Books on the topic 'Structural edit'

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1

Riesen, Kaspar. Structural Pattern Recognition with Graph Edit Distance. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-27252-8.

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2

Felicitous space: The imaginative structures of Edith Wharton and Willa Cather. Chapel Hill: University of North Carolina Press, 1986.

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3

Fryer, Judith. Felicitous space: The imaginative structures of Edith Wharton and Willa Cather. Chapel Hill: University of North Carolina Press, 1986.

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4

Miccichè, Calogero. Girgenti: Le pietre della meraviglia-- cadute : osservazioni, note autentiche, documenti editi e inediti, per il recupero del centro storico di Agrigento. [Italy: s. n., 2006.

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Miccichè, Calogero. Girgenti: Le pietre della meraviglia-- cadute : osservazioni, note autentiche, documenti editi e inediti, per il recupero del centro storico di Agrigento. [Italy: s. n., 2006.

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6

Polymorphous domesticities: Pets, bodies, and desire in four modern writers. Berkeley: University of California Press, 2012.

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7

Riesen, Kaspar. Structural Pattern Recognition with Graph Edit Distance: Approximation Algorithms and Applications. Springer International Publishing AG, 2018.

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8

Riesen, Kaspar. Structural Pattern Recognition with Graph Edit Distance: Approximation Algorithms and Applications. Springer, 2016.

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9

Riesen, Kaspar. Structural Pattern Recognition with Graph Edit Distance: Approximation Algorithms and Applications. Springer London, Limited, 2016.

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10

Burns. Design of Prestressed Concrete Structures 4th Edit Ion. John Wiley & Sons Inc, 2005.

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11

Scott, Marshall, and John G. Waite Associates, Architects., eds. The Mount, home of Edith Wharton: A historic structure report. Lenox, Mass: Edith Wharton Restoration, inc., 1997.

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12

Felicitous Space: The imaginative structures of Edith Wharton and Willa Cather. Chapel Hill: University of North Carolina Press, 1986.

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13

Calcagno, Antonio. Edith Stein’s Challenge to Sense-Making. Edited by Dan Zahavi. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198755340.013.14.

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Edith Stein viewed her work with Husserl as a project of collaboration aimed at developing and promoting phenomenology, but rather than conceiving of constitution or sense-bestowal as belonging to the elements of logic and language, as it does in Husserl’s Logical Investigations and his transcendental structures of noesis and noema or in Reinach’s early work in phenomenology (1951), Stein argued that meaning-making must be grounded in both material nature and spiritual realities. Her early work in phenomenology was not only a critique of the perceived shortcomings of her teachers but also a constructive attempt to expand the account of how phenomenology can seize the objectivity of things themselves by showing how consciousness itself is embodied in a psycho-spiritual unity, which Stein called a person.
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14

Hersey, Peter, Laura O'Connor, Thomas E. Sams, and Jon Sturman, eds. OSCEs for Intensive Care Medicine. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780198824374.001.0001.

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OSCEs for Intensive Care Medicine is a comprehensive revision resource for doctors preparing to take the Fellowship of the Faculty of Intensive Care Medicine (FFICM) and the European Diploma in Intensive Care Medicine (EDIC). The objective structured clinical exam (OSCE) component of these exams can present a significant challenge, even for doctors with years of clinical experience. Featuring over 100 practice questions, the book is organized into eight practice OSCE exams and is mapped to both the FFICM and Competency-Based Training in Intensive Care Medicine in Europe (CoBaTrICE) curricula. Structured to reflect the real exams, they are divided into stations on professionalism, resuscitation, data, and equipment, each of which is accompanied by further reading. With advice throughout to help candidates avoid common mistakes and misconceptions, this question book is a useful resource for doctors preparing for the FFICM or EDIC OSCE exams.
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15

McAlpine, Kenneth B. The Ultimate Soundtracker? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190496098.003.0006.

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In the early days of home computing, writing music was as much a technical as a creative process. This chapter explores how the launch of a software music package, Ultimate Soundtracker, for Commodore’s Amiga created a new, symbolic way to compose and edit music. It was sample-based and structured music using a grid-style interface that could be navigated using the computer keyboard, and its music files distributed both, making it easy to share—and copy—others’ musical ideas. This ‘open-source’ approach allowed nonprogrammers and nonmusicians to experiment with music making and for the sound to promulgate. This was also the period from which the term ‘chiptune’ emerged; the Amiga’s sample-based chipset allowed it to create other sounds beside raw electronic waveforms, and chiptune was used to highlight tracks written in the 8-bit sound chip style.
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16

Schiesari, Juliana. Polymorphous Domesticities: Pets, Bodies, and Desire in Four Modern Writers. University of California Press, 2012.

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17

Schiesari, Juliana. Polymorphous Domesticities: Pets, Bodies, and Desire in Four Modern Writers. University of California Press, 2012.

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