Relevant bibliographies by topics / Strasbourg (France) – History – 17th century

Academic literature on the topic 'Strasbourg (France) – History – 17th century'

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Published: 10 March 2023

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Journal articles on the topic "Strasbourg (France) – History – 17th century"

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Wilkinson, Greg. "Eating disorder in 17th century France – psychiatry in history." British Journal of Psychiatry 213, no. 4 (September 24, 2018): 594. http://dx.doi.org/10.1192/bjp.2018.162.

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Seifert, L. C. "Hidden Agendas: Cross-Dressing in 17th-Century France." French Studies 62, no. 4 (October 1, 2008): 474–75. http://dx.doi.org/10.1093/fs/knn077.

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Serina, Florent. "From Anti-Freudianism to a Bastion of Psychoanalysis: A History of Psychoanalysis at the University Psychiatric Clinic of Strasbourg in the Twentieth Century." Psychoanalysis and History 24, no. 2 (August 2022): 181–203. http://dx.doi.org/10.3366/pah.2022.0423.

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By contrast with a dominant part of the historiography of psychoanalysis in France, which tends to be dedicated to the history of the centres and the biography of the great theorists, this article focuses on the less well known history of psychoanalysis in a peripheral region, namely Alsace, and its capital, Strasbourg. It zooms in on the main central university hospital service in the mental health care system of northeastern France, the University Psychiatric Clinic of Strasbourg. On the basis of abundant and varied sources, it relates the passions, attractions and aversions that Freudian methods aroused among the major protagonists of Strasbourg psychiatry, especially Théophile Kammerer (1916–2005), the director of the Clinic from 1953 to 1982, and the various actors (physician or non-physician) that have circled the establishment throughout the twentieth century.
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Rescia, Laura. "Joseph Harris, Hidden Agendas: Cross-Dressing in 17th- Century France." Studi Francesi, no. 148 (XLX | I) (April 1, 2006): 147–48. http://dx.doi.org/10.4000/studifrancesi.30176.

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Désy, Pierrette. "A secret sentiment (Devils and gods in 17th century New France)." History and Anthropology 3, no. 1 (March 1987): 83–121. http://dx.doi.org/10.1080/02757206.1987.9960781.

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Jack, Sybil M. "Salons, History, and the Creation of 17th-century France: Mastering Memory (review)." Parergon 23, no. 2 (2006): 121–23. http://dx.doi.org/10.1353/pgn.2007.0009.

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Fagyal, Zsuzsanna. "Phonetics and speaking machines." Historiographia Linguistica 28, no. 3 (December 31, 2001): 289–330. http://dx.doi.org/10.1075/hl.28.3.02fag.

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Summary This paper shows that in the 17th century various attempts were made to build fully automatic speaking devices resembling those exhibited in the late 18th-century in France and Germany. Through the analysis of writings by well-known 17th-century scientists, and a document hitherto unknown in the history of phonetics and speech synthesis, an excerpt from La Science universelle (1667[1641]) of the French writer Charles Sorel (1599–1674), it is argued that engineers and scientists of the Baroque period have to be credited with the first model of multilingual text-to-speech synthesis engines using unlimited vocabulary.
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Butel, Paul, and François Crouzet. "Empire and Economic Growth: the Case of 18th Century France." Revista de Historia Económica / Journal of Iberian and Latin American Economic History 16, no. 1 (March 1998): 177–93. http://dx.doi.org/10.1017/s0212610900007096.

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Among the colonial powers of the early modern period, France was the last to emerge. Although, the French had not abstained from the exploration of fhe New World in the 16th century: G. de Verrazano discovered the site of New York (1524), during a voyage sponsored by King Francis I; Jacques Cartier sailed up the St. Lawrence to Quebec and Montreal (1535). From the early 16th century, many ships from ports such as Dieppe, St. Malo, La Rochelle, went on privateering and or trading expeditions to the Guinea coast, to Brazil, to the Caribbean, to the Spanish Main. Many French boats did fish off Newfoundland. Some traded in furs on the near-by Continent. Moreover, during the 16th century, sporadic attempts were made to establish French settlements in «Equinoctial France» (Brazil), in Florida, in modern Canada, but they failed utterly. Undoubtedly, foreign wars against the Habsburgs, during the first half of the 16th and of the 17th centuries, civil «wars of religion» during the second half of the 16th century, political disorders like the blockade of La Rochelle or the Fronde during the first part of the 17th century, absorbed the attention and resources of French rulers, despite some ambitious projects, like those of Richelieu, for overseas trade. As for the port cities they tried to trade overseas but they were isolated and not strong enough (specially during die wars of religion) to create «colonies». Some small companies, which had been started in 1601 and 1604, to trade with the East Indies, were very short-lived, and the French did not engage seriously in Asian trade before 1664.
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Tindemans, Klaas. "The Politics of the Poetics: Aristotle and Drama Theory in 17th Century France." Foundations of Science 13, no. 3-4 (July 10, 2008): 325–36. http://dx.doi.org/10.1007/s10699-008-9131-1.

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Genieys-Kirk, S. "The Art of Instruction: Essays on Pedagogy and Literature in 17th-Century France." French Studies 64, no. 1 (December 17, 2009): 86. http://dx.doi.org/10.1093/fs/knp205.

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Dissertations / Theses on the topic "Strasbourg (France) – History – 17th century"

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Carrier, Isabelle. "Virtuosité procédurière : pratiques judiciaires à Montpellier au Grand Siècle." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84487.

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The judicial system of seventeenth-century France is often qualified as vitiated and inefficient. Actually, truth and equity are virtually absent from the court. In these conditions, why would one appeal to institutional justice? Montpellier notables use the judicial system to exert pressure on a debtor, to redress the internal familial order, to sidestep customary practices, to take revenge, to cause harm. Indeed, the question of law is rarely something other than a pretext, and it is precisely because it is vitiated that the judicial system can be used in that way. The analysis of the procedural practices and of the judicial system as they are---instead of as they should be---allows us to penetrate the fascinating universe of social, familial and financial practices. Furthermore, the emphasis on the civil procedures reveals an original perspective which goes beyond the points of view of notarial and criminal archives usually preferred by historiography. The petty Montpellier notables studied here are steering a delicate course between customs, laws and procedures. Far from suffering the imperfections of the judicial system, they are adopting them, appropriating and using them as means of meeting their own objectives. The recourse to justice is similar to a game of chess: the judicial system is the chessboard, its defects are the chess pieces and the jousts, always fought inside the same frameworks and with the same weapons, are opposing various opponents displaying different strategies.
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Stone, Mathew, and University of Lethbridge Faculty of Arts and Science. "A comparative analysis of criminal procedure in seventeenth-century France and Puritan Massachusetts." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2000, 2000. http://hdl.handle.net/10133/123.

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Chapter I is a discussion aimed at providing the reader with a basic understanding of the complex system of social classification that was in a place in ancien regime France for centuries. Chapter II outlines the development of a royal system of justice prior to our period and the royal courts, whose form and hierarchy were the result of years of reform. These chapters represent the judical and social extremes that procedure linked. Chapter III is a thorough and complete discussion of the entire possible process in France during our period. This chapter clearly outlines the order of phases that the French courts followed in a typical prosecution and takes into account that these procedures were the result of years of practice and experience. These three chapters are tied together with a review of the major concepts up to that point and presents a transition from France to a series of chapters devoted to understanding the situation in Massachusetts Bay Colongy. Chapter V offers chronological approach to the development of both laws and courts in the colony. Chapter VI consists of discussion of the procedures used in the colonial courts, and attempts to identify the major English and Puritan influences within the colonial process as they arise. Again, these three chapters are tied together with a review of the major conclusions to be derived from the chapters on Massachusetts. This study concludes with Chapter VII, which offers the reader the comparative analysis of the two systems of procedure. This comparative chapter is structured to reflect the three basic functions we ascribed to criminal procedure at the outset of this discussion.
268 leaves ; 28 cm.
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LEMP, RICHARD WARREN. "MOLIERE AND MEDICINE: DISSECTING THE KALEIDOSCOPE (FRANCE)." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/183776.

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The subject of medicine in the works of Moliere has been traditionally treated as a matter of satire. While it is important to consider this view and while biographical approaches relating Moliere's personal illness to the content of his medical comedy are illuminating, this study proposes that a plurality of views offers a more complete picture. Such analysis discovers that Moliere's medical comedy is much more than satire, that it contains elements of black humor and even approaches the theater of cruelty in its treatment of sickness and death. The metaphor in this approach is in the perception of a composite image of this part of Moliere's theater, much like the pattern that a kaleidoscope discloses. As we may sort out the various elements that compose the kaleidoscopic impression--light and shadow, color, form, change of image through manipulation of the instrument--there is a similarity in the division of elements in Moliere's medical theater. Light and shadow correspond to the opposition of fact and fantasy in seventeenth-century French medicine and constitute the historical view of his work; color corresponds to the notion of Galenic humor theory and suggests that the comedy of character may be analyzed according to humoral temperaments; form corresponds to the language Moliere used in his medical plays; the change of image occurs in Moliere with the passage of time--his medical comedy being farcical at the beginning of his career and much darker towards the end of his life. The purpose of this approach is to identify these separate elements in order to better understand their function as an organic whole. For this reason, the notion of organic unity is also treated. In an effort to relate Moliere's theater to the present day, this study compares Moliere's work with Artaud's notion of the nature and function of theater, with the two meanings of semiology--sign theory and symptomatology, and using an archetypal approach, concludes with the suggestion that sexuality, death, and medicine form a hidden mythology in these plays.
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Lorimer, Emma. "Huguenot general assemblies in France, 1579-1622." Thesis, University of Oxford, 2004. http://ora.ox.ac.uk/objects/uuid:2b3b75f0-02bb-4855-9b2b-f29a17ee5c65.

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A large measure of the durability of the Huguenot movement was derived from then- general political assemblies. The assembly held at Montauban in 1579 was the first attended by a deputy north of the Loire; after the final and twenty-second general assembly at La Rochelle in 1622, only localised gatherings were held. This thesis argues that the assemblies were primarily a corps: their principal purpose was both to oversee the implementation of the edicts of pacification and to mobilize resources if peace broke down. Essentially based on the available manuscript sources, many of them unexplored, this thesis approaches the general assemblies as an institution. The first two chapters highlight the process of convocation of the general assemblies and the manner in which political representation (both within the assemblies and to the monarchy) took place. The third chapter principally explores the relationship between the general assemblies and the chambers created for Huguenots in the parlements from 1576. The assemblies supported these chambers as a means of obtaining implementation of the edicts of pacification. In the fourth chapter, the apparently conflicting attitudes of the general assemblies to property and civil rights are addressed. For instance, while the assemblies regulated the taking of lay and ecclesiastical property, revenue from these sources was often reinvested to support ministers, schools and charitable purposes. The fifth and sixth chapters examine the provisions for war made by the general assemblies and their attempts to ensure the adequate financing of Huguenot troops. The assemblies always stated that they acted in self-defence; a primary concern was the need to ensure the protection of local civilian populations. The monarchy allowed the assemblies to organise levies for the repayment of debts owed to mercenary troops and provided for the maintenance of Huguenot garrison troops from royal revenue. This thesis concludes that while the general assemblies worked as a corps, they never received letters of corporation from the monarchy; they remained ad hoc, susceptible to events and to the manipulation of public opinion through wellaimed pamphlet literature.
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Saint-Amour, Pascal. "Market integration : France's grain markets of the sixteenth and seventeenth centuries." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61806.

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Talbott, Siobhan. "An alliance ended? : Franco-Scottish commercial relations, 1560-1713." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1999.

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This thesis explores the commercial links between Scotland and France in the long seventeenth century, with a focus on the Scottish mercantile presence in France’s Atlantic ports, particularly during periods of domestic and international upheaval. This study questions long-held assumptions regarding this relationship, asserting that the ‘Auld Alliance’ continued throughout the period, despite the widely held belief that it ended in 1560. Such assumptions have led scholars largely to ignore the continuing commercial relationship between Scotland and France in the long seventeenth century, focusing instead on the ‘golden age’ of the Auld Alliance or the British relationship with France in the eighteenth century. Such assumptions have been fostered by the methodological approaches used in the study of economic history to date. While I acknowledge the relevance of traditional quantitative approaches to economic history, such as those pioneered by T. C. Smout and which continue to be followed by historians such as Philipp Rössner, I follow alternative methods that have been recently employed by scholars such as Henriette de Bruyn Kops, Sheryllynne Haggerty, Xavier Lamikiz, Allan Macinnes and Steve Murdoch. These scholars have pioneered methodologies that prioritise private sources, allowing us to delve into the motivations and actions of the individuals who actually effected trade, be they merchants, factors, skippers or manufacturers. The core of my research has therefore entailed the discovery and use of previously untapped archival material including account books, letter books and correspondence, which illuminate the participation of these individuals in international trade. Such a study, while filling a specific gap in our understanding of Scotland’s overseas relations, applies a more social methodology to this topic, suggesting that scholars’ approaches need to be fundamentally altered if we are truly to understand the whole picture of Scotland’s, or indeed any nation’s, commercial relationships or wider economic position.
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Vendrix, Philippe Pierre 1964. "Quelques aspects de l'historiographie musicale en France a l'epoque baroque (French text)." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276706.

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L'historiographie musicale trouve dans la France de l'epoque baroque un champ ideal de developpement. Ce phenomene est lie a la conjonction de differents facteurs: le modele fourni par l'histoire generale, l'heritage humaniste, les mouvements polemiques, les tentatives de refonte de l'histoire de l'Eglise. Les musicographes, de Salomon de Caus (1615) a Jacques Bonnet-Bourdelot (1715), etablissent les fondements d'une critique historique et l'appliquent dans des ouvrages qui annoncent l'expansion de la musicologie a l'age des Lumieres.
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Monette, Isabelle. "Récritures de récits criminels en France sous l'Ancien Régime." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79966.

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Three original stories are the basis for our study of rewriting during the French Ancien Regime: the story of Thibaud de la Jacquiere, that of the "sorcier Gaufridy" and that of the Marquise de Ganges, which Sade will rewrite as a novel. Having all originated from a "canard", they appear in the 1679 edition of the Histoires tragiques of Francois de Rosset, and two of them can also be found in Francois Gayot de Pitaval's Causes celebres. Each of these stories was rewritten by different authors at least three times. Using Gerard Genette's theory of the narrative, we will analyse the processes of transformation that the rewriting operates in the text, as well as the changes it imposes to its original meaning. The number of rewritings of each text---up to five for the Marquise de Gange---is a testament to the importance of textual reappropriation as much as it shows the relevance of a study which brings to light the role of rewriting in the survival of these stories.
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Stokes, Thomas Hubert Jr. "Audience, intention, and rhetoric in Pascal and Simone Weil." Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/185120.

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This dissertation examines audience, intention, and rhetoric in the writings of Blaise Pascal and Simone Weil. Despite the differences in historical period, ethnic heritage, sex, and milieux, which separate them, these two writers are astonishingly similar with regard to those for whom they wrote--audience--the subject matter of their writings--intention--and their skilled and self-conscious use of language in addressing their audiences and themes--rhetoric. Each of them wrote scientific or philosophical works, and polemical works, intended for a certain public; each of them then wrote, in the final years of their short lives, long notebook or journal entries, a record of spiritual experience which has since been edifying to others besides themselves. The guiding principle here is the function of language. This means how it works (rhetoric), but also, for what purpose (intention) and for whom (audience). We find many metaphors of function in Pascal and Simone Weil. The motivating concern of this dissertation is how Pascal and Simone Weil articulate, through language, God's response to man's yearnings toward God.
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Parker, Mark M. (Mark Mason). "Transposition and the Transposed Modes in Late-Baroque France." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc331880/.

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The purpose of the study is the investigation of the topics of transposition and the transposed major and minor modes as discussed principally by selected French authors of the final twenty years of the seventeenth century and the first three decades of the eighteenth. The sources are relatively varied and include manuals for singers and instrumentalists, dictionaries, independent essays, and tracts which were published in scholarly journals; special emphasis is placed on the observation and attempted explanation of both irregular signatures and the signatures of the minor modes. The paper concerns the following areas: definitions and related concepts, methods for singers and Instrumentalists, and signatures for the tones which were identified by the authors. The topics are interdependent, for the signatures both effected transposition and indicated written-out transpositions. The late Baroque was characterized by much diversity with regard to definitions of the natural and transposed modes. At the close of the seventeenth century, two concurrent and yet diverse notions were in evidence: the most widespread associated "natural" with inclusion within the gamme; that is, the criterion for naturalness was total diatonic pitch content, as specified by the signature. When the scale was reduced from two columns to a single one, its total pitch content was diminished, and consequently the number of the natural modes found within the gamme was reduced. An apparently less popular view narrowed the focus of "natural tone" to a single diatonic pitch, the final of the tone or mode. A number of factors contributed to the disappearance of the long-held distinction between natural and transposed tones: the linking of the notion of "transposed" with the temperament, the establishment of two types of signatures for the minor tones (for tones with sharps and flats, respectively), the transition from a two-column scale to a single-column one, and the recognition of a unified system of major and minor keys.
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Books on the topic "Strasbourg (France) – History – 17th century"

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Print, power, and people in 17th-century France. Metuchen, N.J: Scarecrow Press, 1993.

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Martin, Henri-Jean. Print, power and people in 17th-century France. Metuchen, N.J: Scarecrow Press, 1993.

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Ledbetter, David. Harpsichord and lute music in 17th-century France. London: Macmillan, 1987.

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Ledbetter, David. Harpsichord and lute music in 17th-century France. Bloomington: Indiana University Press, 1987.

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Harris, Joseph. Hidden agendas: Cross-dressing in 17th-century France. Tübingen: Narr, 2005.

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Church mother: The writings of a Protestant reformer in sixteenth-century Germany. Chicago: University of Chicago Press, 2006.

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Stone, Harriet. The classical model: Literature and knowledge in seventeenth-century France. Ithaca: Cornell University Press, 1996.

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Taste and ideology in seventeenth-century France. Cambridge [England]: Cambridge University Press, 1988.

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Stephen, Bird. Reinventing Voltaire: The politics of commemoration in nineteenth-century France. Oxford: Voltaire Foundation, 2000.

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Mirrors of infinity: The French formal garden and 17th-century metaphysics. New York: Princeton Architectural Press, 1995.

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Book chapters on the topic "Strasbourg (France) – History – 17th century"

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Kibbee, Douglas A. "Dictionaries and Usage in 17th-Century France." In History of Linguistics 1993, 167. Amsterdam: John Benjamins Publishing Company, 1995. http://dx.doi.org/10.1075/sihols.78.23kib.

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Campbell, Gordon. "5. France." In Garden History: A Very Short Introduction, 63–74. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199689873.003.0005.

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‘France’ explains how in early French estates the house and garden were usually designed independently. Distinctive features of 16th-century French gardens were the presence of a canal and plantings arranged in the flat ornamental flower gardens known as parterres. The apogee of French garden art is the 17th-century formal garden known as the jardin à la française, characterized by geometry. The greatest and most influential exponent was André Le Nôtre, who was responsible for the gardens at Versailles. The principal innovations of the 18th century were the jardin anglo-chinois, the ferme ornée, the fabrique, and the jardin anglais. French garden design in the 19th and 20th centuries is also discussed.
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"Bankruptcy, fresh start and debt renegotiation in England and France (17th to 18th century)." In The History of Bankruptcy, 229–41. Routledge, 2013. http://dx.doi.org/10.4324/9780203066836-22.

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"5. Literary Commemoration and the Uses of History: The Gutenberg Festival in Strasbourg, 1840." In Reading Culture & Writing Practices in Nineteenth-Century France. Toronto: University of Toronto Press, 2008. http://dx.doi.org/10.3138/9781442688940-008.

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Staf, Irina K. "The Formation of Meta-Language in French Literature in the 16th Century: from Poetical Treatises to “Libraries”." In “The History of Literature”: Non-scientific sources of a scientific genre, 93–131. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-93-131.

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“The article deals with the changes which the concept of literature underwent in 16th century France. The late medieval concept of poetry as fabula, allegorical fiction, is replaced in the middle of the century (by T. Sébillet, J. Peletier du Mans, Ronsard) by the Platonic idea of an innate divine gift. The idea of poetry-philosophy describing all possible phenomena of the universe henceforth serves as a prerequisite for the creation of works perfect from a formal point of view. The idea of the relation between poetry and rhetoric as well as the models to be imitated by the poet changes. Lists of canonical authors turn into a poetic topos as early as the late Middle Ages, but under the influence of Pleiades’ theories there is an increased interest in the figure of the “great author”, a symbol of national language and poetry, whose emergence means the achievement of the national culture of the Golden Age. Lists, however, are transformed at the end of the century into the first attempts to describe the totality of French literature (Lacroix du Maine and A. Duverdier’s “Libraries of France”) and its history (a work on ancient poets by C. Fauchet and Book VII of E. Pasquier’s “Inquiries into France”). In the Renaissance disputes and polemics becomes more visible the outlines of both the literary canon, which was embodied in the 17th century, and the historical approach to literature.
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Hope, Charles. "Francis James Herbert Haskell 1928–2000." In Proceedings of the British Academy, Volume 115 Biographical Memoirs of Fellows, I. British Academy, 2003. http://dx.doi.org/10.5871/bacad/9780197262788.003.0011.

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Publication of Patrons and Painters (1963), which dealt with art in 17th-century Rome and 18th-century Venice, established Francis Haskell as one of the leading art historians of his generation. He held posts at King's College Cambridge and was then appointed Professor of the History of Art at Oxford University with a Fellowship at Trinity College. Haskell turned to studying French painting of the 19th century. Rediscoveries in Art: Some Aspects of Taste, Fashion and Collecting in England and France (1976) won the Mitchell Prize for Art History. Haskell was elected a Fellow of the British Academy in 1971. Obituary by Charles Hope.
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Golubkov, Andrey V. "Hesiod’s dream: the History of World Literature in the Novel of French Précieuse (“Clélie, l’histoire romaine” by Madeleine de Scudéry)." In “The History of Literature”: Non-scientific sources of a scientific genre, 705–52. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-705-752.

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The research focuses on the annotated translation into Russian language of the Hesiod’s Dream, large fragment from the 2nd book of the 8th volume of the novel “Clélie, l’histoire romaine” of the French writer of the middle of the 17th century Madeleine de Scudéry, which is a consistent narration about the world history of the literature in Ancient Greece, Ancient Rome, Renaissance Italy, as well as in France from the late Middle Ages up to the 1650’s. The introductory article analyzes the metatextual nature of the narrative (it is presented as the reading of a manuscript by the heroes of the novel, which tells about Hesiod, to whom the muse of poetry Calliope tells the future development of literature), as well as the context of the creation of an episode that reflected the influence of ancient and renaissance poetics and rhetoric. In the course of the research, it is demonstrated that Scudéry builds the logic of the evolution of Western literature in the context of the idea of “progress”: the ancient and Renaissance Italian tradition appears as a stage that prepared the flowering of gallant poetry in France; such an understanding of the logic of the development of Western literature, leading to an emphasis on the role of women and focusing on light love poetry (Catullus, Petrarca) to the detriment of the philosophical tradition (Dante) is the result of the cultural policy of Superintendent Nicolas Fouquet, who was considered by a significant part of the French elites as a new “Patron of the Arts”.
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