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Published: 10 June 2023

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1

Berg, Sandra Beth. The book of Esther: Motifs, themes and structure. Ann Arbor, Mich: UMI, 1986.

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2

Frye, Northrop. [The secular scripture: A study of the structure of romance. [Tokyo]: Hosei University Press, 1999.

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3

Littlewood, Trevor D. Helix-loop-helix transcription factors. 3rd ed. Oxford: Oxford University Press, 1998.

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4

Steeg, Evan W. Automated motif discovery in protein structure prediction. Toronto: University of Toronto, Dept. of Computer Science, 1997.

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5

Secrets of screenplay structure: How to recognize and emulate the structural frameworks of great films. Los Angeles, CA: Lone Eagle Pub., 1999.

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6

Between sheol and temple: Motif structure and function in the I-Psalms. Sheffield, England: Sheffield Academic Press, 1995.

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7

Yukarıçukurova masallarında motif ve tip araştırması. Ankara: T.C. Kültür Bakanlığı, 2001.

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8

C, Vassilicos J., and Hunt Julian C. R, eds. Turbulence structure and vortex dynamics. Cambridge, U.K: Cambridge University Press, 2000.

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9

Kallas, Christina. Creative screenwriting: Understanding emotional structure. New York: Palgrave Macmillan, 2010.

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10

Vassilicos, J. C., and Julian C. R. Hunt. Turbulence structure and vortex dynamics. Cambridge: Cambridge University Press, 2011.

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11

Dewan, Pauline. The house as setting, symbol, and structural motif in children's literature. Lewiston, N.Y: Edwin Mellen Press, 2004.

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12

Cilia: Structure and motility. Amsterdam [etc.]: Elsevier/Academic Press, 2009.

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13

B, Vandiver Pamela, ed. Ceramic masterpieces: Art, structure, and technology. New York: Free Press, 1986.

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14

Literary motifs and patterns in the Hebrew Bible: Collected studies. Winona Lake, Indiana: Eisenbrauns, 2013.

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15

Paganelli, Carlo. Hagy Belzberg: Structures and metaphors. [Milano]: L'arca, 2000.

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16

Wilderson, Frank B. Red, white & black: Cinema and the structure of U.S. antagonisms. Durham, NC: Duke University Press, 2010.

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17

Steve, Campbell, ed. Motion: Structures and mechanisms. Don Mills, Ont: Addison-Wesley, 1999.

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18

Schweiger, F. A. Revolutionary opportunities for materials and structures study. Cincinnati, Ohio: General Electric Company, Aircraft Engine Business Group, 1989.

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19

D, Davies Thomas. Design for hospitality: Planning for accessible hotels & motels. New York, NY: Nichols Pub., 1988.

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20

Choi, Hye-Won. Optimizing structure in context: Scrambling and information structure. Stanford, Calif: CSLI Publications, 1999.

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21

Bachmann, Hugo, and Walter Ammann. Vibrations in Structures. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 1987. http://dx.doi.org/10.2749/sed003e.

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<p>«Vibrations in Structures» concentrates on vibrations in structures as excited by human motion or machine operation. Man-induced vibrations may arise from walking, running, skipping, dancing, etc. They occur mostly in pedestrian structures, office buildings, gymnasia and sports halls, dancing and concert halls, stadia, etc. Existing publications treat by and large some isolated aspects of the problem; the present one attempts, for the first time, a systematic survey of man-induced vibrations. Machine-induced vibrations occur during the operation of all sorts of machinery and tools with rotating, oscillating or thrusting parts. The study concentrates rather on small and medium size machinery placed on floors of industrial buildings and creating a potential source of undesirable vibrations. The associated questions have rarely been tackled to date; they entail probiems similar to those of man-induced vibrations.</p> <p>The book is consciously intended to serve the practising structural engineer and not primarily the dynamic specialist. It should be noted that its aim is not to provide directions on how to perform comprehensive dynamic computations. Instead, it attempts the following:</p> <ol> <li>to show where dynamic problems could occur and where a word of caution is good advice;</li> <li>to further the understanding of the phenomena encountered as well as of the underlying principles;</li> <li>to impart the basic knowledge for assessing the dynamic behaviour of the structures or structural elements;</li> <li>to describe suitable measures, both preventive to be applied in the design stage and remedial in the case of rehabilitation.</li> </ol>

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22

United States. National Aeronautics and Space Administration., ed. Revolutionary opportunities for materials and structures study: Addendum. Cincinnati, Ohio: GE Aircraft Engines, 1989.

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23

Filmmaking: Narrative & structural techniques. Los Angeles: Silman-James Press, 1992.

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24

1949-, McKenna David, ed. Memo from the story department: Secrets of structure and character. Studio City, CA: Michael Wiese Productions, 2011.

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25

Voropayev, Sergey I. Vortex structures in a stratified fluid: Order from chaos. London: Chapman & Hall, 1994.

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26

Cowgill, Linda J. Writing short films: Structure & content for screenwriters. 2nd ed. Los Angeles: Lone Eagle Pub., 2005.

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27

Nasta, Dominique. Meaning in film: Relevant structures in soundtrack and narrative. Berne: Lang, 1991.

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28

Writing short films: Structure and content for screenwriters. Los Angeles, Calif: Lone Eagle Pub., 1997.

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29

Frye, Northrop. L' écriture profane: Essai sur la structure du romanesque. [Saulxures, France]: Circé, 1998.

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30

Action and image: Dramatic structure in cinema. Manchester: Manchester University Press, 1994.

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31

Dunne, Peter. Emotional structure, creating the story beneath the plot: A guide for screenwriters. Sanger, Calif: Quill Driver Books, 2007.

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32

1916-, Lin C. C., ed. Spiral structure in galaxies: A density wave theory. Cambridge, Mass: MIT Press, 1996.

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33

1926-, Zimmermann Martin Huldrych, and Zimmermann Martin Huldrych 1926-, eds. Xylem structure and the ascent of sap. 2nd ed. Berlin: Springer, 2002.

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34

The Oedipus Myth. Structure - Motifs - Plot. Moscow, Russia: Flinta Moscow, 2022.

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35

Guo, G. Electronic Structure Crystallography and Functional Motifs of Materials. Wiley & Sons, Limited, John, 2024.

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36

Wickerson, Erica. Symbols and Motifs. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.003.0004.

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This chapter takes a broader approach to the analysis of subjective temporal experience. It explores the ways in which particular images that have symbolic value or motifs that gain additional significance through their repetition further the sense of temporal movement across a text. The analysis focuses on Buddenbrooks, The Magic Mountain, Tonio Kröger, and includes a comparative analysis with Theodor Storm’s Immensee, which served as an inspiration for Mann. It builds on Genette’s terminology to suggest that there is a difference between shifts in temporal perspective and shifts in temporal location, both of which, it is argued, can be prompted by or encapsulated through symbolic images. The chapter also proposes the concept of ‘meta-muthos’ whereby a single image may contain the overall plot structure of a narrative in miniature and thereby have multidirectional temporal power, which complicates the reader’s sense of narrative time.

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37

Harford, Catherine A. Metal-binding motifs in proteins: Effects of metals on protein structure and function. 1995.

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38

Protein Supersecondary Structures. Humana Press, 2012.

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39

Kister, Alexander E. Protein Supersecondary Structures. Humana Press, 2016.

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40

Kister, Alexander E. Protein Supersecondary Structures: Methods and Protocols. Springer New York, 2019.

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41

Structure du sérail : La Fiction du despotisme asiatique dans l'Occident classique. Seuil, 1999.

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42

Frye, Northrop. The Secular Scripture: A Study of the Structure of Romance (The Charles Eliot Norton Lectures). Harvard University Press, 2004.

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43

Thiruvahindrapuram, Bhooma. Schematikon, an encyclopedia of structural motifs in proteins. 2005.

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44

Aesthetics of the time: A view of Fatehpur Sikri motifs. New Delhi: Sharada Pub. House, 2011.

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45

Dürsteler, Max R., and Erika N. Lorincz. Stereo Rotation Standstill and Related Illusions. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0106.

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When we fixate the center of a rotating three-dimensional structure, such as a physically rotating wheel made out of sectors, which stereo cues are encoded with a static random-dot “texture,” a rather striking global motion illusion occurs: the rotating three-dimensional wheel appears as standing still (stereo rotation standstill). Even when using a dynamic (flickering) random-dot texture, it is still impossible to gain a percept of smooth rotation. However, local motion can still be clearly perceived. When the random-dot texture “overlaying” the wheel is also rotating, the concealed wheel is perceived as rotating at the same velocity as the texture, regardless of its velocity (stereo rotation capture). Stereo complex motion standstill and capture is shown to occur for other categories of complex motions such as expanding, contracting, and spiraling motions thus providing evidence for a dominance of luminance inputs over stereo inputs for complex motion detectors in our visual system.

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46

Structura2. Design Studio Press, 2012.

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47

Hunt, J. C. R., and J. C. Vassilicos. Turbulence Structure and Vortex Dynamics. Cambridge University Press, 2021.

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48

Creative Screenwriting: Understanding Emotional Structure. Palgrave Macmillan, 2010.

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49

Howard, John, and Christina Kallas. Creative Screenwriting: Understanding Emotional Structure. Palgrave Macmillan Limited, 2010.

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50

Structures of Fantasy. MES Press, 1992.

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