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Books on the topic 'Style'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Andy, Warhol. Style, style, style. Boston: Little, Brown, 1997.

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2

Freeborn, Dennis. Style. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24710-3.

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3

Elise, Loehnen, and Dragt Annemarie 1959-, eds. Style. 2nd ed. Alkmaar]: Blossom Books, 2011.

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4

Beryl, Meyer, ed. Style. New York: Berkley Pub. Group, 1995.

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5

Asharya, Kat. 6 X Style: (Six Style Icons). Rockford, IL]: the author, 2013.

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6

Aragon. Treatise on style =: Traité du style. Lincoln: University of Nebraska Press, 1991.

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7

photographer, Gamal Tony M., Pagkalinawan B. J. photographer, Product Development and Design Center of the Philippines, and Philippine Homestyle and Holiday Décor Association, eds. Abaca @ home: Home. style. life. life. style. home. home. life. style. Pasay City, Philippines]: Design Center of the Philippines (DCP) and the Philippine Homestyle and Holiday Décor Association (PhilHHDA), 2015.

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8

Style, style, style. Boston: Bulfinch Press, 1997.

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9

Chapin, Keith. Learned Style and Learned Styles. Edited by Danuta Mirka. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199841578.013.0012.

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Eighteenth-century writers on music recognized a spectrum of learned styles. These included not only the imitative counterpoint characteristic of the fugue and the species counterpoint associated witha cappellapolyphony, but also a broad range of other styles, such as strict style, church style, orstile antico, transmitted from specialist to specialist over many decades and even centuries. The topic of the learned style, however, was a special formation or intensification of texture that occurred within the norms of late eighteenth-century phrasing, harmony, and texture. The tension between learned styles (each grounded in certain genre traditions) and learned style (the versatile and itinerant topic) informs not only the various manifestations of the learned style, which can be used for various formal purposes, but also its signification, which springs from the concerns of order and tradition that accompanied the transmission of learned styles from generation to generation.

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10

Parakati, Mba Emmanuel S. Styles & Talents: What's Your Style? Independently Published, 2019.

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11

Icons of Style - Harry Styles. Welbeck Publishing Group Ltd., 2023.

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12

Icons of Style: Harry Styles. Welbeck Publishing Group Ltd., 2023.

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13

Stitch Style, Mittens: Twenty Fashion Knit and Crochet Styles (Stitch Style). Martingale and Company, 2007.

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14

Parissien, Steven. Adam Style (Life Style). Phaidon Press, 1997.

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15

Editors of In Style Magazine. In Style: Style 101. InStyle, 2007.

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16

Parissien, Steven. Adam Style (Life Style). Phaidon Press, 1996.

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17

YHWH Style (Father Style). Yahshua, 1997.

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18

Fetish Style (Subcultural Style). Bloomsbury Academic, 2013.

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19

Harvey, Brian. Computer Science Logo Style: Projects, Styles, and Techniques (Computer Science LOGO Style). Mit Pr, 1986.

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20

Haynes, John. Style. Taylor & Francis Group, 1995.

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21

Jockers, Matthew L. Style. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037528.003.0006.

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This chapter shows how stylistic signals can be derived from high-frequency features and how the usage, or nonusage, of those features was susceptible to influences that are external to the so-called “authorial style,” external influences such as genre, time, and gender. These aspects of style were explored using a controlled corpus of 106 British novels where genre was a key point of analysis. The chapter first provides an overview of statistical or quantitative authorship attribution before discussing the author's project, in which he analyzed the degree to which novelistic genres express a distinguishable stylistic signal by focusing on the distribution of novels in a corpus based on their genres and decades of publication. Through a series of experiments, he demonstrates the use of the classification methodology as a way of measuring the extent to which factors beyond an individual author's personal style may play a role in determining the linguistic usage and style of the resulting text.

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22

Haynes, John. Style. Routledge, 2006. http://dx.doi.org/10.4324/9780203137314.

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23

Haynes, John. Style. Taylor & Francis Group, 2006.

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24

Altieri, Charles. Style. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780195182637.003.0019.

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25

Traina, Alfonso. Style. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780199211524.013.0014.

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26

Nolan, Maura. Style. Edited by James Simpson and Brian Cummings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199212484.013.0022.

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Poetic style may be analyzed by starting with the smallest measurable units of poetry. Style has two aspects that are often contradictory: the particular and the general. The notion of style underwent numerous changes over the years between Geoffrey Chaucer and Thomas Wyatt. This article examines the question of style by juxtaposing three poets, three centuries, and two literary-historical periods. It considers the relationship between the Middle Ages and the Renaissance as well as embeddedness of Chaucer, Wyatt, and John Lydgate in those periods in stylistic terms and describes an alternative way of thinking about literary style that reveals the secretive manner that history works in art. It discusses the troublesome poetic terrain of stresses, absences of stress, feet, and meter as a way of scrutinizing the “styles” of Chaucer, Lydgate, and Wyatt in “Truth,” “The World is Variable,” and “What Vaileth Trouth,” respectively.

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27

Haynes, John. Style. Taylor & Francis Group, 2006.

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28

Style. Taylor & Francis, 1986.

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29

Style. Independently Published, 2020.

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30

Style. tredition Verlag, 2012.

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31

Style. tredition Verlag, 2012.

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32

Style. Kenning Editions, 2016.

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33

Style. London: Quercus, 2015.

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34

Pater, Walter. Style. Kessinger Publishing, 2004.

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35

Style. Longman, 2003.

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36

Style. CreateSpace Independent Publishing Platform, 2016.

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37

Style. Creative Media Partners, LLC, 2023.

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38

Walter, Raleigh. Style. Echo Library, 2007.

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39

Moran, Jan. Style. Sunny Palms Press, 2022.

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40

Style. Cambridge University Press, 2007.

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41

Spade, Kate. Style. Simon & Schuster, 2004.

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42

Connolly, Joseph. Style. Quercus, 2016.

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43

Haynes, John. Style. Taylor & Francis Group, 2006.

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44

Moran, Jan. Style. Dreamscape Media, 2018.

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45

Haynes, John. Style. Taylor & Francis Group, 2006.

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46

Haynes, John. Style. Taylor & Francis Group, 2015.

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47

Raleigh, Walter. Style. Barnes & Noble, Incorporated, 2011.

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48

Notebooks, DocWes. Style. Independently Published, 2018.

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49

Haynes, John. Style. Taylor & Francis Group, 2006.

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50

Moran, Jan. Style. Dreamscape Media, 2018.

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