/10.31819/9783964565303-009.

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