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Books on the topic 'STREAMING SITES'

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Author: Grafiati
Published: 11 September 2023

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1

Alvear, Jose. Web developer.com guide to streaming multimedia. New York: Wiley, 1998.

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2

United States. Congress. House. Committee on the Judiciary. Subcommittee on Intellectual Property, Competition, and the Internet. Promoting investment and protecting commerce online: Legitimate sites v. parasites. Washington: U.S. G.P.O., 2013.

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3

HTML5 multimedia: Develop and design. Berkeley, Calif: Peachpit Press, 2012.

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4

United States. Environmental Protection Agency. Office of Solid Waste and Emergency Response and Brownfields Technology Support Center (U.S.), eds. Using the triad approach to streamline brownfields site assessment and cleanup. Washington, DC: U.S. Environmental Protection Agency, Office of Solid Waste and Emergency Response, Brownfields Technology Support Center, 2003.

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5

United States. Environmental Protection Agency. Office of Solid Waste and Emergency Response. and Brownfields Technology Support Center (U.S.), eds. Using the triad approach to streamline brownfields site assessment and cleanup. Washington, DC: U.S. Environmental Protection Agency, Office of Solid Waste and Emergency Response, Brownfields Technology Support Center, 2003.

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6

Mastering internet video: A guide to streaming and on-demand video. Boston: Addison-Wesley, 2005.

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7

Streaming and digital media: Understanding the business and technology. Burlington, MA, USA: Focal Press, 2007.

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8

Department of Energy: Additional opportunities exist to streamline support functions at NNSA and Office of Science sites : report to congressional requesters. Washington, D.C.]: U.S. Govt. Accountability Office, 2012.

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9

Ferrate, Andres. Building web apps for Google TV. Sebastopol, CA: O'Reilly Media, 2011.

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10

Scalable video on demand: Adaptive Internet-based distribution. Hoboken, NJ: J. Wiley & Sons, 2005.

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11

Singh, Sanjay. Implementing Streaming Video: How to Set up E-Commerce and Enable Streaming Content Systems. Wiley & Sons, Incorporated, John, 2001.

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12

Turn Your Gaming into a Career Through Twitch and Other Streaming Sites: How to Start, Develop and Sustain an Online Streaming Business That Makes Money. Independently Published, 2018.

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13

McCollin, Rachel. WordPress 4. 0 Site Blueprints - Second Edition: Create a Variety of Exciting Sites for e-Commerce, Networking, Video Streaming, and More, Using WordPress. Packt Publishing, Limited, 2015.

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14

Tang, Xueyan, Jianliang Xu, and Samuel T. Chanson. Web Content Delivery. Springer London, Limited, 2005.

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15

(Editor), Xueyan Tang, Jianliang Xu (Editor), and Samuel T. Chanson (Editor), eds. Web Content Delivery (Web Information Systems Engineering and Internet Technologies Book Series). Springer, 2005.

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16

Schiller, Dan. Taking Care of Business. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038761.003.0012.

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This chapter examines the Commerce Department's free-flow policy as part of its power over internet policy. It first provides an overview of U.S.–centric internet and Commerce's Internet Policy Task Force, established to launch an inquiry into “the global free flow of information on the Internet.” The inquiry's purpose was “to identify and examine the impact that restrictions on the flow of information over the Internet have on American businesses and global commerce.” The chapter also considers Commerce's commodification strategies based in part on data centers and the place of cloud computing services in the department's free-flow inquiry. It shows that the Commerce Department's free-flow policy was a major component of the federal government's overall efforts to keep corporate data flows streaming without restriction as new profit sites emerged around an extraterritorial internet managed by the United States.
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17

Stolarz, Damien. Mastering Internet Video: A Guide to Streaming and On-Demand Video. Addison-Wesley Professional, 2004.

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18

Using the triad approach to streamline brownfields site assessment and cleanup. Washington, DC: U.S. Environmental Protection Agency, Office of Solid Waste and Emergency Response, Brownfields Technology Support Center, 2003.

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19

Rayburn, Dan. Streaming and Digital Media: Understanding the Business and Technology. Taylor & Francis Group, 2012.

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20

Rayburn, Dan. Streaming and Digital Media: Understanding the Business and Technology. Taylor & Francis Group, 2012.

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21

Rayburn, Dan. Streaming and Digital Media: Understanding the Business and Technology. Taylor & Francis Group, 2012.

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22

Rayburn, Dan. Streaming and Digital Media: Understanding the Business and Technology. Taylor & Francis Group, 2012.

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23

Rayburn, Dan. Streaming and Digital Media: Understanding the Business and Technology. Taylor & Francis Group, 2016.

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24

Rayburn, Dan. Streaming and Digital Media: Understanding the Business and Technology (NAB Executive Technology Briefings) (NAB Executive Technology Briefings). Focal Press, 2007.

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25

Hands-On Guide to Windows Media (Hands-On Guide Series). Focal Press, 2005.

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26

Waters, Rosa. Pinterest(tm): How Ben Silbermann & Evan Sharp changed the way we share what we love. 2015.

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27

Zink, Michael. Scalable Video on Demand: Adaptive Internet-Based Distribution. Wiley & Sons, Incorporated, John, 2013.

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28

Zink, Michael. Scalable Video on Demand: Adaptive Internet-Based Distribution. Wiley & Sons, Incorporated, John, 2013.

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29

Born, Georgina, ed. Music and Digital Media: A planetary anthology. UCL Press, 2022. http://dx.doi.org/10.14324/111.9781800082434.

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Anthropology has neglected the study of music. Music and Digital Media shows how and why this should be redressed. It does so by enabling music to expand the horizons of digital anthropology, demonstrating how the field can build interdisciplinary links to music and sound studies, digital/media studies, and science and technology studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the digital assume clamouring audibility. The book contains ten chapters, eight of which present comprehensive original ethnographies; they are bookended by an authoritative introduction and a comparative postlude. Five chapters address popular, folk, art and crossover musics in the global South and North, including Kenya, Argentina, India, Canada and the UK. Three chapters bring the digital experimentally to the fore, presenting pioneering ethnographies of an extra-legal peer-to-peer site and the streaming platform Spotify, a series of prominent internet-mediated music genres, and the first ethnography of a global software package, the interactive music platform Max. The book is unique in bringing ethnographic research on popular, folk, art and crossover musics from the global North and South into a comparative framework on a large scale, and creates an innovative new paradigm for comparative anthropology. It shows how music enlarges anthropology while demanding to be understood with reference to classic themes of anthropological theory.
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30

Ferrate, Andres, Amanda Surya, Daniels Lee, Maile Ohye, and Paul Carff. Building Web Apps for Google TV. O'Reilly Media, Incorporated, 2011.

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31

Ferrate, Andres, Amanda Surya, Daniels Lee, Maile Ohye, and Paul Carff. Building Web Apps for Google TV. O'Reilly Media, Incorporated, 2011.

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32

Zink, Michael. Scalable Video on Demand: Adaptive Internet-Based Distribution. Wiley & Sons, Incorporated, John, 2013.

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33

Zink, Michael. Scalable Video on Demand: Adaptive Internet-Based Distribution. Wiley & Sons, Incorporated, John, 2013.

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34

Zink, Michael. Scalable Video on Demand: Adaptive Internet-based Distribution. Wiley & Sons, Incorporated, John, 2013.

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