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Books on the topic 'Studio Beseda'

Author: Grafiati
Published: 28 July 2024
Last updated: 30 July 2024

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1

Klíma, Miloslav. Divadelní osmdesátky a Studio Beseda. Edited by Dvořák Jan 1951 editor. V Praze: Pražská scéna ve spolupráci s Výzkumným pracovištěm katedry alternativního a loutkového divadla Divadelní fakulty AMU, 2014.

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2

Klíma, Miloslav. Studio Beseda: Setkání režisérů : Jan Grossman, Miroslav Krobot, Josef Krofta. Edited by Dvořák Jan 1937 editor. V Praze: Pražská scéna ve spolupráci s Výzkumným pracovištěm katedry alternativního a loutkového divadla Divadelní fakulty AMU, 2013.

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3

Dekhterev, B. Besedy o kompozit︠s︡ii: Uchebnoe posobie. Ri︠a︡zanʹ: [publisher not identified], 2009.

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4

P, Milev, and Institut za zdravna prosveta (Sofia, Bulgaria), eds. Besedi za zdravno vŭzpitanie na uchenit͡s︡ite. Sofii͡a︡: In-t za zdravna prosveta, 1987.

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5

Michailov, Boris. Neokonchennai︠a︡ dissertat︠s︡ii︠a︡, ili, Besedy samomu sebe. Zurich: Scalo, 1998.

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6

Pi͡adusova, G. Za druzheskoĭ besedoĭ. Sankt-Peterburg: Izd-vo S.-Peterburgskogo universiteta, 1997.

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7

Lotman, I︠U︡ M. Vospitanie dushy: Vospominanii︠a︡, besedy, intervʹi︠u︡ ; v mire pushkinskoĭ poėzii (st︠s︡enariĭ) ; besedy o russkoĭ kulʹture, televizionnye lekt︠s︡ii. Sankt-Peterburg: "Iskusstvo-SPB", 2003.

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8

Zupan, Jadranka. Zrno do zrna pogača: Vaje za spoznavanje pomena besed in bogatenje besedišča. 2nd ed. Ljubljana: Zavod Republike Slovenije za šolstvo, 1998.

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9

Podbevšek, Katarina. Govorna interpretacija literarnih besedil v pedagoški in umetniški praksi. Ljubljana: Slavistično društvo Slovenije, 2006.

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10

Fedorovich, Khitruk Andreĭ, ed. Doklady i vystuplenii︠a︡: Besedy i seminary : otkrytye uroki : vospominanii︠a︡ o G.G. Neĭgauze. Moskva: Deka-VS, 2008.

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11

Tovstonogov, G. A. Besedy o professii: Stenogrammy lekt︠s︡iĭ na I-III kurse rezhisserov dramaticheskogo teatra, 1982-1985 gody. 2nd ed. Sankt-Peterburg: Izdatel'stvo Rossiĭskogo gosudarstvennyogo instituta st︠s︡enicheskikh iskusstv, 2019.

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12

Lah, Meta. Bralno razumevanje pri pouku tujega jezika: Vloga tipa in avtentičnosti besedila. Ljubljana: Znanstvena založba Filozofske fakultete, 2012.

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13

Tacol, Tonka. Likovna vzgoja v kurikularni prenovi: Zbornik objavljenih besedil o likovni vzgoji v slovenskih osnovnih in srednjih šolah. Ljubljana: Debora, 1998.

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14

Shabalina, L. N. Zhili v Moskve byloĭ: Besedy o bulgakovskoĭ Moskve : po romanu M.A. Bulgakova "Master i Margarita" : posobie po praktike rechi. Moskva: VK, 2007.

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15

Brcko, Metka. Na ustnem delu poklicne mature pri slovenščini: Od branja in opazovanja k urednotenju besedil : zbirka primerov izpitnih listov za ustni del poklicne mature pri slovenščini. Ljubljana: DZS, 2007.

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16

Brcko, Metka. Na ustnem delu poklicne mature pri slovenščini: Od branja in opazovanja k urednotenju besedil : zbirka primerov izpitnih listov za ustni del poklicne mature pri slovenščini. Ljubljana: DZS, 2007.

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17

Česká beseda o německých badatelích v oblasti pomocných věd historických, archivnictví a edic historických pramenů (1999 Ústí nad Labem, Czech Republic). Česká beseda o německých badatelích v oblasti pomocných věd historických, archivnictví a edic historických pramenů: Příspěvky z konference pořádané 12. listopadu 1999 v Ústí nad Labem katedrou historie Pedagogické fakulty Univerzity J.E. Purkyně v Ústí nad Labem a katedrou pomocných věd historických a archivního studia Filozofické fakulty Univerzity Karlovy v Praze. Dolní Břežany: Scriptorium, 2000.

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18

1951-, Katz Harry Charles, ed. Telecommunications: Restructuring work and employment relations worldwide. Ithaca, N.Y: ILR Press, 1997.

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19

Ng, Roxana. The politics of community services: Immigrant women, class, and state. Toronto, Ont: Garamond Press, 1988.

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20

Institute, Policy Studies, ed. Workplace industrial relations and technical change. London: F. Pinter in association with Policy Studies Institute, 1987.

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21

Osobni͡a︡k na Bolʹshoĭ Gruzinskoĭ: Vospominanii͡a︡, zametki, besedy. Moskva: [Izd-vo "L.V.M. Skript"], 1994.

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22

Razmyshlenii︠a︡ o muzykalʹnom teatre Kazanskoĭ konservatorii: Statʹi, vospominanii︠a︡, besedy. Kazanʹ: Kazanskai︠a︡ gos. konservatorii︠a︡, 2010.

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23

Kelly, Catriona. Soviet Art House. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197548363.001.0001.

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This book examines cinema in the Brezhnev era from the perspective of one of the USSR’s largest studios, Lenfilm. Producing around thirty feature films per year, the studio had over three thousand employees working in every area of film production. The discussion covers the period from 1961 to the collapse of centralized state facilities in 1986. The book focuses particularly on the younger directors at Lenfilm, those who joined the studio in the recruiting drive that followed Khrushchev’s decision to expand film production. Drawing on documents from archives, the analysis portrays film production “in the round” and shows that the term “censorship” is less appropriate than the description preferred in the Soviet film industry itself, “control,” which referred to a no less exigent but far more complex and sophisticated process. The book opens with four framing chapters that examine the overall context in which films were produced: the various crises that beset film production between 1961 and 1969 (chapter 1) and 1970 and 1985 (chapter 2), the working life of the studio, and particularly the technical aspects of production (chapter 3), and the studio aesthetic (chapter 4). The second part of the book comprises close analyses of fifteen films that are typical of the studio’s production. The book concludes with a brief survey of Lenfilm’s history after the Fifth Congress of the Filmmakers’ Union in 1986, which swept away the old management structures and, in due course, the entire system of filmmaking in the USSR.
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24

Bender, Geoff, and Rasmus S. Simonsen, eds. Photography’s Materialities. Leuven University Press, 2021. http://dx.doi.org/10.11116/9789461663764.

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There is little dispute that photography is a material practice, and that the photograph itself is ineluctably material. And yet “matter,” “material,” and “materiality” have proven to be remarkably elusive terms of inquiry, frequently producing studies that are disparate in scope, sharing seemingly little common ground. Although the wide methodological range of materialist study can be dizzying, it is this book’s contention that that multiplicity is also the field’s greatest asset, keeping materialist inquiry enduringly vibrant—provided that varying methods are in close enough proximity to converse. Photography’s Materialities orchestrates one such conversation. Juxtaposing the insights of theorists like Lacan, Benjamin, and Latour beside close studies of crime, spirit, and composite photography, among others, this collection aims for a productive synergy, one capacious enough to span transatlantic spaces over the long nineteenth century.
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25

Vučković, Jelena. Quantum optics and cavity QED with quantum dots in photonic crystals. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198768609.003.0008.

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Quantum dots in optical nanocavities are interesting as a test-bed for fundamental studies of light–matter interaction (cavity quantum electrodynamics, QED), as well as an integrated platform for information processing. As a result of the strong field localization inside sub-cubic-wavelength volumes, these dots enable very large emitter–field interaction strengths. In addition to their use in the study of new regimes of cavity QED, they can also be employed to build devices for quantum information processing, such as ultrafast quantum gates, non-classical light sources, and spin–photon interfaces. Beside quantum information systems, many classical information processing devices, such as lasers and modulators, benefit greatly from the enhanced light–matter interaction in such structures. This chapter gives an introduction to quantum dots, photonic crystal resonators, cavity QED, and quantum optics on this platform, as well as possible device applications.
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26

Oppenheimer, Catherine. Personality in later life: personality disorder and the effects of illness on personality. Oxford University Press, 2013. http://dx.doi.org/10.1093/med/9780199644957.003.0053.

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This chapter covers disorders of personality in later life, including personality changes caused by dementia. There is little agreement on how best to measure personality in old age. Nevertheless, it is clear that specific changes in personality accompany dementia, particularly fronto-temporal dementia. Personality disorder (PD) in older people has been little studied and is beset by problems of definition. The current (DSM-IV) categories of PD need modification to take account of the biological and cultural contexts of old age before valid studies of the epidemiology and the life course of PDs can be made. An older person’s personality style will profoundly influence their adjustment to major life-stresses, and good care depends on clinicians’ understanding of this. Long-standing personality traits are probably important in the development of the Diogenes syndrome (extreme self-neglect) in later life.
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27

Viswanathan, P. K., R. Parthasarathy, and Madhusudan Bandi. International Collaborations as Research Infrastructure. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199474417.003.0005.

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This chapter examined the availability of the facilities for international collaboration for research, with a focus on two prime organisations, the University Grant Commission (UGC) and the Indian Council of Social Science Research (ICSSR), which are engaged in promoting international collaboration. Beside this data also collected from various central and state universities. The study found that UGC has cultural exchange program with 48 countries, which include joint research project, exchanges of faculty, fellowship such as post-doctoral project-based exchange, and exchange of scholar programmes with several countries.
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28

Tran, Anh Q. Gods, Heroes, and Ancestors. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190677602.001.0001.

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Though a minority religion in Vietnam, Christianity has constituted a significant presence in the country since its arrival in the sixteenth century. This translation and analytical study of a 1752 document entitled Tam Giáo Chư Vọng [Errors of the Three Religions] adds to the knowledge of its early history within its cultural and religious contexts. This anonymous manuscript paints a rich picture of the three traditional Vietnamese religions (Tam Giáo), i.e., Confucianism, Buddhism, and Daoism. Aiming at the new converts, the writer describes the “errors” (Chư Vọng) of these traditional beliefs and religious practices and provides an apologetics for the Christian doctrines. Structured as a dialogue between a Christian priest and a Confucian scholar, the work explains and evaluates many religious customs and rituals of eighteenth-century Vietnam—many of which are still in practice today. In addition, it contains a trove of information on the challenges and struggles that Vietnamese Christian converts had to face in following the new faith. Beside its enormous historical value for studies on Vietnamese religions, language, and culture, this manuscript raises contemporary and highly complex issues concerning the encounter between Christianity and other religions, Christian missions, religious pluralism, interreligious dialogue, and the dialogue between Christianity and cultures.
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29

ife, fahima. Maroon Choreography. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021568.

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In Maroon Choreography fahima ife speculates on the long (im)material, ecological, and aesthetic afterlives of black fugitivity. In three long-form poems and a lyrical essay, they examine black fugitivity as an ongoing phenomenon we know little about beyond what history tells us. As both poet and scholar, ife unsettles the history and idea of black fugitivity, troubling senses of historic knowing while moving inside the continuing afterlives of those people who disappeared themselves into rural spaces beyond the reach of slavery. At the same time, they interrogate how writing itself can be a fugitive practice and a means to find a way out of ongoing containment, indebtedness, surveillance, and ecological ruin. Offering a philosophical performance in black study, ife prompts us to consider how we—in our study, in our mutual refusal, in our belatedness, in our habitual assemblage—linger beside the unknown. Duke University Press Scholars of Color First Book Award recipient
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30

Gasperini, Valentina. Tomb Robberies at the End of the New Kingdom. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198818786.001.0001.

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At the end of the 19th century W.M.F. Petrie excavated a series of assemblages at the New Kingdom Fayum site of Gurob. These deposits, known in the Egyptological literature as 'Burnt Groups', were composed by several and varied materials (mainly Egyptian and imported pottery, faience, stone and wood vessels, jewellery), all deliberately burnt and buried in the harem palace area of the settlement. Since their discovery these deposits have been considered peculiar and unparalleled. Many scholars were challenged by them and different theories were formulated to explain these enigmatic 'Burnt Groups'. The materials excavated from these assemblages are now curated at several Museum collections across England: Ashmolean Museum, British Museum, Manchester Museum, and Petrie Museum. For the first time since their discovery, this book presents these materials all together. Gasperini has studied and visually analysed all the items. This research sheds new light on the chronology of deposition of these assemblages, additionally a new interpretation of their nature, primary deposition, and function is presented in the conclusive chapter. The current study also gives new information on the abandonment of the Gurob settlement and adds new social perspective on a crucial phase of the ancient Egyptian history: the transition between the late New Kingdom and the early Third Intermediate Period. Beside the traditional archaeological sources, literary evidence ('The Great Tomb Robberies Papyri') is taken into account to formulate a new theory on the deposition of these assemblages.
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31

Ullyot, Michael. The Rhetoric of Exemplarity in Early Modern England. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192849335.001.0001.

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This study makes two new arguments about the rhetoric of exemplarity in late Elizabethan and Jacobean culture: that exemplarity is a recursive cycle driven by rhetoricians’ words and readers’ actions; and that positive examples are never actionable. They serve, rather, as aspirational models of readers’ own posthumous biographies—like Alexander the Great envying Achilles for Homer’s writing of his life. This study defines the three types of decorum on which exemplary rhetoric and imitation depend. It charts their operations through Philip Sidney’s poetics, Edmund Spenser’s poetry, and the dedications, sermons, elegies, biographies, and other occasional texts on and for Robert Devereux, second Earl of Essex, and Henry, Prince of Wales. It expands the definition of occasional texts to include those that criticize their circumstances to demand better ones; and it historicizes moral exemplarity in the contexts of sixteenth-century Protestant memory and humanist pedagogy. The first full-length study in three decades of the rhetoric of moral exemplarity and of Prince Henry’s textual representations, The Rhetoric of Exemplarity in Early Modern England concludes that all exemplary subjects suffer from ‘the problem of metonymy’: the objection that their chosen excerpts misrepresent their missing parts. As this problem also besets historicist literary criticism, which is subject to corrections from the archive, this study recognizes that its argumentative rhetoric is itself exemplary.
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32

Considine, John. Sixteenth-Century English Dictionaries. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198832287.001.0001.

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Sixteenth-Century English Dictionaries is the first volume in the trilogy Dictionaries in the English-Speaking World, 1500–1800. It offers a new history of the dictionaries, wordlists, and glossaries which were compiled and read by speakers of English from the end of the Middle Ages to the year 1600: in print and manuscript; monolingual, bilingual, and polyglot; free-standing or presented beside other works. The bilingual and polyglot wordlists treated languages such as Latin, Greek, and Hebrew; French, Italian, and Spanish; other languages of Europe, the Near East, and the wider world; and Old and Middle English. They were an essential part of the cultural history of the early modern British Isles: the kinds of language study which dictionaries supported gave access to traditional knowledge, the high culture of the European Renaissance, and knowledge of a rapidly expanding intellectual world. The book surveys its subject matter from multiple perspectives, including the history of lexicography, the history of the English language, book history, and intellectual history.
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33

Alibhai, Fayaz S. Representation. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427234.003.0012.

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The year 2013 saw the thirtieth Edinburgh International Book Festival (EIBF), where it was expected that 200,000 people would be in attendance over the course of 17 days for some 700 events involving ‘[m]ore than 800 authors from around the world’ (BBC, 2013). Despite its size, the festival, set in Charlotte Square Gardens, manages to feel like a tented village community. Children laugh and loll about on a low wooden dais, eating ice cream from the stall inside the gardens, their parents sitting beside them. This study draws from ethnographic fieldwork conducted between 2011 and 2013 and focuses on Edinburgh, where comparatively little research on Muslims has so far been undertaken. In doing so, it explore the representation of Islam within the confines of one of Britain’s most widely acclaimed literary festivals, the EIBF. It begins by examining the festival as a public square. It then discusses the festival’s production of an ‘Islamicate’ space. Finally, it analyses how the festival may be conceived as a representation of Islamicate space.
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34

Gil, Nuno. A Collective-Action Perspective on the Planning of Megaprojects. Edited by Bent Flyvbjerg. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198732242.013.28.

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This chapter adopts a collective action perspective to study the planning of large infrastructure developments: so-called “megaprojects.” The research is grounded on the analysis of make-or-break issues that beset four megaprojects in the UK. First it is argued that megaprojects are organizational networks that at the core create large arenas of consensus-oriented collective action. The analysis shows how the conflation of resource scarcity, conflicting interests, and concerns with legitimacy complicates local searches for mutually consensual solutions and brings to the fore bargaining and political activity. The central contribution is a model that proposes a combination of four high-order coordination mechanisms for management to carry the actors along openly: relaxing performance targets, building organizational slack, espousing flexible designs, and creating a structure of umpires to settle disputes that could not be self-resolved. Implications for the megaproject performance debate are discussed.
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35

Operskalski, Joachim T., and Aron K. Barbey. Cognitive Neuroscience of Causal Reasoning. Edited by Michael R. Waldmann. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199399550.013.16.

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The era of functional neuroimaging promised to shed light on dark corners of the brain’s inner workings, breathing new life into subfields of psychology beset by controversy. Although revelations from neuroscience provide the foundation for current views on many aspects of human cognition, there continue to be areas of study in which a mismatch between the questions asked by psychologists and neuroscientists renders the implications of neuroscience research unclear. Causal reasoning is one such topic, for which decades of cognitive neuroscience findings have revealed a heterogeneity of participating brain regions and networks across different experimental paradigms. This chapter discusses (i) three cognitive and computational models of causal reasoning (mental models, causal models, and force composition theory), (ii) experimental findings on causal judgment and reasoning using cognitive neuroscience methods, and (iii) the need for a multidisciplinary approach to understanding the nature and mechanisms of causal reasoning.
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36

English Vocabulary in Use Pre-intermediate and Intermediate (Vocabulary in Use). 2nd ed. Cambridge University Press, 2003.

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37

Katz, Harry Charles. Telecommunications: Restructuring Work and Employment Relations Worldwide (Cornell Industrial and Labor Relations Bibliography Series). Cornell University Press, 1997.

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38

Etienne, Anne, Benjamin Halligan, and Christopher Weedman. Adult Themes. Bloomsbury Publishing Inc, 2023. http://dx.doi.org/10.5040/9781501375248.

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Between the late 1950s and mid-1970s, British cinema experienced an explosion of X-certificated films. In parallel with an era marked by social, political, and sexual ferment and upheaval, British filmmakers and censors pushed and guarded the permissible limits of violence, horror, revolt, and sexuality on screen. Adult Themes is the first volume entirely devoted to the exploration of British X certificate films across this transformative period, since identified as ‘the long 1960s’. How did the British Board of Film Censors, harried on one side by the censorious and moralistic, and beset on the other by demands for greater artistic freedom, oversee and manage this provocative body of films? How did the freedoms and restrictions of the X certificate hasten, determine, and reshape post-war British cinema into an artistic, exploitational, and unapologetically adult medium? Contributors to this collection consider these central questions as they take us to swinging parties, on youthful crime sprees, into local council meetings, on police raids of cinemas, and around Soho strip clubs, and introduce us to mass murderers, lesbian vampires, apoplectic protestors, eroticised middle-aged women, and rebellious working-class men. Adult Themes examines both the workings and negotiations of British film censorship, the limits of artistic expression, and a wider culture of X certificate cinema. This is an important volume for students and scholars of British Film History and censorship, Media Studies, the 1960s, and Cultural and Sexuality Studies, while simultaneously an entertaining read for all connoisseurs of British cinema at its most vivid and scandalous.
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39

The use and abuse of history, or, How the past is taught to children. New York: Routledge, 2003.

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40

Lo, Dennis. The Authorship of Place. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528516.001.0001.

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The Authorship of Place is the first monograph dedicated to the study of the politics, history, aesthetics, and practices of location shooting for Taiwanese, Mainland Chinese, and coproduced art cinemas shot in rural communities since the late 1970s. Lo argues that rural location shooting, beyond serving aesthetic and technical needs, constitutes practices of cultural survival in a region beset with disruptive social changes, including rapid urbanization, geopolitical shifts, and ecological crises. In response to these social changes, auteurs like Hou Xiaoxian, Jia Zhangke, Chen Kaige, and Li Xing transformed sites of film production into symbolically meaningful places of collective memories and aspirations. These production practices ultimately enabled auteurs to experiment with imagining communities in novel and contentious ways. Guiding readers on a cross-strait tour of prominent shooting locations for the New Chinese Cinemas, this book shows how auteurs sought out their disappearing cultural heritage by reenacting lived experiences of nation building, homecoming, and cultural salvage while shooting on-location. This was an especially daunting task when auteurs encountered the shooting locations as spaces of unresolved historical, social, and geopolitical contestations, tensions which were only intensified by the impact of filmmaking on rural communities. This book demonstrates how complex circumstances surrounding location shooting were pivotal in shaping representations of the rural on-screen, as well as the production communities, institutions, and industries off-screen. Bringing together cutting-edge perspectives in cultural geography and media anthropology, this work revises Chinese film history and theorizes ground-breaking approaches for investigating the cultural politics of film authorship and production.
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41

Kinnear, Mary. A Female Economy: Women's Work in a Prairie Province, 1870-1970. McGill-Queen's University Press, 1999.

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42

Kinnear, Mary. A Female Economy: Women's Work in a Prairie Province, 18701970. McGill-Queen's University Press, 1999.

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