Relevant bibliographies by topics / Streaming perception

Academic literature on the topic 'Streaming perception'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Streaming perception"

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Jati, Rocky Prasetyo, and Mira Herlina. "Hubungan antara Radio Streaming dengan Persepsi dan Kepuasan Audiens di PT MNC Skyvision Jakarta." Jurnal ASPIKOM 2, no. 1 (July 17, 2013): 589. http://dx.doi.org/10.24329/aspikom.v2i1.37.

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This research is motivated by development of radio broadcasting using streaming concept to broadcast to the listeners. Before streaming broadcast radio it need planting perception, resulting satisfaction to listeners. Problem and research objectives is to what extent the relationship between the audience’s perception of streaming radio and streaming radio contact with the extent of audience satisfaction. This research based on the theory of use and gratification and using the quantitative methodology, with quota sampling technique, respondents of PT. MNC Sky Vision Jakarta. The research result shown that there is a relation between the perception of streaming radio and there is a real relationship between the satisfaction of streaming radio.
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Dupoux, Emmanuel, Vincent de Gardelle, and Sid Kouider. "Subliminal speech perception and auditory streaming." Cognition 109, no. 2 (November 2008): 267–73. http://dx.doi.org/10.1016/j.cognition.2008.06.012.

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Gregory, Andrew H. "Timbre and Auditory Streaming." Music Perception 12, no. 2 (1994): 161–74. http://dx.doi.org/10.2307/40285649.

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Listeners rated the subjective difference between pairs of different synthesized orchestral instrumental timbres. They then reported their perception of variations on crossing ascending and descending musical scales played in different timbres. With little or no timbre difference between the scales, auditory streaming by pitch led to the perception of separate high and low halfscales. Increasing timbre difference led to the perception of the complete scales played by each instrument, particularly if the two scales were in distant keys or temporally interleaved rather than simultaneous. If the notes of each scale alternated between two instruments, then perceptual separation by timbre would result in the perception of the "jumping" sequence of notes played by each instrument. This sequence was perceived only if the scales were discordant or temporally interleaved. Multidimensional scaling of the difference ratings led to three dimensions, which were correlated with acoustic parameters resulting from spectral analysis of the sounds. The most important aspects of timbre for perceptual separation were the proportion of energy in the lower partials and, for discordant scales, the duration of the decay. Auditory streaming by timbre thus depends on particular dimensions of timbre and on musical factors such as harmonic relation, simultaneity, and continuity.
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杨, 铮., 亮. 董, and 新军 蔡. "Toward cooperative multi-agent video streaming perception." SCIENTIA SINICA Informationis 53, no. 1 (January 1, 2023): 46. http://dx.doi.org/10.1360/ssi-2021-0179.

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Ciocca, Valter, and Albert S. Bregman. "The effects of auditory streaming on duplex perception." Perception & Psychophysics 46, no. 1 (January 1989): 39–48. http://dx.doi.org/10.3758/bf03208072.

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Atzori, Luigi, Alessandro Floris, Giaime Ginesu, and Daniele D. Giusto. "Quality perception when streaming video on tablet devices." Journal of Visual Communication and Image Representation 25, no. 3 (April 2014): 586–95. http://dx.doi.org/10.1016/j.jvcir.2013.08.013.

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Zhenzhong Chen, Maodong Li, and Yap-Peng Tan. "Perception-Aware Multiple Scalable Video Streaming Over WLANs." IEEE Signal Processing Letters 17, no. 7 (July 2010): 675–78. http://dx.doi.org/10.1109/lsp.2010.2046193.

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Lohmann, Sam, and Linda Frederiksen. "Faculty Awareness and Perception of Streaming Video for Teaching." Collection Management 43, no. 2 (November 2, 2017): 101–19. http://dx.doi.org/10.1080/01462679.2017.1382411.

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Schadwinkel, Stefan, and Alexander Gutschalk. "Transient bold activity locked to perceptual reversals of auditory streaming in human auditory cortex and inferior colliculus." Journal of Neurophysiology 105, no. 5 (May 2011): 1977–83. http://dx.doi.org/10.1152/jn.00461.2010.

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Our auditory system separates and tracks temporally interleaved sound sources by organizing them into distinct auditory streams. This streaming phenomenon is partly determined by physical stimulus properties but additionally depends on the internal state of the listener. As a consequence, streaming perception is often bistable and reversals between one- and two-stream percepts may occur spontaneously or be induced by a change of the stimulus. Here, we used functional MRI to investigate perceptual reversals in streaming based on interaural time differences (ITD) that produce a lateralized stimulus perception. Listeners were continuously presented with two interleaved streams, which slowly moved apart and together again. This paradigm produced longer intervals between reversals than stationary bistable stimuli but preserved temporal independence between perceptual reversals and physical stimulus transitions. Results showed prominent transient activity synchronized with the perceptual reversals in and around the auditory cortex. Sustained activity in the auditory cortex was observed during intervals where the ΔITD could potentially produce streaming, similar to previous studies. A localizer-based analysis additionally revealed transient activity time locked to perceptual reversals in the inferior colliculus. These data suggest that neural activity associated with streaming reversals is not limited to the thalamo-cortical system but involves early binaural processing in the auditory midbrain, already.
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Watanabe, Katsumi, and Shinsuke Shimojo. "Attentional Modulation in Perception of Visual Motion Events." Perception 27, no. 9 (September 1998): 1041–54. http://dx.doi.org/10.1068/p271041.

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Identical visual targets moving across each other with equal and constant speed can be perceived either to bounce off or to stream through each other. This bistable motion perception has been studied mostly in the context of motion integration. Since the perception of most ambiguous motion is affected by attention, there is the possibility of attentional modulation occurring in this case as well. We investigated whether distraction of attention from the moving targets would alter the relative frequency of each percept. During the observation of the streaming/bouncing motion event in the peripheral visual field, visual attention was disrupted by an abrupt presentation of a visual distractor at various timings and locations (experiment 1; exogenous distraction of attention) or by the demand of an additional discrimination task (experiments 2 and 3; endogenous distraction of attention). Both types of distractions of attention increased the frequency of the bouncing percept and decreased that of the streaming percept. These results suggest that attention may facilitate the perception of object motion as continuing in the same direction as in the past.
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Dissertations / Theses on the topic "Streaming perception"

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Ciocca, Valter. "Effects of auditory streaming upon duplex perception of speech." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75866.

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When a formant transition (isolated transition) and the remainder (base) of a synthesized syllable are presented to opposite ears most subjects perceive two simultaneous sounds, a syllable and a nonspeech chirp. The isolated transition determines the identity of the syllable at one ear and, at the same time, is perceived as a chirp at the opposite ear. This phenomenon, called duplex perception, has been interpreted as the result of the independent operation of two perceptual modes, the phonetic and the auditory mode. In order to test this hypothesis, the isolated transition was preceded and followed by a series of identical transitions sent to the same ear. This streaming procedure weakened the contribution of the transition to the perceived phonetic identity of the syllable. This weakening effect could have been explained in terms of the habituation of an hypothetical phonetic feature detector sensitive to the repetition of identical transitions. For this reason, the same effect was replicated by capturing the isolated transition with others which were aligned on the same frequency-by-time trajectory as the isolated one. These findings are consistent with the idea that the integration of the transition with the base was affected by the operation of general-purpose auditory processes. This contrasts with the hypothesis that the phonetic mode integrated the dichotic stimuli independently of the auditory mode.
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Oldiges, Beth Ann. "PERCEPTION AND USAGE OF VIDEO STREAMING/ELECTRONIC MEDIA IN NUTRITION EDUCATION FOR KENTUCKY INDIVIDUALS." UKnowledge, 2012. http://uknowledge.uky.edu/foodsci_etds/6.

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Nutrition Education Professionals (NEP) working for Extension Agents of Kentucky were surveyed to evaluate their use of a variety of tools in nutrition education in three areas: nutrition, food safety, and food preparation. The purpose of this research was to determine the perception and usage of video streaming/electronic media among community nutrition professionals as a means to better educate individuals in Kentucky and furthermore, to determine if demographics of NEP affect their utilization of this technology. The results concluded that regardless of demographics, NEP perceive video streaming/electronic media to be effective in nutrition education. However, age, employment length, and video characteristics affect NEP inclination to use this technology
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Palaniappan, Ramanathan. "Scalable video communications: bitstream extraction algorithms for streaming, conferencing and 3DTV." Diss., Georgia Institute of Technology, 2011. http://hdl.handle.net/1853/42732.

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This research investigates scalable video communications and its applications to video streaming, conferencing and 3DTV. Scalable video coding (SVC) is a layer-based encoding scheme that provides spatial, temporal and quality scalability. Heterogeneity of the Internet and clients' operating environment necessitate the adaptation of media content to ensure a satisfactory multimedia experience. SVC's layer structure allows the extraction of partial bitstreams at reduced spatial, quality and temporal resolutions that adjust the media bitrate at a fine granularity to changes in network state. The main focus of this research work is in developing such extraction algorithms in the context of SVC. Based on a combination of metadata computations and prediction mechanisms, these algorithms evaluate the quality contribution of each layer in the SVC bitstream and make extraction decisions that are aimed at maximizing video quality while operating within the available bandwidth resources. These techniques are applied in two-way interaction and one-way streaming of 2D and 3D content. Depending on the delay tolerance of these applications, rate-distortion optimized extraction algorithms are proposed. For conferencing applications, the extraction decisions are made over single frames and frame pairs due to tight end-to-end delay constraints. The proposed extraction algorithms for 3D content streaming maximize the overall perceived 3D quality based on human stereoscopic perception. When compared to current extraction methods, the new algorithms offer better video quality at a given bitrate while performing lesser number of metadata computations in the post-encoding phase. The solutions proposed for each application achieve the recurring goal of maintaining the best possible level of end-user quality of multimedia experience in spite of network impairments.
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Manchester, Geoffrey W. ""Beyond the Clouds": Insider Perceptions on the Transmutation of Terrestrial Radio In Canada." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23121.

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The aim of this study is to understand how leaders in the Canadian radio industry perceive the nascent personalized music streaming service industry, and how those perceptions inform their current business decisions. Over the last few years, Internet-based music services like Deezer and Rdio have launched in Canada, providing listeners with the opportunity of an alternative music experience to conventional broadcast radio. Through five interviews with experts representing terrestrial radio, on-demand services and regulation, three scenarios are presented for the future of conventional radio. In addition, a conceptualized listener profile is created using Grounded Theory Method. This profile buttresses the central finding of this research: should key political, economic and social factors remain in place, conventional radio is likely to continue to dominate as the leading commercial audio platform for Canadians in the years to come.
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Jiang, Mei Jun. "From online live streaming platform to taobao :a preliminary study on perceptions of Wanghong." Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3952609.

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Lauvin, Grégoire. "Split Soundscape, le diorama sonore : la reconstitution de l'espace sonore en temps réel." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0591.

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Split Soundscape est un projet artistique d’installation sonore inspiré par les notions de paysage sonore et de schizophonie introduites par le compositeur R. Murray Schafer. Ce projet artistique propose la reconstitution de l’espace sonore en temps réel par un double dispositif : des microphones disposés dans un territoire captent et transmettent leur environnement sonore par internet en temps réel (technique du streaming). Dans un espace d’exposition dédié à l’écoute, des haut-parleurs diffusent les sons transmis et construisent un espace nouveau.La recherche interroge la notion d’espace dans sa définition géographique, sociale et philosophique. La notion de paysage sonore est définie, remise en question, et mise en perspective par l’archéologie sonore et l’espace sonore dans sa dimension sociale, deux notions qui nous amènent à considérer l’écoute comme centrale dans la réception et la construction du paysage sonore. La notion de schizophonie (la séparation d’un son originel de sa reproduction), est définie et mise en perspective avec celle d’objet sonore et comme avatar de la reproductibilité technique.Le travail artistique est situé dans le champ de la création sonore et contemporaine, et particulièrement dans son rapport aux notions de flux, d’indéterminisme et de composition. Dans le contexte du doctorat « pratique et théorie », l’aspect pratique de la recherche est évoqué, et l’évolution du projet plastique est présentée à travers des expérimentations inspirées de la recherche théorique
Split Soundscape is a practice based research project that revisits the concepts of Soundscape and Schizophonia originally introduced by the composer R. Murray Schafer. The artistic practice consists of a series of sound installations that focus on the reconstitution of sound space in real time. A number of “Open” microphones located in given territories are employed to transmit the local sonic environment via the internet in real time (using audio streaming technologies). A new soundscape is composed from these transmitted soundscapes and played through loudspeakers in a dedicated (exhibition) listening space. The theoretical research investigates geographical, sociological and philosophical definitions of space. The concept of soundscape as defined by Schafer is called into question and reconsidered from the perspective of sound archeology and as a social construct. This in turn, leads to the positioning of listening as being central in the construction of soundscape. The notion of Schizophonia (the separation of an original sound from his technical reproduction) is examined in detail and compared with Pierre Schaeffer’s definition of the sound object or objet sonore as an alternative consequence of mechanical reproduction. The artistic practice is contextualized in relation to the field of contemporary sound art and more specifically the concepts of flux, indeterminism in composition. The tools developed to facilitate the practice are described, and the evolution of the art project is presented as a succession of experiments informed by the academic research
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HSU, PO-KAI, and 許博凱. "SDN-based QoS Routing Improving Perception Quality for Adaptive Streaming." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/q69z9t.

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碩士
國立中正大學
資訊工程研究所
105
We use different devices to watch high-quality video streaming events, TV episodes, or personal broadcasts. For streaming quality requirements, it is foreseeable that there will be more than 4K high resolution live stream. The characteristic of HD video of high bitrate raises problems from the server-side real-time encoding, and how to effectively solve the network transmission congestion problem. The buffer space become not that enough and resulting steaming suspended. This paper proposed a distributed cloud computing with SDN architecture. Live transcoding at Edge node near the broadcaster, and dismiss video segments to other CDN node reducing streaming latency. SDN monitors the network traffic status and uses the rerouting algorithm proposed in the paper to find an optimal path with high stability and low latency. Adaptive mechanism at the client side dynamically change streaming quality, conform to current network status. The results show that the network utilization rate is increased by 45%. Client in most of the time (80%) can have a good playback quality by using the rerouting mechanism.
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Huang, Chun-Ya, and 黃群雅. "The Influence of the Customer’s Satisfaction to Purchase Intention for the Streaming Music-Marketing Strategy Perception as Moderator." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/ea87z3.

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碩士
東吳大學
企業管理學系
104
The purpose of this study is to understand the relationship between Customer’s satisfaction and purchase intention in Streaming music platform , it designs to confirm the effect of customer’s marketing Strategy Perception, and provides some useful marketing suggestions to Taiwan’s stream music platform. The Streaming music platform in Taiwan includes: KKbox, Omusic, myMusic and Spotify.This study takes customer’s marketing strategy perception as moderator to affect the relationship among Customer’s satisfaction and purchase intention in stream music platform. This research collected 315 valid feedback questionnaires on internet. The result of this study shows that customer’s marketing strategy of product and promotion improves purchase intention. Furthermore, customer’s marketing strategy of price and place isn’t affect customer’s satisfaction and purchase intention. According to the result, Streaming music platform can change their marketing strategy of product and promotion to increase user’s purchase intention.
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Hsun, Wu Ping, and 吳秉勳. "A Preliminary Study of The audience Perception of Female Broadcaster,Satisfaction of seeing Live-Streaming and the interaction mode." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/02533065718891139566.

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碩士
國立中正大學
傳播學系電訊傳播研究所
104
There are three dimensions in this preliminary research, one is the audience’s perception of female broadcasters ,another is the satisfaction of seeing live-streaming and the other is the interaction mode. The results shows as follows : 1.the audience’s perception of female broadcasters are the rare, inexpert gaming skill, and easy to highlight the feminity by their wearing. 2.the two parts about Audience’s satisfaction of seeing Live-Streaming are the curiosity be satisfied and entertainment mentality.3.the majority of audience just see it without any interaction with the female broadcasters. According to the results,the classification of the type about female broadcasters and the message appeared often in interaction are the significant progress by observation for more complete research.
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BobSandy and 施明宏. "Consumers’ Perception of Music Streaming Features and Consumption Emotion as Determinants of Consumer Satisfaction and Purchase Intention: Insight of applying the S-O-R Theory." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/msuc83.

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Books on the topic "Streaming perception"

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Amato, Alberto. Semantic Analysis and Understanding of Human Behavior in Video Streaming. New York, NY: Springer New York, 2013.

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Amato, Alberto, Vincenzo Piuri, and Vincenzo Di Lecce. Semantic Analysis and Understanding of Human Behavior in Video Streaming. Springer, 2012.

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Amato, Alberto, Vincenzo Piuri, and Vincenzo Di Lecce. Semantic Analysis and Understanding of Human Behavior in Video Streaming. Springer New York, 2014.

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Hamburger, Kai. The Enigmatic Enigma Illusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0067.

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As a visual illusion, the Enigma illusion is a pattern that in its original version consists of 120 black radial lines on a white background intercepted by three bicolored annuli and a central disk. The main illusory effect in the Enigma (leading to its name) occurs during fixation of the center of the static image. Then, quite intense streaming motion may be perceived on the different annuli. It is characterized by a traveling wave or some subtle motion on the annuli that may not be described in more detail by the observer. Sometimes the observers call it “a feeling of motion”. This perceived (illusory) motion can occur in either direction; clockwise or counterclockwise. This example shows that such illusions are an important means to psychophysically investigate human motion perception and its limits.
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Langford, Barbara R. Hidden streaming within the destreamed classroom: High school teachers' perceptions of the destreaming initiative and infusion of thinking skills. 1996.

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Book chapters on the topic "Streaming perception"

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Li, Mengtian, Yu-Xiong Wang, and Deva Ramanan. "Towards Streaming Perception." In Computer Vision – ECCV 2020, 473–88. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58536-5_28.

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Denham, Susan L., Kinga Gyimesi, Gábor Stefanics, and István Winkler. "Stability of Perceptual Organisation in Auditory Streaming." In The Neurophysiological Bases of Auditory Perception, 477–87. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-5686-6_44.

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Sela, Gur-Eyal, Ionel Gog, Justin Wong, Kumar Krishna Agrawal, Xiangxi Mo, Sukrit Kalra, Peter Schafhalter, et al. "Context-Aware Streaming Perception in Dynamic Environments." In Lecture Notes in Computer Science, 621–38. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19839-7_36.

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Kashino, Makio, Minae Okada, Shin Mizutani, Peter Davis, and Hirohito M. Kondo. "The Dynamics of Auditory Streaming: Psychophysics, Neuroimaging, and Modeling." In Hearing – From Sensory Processing to Perception, 275–83. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-73009-5_30.

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Micheyl, Christophe, Shihab A. Shamma, and Andrew J. Oxenham. "Hearing Out Repeating Elements in Randomly Varying Multitone Sequences: A Case of Streaming?" In Hearing – From Sensory Processing to Perception, 267–74. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-73009-5_29.

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Elhilali, Mounya, Juanjuan Xiang, Shihab A. Shamma, and Jonathan Z. Simon. "Auditory Streaming at the Cocktail Party: Simultaneous Neural and Behavioral Studies of Auditory Attention." In The Neurophysiological Bases of Auditory Perception, 545–53. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-5686-6_50.

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Elhilali, Mounya, Ling Ma, Christophe Micheyl, Andrew Oxenham, and Shihab Shamma. "Rate Versus Temporal Code? A Spatio-Temporal Coherence Model of the Cortical Basis of Streaming." In The Neurophysiological Bases of Auditory Perception, 497–506. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-5686-6_46.

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Sundet, Vilde Schanke. "Industry Perceptions of Streaming." In Television Drama in the Age of Streaming, 33–49. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-66418-3_2.

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Wang, Yimin, Wenrui Liang, Shaokang Chen, and Dai Yonglin. "Research on the Multidimensional and Sustainable Design Strategy of Streaming Media Under the Integration of User Experience and Perceptive Technology in Greater Bay Area." In Proceedings of the 2022 2nd International Conference on Computer Technology and Media Convergence Design (CTMCD 2022), 696–714. Dordrecht: Atlantis Press International BV, 2022. http://dx.doi.org/10.2991/978-94-6463-046-6_81.

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"Pitch-based Streaming in Auditory Perception." In Musical Networks. The MIT Press, 1999. http://dx.doi.org/10.7551/mitpress/4812.003.0008.

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Conference papers on the topic "Streaming perception"

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Yang, Jinrong, Songtao Liu, Zeming Li, Xiaoping Li, and Jian Sun. "Real-time Object Detection for Streaming Perception." In 2022 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2022. http://dx.doi.org/10.1109/cvpr52688.2022.00531.

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Gu, Yongxiang, Qianlei Wang, and Xiaolin Qin. "Real-time Streaming Perception System for Autonomous Driving." In 2021 China Automation Congress (CAC). IEEE, 2021. http://dx.doi.org/10.1109/cac53003.2021.9728221.

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Song, Seungho, Youjip Won, and Injae Song. "Empirical study of user perception behavior for mobile streaming." In the tenth ACM international conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/641007.641076.

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Wu, Chao, Wenwu Zhu, Qiushi Li, and Yaoxue Zhang. "Rethinking HTTP Adaptive Streaming with the Mobile User Perception." In MM '17: ACM Multimedia Conference. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3123266.3123357.

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Zhang, Jialin, Hongyun Zheng, Yongxiang Zhao, and Yuchun Guo. "Bystander: QoE Perception for Dynamic Video Streaming from Encrypted Traffic." In 2019 IEEE International Conference on Consumer Electronics - Taiwan (ICCE-TW). IEEE, 2019. http://dx.doi.org/10.1109/icce-tw46550.2019.8991782.

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Liang, Yongsheng, Xu Chen, Wei Liu, and Jihong Zhang. "Progressive Description of Video Streaming Media Based on Subjective Perception." In 2011 First International Conference on Instrumentation, Measurement, Computer, Communication and Control (IMCCC). IEEE, 2011. http://dx.doi.org/10.1109/imccc.2011.78.

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Heyse, Joris, Maria Torres Vega, Tim Wauters, Femke De Backere, and Filip De Turck. "Effects of Adaptive Streaming Optimizations on the Perception of 360° Virtual Reality Video." In 2018 30th International Teletraffic Congress (ITC 30). IEEE, 2018. http://dx.doi.org/10.1109/itc30.2018.00021.

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Kara, Peter Andras, Laszlo Bokor, and Sandor Imre. "Seeing is Believing and Vice Versa: Investigation of the Altered Perception during Subjective Assessment of Streaming Multimedia." In 2014 Tenth International Conference on Signal-Image Technology & Internet-Based Systems (SITIS). IEEE, 2014. http://dx.doi.org/10.1109/sitis.2014.38.

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Weinberger, Maor, and Dan Bouhnik. "The Emergence of Music Streaming Applications and Its Effect on Changes in Personal Information Management and Privacy Related Issues [Abstract]." In InSITE 2020: Informing Science + IT Education Conferences: Online. Informing Science Institute, 2020. http://dx.doi.org/10.28945/4523.

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Aim/Purpose: In this exploratory study we examine personal information management within music streaming applications. Also, we investigate the sense of ownership over songs being played on music streaming applications and whether the use of these services may be considered a social activity. In addition, we explore the extent of user privacy concern in using music streaming applications. Background: This paper represents the second phase of the article titled Usage Habits in Music Streaming Applications and their Influence on Privacy Related Issues [Research in Progress] (Weinberger & Bouhnik, 2019). Methodology: The research is conducted using a mixed methodology and consists of two phases: qualitative and quantitative. The qualitative stage is a pilot which includes semi-structured interviews with three music streaming application users in order to explore the possible change in personal information management, following the emergence of these applications (e.g., changes in classification and song retrieval methods). The quantitative phase includes the distribution of closed ended questionnaires among 192 users of music streaming applications (Male – 72.9%, Female – 27.1%; Age: 18-58), aiming to explore personal information management issues and privacy related issues that emerge while using these applications. Contribution: As far as we know, this is the first academic research to investigate the issue of personal information management among music streaming applications and the also the first to use a mixed methods approach to examine digital music consumption. In addition, it is the first study that takes into account privacy related issues among the users of music streaming applications. Findings: We found major changes between personal musical information management in the past and in the present. As most of the participants (85.4%) prefer nowadays to sort musical items in playlists or not to sort them at all. Out of the participants who chose to sort in folders in the past, only 42.7% still do it at present and out of the participants who chose to sort by alphabetical order in the past, only 15.7% do it at present. Also, we found that the participants have medium sense of ownership over the songs being stored on their streaming applications (M=2.78, SD=1.46) and medium sense that those applications may be used as social activity (M=2.75, SD=1.25). Interestingly, the choice of "sophisticated" genres (e.g. Blues, Jazz or Classical) as favorite music genre predicts the perception of using music streaming applications as part of social activity (R2=0.044, p<0.05). As for privacy concern, it was found that although the participants are moderately concerned about privacy within music streaming applications (M=2.67, SD=1.15), they are willing to pay for higher privacy protection services if they will be offered to them (r=0.49, p<0.001). In general, participants were found to be moderately willing to pay for premium services (M=2.44, SD=1.01), with ad-free service (M=3.07, SD=1.54) being the highest ranked premium service. Impact on Society: The research may drive music streaming applications operators to offer premium services that provide various benefits, such as: ad-free usage, higher privacy protection or better social features, as participants are willing to pay for those features. They may also personalize their users by preferred music genres, to adapt the specific service being offered to them.
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Nezhivleva, K. I., A. A. Davydova, A. M. Drebuzhan, A. I. Mozhaeva, and Andrei Balobanov. "Comparing of Modern Methods Used to Assess the Quality of Video Sequences During Signal Streaming with and Without Human Perception." In 2022 Systems of Signal Synchronization, Generating and Processing in Telecommunications (SYNCHROINFO). IEEE, 2022. http://dx.doi.org/10.1109/synchroinfo55067.2022.9840983.

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