Relevant bibliographies by topics / Strasbourg (France) – History – 18th century

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Strasbourg (France) – History – 18th century'

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Published: 10 March 2023

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Journal articles on the topic "Strasbourg (France) – History – 18th century"

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Hilaire-Perez, Liliane. "Invention and the State in 18th-Century France." Technology and Culture 32, no. 4 (October 1991): 911. http://dx.doi.org/10.2307/3106156.

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Simon, Jonathan. "Mineralogy and mineral collections in 18th-century France." Endeavour 26, no. 4 (December 2002): 132–36. http://dx.doi.org/10.1016/s0160-9327(02)01467-9.

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Albertan, Christian. "Stephane Roy (éd.), Making The News in 18th-Century France." Annales historiques de la Révolution française, no. 374 (December 1, 2013): 206. http://dx.doi.org/10.4000/ahrf.12994.

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Serina, Florent. "From Anti-Freudianism to a Bastion of Psychoanalysis: A History of Psychoanalysis at the University Psychiatric Clinic of Strasbourg in the Twentieth Century." Psychoanalysis and History 24, no. 2 (August 2022): 181–203. http://dx.doi.org/10.3366/pah.2022.0423.

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By contrast with a dominant part of the historiography of psychoanalysis in France, which tends to be dedicated to the history of the centres and the biography of the great theorists, this article focuses on the less well known history of psychoanalysis in a peripheral region, namely Alsace, and its capital, Strasbourg. It zooms in on the main central university hospital service in the mental health care system of northeastern France, the University Psychiatric Clinic of Strasbourg. On the basis of abundant and varied sources, it relates the passions, attractions and aversions that Freudian methods aroused among the major protagonists of Strasbourg psychiatry, especially Théophile Kammerer (1916–2005), the director of the Clinic from 1953 to 1982, and the various actors (physician or non-physician) that have circled the establishment throughout the twentieth century.
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Butel, Paul, and François Crouzet. "Empire and Economic Growth: the Case of 18th Century France." Revista de Historia Económica / Journal of Iberian and Latin American Economic History 16, no. 1 (March 1998): 177–93. http://dx.doi.org/10.1017/s0212610900007096.

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Among the colonial powers of the early modern period, France was the last to emerge. Although, the French had not abstained from the exploration of fhe New World in the 16th century: G. de Verrazano discovered the site of New York (1524), during a voyage sponsored by King Francis I; Jacques Cartier sailed up the St. Lawrence to Quebec and Montreal (1535). From the early 16th century, many ships from ports such as Dieppe, St. Malo, La Rochelle, went on privateering and or trading expeditions to the Guinea coast, to Brazil, to the Caribbean, to the Spanish Main. Many French boats did fish off Newfoundland. Some traded in furs on the near-by Continent. Moreover, during the 16th century, sporadic attempts were made to establish French settlements in «Equinoctial France» (Brazil), in Florida, in modern Canada, but they failed utterly. Undoubtedly, foreign wars against the Habsburgs, during the first half of the 16th and of the 17th centuries, civil «wars of religion» during the second half of the 16th century, political disorders like the blockade of La Rochelle or the Fronde during the first part of the 17th century, absorbed the attention and resources of French rulers, despite some ambitious projects, like those of Richelieu, for overseas trade. As for the port cities they tried to trade overseas but they were isolated and not strong enough (specially during die wars of religion) to create «colonies». Some small companies, which had been started in 1601 and 1604, to trade with the East Indies, were very short-lived, and the French did not engage seriously in Asian trade before 1664.
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Dębowski, Marek. "A HUNDRED YEARS OF RESEARCH ON THE 18TH‑CENTURY THEATRE IN POLAND AND FRANCE." Wiek Oświecenia, no. 38 (September 25, 2022): 57–69. http://dx.doi.org/10.31338/0137-6942.wo.38.4.

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Among the modern researchers conducting studies on the 18th century, there is a widespread belief that research on Polish theatre of that era did not develop until the turn of the 1950s and 1960s. It is only part of the truth. The apogee of theatrical research coincided with those years, resulting from the 200th anniversary of the National Theatre, which was widely promoted by the authorities. However, the first diagnoses of Polish theatre scientists dealing with the 18th century are much earlier. Suffice it to recall Ludwik Bernacki’s monumental work, “Theatre, Drama and Music under Stanislaw August”, which the researcher published in Lviv in 1925. Bernacki’s research was closely related to the work of French theatre scientists, who conducted research on the scene and drama of the 18th century before the First World War. This article analyses and chronologically presents the last century of theatrical research and its methodological changes on the example of Polish and French history of 18th-century theatre.
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Maggetti, M., J. Rosen, and V. Serneels. "The Origin of 18th-19th Century Tin-Glazed Pottery from Lorraine, France." Archaeometry 57, no. 3 (April 8, 2014): 426–52. http://dx.doi.org/10.1111/arcm.12098.

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Cymbrowski, Borys. "Od Hamburga do Strasburga. Uwagi o miejskich rozwiązaniach w zakresie pomocy społecznej od końca XVIII do początku XX wieku." Zeszyty Pracy Socjalnej 26, no. 4 (2022): 113–21. http://dx.doi.org/10.4467/24496138zps.21.009.15081.

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From Hamburg to Strasbourg: Some Remarks on Municipal Welfare Measures between the Late 18th and the Early 20th Century The article is a short essay in social work history, strongly inspired by the two-volume book Geschichte der sozialen Arbeit (History of Social Work) by Wolf-Rainer Wendt (2017a, 2017b). From the many themes the German historian of social work discusses in this book I chose one which I consider particularly important. It is a path of institutional development in German urban policies leading from the assumptions of the Enlightenment humanism to modern welfare solutions. From the late 18th to the early 20th century particular poor relief policies were invented and implemented by authorities of fast developing cities in order to prevent the negative effects of mass poverty that accompanied large-scale industrialization. Subsequently, some of those inventions became part of the national legal system. The selection of the discussed problems however subjective is motivated by the hope to throw some light on the sources of contemporary welfare solutions in Central Europe and in Poland.
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Hilaire‐Pérez, Liliane. "Technical invention and institutional credit in France and Britain in the 18th century." History and Technology 16, no. 3 (January 2000): 285–306. http://dx.doi.org/10.1080/07341510008581970.

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Cleary, Richard. "Romancing the Tome; Or an Academician's Pursuit of a Popular Audience in 18th-Century France." Journal of the Society of Architectural Historians 48, no. 2 (June 1, 1989): 139–49. http://dx.doi.org/10.2307/990352.

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The Parisian building industry prospered throughout most of the 18th century serving a wide range of clients. At one end of the scale were the members of the nobility and amateurs of architecture who approached the design of a building with a well-trained eye and an ability to speak of the principles governing good taste. The majority of clients, however, had little if any knowledge of or interest in art theory and relied on instinct, fashion, and the advice of experts. Concern for the effect an untutored public could have on the future of French architecture led Jacques-François Blondel, the foremost architectural educator of the 18th century, to develop specialized approaches for reaching potential clients. These included courses for nonprofessionals at his Ecole des Arts and a novel, L'Homme du monde éclairé par les arts (1774), written in collaboration with Jean-François Bastide, a man of letters who was the author of another work of fiction featuring architecture, "La Petite Maison" (1758).
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Dissertations / Theses on the topic "Strasbourg (France) – History – 18th century"

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Macdonald, Simon James Stuart. "British communities in late eighteenth-century Paris." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609294.

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Nadeau, Martin. "Theatre et esprit public : le role du Theatre-Italien dans la culture politique parisienne a l'ere des revolutions (1770-1799)." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37795.

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Taking as a case study the Theatre-Italien, here considered both as a particular theatrical practice and as a specific stage in Paris---one of the most popular at the time---this dissertation asks what role this theatre played in the novel competition of discourses which characterized political culture in the era of Revolutions. All too often, historians have overestimated print culture as the main medium through which discourses were produced in the eighteenth century, and this despite the fact that theatre played a fundamental role in the public life of this period. Furthermore, when theatre is studied, historians emphasize too often the written form of the plays.
The dissertation's structure seeks to underline the specificity of the cultural practice represented by the theatre. The discrepancies between the meaning of a play written by a particular author and the same play as it is performed on stage are emphasized. Political messages emerge out of the language of the actors and actresses without any possibility to control them, so that the players become, in effect, co-authors of the play. Similarly, the variety of the nature of the audience and the way in which it becomes at once judge, co-author and co-actor make the public, neither intangible nor invisible, but simply gathered, a crucial feature of this cultural practice which allows us to argue that theatre was actually a very bad instrument of propaganda. Instead, theatre can be seen at the time to be a public scene of immediate political debate. The conflicting opinions expressed there turn theatre not into the minor of political reality intended by various regimes confronted to the diversity of the polity---what some people have called "a school for the people"---but rather as the mirror of the reality experienced by a large number of Parisians at the time. It is in this sense that we relate the theatrical practices studied with the concept of public spirit, expressing the people's understanding of the general interest, instead of that of public opinion, expressing the unified message imposed by a dominant political group.
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Robichaud, Marc. "Making hospitals "worthy of their purpose" : hospitals and the hospital reform movement in the généralité of Rouen (1774-1794)." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84543.

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The eighteenth century was a period ripe with challenges for hospitals in France. Denounced as ineffective, inefficient and even inhumane institutions, hospitals found themselves at the centre of a growing debate over the administration of health care and welfare. Although dismissing the hospital's traditional role as a refuge for the poor, the indigent and the sick, many reformers believed that this institution still could play a valuable social role. Thus, while contemporaries lashed out against the large, "abuse-ridden," hopitaux generaux and hotels-Dieu , small hospitals were seen in a more favourable light. For the growing number of contemporaries who argued that hospitalisation should be reserved exclusively for the sick, hospitals containing a small number of beds were promoted as better disposed and better equipped to meeting the health-care needs of the community. At the same time, contemporaries began calling for the decentralization of health care and welfare services. Instead of focusing these services in large regional poor-relief institutions, reformers argued that the poor and the sick would be better served by receiving assistance in their own community, either in small parish hospitals, or within their own home (secours a domicile).
This dissertation examines how hospitals and hospital services in the late eighteenth-century generalite of Rouen responded to this growing hospital reform movement. It shows that many of the policies adopted by the region's hospital administrators reflected the contents of the larger "national" debate on health care and welfare reform. More importantly, the military was behind many of the changes affecting hospital services in this region During the eighteenth century, military hospitals became a model to emulate towards making the "reformed" hospital a reality. However, imposing military-style health standards on the region's civilian hospitals proved to be a complicated process, one that often involved a great deal of negotiation and compromise.
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Allard, Julie 1977. ""Nous faisons chaque jour quelques pas vers le beau simple" : transformations de la mode française, 1770-1790." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79280.

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This thesis analyses the simplification of fashion in the French "beau monde" at the end of the eighteenth century. It reveals that the simplified fashion of the 1770s and 1780s was the result of a new feeling for nature. New perceptions of the body led physicians to plead for a new fashion, more respectful of the natural characters of the body. On the aesthetic level, natural simplicity was meant to be the only way to recover original truth and energy. Moreover, anglomania, by way of sustained exchanges with England, contributed to the development of a simpler and more egalitarian fashion. This new feeling for nature reflects profound changes in the French society at the end of the century. The idea of nature, defined according to the values and ideals of a rising bourgeoisie, conveyed a bourgeois spirit no longer restricted to a narrow social group.
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Maire, Claude. "Commerce et marché du fer à Paris d'environ 1740 à environ 1815." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74009.

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Bycroft, Michael Trevor. "Physics and natural history in the eighteenth century : the case of Charles Dufay." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648547.

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Laponce, Jean. "The Jesuits and science in eighteenth-century France : an analysis of scientific writings in the Journal de Trévoux." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/30101.

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Despite voluminous research concerning French society during the eighteenth century the scientific practices of the Society of Jesus in France during that period remain a relatively neglected subject. That obscurity has been compounded by a historical tradition originating in the impassioned polemics of the Enlightenment which depicts the Jesuits, with varying degrees of emphasis, as a bastion of resistance to intellectual progress of all sorts. Such interpretations - alternating between censure and neglect - are challenged in this thesis. Through an analysis of scientific reviews in the Journal de Trévoux - a monthly periodical published by the Jesuits in France between 1701 and 1762 - it is argued that the latter took a serious and constructive interest in scientific affairs during the period in question. The emphasis placed here on the Journal de Trévoux is justified by the importance of that enterprise to the intellectual life of its time, and by the wealth of evidence it offers concerning Jesuit attitudes to science. The possibilities of such an investigation are vast. Research has therefore been confined initially to the question of how Jesuit writers responded to Newton's system of the world as described in the Principia and in multitudes of subsequent works by Newtonian authors. It is clear that this response evolved more or less in step with developments in French scientific culture generally. However, a persistent resistance on the part of Jesuit writers to the theoretical and methodological complexity of Newtonian science is also apparent. Such thinking, it is argued here, owed much to a culture of rhetoric cherished by the Jesuits which emphasized diversity and accessibility. Given evidence of a resistance on the part of the Jesuits to one of the fundamental characteristics of eighteenth century science, a further effort is made here to discern what the Jesuits considered to be the defining qualities of a vibrant scientific culture. In this case an analysis of diverse scientific and philosophical reviews identifies: a sustained enthusiasm for intellectual curiosity {outside the theological domain); a conviction that scientific progress was an evolutionary as opposed to revolutionary process; and finally, an emphasis on the importance of necessary social conditions for such progress to occur. Though definitive conclusions are elusive at this stage, on the basis of such findings it is argued that the French Jesuits reflected a strong affinity for Baconian ideas in their approach to science. According to such an argument it is therefore possible to contextualize the scientific attitudes in the Journal de Trévoux within a more general intellectual tradition. Such a conclusion supports one of the fundamental premises of this thesis - that Jesuit contributions to French scientific culture during the eighteenth century must not be marginalized in accounts of that period — and it illuminates an avenue for further research.
Arts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
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Vendrix, Philippe Pierre 1964. "Quelques aspects de l'historiographie musicale en France a l'epoque baroque (French text)." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276706.

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L'historiographie musicale trouve dans la France de l'epoque baroque un champ ideal de developpement. Ce phenomene est lie a la conjonction de differents facteurs: le modele fourni par l'histoire generale, l'heritage humaniste, les mouvements polemiques, les tentatives de refonte de l'histoire de l'Eglise. Les musicographes, de Salomon de Caus (1615) a Jacques Bonnet-Bourdelot (1715), etablissent les fondements d'une critique historique et l'appliquent dans des ouvrages qui annoncent l'expansion de la musicologie a l'age des Lumieres.
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Kim, Minchul. "Democracy and representation in the French Directory, 1795-1799." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/15874.

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Democracy was no more than a marginal force during the eighteenth century, unanimously denounced as a chimerical form of government unfit for passionate human beings living in commercial societies. Placed in this context this thesis studies the concept of ‘representative democracy' during the French Revolution, particularly under the Directory (1795–1799). At the time the term was an oxymoron. It was a neologism strategically coined by the democrats at a time when ‘representative government' and ‘democracy' were understood to be diametrically opposed to each other. In this thesis the democrats' political thought is simultaneously placed in several contexts. One is the rapidly changing political, economic and international circumstances of the French First Republic at war. Another is the anxiety about democratic decline emanating from the long-established intellectual traditions that regarded the history of Greece and Rome as proof that democracy and popular government inevitably led to anarchy, despotism and military government. Due to this anxiety the ruling republicans' answer during the Directory to the predicament—how to avoid the return of the Terror, win the war, and stabilize the Republic without inviting military government—was crystalized in the notion of ‘representative government', which defined a modern republic based on a firm rejection of ‘democratic' politics. Condorcet is important at this juncture because he directly challenged the given notions of his own period (such as that democracy inevitably fosters military government). Building on this context of debate, the arguments for democracy put forth by Antonelle, Chaussard, Français de Nantes and others are analysed. These democrats devised plans to steer France and Europe to what they regarded as the correct way of genuinely ending the Revolution: the democratic republic. The findings of this thesis elucidate the elements of continuity and those of rupture between the Enlightenment and the French Revolution.
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Monette, Isabelle. "Récritures de récits criminels en France sous l'Ancien Régime." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79966.

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Three original stories are the basis for our study of rewriting during the French Ancien Regime: the story of Thibaud de la Jacquiere, that of the "sorcier Gaufridy" and that of the Marquise de Ganges, which Sade will rewrite as a novel. Having all originated from a "canard", they appear in the 1679 edition of the Histoires tragiques of Francois de Rosset, and two of them can also be found in Francois Gayot de Pitaval's Causes celebres. Each of these stories was rewritten by different authors at least three times. Using Gerard Genette's theory of the narrative, we will analyse the processes of transformation that the rewriting operates in the text, as well as the changes it imposes to its original meaning. The number of rewritings of each text---up to five for the Marquise de Gange---is a testament to the importance of textual reappropriation as much as it shows the relevance of a study which brings to light the role of rewriting in the survival of these stories.
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Books on the topic "Strasbourg (France) – History – 18th century"

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Roy, Stéphane. Making the news in 18th-century France. Edited by Carleton University Art Gallery. Ottawa: Carleton University Art Gallery, 2012.

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Popkin, Jeremy D. A history of modern France. 4th ed. Upper Saddle River, N.J: Pearson, 2013.

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André, Corvisier, Delmas Jean, and Blanchard Anne, eds. Histoire militaire de la France. Paris: Presses Universitaires de France, 1992.

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Hunter-Stiebel, Penelope. Menuiserie: The carved wood furniture of 18th century France. New York: Rosenberg & Stiebel, 1986.

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Houlding, J. A. French arms drill of the 18th century, 1703-1760. Bloomfield, Ont: Museum Restoration Service, 1988.

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B, Johnston A. J., and Enterprise Cape Breton Corporation (Canada), eds. Louisbourg: An 18th-century town. Halifax, N.S: Nimbus, 1991.

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Cobban, Alfred. A history of modern France. 2nd ed. London, England: Penguin Books, 1991.

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Chris, Vanden Bossche, ed. Historical essays. Berkeley [Calif.]: University of California Press, 2002.

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Green, Robert A. The hurdy-gurdy in eighteenth-century France. Bloomington: Indiana University Press, 1995.

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The hurdy-gurdy in eighteenth-century France. Bloomington: Indiana University Press, 1995.

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Book chapters on the topic "Strasbourg (France) – History – 18th century"

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Plack, Noelle. "5. Collective Agricultural Practices and the French State: Aspects of the Rural Code in France from the 18th to the 20th Century." In Rural History in Europe, 95–110. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.rurhe-eb.4.00051.

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Campbell, Gordon. "5. France." In Garden History: A Very Short Introduction, 63–74. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199689873.003.0005.

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‘France’ explains how in early French estates the house and garden were usually designed independently. Distinctive features of 16th-century French gardens were the presence of a canal and plantings arranged in the flat ornamental flower gardens known as parterres. The apogee of French garden art is the 17th-century formal garden known as the jardin à la française, characterized by geometry. The greatest and most influential exponent was André Le Nôtre, who was responsible for the gardens at Versailles. The principal innovations of the 18th century were the jardin anglo-chinois, the ferme ornée, the fabrique, and the jardin anglais. French garden design in the 19th and 20th centuries is also discussed.
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Farge, Arlette. "From the Reading of 18th-Century Police Archives to the Construction of Objects of Historical Study 1." In Cultural History in France, 120–26. Routledge, 2019. http://dx.doi.org/10.4324/9780429295386-14.

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Jones, Colin. "Montpellier Medical Students and the Médicalisation of 18th-Century France *." In Problems and Methods in the History of Medicine, 57–80. Routledge, 2018. http://dx.doi.org/10.4324/9780429398643-4.

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"5. Literary Commemoration and the Uses of History: The Gutenberg Festival in Strasbourg, 1840." In Reading Culture & Writing Practices in Nineteenth-Century France. Toronto: University of Toronto Press, 2008. http://dx.doi.org/10.3138/9781442688940-008.

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Messina, Silvia A. Conca. "The economic war between France and Britain in the 18th century." In A History of States and Economic Policies in Early Modern Europe, 108–16. Routledge, 2019. http://dx.doi.org/10.4324/9780429026881-11.

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"Bankruptcy, fresh start and debt renegotiation in England and France (17th to 18th century)." In The History of Bankruptcy, 229–41. Routledge, 2013. http://dx.doi.org/10.4324/9780203066836-22.

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Swoboda, Patrick. "Free Money for War? Wartime Subsidies and the 18th-Century Habsburg Monarchy." In The Habsburg Monarchy as a Fiscal-Military State, 322–36. British Academy, 2022. http://dx.doi.org/10.5871/bacad/9780197267349.003.0015.

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Subsidies represented an important aspect of 18th-century diplomatic and financial history. The Habsburg Monarchy fought many extended wars during this period in which it received subsidies from its allies, first Britain, and later France. This paper examines the circumstances and amounts of these payments, the methods of transferring value to Austria and also the significance of the money to Habsburg finances. The organisation of subsidies furthermore sheds light on the network of banks and European financial market in the 18th century.
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Hope, Charles. "Francis James Herbert Haskell 1928–2000." In Proceedings of the British Academy, Volume 115 Biographical Memoirs of Fellows, I. British Academy, 2003. http://dx.doi.org/10.5871/bacad/9780197262788.003.0011.

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Publication of Patrons and Painters (1963), which dealt with art in 17th-century Rome and 18th-century Venice, established Francis Haskell as one of the leading art historians of his generation. He held posts at King's College Cambridge and was then appointed Professor of the History of Art at Oxford University with a Fellowship at Trinity College. Haskell turned to studying French painting of the 19th century. Rediscoveries in Art: Some Aspects of Taste, Fashion and Collecting in England and France (1976) won the Mitchell Prize for Art History. Haskell was elected a Fellow of the British Academy in 1971. Obituary by Charles Hope.
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Kataoka, Kei. "Descriptive geometry in middle school mathematics teaching in Japan (1905-1946)." In “DIG WHERE YOU STAND” 6. Proceedings of the Sixth International Conference on the History of Mathematics Education, 57–72. WTM-Verlag Münster, 2020. http://dx.doi.org/10.37626/ga9783959871686.0.05.

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Teaching of descriptive geometry began in 18th-century France and became widespread in tertiary and secondary education worldwide throughout the 19th century. Until the 20th century, educators often described two aims of descriptive geometry – technical education and mathematics education. In Japan, descriptive geometry was introduced into engineering and artistic higher education after the Meiji Restoration of 1868. Descriptive geometry became part of the general secondary school curriculum in the 1880s, but it had been taught under the auspices of arts and crafts education rather than mathematics. In the early 20th century, Japanese mathematics educators began to focus on descriptive geometry as a way to reform solid geometry. When Japan’s secondary school curriculum was revised in 1942, descriptive geometry was included in solid geometry and mathematics for the first time. Although this curriculum lasted only until 1946, it was the fruit of many educators’ labors and is worthy of examination. This paper examines several books and documents from the early 20th-century Japan and shows that there was a technical, mathematics-oriented debate about the aim of descriptive geometry teaching as seen in Europe. Keywords: descriptive geometry, solid geometry, secondary school, middle school, Nobutaro Nabeshima, Minoru Kuroda
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