Dissertations / Theses on the topic 'Strauss'
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Hottmann, Katharina. "" Die andern komponieren. Ich mach' Musikgeschichte!" : Historismus und Gattungsbewusstsein bei Richard Strauss : Untersuchungen zum späteren Opernschaffen /." Tutzing : Schneider, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014640556&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Full textCroce, Filippo <1995>. "Leo Strauss: filosofo neoconservatore?" Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17005.
Full textSchauberger, Sebastian. "Permanenz der Urbilder mythische und biblische Anspielungen bei Botho Strau /." [S.l. : s.n.], 2000. http://archiv.ub.uni-bielefeld.de/2002/0024/.
Full textHanke, Knaus Gabriella. "Aspekte der Schlussgestaltung in den sinfonischen Dichtungen und Bühnenwerken von Richard Strauss /." Bern : [s.n.], 1993. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.
Full textMagana, Edmundo. "Una lectura de Levi-Strauss." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/115225.
Full textKauffmann, Clemens. "Strauss und Rawls : das philosophische Dilemma der Politik /." Berlin : Duncker & Humblot, 2000. http://www.gbv.de/dms/sub-hamburg/317565842.pdf.
Full textWagner, Wencke M. "Bildgebende Verfahren beim Strauss (Struthio camelus)." [S.l.] : [s.n.], 2003. http://www.diss.fu-berlin.de/2003/274/index.html.
Full textSorenson, Kim Andrew. "Discourses on Strauss : revelation and reason in Leo Strauss and his critical study of Niccolò Machiavelli /." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phs7137.pdf.
Full textJohansson, Magnus. "Strauss test, vara eller icke vara?" Thesis, Linköping University, Linköping University, Department of Management and Engineering, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-17178.
Full textAtt genomföra ett test som alltid ger samma resultat kan i längden kännas omotiverat. Strauss test är ett test som funnits länge för att testa stålets känslighet mot interkristallin korrosion. I detta arbete har Strauss test utvärderats i syftet att få fram ett underlag som kan användas för att starta diskussioner om en förändring i provningsmetodiken. Anledningen till att en förändring behövs är att alla dessa, ej informativa, tester kostar pengar. För att få fram underlaget har en litteraturstudie och experiment genomförts. Litteraturstudien har visat att Strauss test ej kommer ge någon nyttig information om stålens kvalitet. Experiment har visat att de duplexa stålens slagseghet minskar fortare än vad de blir känsliga för interkristallin korrosion. Ett exempel på hur man kan använda kvalitetsverktyg för att motivera en förändring i provningsmetodiken togs fram.
To carry out a test that always presents the same result may in the long run feel unmotivated. Strauss test is a test that been around for a long time to test the stainless steals susceptibility towards intergranular corrosion. In this work Strauss test have been evaluated in the purpose to get out a material that can be used to start discussions about a change in the testing procedure. The need for a change is because all these non-iformative tests is expensive. To get the material, a review and experiments was conducted. The review showed that Strauss test is not able to give any valuable information about the stainless steels quality. The experiments showed that the duplex stainless steels impact toughness decreases faster then they become sensitive towards intergranular corrosion. An example of how you can use quality tools to motivate a change in the testing procedure was developed.
Füerhoff, Irena E. "Erinnerungs-Inszenierungen in Botho Strauss' Prosawerken." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ64559.pdf.
Full textFürhoff, Irena E. "Erinnerungs-Inszenierungen in Botho Strauss' Prosawerken." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36590.
Full textI begin by examining how cultural studies approaches the topic of Memoria. I then apply to the texts of Strauss a 'mnemonic reading,' meaning, to explore and discover topographies of memory. Literature and the arts in general are perceived as places of memory, or as archives where cultural memory is kept alive. Quoting, or rewriting selections from texts, as described in theories of intertextuality, changes and keeps alive a tradition of literature within literature. A text becomes a palimpsest in which fragments of foreign texts suddenly become visible and can enter the readers memory. In Strauss, to form a memory from the fragments is not without major problems. The pieces move in all directions to form a paradoxical body of text.
In his early texts the narrator laments the impossibility of creating an identity based on personal memories and so he concentrates on the problem of how to represent memory within the context of increasing amnesia. The seemingly dead subject moves about within the texts where he hopes to build himself a place for his identity to survive. In reaction to loss of memory and identity, a calculated game appears in which the representation and experience of the past plays only a minor role. The author turns towards the models of aesthetic memory, adapting, for example, the romantic mode of writing. The metamorphosis of texts, such as those from the romantic period, occurs as a backdrop against which the writer projects his erotically inspired allegorical "memory theater." Dramatization of the memory process leads him to conclude that memories only exist within the aesthetic world of literature, where they manifest themselves beyond a historical and social reality. At the end of his writing project, Strauss creates an aesthetic refuge of personal memories by turning himself into a "diarist." The male voice regresses to an aggressive and melancholic mode of limited perception, which the author knows cannot be more than an artificial construction.
Němcová, Iva. "Richard Strauss: Salome - komplexní scénografický projekt." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-96938.
Full textKazubko, Katrin. "Spielformen des Dramas bei Botho Strauss /." Hildesheim : G. Olms, 1990. http://catalogue.bnf.fr/ark:/12148/cb355464291.
Full textDahlburg, Jill Potkalitsky. "Turbulent disruptions from the Strauss equations." W&M ScholarWorks, 1985. https://scholarworks.wm.edu/etd/1539623754.
Full textAbergel, Jacques. "Léo Strauss et l’essence du politique." Electronic Thesis or Diss., Paris Est, 2009. http://www.theses.fr/2009PEST0031.
Full textLeo Strauss was born in Germany in 1899 and died in the USA in 1973. He devoted his whole life to the study of political philosophy.Exceptional destiny for this man born in Hess, in a traditional Jewish family that studied in a gymnasium, and supports later his PhD thesis on Jacobi.He emigrated first to England, then to the USA, where he taught until his death. Strongly influenced by his initial environment, he was initially an ardent young Zionist.The major part of his work devoted to political philosophy, confronted the philosophical thought Greco-roman, its continuity through the philosophical thought of the Jewish-medieval period and the enlightenment. Refuting the historicism and the relativism, he was a severe critic of all the ideologies, which replaced political philosophy.Leo Strauss sought to replace the politics in a humanist approach. He also examined the possibilities of a tie, or a dialog between biblical prophecy and political philosophy, in spite of the apparently irreducible tension between these two concepts. That is an original step consisted of the rehabilitation of political philosophy while running to concepts more human and closer to the natural right. The goal of this thesis is to explore the various sources of reflections, criticisms and the proposals, which allowed Leo Strauss to pose his thoughts
Banoun, Bernard. "Strauss, Hofmannsthal, et le livret d'opéra." Paris 4, 1992. http://www.theses.fr/1991PA040195.
Full textIn the present study, the co-operation between Strauss and Hofmannsthal, a frequent object of research work, is placed in a larger context than that of the six operas signed by both of the two artists: this study takes into consideration the fifteen libretti set to music by Strauss as well as the rank of the libretti within Hofmannsthal’s work and his aesthetic ideas. The libretti are analyzed under three aspects. First of all, Strauss' co-operation with his respective librettists 8wolzogen, Zweig, Gregor, Strauss himself, etc. ) Is looked at with regard to theatrical aesthetics and to the history of opera between 1890 and 1945; as to Hofmannsthal, the libretti are considered as the genre where Hofmannsthal’s endeavors in the field of dramatical writing (reaching further than the symbolistic and the naturalistic dramaturgies) rejoin his views on the theater performance. Furtheron, the study treats the "poetics" of the Strauss-libretti: construction, structures of time and space, non-verbal elements which are specified in the text itself, characters (constellation and degree of characterization). Finally, the analysis of the libretti with regard to the genres of comedy and tragedy reveals a dramaturgy concentrated on the individual who breaks willingly with the community - most obvious in the works from Guntram to electra. Opposed to this, Hofmannsthal’s dramatic ideal, implies the character's integration into the community. The different points of views as to the denouement of the operas are one of the major contradictions within the co-operation between Strauss and his main librettist
Schrembs, Peter. "David Friedrich Strauss. Der "alte und der neue Glaube" in der zeitgenössischen Kritik /." Locarno : [P. Schrembs], 1987. http://catalogue.bnf.fr/ark:/12148/cb34940616b.
Full textStrehler, Hans Magnus. "Profile einer Rehabilitierung des kulturell Fremden : Echographien des Lévi-Strauss'schen Humanismus /." Berlin : Duncker & Humblot, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783428129324.
Full textWilke, Benedikt [Verfasser]. "Asthma und Churg-Strauss Syndrom / Benedikt Wilke." Lübeck : Zentrale Hochschulbibliothek Lübeck, 2015. http://d-nb.info/1077458576/34.
Full textWinterhager, Wolfgang. "Zum Begriff der «Szene» bei Richard Strauss." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37146.
Full textTanguay, Daniel. "Le problème théologico-politique chez Leo Strauss." Paris 4, 1997. http://www.theses.fr/1997PA040253.
Full textThis thesis is a systematic and historical illustration of the proposition that the theological-political problem is the central theme of Leo Strauss' thought. On the systematic level, it presents Strauss' thought as a zetetic philosophy, which remains open to the challenge presented by political theology. On the historical level, it is a reconstruction of the genesis and the development of the theological-political problem in Strauss' work. Special attention is given to the juvenalia (1921-1935) on Zionism, Hermann Cohen, the modern critique of religion (Spinoza), Maimonides and the tradition of Islamic Aristotelians. The juvenalia are noteworthy because they attempt to renew thought on the relationship between philosophy and revealed religion by way of criticizing philosophy of religion and questioning the results of the modern critique of religion. This critical analysis permitted Strauss to propose a return to medieval enlightenment (Maimonides), to see if it resolves more adequately the conflict between reason and revealed law, i. E. The theologicopolitical problem. By way of his study of medieval prophetology, Strauss came to grasp the importance of Islamic philosophy (especially Fârâbî) with a view to understanding the Maimonides' deeper meaning. However Strauss does not completely adhere to this solution of the conflict between philosophy and religion. Actually, the conflict between Athens and Jerusalem remains for him insolvable. Contrary to the moderns, who think they can resolve the conflict by denying it, Strauss wishes to revive it through thought. His whole philosophical effort consists in rescuing from oblivion the theological-political problem, so as to awaken modern philosophy from its dogmatic slumber
Strauss, Laura Viviana [Verfasser]. "Zur Metapsychologie des Autismus / Laura Viviana Strauss." Kassel : Universitätsbibliothek Kassel, 2009. http://d-nb.info/999860380/34.
Full textAlexander, Agati Holly. "The Millennial generation: Howe and Strauss disputed." W&M ScholarWorks, 2012. https://scholarworks.wm.edu/etd/1539618810.
Full textColombo, R. "LEO STRAUSS E LA RETORICA DEL RITORNO." Doctoral thesis, Università degli Studi di Milano, 2012. http://hdl.handle.net/2434/171073.
Full textHoffmann, Marion. "Verhaltensphysiologische Analyse des Farbensehens bei einem männlichen Vogel Strauss (Struthio camelus australis)." [S.l. : s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=971567379.
Full textHurst, Michael Shane. "Interpreting Richard Strauss's Der Krämerspiegel from the perspectives of the performers and the audience." connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3962.
Full textSystem requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded June 19, 2000, Nov. 17, 2003, Nov. 28, 2005, and June 4, 2007. Includes bibliographical references (p. 118-119).
Herwig, Henriette. "Verwünschte Beziehungen, verwebte Bezüge : Zerfall und Verwandlung des Dialogs bei Botho Strauss /." Tübingen : Stauffenburg-Verl, 1986. http://catalogue.bnf.fr/ark:/12148/cb34931397c.
Full textRügert, Walter. "Die Vermessung des Innenraumes : zur Prosa von Botho Strauss /." Würzburg : Königshausen & Neumann, 1991. http://catalogue.bnf.fr/ark:/12148/cb36151896q.
Full textFunke, Pia-Maria. "Über das Höhere in der Literatur : ein Versuch zur Ästhetik von Botho Strauss /." Würzburg : Königshausen & Neumann, 1996. http://catalogue.bnf.fr/ark:/12148/cb39044018g.
Full textLinn, Donald P. "Historical and musical analysis of Richard Strauss' Suite in B♭, op. 4." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/450.
Full textReus, Sebastian. "Unglückliches Bewusstsein Denken ohne Dialektik bei Botho Strauss." Würzburg Königshausen und Neumann, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2844542&prov=M&dok_var=1&dok_ext=htm.
Full textKartheininger, Markus. "Heterogenität politische Philosophie im Frühwerk von Leo Strauss." Paderborn München Fink, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2878084&prov=M&dok_var=1&dok_ext=htm.
Full textSteer, Martina Badt-Strauss Bertha. "Bertha Badt-Strauss (1885-1970) : eine jüdische Publizistin /." Frankfurt am Main [u.a.] : Campus, 2005. http://www.gbv.de/dms/bs/toc/474720896.pdf.
Full textLolli, Pedro Augusto. "O continuo e o descontinuo em Levi-Strauss." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281545.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Pelluchon, Corine. "La critique des Lumières modernes chez Leo Strauss." Paris 1, 2003. http://www.theses.fr/2003PA010592.
Full textZoungrana, Jean. "Michel foucault. De deux parcours : levi-strauss, heidegger." Université Marc Bloch (Strasbourg) (1971-2008), 1995. http://www.theses.fr/1995STR20007.
Full textThe purpose of this work is to examine the progression of the thoughts of michel foucault, on the one hand in his relationship (explicit) with levi-strauss and on the otherhand in his relationship (profoundly masked, concealed and therefor unexpected) with heidegger. Examining this thought starting from its relationship with levi-strauss leads to having a deeper look at structuralism, therefore the ethnologist is one of the most orthodox representatives; levi-strauss or structuralisl, their reciprocal penetration is not doubtful. Considering the stream of structuralism, foucault adopts the ethnological processes that are applied to his own culture, the western culture. He founded, in this way, the archaeological method whose aim is to discover "les codes fondamentaux" which govern the principles of the western culture. Hence the importance of the books such as the birth of the clinic, the order of things, the archaeology of the knowledge. But considering the theoretical obstacles of the archaeological method, he must have been at the origin of genealogy defined as a method of cultural analysis starting from topical issues. Compared to the levi-straussian relationship, the link between foucault and heidegger seems to be more difficult to understand. As questioning ourselves of foucault us heidegger resorts to making an archaeological description, that is to say, a description of what is made possible. For foucault, heidegger is "the essential philosopher". Then it is therefore necessary to wonder about the place of heidegger
Louis, Adrien. "Le phénomène politique dans l’oeuvre de Leo Strauss." Thesis, Paris Est, 2013. http://www.theses.fr/2013PEST0083.
Full textSummary not transmitted
Maklouf, Moudar. "Leo Strauss, art d'écrire : entre rhétorique et herméneutique." Thesis, Paris Est, 2018. http://www.theses.fr/2018PESC0104.
Full textLeo Strauss asserts having rediscovered the lost art of writing of philosophers of past. It is a literary technique consisting of a speech at first sight orthodox - it is the exoteric teaching or level of a text -, but which communicates "between lines" the real thought of the writer, heterodox in nature - it is the esoteric teaching or level of the speech. The reading of such authors thus requires an adapted hermeneutics, allowing to seize the gap enter the obvious fact of what show obviously the text of the author, and the truth secretly distilled behind the letter of its papers. This method of reading is the climax of works begun by Strauss from the 1920s. It is formalized at the end of the 30s, and appears with some modifications of the style of writing of the author.The studies dealing with this part of the work of the philosopher consist generally on one hand in criticizing his hermeneutic key, by confirming or by countering its relevance, or on the other hand to envisage the political and philosophic impact of the exo/esotericism. The studies attempting to understand the construction of this prism of reading through the intellectual course of Strauss remain allowing exception relatively fragmented, and attempt to highlight the art of writing by connecting it with certain references. The examinations focusing on the way the exo/esotericism forms in the course of the straussian corpus appear since a few years, and it is in particular within this field of research that is situated this thesis. Beyond, it pays attention on the own style of Strauss, by concentrating exactly on the way he conceives and makes use of categories of the exoteric and of the esoteric. The way the author seizes it and the role which they play in the economy of its thought can inform as for the way of reading it and understand his thought. Returning to the sources of the art of writing, examining its formation and observe its use by Strauss himself can give a new lighting onto the controversial theory of the writing between lines of philosophers
Yang, Jiayan. "Leo Strauss et l'historicisme : critique, interprétation et dépassement." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL068.
Full textIn the field of political philosophy, the name of Leo Strauss (1899-1973) is associated with an attempt to rehabilitate a type of questioning as old as philosophy itself. Criticism of modern types of knowledge, Strauss considers, first of all, that historicism is a threatening spirit of our time, but it is also the “ most serious adversary ” of political philosophy : all norms are reduced to a historical contigent fact which could arrive any point of assuming any force of obligation and legitimacy, that’s how philosophy finds itself in history itself, which has become History. How dœs Strauss interpret historicism, if this term dœs not know a unanimity ? With a genealogical investigation of modernity to study its genesis and crisis, in the Straussian light, we can see that Strauss, going back to Machiavelli and Hobbes who had already begun to prepare the way of the historicism, seeks to define a new historicism that develops in the historical school of the nineteenth century, and reaches its peak in a radical form represented by Nietzsche and Heidegger. In Strauss’s reconstruction of historicism, we show that he proposes a return to the Ancients as a means of going beyond historicism towards the ahistorical, going towards the transcendence that the humain beings can attain by their nature : the intransigence of the dignity of substantialist philosophy can resist such a historicism based on the belief in the idea of progress
Dick, Marcus. "Welt, Struktur, Denken philosophische Untersuchungen zu Claude Lévi-Strauss." Würzburg Königshausen & Neumann, 2009. http://d-nb.info/991353978/04.
Full textRückwald, Kerstin. "Zionismus, Sozialismus, Universalismus Ludwig Strauss ; Studien zu Leben und Werk von 1906 bis 1935." Aachen Shaker, 2007. http://d-nb.info/993509436/04.
Full textStrauss, Johannes Mattheus. "Biofiltration of BTEX waste gases / by Johannes Mattheus Strauss." Thesis, North-West University, 2003. http://hdl.handle.net/10394/247.
Full textThesis (Ph.D. (Microbiology))--North-West University, Potchefstroom Campus, 2004.
Strauss, Tersja. "Peroral delivery of calcitonin with pheroid technology / Tersja Strauss." Thesis, North-West University, 2005. http://hdl.handle.net/10394/1031.
Full textThesis (M.Sc. (Pharmaceutics))--North-West University, Potchefstroom Campus, 2006.
Dunn, Jonathan. "Unfathomable comedy : mythology and the archaic in Botho Strauss." Thesis, University of Liverpool, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.481215.
Full textMENDES, Elvis de Oliveira. "Política e religião no pensamento filosófico de Leo Strauss." Universidade Federal de Pernambuco, 2015. https://repositorio.ufpe.br/handle/123456789/17679.
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A presente dissertação pretende, antes de tudo, mostrar como, na visão do filósofo político teuto americano Leo Strauss, a religião exerce um papel político preponderante na manutenção do establishment social e da ordem civil. Trata-se, assim, de ver como, para esse filósofo, a religião, por ser detentora de um horizonte moral legitimado pela ideia de revelação, é um elemento indispensável à vida política, já que, na ótica straussiana, para garantir a funcionalidade de qualquer regime político, é necessário, em grande medida, que os indivíduos respeitem as normas e valores que tornam possível a vida em sociedade, acreditando em seu caráter absoluto ou incondicional, algo que só é possível por meio do discurso religioso. A partir da observação desses elementos, tentaremos igualmente analisar as fortes críticas que Strauss desfere contra o projeto político moderno ocidental, já que este, em nome da razão, buscou reduzir a religião à condição de superstição, colocando todo empreendimento moral humano em risco. Neste sentido, procuraremos observar como, para Strauss, em oposição ao projeto iluminista de racionalização da sociedade, a religião seria um dos principais instrumentos que devem garantir uma atmosfera protetora do homem e da sociedade, como uma espécie de casulo que manteria os homens protegidos dos males trazidos pelo caráter devastador da filosofia. Com isso, acreditamos ter acesso a aspectos importantes do pensamento de Strauss, que nos permitiriam compreender de que forma este autor repensa o lugar e a utilidade da religião na política das sociedades contemporâneas.
This dissertation aims, first of all, to show how in the view of the Teutonic American political philosopher Leo Strauss religion exerts a major political function in the maintenance of the social establishment and of the civil order. It is, thus, to see how for this philosopher religion, as the holder of a moral horizon legitimized by the idea of the revelation, is an indispensable element to political life, since, in the straussian view, in order to ensure the functionality of any political regime, is necessary, largely, that the individuals respect the rules and the values which make it possible life in society, believing in their absolute or unconditional character, something that only is possible through religious discourse. From the observation of these elements, we’ll try also to analyze the strong critics that Strauss strikes against the western modern political project, since this project, in the name of reason, sought to reduce religion to the condition of superstition, putting all human moral development at risk. In this sense, we’ll try to observe how, for Strauss, in opposition to the enlightenment project of rationalization of society, religion would be one of more important instruments to keep a protect atmosphere of the man and society, as a kind of cocoon that keep them protected from the evils brought by the devastating character of the philosophy, therefore, we believe to have access to important aspects of the thought of Strauss, which would allow us to understand how this author rethinks the place and the usefulness of religion in politics in the contemporary societies.
Řeřichová, Jana. "Richard Strauss - život, dílo a tvorba pro lesní roh." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78681.
Full textWidmaier, Carole. "Tradition et modernité chez Léo Strauss et Hannah Arendt." Paris, EPHE, 2008. http://www.theses.fr/2008EPHE5014.
Full textThroughout XXth century, totalitarianism and liberal democraties’powerlessness lead many thinkers to diagnose a crisis: crisis in politic and crisis in rationality. The major two of them are Leo Strauss and Hannah Arendt, who endeavour to analyse the project of modernity. Our purpose is to compare their respective approach to the problem, considering: how the fact of crisis is stated, how they determine the relationship between modernity and tradition, and how each of them refers to the history of thought. In spite of their similar approach to the problem, those philosophers express different designs. Strauss defines modern crisis as a crisis of rationality; therefore he advocates a return to classical philosophy and to a philosophical way of life which should hold the gap between reason and political facts. On the other side, Arendt thinks this is a political crisis; we must urgently analyse it from the point view of the world, by working out a process of understanding which should radically differ from the usual quest of philosophical truth. Whereas Strauss, versus the project of modernity, proposes to bring back into favour the classical idea of human nature, with its highest goals, Arendt proves that we’d better give up the idea of human nature, so as to think properly the human condition – that is to say the forms of living in connexion with their basic conditions. Thus, this work tackles with the problem of establishing which one of those two political thoughts would be the best to help us analyse our modern situation and find out a solution to crisis
Rakotondrabe, Modeste. "Anthropologie et philosophie chez levy-bruhl et levi-strauss." Université Marc Bloch (Strasbourg) (1971-2008), 1987. http://www.theses.fr/1987STR20031.
Full textIs levi-strauss's uncivilized different from levy-bruhl's primitive ? is structural anthropology more able than levy-bruhl's primitivism to inaugurate an authentical discussion with a different thought ? can ethnology become a science emancipated from any philosophic and ideologic stand ? by comparing two characteristic periods of history of french ethnologic thought, this work intend to be an essay of epistemologic reflexion on ethnology's relation with philosophy and ideologies
Wade, Jeffrey Jacob. "Nihilism Unbound: Strauss, Nietzsche and Foucault as Nihilist Thinkers." PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/396.
Full textMenon, Marco <1984>. "L'educazione politica del filosofo : Leo Strauss lettore di Aristofane." Doctoral thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/5603.
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