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1
Wilkinson, Greg. "Eating disorder in 17th century France – psychiatry in history." British Journal of Psychiatry 213, no. 4 (September 24, 2018): 594. http://dx.doi.org/10.1192/bjp.2018.162.
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Seifert, L. C. "Hidden Agendas: Cross-Dressing in 17th-Century France." French Studies 62, no. 4 (October 1, 2008): 474–75. http://dx.doi.org/10.1093/fs/knn077.
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Serina, Florent. "From Anti-Freudianism to a Bastion of Psychoanalysis: A History of Psychoanalysis at the University Psychiatric Clinic of Strasbourg in the Twentieth Century." Psychoanalysis and History 24, no. 2 (August 2022): 181–203. http://dx.doi.org/10.3366/pah.2022.0423.
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By contrast with a dominant part of the historiography of psychoanalysis in France, which tends to be dedicated to the history of the centres and the biography of the great theorists, this article focuses on the less well known history of psychoanalysis in a peripheral region, namely Alsace, and its capital, Strasbourg. It zooms in on the main central university hospital service in the mental health care system of northeastern France, the University Psychiatric Clinic of Strasbourg. On the basis of abundant and varied sources, it relates the passions, attractions and aversions that Freudian methods aroused among the major protagonists of Strasbourg psychiatry, especially Théophile Kammerer (1916–2005), the director of the Clinic from 1953 to 1982, and the various actors (physician or non-physician) that have circled the establishment throughout the twentieth century.
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Rescia, Laura. "Joseph Harris, Hidden Agendas: Cross-Dressing in 17th- Century France." Studi Francesi, no. 148 (XLX | I) (April 1, 2006): 147–48. http://dx.doi.org/10.4000/studifrancesi.30176.
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Désy, Pierrette. "A secret sentiment (Devils and gods in 17th century New France)." History and Anthropology 3, no. 1 (March 1987): 83–121. http://dx.doi.org/10.1080/02757206.1987.9960781.
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Jack, Sybil M. "Salons, History, and the Creation of 17th-century France: Mastering Memory (review)." Parergon 23, no. 2 (2006): 121–23. http://dx.doi.org/10.1353/pgn.2007.0009.
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Fagyal, Zsuzsanna. "Phonetics and speaking machines." Historiographia Linguistica 28, no. 3 (December 31, 2001): 289–330. http://dx.doi.org/10.1075/hl.28.3.02fag.
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Summary This paper shows that in the 17th century various attempts were made to build fully automatic speaking devices resembling those exhibited in the late 18th-century in France and Germany. Through the analysis of writings by well-known 17th-century scientists, and a document hitherto unknown in the history of phonetics and speech synthesis, an excerpt from La Science universelle (1667[1641]) of the French writer Charles Sorel (1599–1674), it is argued that engineers and scientists of the Baroque period have to be credited with the first model of multilingual text-to-speech synthesis engines using unlimited vocabulary.
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Butel, Paul, and François Crouzet. "Empire and Economic Growth: the Case of 18th Century France." Revista de Historia Económica / Journal of Iberian and Latin American Economic History 16, no. 1 (March 1998): 177–93. http://dx.doi.org/10.1017/s0212610900007096.
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Among the colonial powers of the early modern period, France was the last to emerge. Although, the French had not abstained from the exploration of fhe New World in the 16th century: G. de Verrazano discovered the site of New York (1524), during a voyage sponsored by King Francis I; Jacques Cartier sailed up the St. Lawrence to Quebec and Montreal (1535). From the early 16th century, many ships from ports such as Dieppe, St. Malo, La Rochelle, went on privateering and or trading expeditions to the Guinea coast, to Brazil, to the Caribbean, to the Spanish Main. Many French boats did fish off Newfoundland. Some traded in furs on the near-by Continent. Moreover, during the 16th century, sporadic attempts were made to establish French settlements in «Equinoctial France» (Brazil), in Florida, in modern Canada, but they failed utterly. Undoubtedly, foreign wars against the Habsburgs, during the first half of the 16th and of the 17th centuries, civil «wars of religion» during the second half of the 16th century, political disorders like the blockade of La Rochelle or the Fronde during the first part of the 17th century, absorbed the attention and resources of French rulers, despite some ambitious projects, like those of Richelieu, for overseas trade. As for the port cities they tried to trade overseas but they were isolated and not strong enough (specially during die wars of religion) to create «colonies». Some small companies, which had been started in 1601 and 1604, to trade with the East Indies, were very short-lived, and the French did not engage seriously in Asian trade before 1664.
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Tindemans, Klaas. "The Politics of the Poetics: Aristotle and Drama Theory in 17th Century France." Foundations of Science 13, no. 3-4 (July 10, 2008): 325–36. http://dx.doi.org/10.1007/s10699-008-9131-1.
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Genieys-Kirk, S. "The Art of Instruction: Essays on Pedagogy and Literature in 17th-Century France." French Studies 64, no. 1 (December 17, 2009): 86. http://dx.doi.org/10.1093/fs/knp205.
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Kudelin, Andrey. "The Eastern Policy of France in the Second Half of the 17th — Second Half of the 18th Century." ISTORIYA 13, no. 12-1 (122) (2022): 0. http://dx.doi.org/10.18254/s207987840024010-0.
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The article reveals the peculiarities of the eastern policy of France in the second half of the 17th — second half of the 18th century. During the reign of Kings Louis XIV and Louis XV, the eastern policy of France underwent significant changes. At the beginning of this period, the main goal of the “eastern barrier” was to confront the Austrian Habsburgs. To this end, the government of Louis XVI used, first of all, the alliance with the Principality of Transylvania. Problems in the east distracted the Habsburgs from the wars in Europe. During the reign of Louis XV, France's foreign policy became much less consistent. At the beginning of the reign of this monarch, the policy of the “eastern barrier” continued, only now it was directed primarily against Russia, since France was very concerned about the Austro-Russian military alliance. Later, the so-called “reversal of alliances” took place, which eventually led to the Seven Years' War, during which France was on the same side with Austria and Russia, and the policy of the “eastern barrier” was temporarily forgotten. After the turn of Russian policy towards an alliance with Prussia, France is also returning to its traditional policy of containing Russia. This was reflected in the support of the Bar Confederation in Poland and pushing the Ottoman Empire and the Crimean Khanate to war with Russia. However, this policy has not led to any significant results. Apparently, the traditional alliance with the Ottoman Empire for France already at that moment did not seem so attractive to some French politicians. The weakening of the Ottoman Empire was presented to them as a possible reason for the seizure of its territories in the Eastern Mediterranean, Egypt for example.
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Dekker, Rudolf. "Labour Conflicts and Working-Class Culture in Early Modern Holland." International Review of Social History 35, no. 3 (December 1990): 377–420. http://dx.doi.org/10.1017/s0020859000010051.
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SUMMARYFrom the 15th to the 18th century Holland, the most urbanized part of the northern Netherlands, had a tradition of labour action. In this article the informal workers' organizations which existed especially within the textile industry are described. In the 17th century the action forms adjusted themselves to the better coordinated activities of the authorities and employers. After about 1750 this protest tradition disappeared, along with the economic recession which especially struck the traditional industries. Because of this the continuity of the transition from the ancien régime to the modern era which may be discerned in the labour movements of countries like France and England, cannot be found in Holland.
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Fantasia, Rick. "Everything and Nothing: the Meaning of American Popular Culture in France." Tocqueville Review 15, no. 2 (January 1994): 57–88. http://dx.doi.org/10.3138/ttr.15.2.57.
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As one drives westward toward Geneva from the small city of Thonon-les-bains, with its stately perch on the Southern shore of Lac Leman, its fading Victorian-era hotel spas and 17th century château, and its remarkable views of the French Alps, one comes upon a stretch of road that, to an American, appears perfectly familiar and thus seems completely "foreign" in its French context. Quite suddenly, from both sides of the road, one's view is seized by the intrusion of brightly-colored placards, dazzling neon signs and coarse structures that signal a steady string of auto dealerships, gas stations, furniture outlets, garden supply stores, a kitchen appliance store, a bowling alley and a sprawling supermarket complex.
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Tenenti, Alberto. "God, king and state in France, between the end of the 16th century and the first half of the 17th century." Revista de História das Ideias 8, Tomo I (1986): 27–57. http://dx.doi.org/10.14195/2183-8925_8-1_1.
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Degen, Julian Michael. "Les Reines de Perse aux pieds d‘Alexandre. Rezeption des exemplum virtutis von Curtius Rufus bis Charles le Brun." historia.scribere, no. 8 (June 14, 2016): 47. http://dx.doi.org/10.15203/historia.scribere.8.459.
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The history of Alexander the Great was from his time on a very popular medium for facts and also common known fictions, what let Alexanders deeds become very longing for other rulers, like Louis XIV. He hired Charles le Brun to paint a representative passage of Alexanders history, what he liquidated through the lecture of Cutius Rufus’ historia Alexandri Magni. This paper is about the transformation of ancient sources with their intentions into 17th century France. I created the thesis of „mental horizons“ to depict the motives of adoption into the historical perception.
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Rescia, Laura. "The Art of Instruction. Essays on Pedagogy and Literature in 17th-Century France, ed. by Anne Birberick." Studi Francesi, no. 162 (LIV | III) (November 1, 2010): 546–47. http://dx.doi.org/10.4000/studifrancesi.6262.
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Pace, Claire. "»Free from business and debate«: city and country in responses to landscape in 17th–century Italy and France." Konsthistorisk Tidskrift/Journal of Art History 73, no. 3 (August 2004): 158–78. http://dx.doi.org/10.1080/00233600410018101.
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Naamy, Nazar. "RUNTUHNYADUNIA TAKHAYUL DAN PERKEMBANGAN AGAMA DI NEGARABARATPADA AKHIR ABAD 20." TASAMUH 15, no. 1 (December 1, 2017): 75–86. http://dx.doi.org/10.20414/tasamuh.v15i1.143.
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The development of religion in the West at the end of the 20th century in Andrew Greeley’s view has increased in some former communist countries, especially Russia. While in other countries has decreased as in England, Netherlands, and France. In some countries it is relatively unchanged, especially the traditional Catholic countries, and in some societies the social democracy has declined and there has been an increase. Whereas in the case of individuals, Greeley finds that religion becomes more important for people as they age. Greeley observed that the survey results showed a lack of interest in religion among young people and tended to ignore it. This is due to the correlation related to lifecycle issues and not a sign of social change. In connection with the disappearance of the real world of superstition in the 17th century scientists tried to eliminate the mystical and superstitious patterns of thought and provide a more scientific and experimental pattern of thought, so that in the west in the 17th century it became history and witness that the era of superstition has begun to disappear. The superstition in western tradition is not easy to destroy because it takes a long time span of about 1563-1762 years.
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Grempler, Martina. "Deutsche Nationalidole in der italienischen Oper des 19. Jahrhunderts." Studia Musicologica 52, no. 1-4 (March 1, 2011): 351–61. http://dx.doi.org/10.1556/smus.52.2011.1-4.25.
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Freedom fighters and national heroes frequently appeared on the operatic stage of the 19th century. Rossini used the story of Wilhem Tell, Verdi composed an opera about Jeanne D’Arc, the national heroine of France, and in La battaglia di Legnano Emperor Barbarossa figures as the incarnation of the menace for the Italians’ longing for freedom, exerted through centuries by the sovereigns of German-speaking countries. The article deals with Italian operas about personalities of German history who had special importance in the national discourse of their own country. In particular it focuses on the historical characters of Arminius and Charlemagne, already present on the operatic stage in the 17th century. Their representation underwent essential modifications in the age of the Risorgimento.
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Oksana Koshulko. "Women’s Empowerment: an Insight into History and the Present Day." SIASAT 6, no. 3 (July 31, 2021): 161–67. http://dx.doi.org/10.33258/siasat.v6i3.101.
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The article presents the results of research concerning the empowerment of women from the 17th to 21st century in various countries, including Mexico, the U.K., the U.S.A., Ukraine and France among others. Fourteen cases of women's empowerment in their areas of activity are explored, using case studies collected from primary and secondary data. Twelve of the cases are described and explored using secondary data and two cases using primary data, collected in 2019 in Kyiv, Ukraine. The cases are encrypted as Case 1 - C_ 1 through to Case 14 - C_ 14. The article is an important insight into women's empowerment through history to the present, showing how at times women have sacrificed themselves to achieve their aims and how these sacrifices are important for women of today. However, despite the achievements throughout the centuries, women must continue their struggle to obtain full rights and freedom for all women around the world.
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Israel, Uwe. "Defensio oder Die Kunst des Invektierens im Oberrheinischen Humanismus." Zeitschrift für Historische Forschung: Volume 46, Issue 3 46, no. 3 (July 1, 2019): 408–41. http://dx.doi.org/10.3790/zhf.46.3.407.
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Summary Defensio or The Art of Disparagement in the Upper-Rhenish Humanism In the first years of the 16th century two scholars from the Alsatian province, secular priest Jakob Wimpfeling and Franciscan Thomas Murner, the latter one generation younger than the former, started a quarrel in Strasbourg. Quickly, their friends and students, then the city council, and finally even King Maximilian I got drawn into the polemical debate. At first sight the controversial topic was only a highly charged issue in politically troubled times: Had the Alsace region and its capital always belonged to Germany or had they been part of France at some time in the past? But it was also a quarrel about the educational sovereignty. This was an issue important to humanists. Secular ond ordinary priests hotly debated the topic not only in Strasbourg, but also elsewhere. The literary feud involved not only arguments, but also sharp personal attacks, offences and defamations. Several publications included disparaging letters, poems, treatises and pictures which often hardly bore any reference to the issue in question. The question arises why humanists, who are generally thought to be concerned with language and education, resorted to such drastic and defamatory means in their personal conflicts. The paper addresses this question with the help of the theories and methods currently employed by the Collaborative Research Centre Dresden with the title „Invectivity“. It analyzes the constellations of the controversy, examines the dynamics and escalations of their process, and traces the emotions of those involved. This will deepen our understanding about the operations of social demarcation and the mechanisms of group formation among humanists and concomitantly the fundamental social potential for conflict.
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Seville, Adrian. "The Game of the Sphere or of the Universe — a Spiral Race Game from 17th century France." Board Game Studies Journal 10, no. 1 (September 1, 2016): 1–16. http://dx.doi.org/10.1515/bgs-2016-0001.
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Abstract Simple race games, played with dice and without choice of move, are known from antiquity. In the late 16th century, specific examples of this class of game emerged from Italy and spread rapidly into other countries of Europe. Pre-eminent was the Game of the Goose, which spawned thousands of variants over the succeeding centuries to the present day, including educational, polemical and promotional variants.1 The educational variants began as a French invention of the 17th century, the earliest of known date being a game to teach Geography, the Jeu du Monde by Pierre Duval, published in 1645. By the end of the century, games designed to teach several of the other accomplishments required of the noble cadet class had been developed: History, the Arts of War, and Heraldry being notable among them. A remarkable example of a game within this class is the astronomical game, Le Jeu de la Sphere ou de l’Univers selon Tycho Brahe, published in 1661 by E(s)tienne Vouillemont in Paris. The present paper analyses this game in detail, showing how it combines four kinds of knowledge systems: natural philosophy, based on the Ptolemaic sphere; biblical knowledge; astrology, with planetary and zodiacal influences; and classical knowledge embodied in the names of the constellations. The game not only presents all four on an equal footing but also explores links between them, indicating some acceptance of an overall knowledge-system. Despite the title, there is no evidence of the Tychonian scheme for planetary motion, nor of any Copernican or Galilean influence. This game is to be contrasted with medieval race games, based on numerology and symbolism, and with race games towards the end of the Early Modern period in which science is fully accepted.
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Stenger, Gerhardt. "From Toleration to Laïcité." Dialogue and Universalism 31, no. 2 (2021): 145–61. http://dx.doi.org/10.5840/du202131225.
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This paper traces the history of the philosophical and political justification of religious tolerance from the late 17th century to modern times. In the Anglo-Saxon world, John Locke’s Letter Concerning Toleration (1689) gave birth to the doctrine of the separation of Church and State and to what is now called secularization. In France, Pierre Bayle refuted, in his Philosophical Commentary (1685), the justification of intolerance taken from Saint Augustine. Following him, Voltaire campaigned for tolerance following the Calas affair (1763), and the Declaration of the Rights of Man (1789) imposed religious freedom which, a century later, resulted in the uniquely French notion of laïcité, which denies religion any supremacy, and any right to organize life in its name. Equality before the law takes precedence over freedom: the fact of being a believer does not give rise to the right to special statutes or to exceptions to the law.
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Pronin, D. "Spinoza and dialectical materialism." Kazan medical journal 29, no. 1-2 (November 19, 2021): 9–17. http://dx.doi.org/10.17816/kazmj80269.
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The name of Spinoza is immortal, since his teachings stand on a broad highway that leads to Marxism-Leninism. It is impossible to understand the genius of Marx by divorcing his views from the ideological heritage of the past. "His teaching arose as a direct and immediate continuation of the teachings of the greatest representatives of philosophy, political economy and socialism." (Lenin, op., Vol. XVI, 349). Spinoza in the 17th century is the representative of materialism, which was later developed and deepened by Marx, of that materialism about which Lenin wrote: Throughout the entire recent history of Europe, and especially at the end of the 18th century, in France, where a decisive battle was fought against all sorts of medieval rubbish , against serfdom in institutions and in ideas, materialism turned out to be the only consistent philosophy, true to all the teachings of the natural sciences, hostile to superstition, hypocrisy, etc. "(Lenin, vol. XVI, 350)
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Fijarczyk, Anna, Mathieu Hénault, Souhir Marsit, Guillaume Charron, Tobias Fischborn, Luc Nicole-Labrie, and Christian R. Landry. "The Genome Sequence of the Jean-Talon Strain, an Archeological Beer Yeast from Québec, Reveals Traces of Adaptation to Specific Brewing Conditions." G3 Genes|Genomes|Genetics 10, no. 9 (September 1, 2020): 3087–97. http://dx.doi.org/10.1534/g3.120.401149.
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Abstract The genome sequences of archeological Saccharomyces cerevisiae isolates can reveal insights about the history of human baking, brewing and winemaking activities. A yeast strain called Jean-Talon was recently isolated from the vaults of the Intendant’s Palace of Nouvelle France on a historical site in Québec City. This site was occupied by breweries from the end of the 17th century until the middle of the 20th century when poisoning caused by cobalt added to the beer led to a shutdown of brewing activities. We sequenced the genome of the Jean-Talon strain and reanalyzed the genomes of hundreds of strains to determine how it relates to other domesticated and wild strains. The Jean-Talon strain is most closely related to industrial beer strains from the beer and bakery genetic groups from the United Kingdom and Belgium. It has numerous aneuploidies and Copy Number Variants (CNVs), including the main gene conferring cobalt resistance in yeast. The Jean-Talon strain has indeed higher tolerance to cobalt compared to other yeast strains, consistent with adaptation to the most recent brewing activities on the site. We conclude from this that the Jean-Talon strain most likely derives from recent brewing activities and not from the original breweries of Nouvelle France on the site.
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Truong, Anh Thuan. "Conflicts among religious orders of Christianity: А study of Vietnam during the 17th and 18th centuries." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 37, no. 2 (2021): 369–78. http://dx.doi.org/10.21638/spbu17.2021.214.
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During the 17th and 18th centuries, the presence as well as activities of religious orders of Christianity in Vietnam, predominantly the Society of Jesus, Mendicant Orders (Franciscan Order, Dominican Order, etc.), and the Society of Foreign Missions of Paris, to establish or maintain and strengthen the interests of some Western countries’ (Portugal, Spain, France) missionary work in this country led to conflicts and disputes over the missionary area as well as the right to manage missionary activities among religious orders of Christianity. From 1665 to 1773, the Vietnamese Catholic Church witnessed protracted disputes and conflicts between Jesuits sponsored by the Portuguese and the Society of Foreign Missions of Paris backed by France. While contradictions between them remained unresolved, from the first half of the 18th century onwards, conflicts and disputes between the Spanish Franciscan Order and the missionaries of the Society of Foreign Missions of Paris continued to arise. This influenced the development of Christianity in Vietnam during this period. Based on original historical sources and academic achievements of Vietnamese scholars as well as international, this article applies two main research methods of the history of science (historical and logical methods) with other research methods (systemic, analysis, synthesis, comparison, etc.) to closely examine the “panorama” of the conflicts between the religious orders of Christianity that took place in Vietnam during the 17th and 18th centuries. The article analyzes the underlying and direct cause of this phenomenon, making certain contributions to the study of the relationship among religious orders in the process of introduction and development of Christianity in Vietnam, as well as the history of East-West cultural exchange in the country during this period.
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Uvarov, Pavel. "Historical Research and Directions of French Royal Expansion in 16th — 17th Centuries." ISTORIYA 12, no. 7 (105) (2021): 0. http://dx.doi.org/10.18254/s207987840015333-5.
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In the seventeenth century, the search for the “forgotten” rights of the king were an important aid in organizing French expansion, mainly in the eastern and northeastern directions. At the sovereign courts of Lorraine, Alsace and Franche-Comté “chambers of annexations” (chambres d’annexion) were created in 1680 to organize search for archival documents supporting royal claims to neighboring lands. The idea of creating special institutions engaged in the search for documents revealing the precedents of relations with other countries and forgotten rights, that French king had supposedly enjoyed in those parts, was expressed back during the reign of Henry II. In 1556, Raoul Spifame, a lawyer at the Paris Parliament, published a book consisting of fictitious royal decrees, of which many would be implemented in the future. Among other things he ordered, on behalf of the king, the creation of thirty chambers, each specializing in the search for documents in the “treasury of charters” relating to a particular province. He had determined the composition of these chambers, the procedure for work and the form of reporting, — all this in order to arm the king with knowledge of his forgotten rights and the content of antique treaties and agreements. The nomenclature of “provincial chambers” is especially interesting, from the Chambers of Scotland and England to the Chamber of Tunisia and Africa, as well as the Chamber of Portugal and the New Lands. Much more attention was attracted by those lands to which a century later the French expansion would be directed: Franche-Comté, Artois and Flanders, Lorraine, the Duchy of Cleves. But more than half of chambers specialized in the Italian lands. This is not surprising, since in the 1550s France was entering the climax of the Italian Wars. Under Henry II (1547—1559) one of the four secretaries of state, Jean du Thier, was the person responsible for the southwestern direction of French policy. There is reason to believe that Spifame was associated with du Thier or with other members of the king’s “reform headquarters”. The large-scale transformations already at work were interrupted by the unexpected death of Henry II and the subsequent Wars of Religion. But continuity was inherent in the “spirit of the laws” of the Ancien Régime, so Spifame was able to predict future developments, including the creation of “chambers of annexation”.
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F.V. Akhundov. "SPORTS JOURNALISM TRAININGS AND THEIR INTRODUCTION INTO THE EDUCATION SYSTEM OF AZERBAIJAN." Scientific News of Academy of Physical Education and Sport 3, no. 2 (July 23, 2021): 110–14. http://dx.doi.org/10.28942/ssj.v3i2.343.
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In modern times, sports have become more global, and thanks to sports and the media, especially television, the schedule of major events has changed. Thus, a new era has begun in sports journalism.
Sports journalism has emerged as a small field in the past. The history of sports journalism is connected with the development of sports. One of the first examples of media in the world appeared in the 17th century. Sports developed professionally in the 19th century. But sports media started before this development. The emergence of this area is directly related to the United States. Betting games in the United States have resulted in the emergence of sports media. Therefore, the first example of sports media dates back to the 19th century. Sports journalism, which first appeared in boxing and horse racing, is everywhere in the world today. Sports journalism is the world's most interactive live media. The Tour de France, the famous Wimbledon tennis tournament in France, is one of the oldest tournaments in the sport. Along with the development of sports, the world's most famous sportswear brands have always sponsored. Large corporations such as Nike, which has an annual turnover of $ 4 billion, invest in sports. Due to the size of the advertising market, sports are one of the largest areas of the media.
This study discusses the history and development of world sports journalism. At the same time, opportunities for sports journalism education to influence the development of sports media in Azerbaijan, which has invested heavily in sports in recent years, are presented. Here are some suggestions on the first master's program in sports journalism in the Caucasus. At the same time, sports journalism in Azerbaijan is compared with the US and British media, which are the oldest examples of sports journalism.
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Terentieva, Ekaterina. "The French Court Historical Writing as a Form of Manifestation of the Royal Power (Late 16th — First Half of 17th Century)." ISTORIYA 13, no. 1 (111) (2022): 0. http://dx.doi.org/10.18254/s207987840018884-1.
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The present paper argues that the French historical writing in the late sixteenth and in the first half of the seventeenth century became a form of manifestation of the French royal power. The integrated scientific approach chosen in this research permits the author to draw several new conclusions concerning the multiplicity of forms of publicity of the French absolute monarchy. Three main aspects are in question: the institutional (or socio-political) one, the aspect of publishing specific in early modern Europe, and the substantial aspect of the historical discourse of the epoch. The existence of the court office of the royal historiographer (historiographe du roi) itself was a form of manifestation of the French royal power as it symbolized the special assignment of historical knowledge to the crown. Another visible form of manifestation of the French royal power connected with the historical writing of the epoch was the form of existence of works consecrated to historical subjects, i.e. the peculiarities of design of the editions of historical writings. Finally, the subject area of historical works in question were also related to the manifestation of the strengthening absolute monarchy. The court historical writing in early modern France evolved in tight connection with the erudite intellectual movement. Thus, however diverse the erudite movement had been, its massive current was deeply connected with the crown and its different ambitions — from uniting territories and gaining fidelity of its subjects to glorifying the French kings and controlling all the spheres of political and cultural life in the kingdom.
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Agratina, Elena E. "THE EMERGENCE OF ART CRITICISM IN FRANCE IN THE SECOND HALF OF THE 17TH AND THE FIRST HALF OF THE 18TH CENTURY." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 3 (2022): 146–64. http://dx.doi.org/10.28995/2073-6401-2022-3-146-164.
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The topic of the emergence of art criticism in France in the second half of the 17th and the first half of the 18th century, being rather widely covered in foreign academic literature, is still underdeveloped in Russian art history. Nevertheless, that issue is extremely important for understanding the processes that took place in the French and more widely in the European artistic milieu. The article aims to highlight the process of the criticism formation not only as a literary genre but primarily as a phenomenon of cultural life. Based on original written sources and foreign academic literature, the author traces how the appearance of fine art in the light of publicity was prepared in the Parisian artistic milieu. The author addresses the important questions that arose during the formative and legitimizing phase of criticism, such as its distinction from pre-existing art theory, as well as the distinction between the critic and the theorist or fine art historian. The artwork must now satisfy not only the master and the customer and a small circle of connoisseurs, society also becomes an active participant in artistic life, and the viewer enshrines the right to judge the art. The author shows how criticism is gradually becoming more diverse and polyphonic. Works written on behalf of a wide variety of characters are appearing, writers are adapting various literary genres that already exist: epistolary, diary, plays, poems, dialogues. For many years, criticism becomes an active channel of communication linking all participants in artistic life.
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Wollock, Jeffrey. "John Bulwer (1606–1656) and Some British and French Contemporaries." Historiographia Linguistica 40, no. 3 (September 3, 2013): 331–76. http://dx.doi.org/10.1075/hl.40.3.02wol.
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Summary John Bulwer’s (1606–1656) work was unknown in 17th–18th century France. In 1827, when Joseph-Marie Degérando (1772–1842) became curious about the relation between the methods respectively of Bulwer and John Wallis (1616–1703), the pioneer oral instructor of the deaf in Britain, he had to query Charles Orpen, M. D. (1791–1856) in Dublin because no copy of Bulwer’s Philocophus (1648) could be found in Paris. In fact, Theodore Haak (1605–1690) had sent a copy of this book from London to Père Marin Mersenne (1588–1648) in Paris in July 1648, but none of Mersenne’s circle could read English, and Mersenne died several weeks later. In that context, this paper presents a comparison of Bulwer’s views with those of the Cartesians and Port-Royalists. Wallis claimed he knew of no work on speech for the deaf prior to his own, but he must have known about the Philocophus from the time of its publication, five years before his De Loquela (1653) and nearly 14 years before he began teaching the deaf.
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Krom, Mikhail. "Patronage and Clientele in the Muscovite State in the 16th and 17th Centuries: Historiography and the Key Issues." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 4 (August 2021): 66–78. http://dx.doi.org/10.15688/jvolsu4.2021.4.6.
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Introduction. The paper deals with the phenomenon of patron-client relations in sixteenth- and seventeenth-century Russia, which until recently has been almost completely neglected by the scholars. Relying on recent publications and his own findings, the author addresses the key issues of the topic including the origins of this phenomenon in Russia, the typology of patron-client relations and their specifics in Muscovy. Methods and materials. The paper combines a survey of the current historiography with examination of selected primary sources (mainly private letters from archival collections) and forays into the theory of patron-client relations elaborated by social scientists. Comparing the Muscovite patronage system to its counterparts in other European countries enables some hypotheses about the peculiarities of patron-client relations in pre-Petrine Russia. Analysis. Addressing the problem of the origins of the Russian patronage the author traces the evolution of social relations and the appearance of the specific language of patronage which leads him to a conclusion that the phenomenon in question might have emerged by the end of the 16th century. Proceeding then to the typology of patron-client relations, the author assumes that, although only aristocratic patronage has been thoroughly studied so far, similar phenomena can be detected in other milieus as well, including the Church, where nepotism and corporate clientelism flourished. Finally, the author isolates some specific features of the Muscovite patronage, especially its depoliticized and decentralized character, as contrasted to the analogous phenomena in Poland-Lithuania, England, and France. Results. Summing up the present-day knowledge of the Muscovite patronage, the author highlights it as a typically early modern phenomenon that evolved within the official state institutions and functioned as an addendum to them.
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Dębicka, Malwina K. "Opiniowanie sądowo-lekarskie we Francji w XVII stuleciu." Archives of Forensic Medicine and Criminology 72, no. 1 (September 8, 2022): 28–38. http://dx.doi.org/10.4467/16891716amsik.22.003.16232.
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Artykuł ten jest syntezą historii opiniowania sądowo-lekarskiego we Francji w XVII wieku. W pracy zastosowano głównie dwie metody badawcze – metodę historyczną i metodę opisową. Artykuł ma na celu przedstawienie wiedzy o francuskiej medycynie sądowej w kontekście historycznym i prawnym. Pokazuje pionierskie badania medyków i chirurgów, przedstawia ówczesne regulacje prawne oraz podkreśla wysoki poziom francuskiej medycyny sądowej na tle innych krajów europejskich. Od najdawniejszych czasów problematyka oceny zdrowia i życia była przypisywana ekspertom medycyny – jurorom (edykt z 1603 roku médecins jurés et chirurgiens jurés). W XVII w. badania sądowo- -lekarskie stały się obowiązkiem. Ludzie zainteresowali się np. zdrowiem psychicznym oskarżonych czy oględzinami narządów rodnych w przypadku rozwodu. Na historię opinii sądowo-lekarskich na ziemiach francuskich ogromny wpływ miała chirurgia włoska. Co ciekawe, Francja była pierwszym krajem, który oddzielił kwestie sądowe i medyczne od zadań związanych z policją medyczną. Medicolegal opinions in France in XVII Century This article is a synthesis of the history of medicolegal opinions in France in the 17th century. Mainly two research methods were used in the work – the historical method and the descriptive method. The article aims to present the knowledge of French forensic medicine in a historical and legal context. It shows the pioneering research of medics and surgeons, presents the legal regulations of that time, and emphasizes the high level of French science compared to other European countries. It is worth adding that from the earliest times the issues with the assessment of health and life were assigned to medical experts – jurors (the edict of 1603 médecins jurés et chirurgiens jurés). During this period, forensic and medical examinations became a duty. People became interested in the mental health of the accused, as well as in the inspection of the reproductive organs in the event of a divorce. Italian surgery had a huge impact on the history of medicolegal opinions in the French territories. Interestingly, France was the first country to separate judicial and medical issues from tasks related to the medical police.
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Gordin, Alexander M., and Tatiana V. Rozhdestvenskaya. "‘When Going to Saint James’: An Old Russian Graffito from the 12th Century in Aquitania." Slovene 5, no. 1 (2016): 126–47. http://dx.doi.org/10.31168/2305-6754.2016.5.1.4.
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In 2015 in Pons, in the former province of Saintonge, an Old Russian pilgrim graffito was found on the wall of the parish church of St. Vivien, a monument of the mid-12th century. It is the second graffito found in France after the one discovered at St. Gilles Abbey. The town of Pons is located on the westernmost route of Santiago de Compostela (via Turonensis) and is noteworthy because of the preserved pilgrim almshouse of the latter half of the 12th century. On the walls of its long archway are horseshoe drawings made by medieval pilgrims, the latest of which, dating from the 16th–17th centuries, bends around a name that is also apparently written in Cyrillic script. The earlier inscription, which appears at the base of the northern end wall of the original façade of the St. Vivien church, is made in the name of one Ivan Zavidovich: “Ivano ps[а]lo Zavi|doviche ida ko | svętomu Ię|kovu” (= ‘Ivan Zavidovich wrote this when going to Saint James’). The most probable palaeographic dating is in the 1160s–1180s. As suggested by birch bark manuscripts, the name of Ivan’s father, Zavid, was popular among Novgorod boyars. Novgorod is also the place with the greatest indirect evidence of the occurrence in Old Russia of the western cult of St. James. This well preserved inscription is an important epigraphic discovery, but its main value lies in the direct evidence of pilgrimages by Russians to the shrine of St. James in Galicia.
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Petrova, Maria. "Behaviour Strategies of the Foreign Diplomats at the Perpetual Diet of the Holy Roman Empire in the 18th Century." ISTORIYA 12, no. 12-1 (110) (2021): 0. http://dx.doi.org/10.18254/s207987840018149-2.
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The article analyses the changes that took place in the official diplomatic communication of European rulers after the Thirty Years' War and the conclusion of the Peace of Westphalia in 1648, which affirmed a number of sovereign rights to the Estates of the Holy Roman Empire of the German nation (and former vassals of the emperor), including the right to send and receive ambassadors. The new sovereigns, primarily the princes-electors, began to fight for the so-called royal honours (honores regii), which were de facto expressed in a certain set of ceremonies in relation to the ambassadors of the crowned heads and republics assimilated to them. The arena of the struggle for the royal honours was the Imperial Diet of the Holy Roman Empire in Regensburg — a general assembly of all Imperial Estates (in the middle of the eighteenth century — their representatives), by which since the end of the 17th century foreign diplomats had been accredited (first France, a little later — Great Britain, the United Provinces of the Netherlands, in the middle of the eighteenth century — Russia). Having declared their representatives in 1702 as the ministers of the first rank, the electors tried for a century to force the “old” monarchs to send ambassadors to the Diet, and they, by custom, were sent only to the sovereigns. Comparing the various ways out of the ceremonial impasse, the author comes to the conclusion that the struggle for elusive precedence, which foreign diplomats of the second rank (envoys or ministers plenipotentiary) waged with the representatives of the electors at the Imperial Diet, was a deliberately unwinnable strategy, leading either to their isolation or to the recall from their posts. A much more effective strategy that did not damage state prestige was to send to Regensburg so-called ministers without character or residents, who occupied a less honorable position in comparison with ambassadors and envoys, but according to their status were freed from the opportunity to compete with them and, as a result, to come into conflict.
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Panov, Alexey A., and Ivan V. Rosanoff. "Performing Ornaments in English Harpsichord Music. Part I." Vestnik of Saint Petersburg University. Arts 11, no. 3 (2021): 381–92. http://dx.doi.org/10.21638/spbu15.2021.302.
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The article deals with the problems of interpreting English ornaments (embellishments, graces) of the second half of the 17th century in the process of their evolution. The authors consistently analyze the recommendations of the early English musicians Edward Bevin, Christopher Simpson, Matthew Locke, John Playford, and Henry Purcell. Emphasis in this study is allotted to the first ever published in England full table of ornaments with their execution written by Christopher Simpson in his The Division-Violist (London, 1659). Detailed consideration here is given to the ornament named “Shaked Beat”. It should be noted that the first full table “Marques des Agréments et leur signification” in France was enclosed only in D’Anglebert’s Pièces de Clavecin (c1689). For comparison, recommendations of the performance of ornaments are provided by some Italian, German and French composers and theorists of this time, such as Emilio del Cavalieri, Guillaume-Gabriel Nivers, Jean Rousseau, Gilles Jullien, Étienne Loulié and Johann Gottfried Walther. A critical revision of scholarly publications on the problems of this study beginning from Edward Dannreuther and Arnold Dolmetsch to the present time has been carried out. Serious inaccuracies were found in the works of modern researchers and in reference and encyclopedic publications, including The New Grove Dictionary of Music and Musicians and Die Musik in Geschichte und Gegenwart.
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Zumbühl, H. J., and S. U. Nussbaumer. "Little Ice Age glacier history of the Central and Western Alps from pictorial documents." Cuadernos de Investigación Geográfica 44, no. 1 (February 20, 2018): 115. http://dx.doi.org/10.18172/cig.3363.
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The Lower Grindelwald Glacier (Bernese Oberland, Switzerland) consists of two parts, the Ischmeer in the east (disconnected) and the Bernese Fiescher Glacier in the west. During the Little Ice Age (LIA), the glacier terminated either in the area of the “Schopffelsen” (landmark rock terraces) or advanced at least six times (ten times if we include early findings) even further down into the valley bottom forming the “Schweif” (tail). Maximal ice extensions were reached in 1602 and 1855/56 AD. The years after the end of the LIA have been dominated by a dramatic melting of ice, especially after 2000. The Mer de Glace (Mont Blanc area, France) is a compound valley glacier formed by the tributaries Glacier du Tacul, Glacier de Léschaux, and Glacier de Talèfre (disconnected). During the LIA, the Mer de Glace nearly continuously reached the plain in the Chamonix Valley (maximal extensions in 1644 and 1821 AD). The retreat, beginning in the mid-1850s, was followed by a relatively stable position of the front (1880s until 1930s). Afterwards the retreat has continued until today, especially impressive after 1995. The perception of glaciers in the early times was dominated by fear. In the age of Enlightenment and later in the 19th century, it changed to fascination. In the 20th century, glaciers became a top attraction of the Alps, but today they are disappearing from sight. With a huge number of high-quality pictorial documents, it is possible to reconstruct the LIA history of many glaciers in the European Alps from the 17th to the 19th centuries. Thanks to these pictures, we get an image of the beauty and fascination of LIA glaciers, ending down in the valleys. The pictorial documents (drawings, paintings, prints, photographs, and maps) of important artists (Caspar Wolf, Jean-Antoine Linck, Samuel Birmann) promoted a rapidly growing tourism. Compared with today’s situations, it gives totally different landscapes – a comparison of LIA images with the same views of today is probably the best visual proof for the changes in climate.
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Ziemba, Antoni. "Mistrzowie dawni. Szkic do dziejów dziewiętnastowiecznego pojęcia." Porta Aurea, no. 19 (December 22, 2020): 35–56. http://dx.doi.org/10.26881/porta.2020.19.01.
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In the first half of the 19th century in literature on art the term ‘Old Masters’ was disseminated (Alte Meister, maître ancienns, etc.), this in relation to the concept of New Masters. However, contrary to the widespread view, it did not result from the name institutionalization of public museums (in Munich the name Alte Pinakothek was given in 1853, while in Dresden the Gemäldegalerie Alte Meister was given its name only after 1956). Both names, however, feature in collection catalogues, books, articles, press reports, as well as tourist guides. The term ‘Old Masters’ with reference to the artists of the modern era appeared in the late 17th century among the circles of English connoisseurs, amateur experts in art (John Evelyn, 1696). Meanwhile, the Great Tradition: from Filippo Villani and Alberti to Bellori, Baldinucci, and even Winckelmann, implied the use of the category of ‘Old Masters’ (antico, vecchio) in reference to ancient: Greek-Roman artists. There existed this general conceptual opposition: old (identified with ancient) v. new (the modern era).
An attempt is made to answer when this tradition was broken with, when and from what sources the concept (and subsequently the term) ‘Old Masters’ to define artists later than ancient was formed; namely the artists who are today referred to as mediaeval and modern (13th–18th c.). It was not a single moment in history, but a long intermittent process, leading to 18th- century connoisseurs and scholars who formalized early-modern collecting, antiquarian market, and museology.
The discerning and naming of the category in-between ancient masters (those referred to appropriately as ‘old’) and contemporary or recent (‘new’) artists resulted from the attempts made to systemize and categorize the chronology of art history for the needs of new collector- and connoisseurship in the second half of the 16th and in the 17th century. The old continuum of history of art was disrupted by Giorgio Vasari (Vite, 1550, 1568) who created the category of ‘non-ancient old’, ‘our old masters’, or ‘old-new’ masters (vecchi e non antichi, vecchi maestri nostri, i nostri vecchi, i vecchi moderni). The intuition of this ‘in-between’ the vecchi moderni and maestri moderni can be found in some writers-connoisseurs in the early 17th (e.g. Giulio Mancini). The Vasarian category of the ‘old modern’ is most fully reflected in the compartmentalizing of history conducted by Carel van Mander (Het Schilder-Boeck, 1604), who divided painters into: 1) oude (oude antijcke), ancient, antique, 2) oude modern, namely old modern; 3) modern; very modern, living currently. The oude modern constitute a sequence of artists beginning with the Van Eyck brothers to Marten de Vosa, preceding the era of ‘the famous living Netherlandish painters’.
The in-between status of ‘old modern’ was the topic of discourse among the academic circles, formulated by Jean de La Bruyère (1688; the principle of moving the caesura between antiquité and modernité), Charles Perrault (1687–1697: category of le notre siècle preceded by le siècle passé, namely the grand masters of the Renaissance), and Pellegrino Antonio Orlandi writing from the position of an academic studioso for connoisseurs and collectors (Abecedario pittorico, 1704, 1719, 1733, 1753; the antichimoderni category as distinct from the i viventi).
Together with Christian von Mechel (1781, 1783) the new understanding of ‘old modernity’ enters the scholarly domain of museology and the devising of displays in royal and ducal galleries opened to the public, undergoing the division into national categories (schools) and chronological ones in history of art becoming more a science (hence the alte niederländische/deutsche Meister or Schule). While planning and describing painterly schools at the Vienna Belvedere Gallery, the learned historian and expert creates a tripartite division of history, already without any reference to antiquity, and with a meaningful shift in eras: Alte, Neuere, and lebende Meister, namely ‘Old Masters’ (14th–16th/17th c.), ‘New Masters’ (Late 17th c. and the first half of the 18th c.), and contemporary ‘living artists’. The Alte Meister ceases to define ancient artists, while at the same time the unequivocally intensifying hegemony of antique attitudes in collecting and museology leads almost to an ardent defence of the right to collect only ‘new’ masters, namely those active recently or contemporarily. It is undertaken with fervour by Ludwig Christian von Hagedorn in his correspondence with his brother (1748), reflecting the Enlightenment cult of modernité, crucial for the mental culture of pre-Revolution France, and also having impact on the German region. As much as the new terminology became well rooted in the German-speaking regions (also in terminology applied in auction catalogues in 1719–1800, and obviously in the 19th century for good) and English-speaking ones (where the term ‘Old Masters’ was also used in press in reference to the collections of the National Gallery formed in 1824), in the French circles of the 18th century the traditional division into the ‘old’, namely ancient, and ‘new’, namely modern, was maintained (e.g. Recueil d’Estampes by Pierre Crozat), and in the early 19th century, adopted were the terms used in writings in relation to the Academy Salon (from 1791 located at Louvre’s Salon Carré) which was the venue for alternating displays of old and contemporary art, this justified in view of political and nationalistic legitimization of the oeuvre of the French through the connection with the tradition of the great masters of the past (Charles-Paul Landon, Pierre-Marie Gault de Saint-Germain).
As for the German-speaking regions, what played a particular role in consolidating the term: alte Meister, was the increasing Enlightenment – Romantic Medievalism as well as the cult of the Germanic past, and with it a revaluation of old-German painting: altdeutsch. The revision of old-German art in Weimar and Dresden, particularly within the Kunstfreunde circles, took place: from the category of barbarism and Gothic ineptitude, to the apology of the Teutonic spirit and true religiousness of the German Middle Ages (partic. Johann Gottlob von Quandt, Johann Wolfgang von Goethe). In this respect what actually had an impact was the traditional terminology backup formed in the Renaissance Humanist Germanics (ethnogenetic studies in ancient Germanic peoples, their customs, and language), which introduced the understanding of ancient times different from classical-ancient or Biblical-Christian into German historiography, and prepared grounds for the altdeutsche Geschichte and altdeutsche Kunst/Meister concepts. A different source area must have been provided by the Reformation and its iconoclasm, as well as the reaction to it, both on the Catholic, post-Tridentine side, and moderate Lutheran: in the form of paintings, often regarded by the people as ‘holy’ and ‘miraculous’; these were frequently ancient presentations, either Italo-Byzantine icons or works respected for their old age. Their ‘antiquity’ value raised by their defenders as symbols of the precedence of Christian cult at a given place contributed to the development of the concept of ‘ancient’ and ‘old’ painters in the 17th–18th century.
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Keller, Marcel, Maria A. Spyrou, Christiana L. Scheib, Gunnar U. Neumann, Andreas Kröpelin, Brigitte Haas-Gebhard, Bernd Päffgen, et al. "Ancient Yersinia pestis genomes from across Western Europe reveal early diversification during the First Pandemic (541–750)." Proceedings of the National Academy of Sciences 116, no. 25 (June 4, 2019): 12363–72. http://dx.doi.org/10.1073/pnas.1820447116.
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The first historically documented pandemic caused by Yersinia pestis began as the Justinianic Plague in 541 within the Roman Empire and continued as the so-called First Pandemic until 750. Although paleogenomic studies have previously identified the causative agent as Y. pestis, little is known about the bacterium’s spread, diversity, and genetic history over the course of the pandemic. To elucidate the microevolution of the bacterium during this time period, we screened human remains from 21 sites in Austria, Britain, Germany, France, and Spain for Y. pestis DNA and reconstructed eight genomes. We present a methodological approach assessing single-nucleotide polymorphisms (SNPs) in ancient bacterial genomes, facilitating qualitative analyses of low coverage genomes from a metagenomic background. Phylogenetic analysis on the eight reconstructed genomes reveals the existence of previously undocumented Y. pestis diversity during the sixth to eighth centuries, and provides evidence for the presence of multiple distinct Y. pestis strains in Europe. We offer genetic evidence for the presence of the Justinianic Plague in the British Isles, previously only hypothesized from ambiguous documentary accounts, as well as the parallel occurrence of multiple derived strains in central and southern France, Spain, and southern Germany. Four of the reported strains form a polytomy similar to others seen across the Y. pestis phylogeny, associated with the Second and Third Pandemics. We identified a deletion of a 45-kb genomic region in the most recent First Pandemic strains affecting two virulence factors, intriguingly overlapping with a deletion found in 17th- to 18th-century genomes of the Second Pandemic.
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Satya Wira Dananjaya, Ida Bagus Made. "Kedudukan Perempuan Dalam Hinduisme." Jurnal Ilmiah Cakrawarti 1, no. 2 (May 26, 2020): 65–67. http://dx.doi.org/10.47532/jic.v1i2.19.
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Women are the sex that gets the most attention in the world compared to the opposite sex, namely men. Cognitive maps “about women” seemed to be viral in all ages. Hardiman noted that the condition and position of women in pre-historic times related to the perception and division of gender-based work was far more egalitarian compared to the beginning of the century until now. Women in pre-history times are perceived to be the same as men, even though it has entered the domestic domain domestic work for women is only temporal-positional. Women are chosen to look after children, gather food because it requires energy for it, in short there is no exploitation.Likewise Fromm stated that before the Patriarchate period women appeared despite work- ing on domestic work but their social position was not asymmetrical. As the times pro- gressed in almost every country beginning in the 17th century there was an intellectual rebellion against women’s social position. Britain, France, America initiated intellectu- al movement through poetry, short stories, women’s associations and in Indonesia this movement was initiated by R.A Kartini, Dewi Sartika, Goesti Ayu Rai etc. Women feel that their position is not the same as that of men, this brings the excess of their weak so- cial position, gender-based division of labor is more exploitative than temporal-positional. This brief description brings a question formulation, does religion have a positive impact on women’s social position in society? This paper wants to provide one answer in the form of argumentation about the position of women in Hinduism.
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Cho, Hyowon. "Vergangene Vergängnis: Für eine Philologie des Stattdessen." arcadia 52, no. 1 (May 24, 2017): 74–94. http://dx.doi.org/10.1515/arcadia-2017-0005.
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AbstractBetween Erich Auerbach and Walter Benjamin, there existed a remarkable friendship, which on the one hand manifested itself as an unobtrusive disputation, and yet which on the other hand could be considered an unintended collaboration toward an old-new ideal of philology. Auerbach claims that with the Divine Comedy of Dante Alighieri, Western European literature reached the climax of the figuralism that Auerbach, if belatedly, wants to bring to the fore. Benjamin, in contrast, finds energy for the revolution in the surrealistic love that traces back not to Dante, but to the Provençal poetry which Auerbach regards merely as preliminary to Danteʼs literary achievement. In his The Origin of German Tragic Drama, Benjamin highlights the concept of creatureliness, whose significance for his philosophy of history is no less than that of justice. Auerbach, for his part, does not find its expression in the Germany of the 17th century, but in the France of the 16th century, namely in the work of Michel de Montaigne. However, Montaigneʼs creatureliness is rooted in sermo humilis, which is best embodied in the story of Peter who denied his Lord Jesus Christ three times. By contrast, German creatureliness detects its dissolution in the idea of natural theatre that Benjamin locates in the work of Franz Kafka. Sermo humilis is the perfection of figuralism, whereas the idea of natural theatre means reversal of allegory. The perfected figuralism and the reversed allegory cooperate in the idea of the philology of instead (Philologie des Stattdessen), whose task it is to make bygone the futility of worldly things.
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Suciu, Silvia. "Afacerea artei. Piața de artă în Marea Britanie în secolele XVII -XVIII." Anuarul Muzeului Etnograif al Transilvaniei 35 (December 20, 2021): 105–45. http://dx.doi.org/10.47802/amet.2021.35.06.
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While the royal houses and the aristocracy of Italy, Low Countries, France and Spain had already an history in collecting pieces of art, Great Britain adopted this “fashion” only under Charles the 1st reign, in 17th century. Charles the 1st understood that his painted portraits, sculpted busts and a royal collection of art could bring a higher value to his royal status and this practice was representing the power, the authority and the virtues of a king. He was a prodigious collector and made numerous acquisitions of paintings and statues. He collected the artworks of more than 1750 artists; that formed the basis of Royal Collection, the greatest private collection nowadays. The reign of Charles the 1st was highly significant for the appearance of “Court Painters”, who also had the quality of diplomats at various European courts. Peter Paul Rubens and Antoon Van Dyck have been highly appreciated at the court of Charles the 1st. In his artworks Van Dyck captured the “flamboyant” spirit of the time; he gave brilliance to his characters and transformed significantly the image of the King, providing him a special refinement, as it can be seen in the portraits he painted to Charles the 1st. The next century was marked by painters such as William Hogarth, Joshua Reynolds and Thomas Gainsborough. Hogarth was considered „the most famous painter in London”, and he brought his important contribution to the establishment of a copyright law. His printed graphic series and satirical paintings have been inspired from the social and political reality of his time. Aristocracy’s and bourgeoisie’s emancipation in the 18th century led to the flourishing of the portraiture. Reynolds and Gainsborough were the most desired painters when it came about making portraits and their fame transcended their time. Keywords: collection, Great Britain, Royal Painter, portrait, art power
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Shelyshey, S. S. "The Phenomenon of Imperial Patriotism in German Political Pamphlets of the 1670s – 1680s." Vestnik NSU. Series: History and Philology 22, no. 1 (January 13, 2023): 9–19. http://dx.doi.org/10.25205/1818-7919-2023-22-1-9-19.
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During the reign of Leopold I, the Holy Roman Empire faced serious foreign policy challenges: the wars of the Ottoman Empire and the wars of Louis XIV. Both threats were reflected in German journalism. German publicists came out in defense of the Empire, as a result, a huge number of works with pro-imperial motives appeared. Speaking from the standpoint of imperial patriotism, German publicists strove to create an image of a common danger that threatened not only the entire Empire, but every German. Imperial patriotism was manifested in three topical subjects of German political journalism of the last quarter of the 17th century: French politics, the struggle against the Ottoman Empire and uprisings in Hungary. All three plots were presented from the position of a threat to the existing order. An important component of the negative image of France was its desire to seize the imperial throne and destabilize the internal situation in the Empire. The successes in the struggle against Turkey were demonstrated as the successes of the Empire and the Emperor. The Hungarian uprisings were condemned as a betrayal of the emperor, and therefore of the Empire. The surge in imperial patriotism was beneficial to the imperial power, which used it to strengthen their authority within the Empire.
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Grzywacz, Małgorzata. "Zgromadzenia zakonne we współczesnym protestantyzmie. Zarys problematyki na przykładzie żeńskiej wspólnoty z Grandchamp." Studia Religiologica 53, no. 2 (2020): 89–104. http://dx.doi.org/10.4467/20844077sr.20.007.12510.
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Christian Orders in Contemporary Protestantism. Outline of the Problem on the Example of the Female Community from Grandchamp The article concentrates on the renewal of monastic life in the European evangelical churches after 1945. The Reformation, initiated by the speech of Martin Luther (1483–1546), brought about great changes in this respect, questioning the current principles of the presence of the monk’s life in the Christian community. Criticism of religious life, formulated by the father of the Wittenberg Reformation, was undertaken by both Ulrich Zwingli (1484–1531) and John Calvin. Until the 19th century, monasticism had not seen rehabilitation of the churches that emerged in the wake of the Reformation. This did not mean, however, that it was completely forgotten. Due to renewal movements, including radical Pietism, which in the 17th and 18th centuries became popular in Protestant Europe, monastic issues returned. Eminent figures in the history of Christianity were discovered. Their world of faith and personal experience was mediated through community life, based on prayer rules and practices known since the time of the original church. At the same time in France, Germany and England a return to the abandoned ways of implementing Christian life began. The article analyses the inspiring community of Grandchamp to indicate the way tradition in the churches deriving from the Reformation has been discovered and re-read.
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Grzywacz, Małgorzata. "Zgromadzenia zakonne we współczesnym protestantyzmie. Zarys problematyki na przykładzie żeńskiej wspólnoty z Grandchamp." Studia Religiologica 53, no. 2 (2020): 89–104. http://dx.doi.org/10.4467/20844077sr.20.007.12510.
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Christian Orders in Contemporary Protestantism. Outline of the Problem on the Example of the Female Community from Grandchamp The article concentrates on the renewal of monastic life in the European evangelical churches after 1945. The Reformation, initiated by the speech of Martin Luther (1483–1546), brought about great changes in this respect, questioning the current principles of the presence of the monk’s life in the Christian community. Criticism of religious life, formulated by the father of the Wittenberg Reformation, was undertaken by both Ulrich Zwingli (1484–1531) and John Calvin. Until the 19th century, monasticism had not seen rehabilitation of the churches that emerged in the wake of the Reformation. This did not mean, however, that it was completely forgotten. Due to renewal movements, including radical Pietism, which in the 17th and 18th centuries became popular in Protestant Europe, monastic issues returned. Eminent figures in the history of Christianity were discovered. Their world of faith and personal experience was mediated through community life, based on prayer rules and practices known since the time of the original church. At the same time in France, Germany and England a return to the abandoned ways of implementing Christian life began. The article analyses the inspiring community of Grandchamp to indicate the way tradition in the churches deriving from the Reformation has been discovered and re-read.
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Chang, Han-liang. "Notes towards a semiotics of parasitism." Sign Systems Studies 31, no. 2 (December 31, 2003): 421–39. http://dx.doi.org/10.12697/sss.2003.31.2.06.
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The metaphor of parasites or parasitism has dominated literary critical discourse since the 1970s, prominent examples being Michel Serres in France and J. Hillis Miller in America. In their writings the relationship between text and paratext, literature and criticism, is often likened to that between host and parasite, and can be therefore deconstructed. Their writings, along with those by Derrida, Barthes, and Thom, seem to be suggesting the possibility of a semiotics of parasitism. Unfortunately, none of these writers has drawn enough on the biological foundation of parasitism. Curiously, even in biology, parasitism is already a metaphor through which the signified of an ecological phenomenon involving two organisms is expressed by the signifier of “[eating] food at another’s [side] table”. This paper will make some preliminary remarks on semiotics of parasitism, based on the notions of Umwelt (Jakob von Uexküll) and structural coupling (Maturana and Varela). It will look into the phenomenon of co-evolutionary process in community ecology. With reference to empirical history, the project will briefly survey the literary and medical praxis of the 17th century England where large number of creative writings referred to the phenomenon of parasitism, which was deeply embedded in religious practice (e.g., the Eucharist) and political life (e.g., the courtier ecology in monarchy) of the times. Finally, it will touch upon the possible ‘parasitic’ relationship between language and biology.
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Klimaszewska, Anna. "Ordonanse królewskie we Francji." Czasopismo Prawno-Historyczne 69, no. 2 (October 4, 2018): 47–62. http://dx.doi.org/10.14746/cph.2017.2.3.
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The issue of royal ordinances in France is not a subject avoided by Polish authors, especially in legal history textbooks. However, the information included in these books is fragmentary in its character, and some pieces require verification. In this extensive legislative material one can distinguish specific ordinances (spéciales), which regulate single issues, as well as general ones (générales), which constitute acts pertaining to a wide spectrum of issues, or even detailed codes. The latter, i.e. the ordinances general in their character, can be further divided into two groups. The first of them encompasses the ordinances published between the 14th and the 17th century (I), while the second one includes the so-called Great Ordinances enacted during the reign of Louis XIV and Louis XV (II). The purpose of the following publication is not to perform a detailed characteristic of the ordinances but, first and foremost, to show that although certain significant institutions were regulated by the ordinances from group I in a way which left a permanent mark on the French legal system, the Great Ordinances by Louis XIV and Louis XV, which represent a completely different character from all the previous general ordinances, constituted codes in the strict sense of the word. As a result of that codification work, performed in stages during the reign of two sovereigns, the ancien régime France did not lack generaland unified legal acts, created with an understanding of the creative role of law in modifying the reality, regulating select fields of law in a comprehensive way and binding in the entire territory of the country. The code of civil procedure, the code of criminal procedure, as well as the commercial code and the maritime code, were enacted at the time. Some areas of civil law were also regulated. The only thing which was not elaborated, or evenapproached in those days, was the penal code. Napoleonic codes should be therefore considered as the subsequent chapter of codification activities in France, carried out for the first time by Louis XIV. The popularity of this issue in the Enlightenment literature and the fact that it was a common phenomenon in other European countries is not a sufficient argument to justify applying this term only to those French acts which were enacted in the 19th century and afterwards.
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Classen, Albrecht. "nr="241"A Companion to Medieval Translation, ed. Jeanette Beer. Leeds: Arc Humanities Press, 2019, viii, 200 pp." Mediaevistik 33, no. 1 (January 1, 2020): 241–42. http://dx.doi.org/10.3726/med.2020.01.12.
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Medieval literature, philosophy, medicine, and many other fields cannot be imagined without considering the huge role played by translations. Scholars have worked on this field already for many years, leading among them Jeanette Beer, who here brings together a number of authors who address specific aspects pertinent to translation work mostly in medieval literature. While she herself offers a concise introduction, she rounds off the volume with a study of the work by the anonymous compiler of Li Fet des Romans from the early thirteenth century which represents the earliest extant work of ancient historiography translated into a European medieval vernacular. The translator offers most detailed comments about his motivation and translation strategies, which helps us understand considerably how medieval writers approached their task. But back to the Introduction. Here Beer traces the history of the earliest translations, beginning with the famous Strasbourg Oaths from 842, turning to Eulalia, the Valenciennes Fragment, and Marie de France, among others. Subsequently Beer outlines the major highlights of this collected volume, highlighting that the contributors address vernaculars such as Latin (not really a vernacular), French, Anglo-Norman, Italian, English, Old Norse, German, Arabic, and Hebrew. Indeed, some of the chapters cover those languages, but we do not hear anything about German, Arabic, or Hebrew, apart from some very fleeting references. She correctly notes that the world prior to the printing press was deeply determined by textual mouvance which provided enormous flexibility in the rendering and display of texts in the manuscripts. The Introduction concludes with a bibliography and a bibliographical note about the author. This model is applied throughout the entire volume.
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Berezhnaya, Natalia. "Religious Propaganda or Political Manifest: “Open Letters” of Johann Casimir of Palatinate." ISTORIYA 13, no. 1 (111) (2022): 0. http://dx.doi.org/10.18254/s207987840018679-5.
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In the 16th century the factors of confessional propaganda and “public opinion” become very important for public power. Each princedom, defining the principles of imperial and "foreign" policy, was guided by the confessional motivation of the prince and all structures of territorial power (courts institutions, Landtags, city councils), as well as that part of society that had a consolidated opinion in religious affairs (universities, Landeskirchen). Johann Casimir (1543—1592), the son of the Elector Palatinate Friedrich III and regent for his nephew Friedrich IV, began to form the pro-calvinist confessional-political course of the Palatinate. He organized and led the several expeditions to help the French and Dutch Calvinists. The accession to the throne of the Lutheran Ludwig VI made it impossible for Johann Casimir to use the resources of the Palatinate. However, he organized informational support for his actions in defense of Protestantism. Johann Casimir prepared for publication “Confessio Fidei” of Friedrich III (1577, in German, Latin and French), and three “open letters”: about the military actions of Protestants in France (1576, in German and French), about the reasons for the military expedition to the Netherlands (1578, in German, Latin and Dutch), about the reasons for the military expedition in support of the Elector of Cologne (1583—1584, in German and French). Was only religious propaganda the aim of the prince? Or was Johann Casimir guided not the least by political motives and ambitions? Historiography focused on attempts of the Palatinate electors to unite German Protestants at the turn of the 16th — 17th centuries (Friedrich IV and Friedrich V), however, we can assume that the “plan of action” appeared already in Johann Casimir. His interventions were not successful, but allowed the Palatinate to claim leadership among the German Protestants.
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Quarenta, J., S. Martins, T. Teixeira, and J. P. Ribeiro. "Cocaine bugs: A brief case report of cocaine-induced delusion of parasitosis." European Psychiatry 64, S1 (April 2021): S643. http://dx.doi.org/10.1192/j.eurpsy.2021.1708.
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IntroductionDelusional parasitosis (DP), also know as Ekbom syndrome and in some cases as Morgellons, was first described in the late 17th century in France. It is an obsessive phobic state in which the patient believes that the is infested by parasites. In the hallucinatory state, they frequently remove parts of the skin, identifying them as parasites. The cause of DP is unknown. Evidence supporting the dopamine theory defend that the inhibition of dopamine reuptake (for example cocaine and amphetamines) induce symptoms such as formication.ObjectivesThrough the description of the following clinical case, we emphasize its clinical features and complexities.MethodsReview of DP in light of a clinical caseResultsA 48-year-old woman was brought to the psychiatric emergency due to psychotic symptoms following cocaine use. She had a history of drug abuse. She was apparently asymptomatic until October 2019, when, in the background of vague sensation of something crawling under his skin, she developed a sudden onset belief that she had been infested by insects that crawled under his skin. Previous medical observation found no reason for a skin infection or infestation. Skin examination revealed itch marks and skin excoriations in the abdomen. Mental status examination revealed anxious and depressive affect, delusion of parasitosis, tactile hallucination and impaired insight. Routine hemogram and urinalysis was unremarkable, except for the detection of cocaine.ConclusionsDelusional parasitosis often presents to nonpsychiatric medical professionals. An awareness of such ilness, with an early recognition and timely referral are management cornerstones in order to successfully diagnose and treat patients.DisclosureNo significant relationships.