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Books on the topic 'Strange stars'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Brock, Randall. Stranger to the stars. Anchorage, Alaska: Calliopes Corner, 1986.

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2

Slavens, Kerry. Stranger under the stars: Poems. Victoria, B.C: Published for the Hawthorne Society by Reference West, 1992.

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3

Cohen, Daniel. Strange & amazing facts about Star Trek. New York: Pocket Books, 1986.

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4

Wesley, Smith Dean, Ordover John J, and Block Paula M, eds. Strange New Worlds VI: Star Trek. New York: Pocket Books, 2003.

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5

Wesley, Smith Dean, Ordover John J, and Block Paula M, eds. Strange New Worlds III: Star Trek. New York: Pocket Books, 2000.

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6

Wesley, Smith Dean, Ordover John J, and Block Paula M, eds. Strange New Worlds IV: Star Trek. New York: Pocket, 2001.

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7

Wesley, Smith Dean, Ordover John J, and Block Paula M, eds. Strange New Worlds V: Star Trek. New York: Pocket Books, 2002.

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8

Wesley, Smith Dean, Ordover John J, Kassin Elisa J, and Block Paula M, eds. Strange New Worlds VII: Star Trek. New York: Pocket Books, 2004.

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9

Talis, Aurora. Strange Stars. Independently Published, 2020.

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10

United States. National Aeronautics and Space Administration., ed. Converting neutron stars into strange stars. [Batavia, Ill.?]: Fermi National Accelerator Laboratory, 1991.

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11

Star Trek: Four generations of stars, stories, and strange new worlds. Radnor, PA: News America Publications, 1995.

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12

M, Price Robert. Strange Stars & Alien Shadows: The Dark Fiction of Ann K. Schwader. Lindisfarne Books, 2003.

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13

Press, TL;DR, Callum Colback, Alex Hareland, David G. Clark, and Joe Butler. Beneath Strange Stars: A Science-Fiction, Fantasy, and Speculative Fiction Anthology. Independently published, 2019.

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14

Harris, Emma. Fairy and the Vampires Journey to Four stars Strange Beginnings Book 1. Lulu Press, Inc., 2009.

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15

Strange stars: David Bowie, pop music, and the decade sci-fi exploded. 2018.

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16

Heller, Jason. Strange Stars: David Bowie, Pop Music, and the Decade Sci-Fi Exploded. Melville House Publishing, 2019.

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17

Bad Trip: Dark Stars, Blown Minds and the Strange End of the Sixties. Icon Books, Limited, 2019.

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18

Kingfisher, Editors of. Fast Facts : Amazing Universe: Take a trip to strange planets and faraway stars. Kingfisher, 2016.

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19

Seikai: Crest of the Stars Volume 3: Return to a Strange World (Seikai). TokyoPop, 2007.

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20

Stranger Stars. Tracy Cooper-Posey, 2021.

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21

Smith, Malcolm. Stranger from the Stars. Independently Published, 2019.

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22

Hoffmann, George. Becoming Religious Foreigners. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808763.003.0003.

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French reformers shared language, culture, and tradition with their unreformed neighbors. To distinguish themselves, they began by caricaturing Roman rites as foreign: imported from Italy, they proved arcane, superstitious, and pagan. In an era of overlapping jurisdictions when “foreign” did not possess the clear cut it does today, reformers fashioned a stark sense of “outsider” culture through reworking the terms of barbarian, savage, stranger, and exotic. The fantastic voyage device coordinated all these elements, but it also worked to make the reformer ultimately a stranger in a strange land. Reformers’ own sense of themselves as foreigners in France deepened their investment in the Pauline imperative to be “in the world but not of it,” thus creating a lushly imaginative experience of spiritual alienation.

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23

Cohen, Morris L. STRANGE AND AMAZING FACTS ABOUT STAR TREK: STRANGE AND AMAZING FACTS ABOUT STAR TREK. Simon Spotlight Entertainment, 1990.

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24

Smith, Dean Wesley. Strange New Worlds II. Star Trek, 2000.

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25

Strange & Amazing Facts About Star Trek. Simon Spotlight Entertainment, 1988.

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26

Smith, Dean Wesley. Strange New Worlds, Vol. 2. Star Trek, 1999.

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27

Strange and amazing facts about "Star Trek". Archway, 1994.

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28

Cohen, Daniel. Strange and Amazing Facts About Star Trek. Pocket Books, 1986.

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29

Erdmann, Terry J., Paula M. Block, and Topps Company Staff. Strange New Worlds II: Star Trek. Abrams, Inc., 2013.

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30

Lohman, John. Cross-Stitch: Explore Strange New Worlds of Crafting. Simon & Schuster, Limited, 2013.

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31

Smith, Dean Wesley. Strange New Worlds, Vol. 5. Star Trek, 2002.

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32

Smith, Dean Wesley. Strange New Worlds I: Star Trek. Pocket, 1998.

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33

author, Galden-Stone Sandford, and Hugo Simon editor, eds. The Star trek book: Strange new worlds boldly explained. 2016.

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34

Stranger on the Stairs: And Other Scary Tales. Capstone, 2015.

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35

Dahl, Michael, and Xavier Bonet. Stranger on the Stairs: And Other Scary Tales. Capstone, 2015.

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36

Dahl, Michael, and Xavier Bonet. Stranger on the Stairs: And Other Scary Tales. Capstone, 2016.

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37

Smith, Dean Wesley, John J. Ordover, Paula M. Block, and Elisa J. Kassin. Star Trek: Strange New Worlds VII. Star Trek, 2004.

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38

(Editor), Dean Wesley Smith, Elisa J. Kassin (Editor), and Paula M. Block (Editor), eds. Strange New Worlds 9: Star Trek. Star Trek, 2006.

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39

Lost Years: The five year mission is over. Strange new times lie ahead... London, england: Pan books ltd, 1990.

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40

Governo, Edgar, Brian Seidman, Aimee Ford Foster, and Jim Johnson. Strange New Worlds 10: Star Trek. Pocket Books, 2007.

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41

Dk Publishing. Star Trek Book: Strange New Worlds Boldly Explained. Kindersley Ltd., Dorling, 2016.

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42

Brenda Starr Reporter Book 1 The Strange Case of The Beastly Twins (Comic-Strip Preserves). Blackthorne, 1986.

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43

Allsop, Cheryl. The Reliance on Science. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198747451.003.0008.

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This chapter is concerned with the place of forensic science in cold case reviews and the differences in its positioning when comparing cold case murders and cold case stranger rape reviews. It will be suggested in this chapter that there is a reliance on science in cold case reviews but this reliance is not without issue. However, it is a good place to start an investigation, especially in sexually motivated offences, when it can identify a previously unknown offender, link crimes, or open new investigative lines of enquiry to implicate or eliminate offenders. The issues inherent with relying on forensic science in cold case reviews will also be made clear.

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44

Rosenmeyer, Patricia A. Modern Memnon. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190626310.003.0006.

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Chapter 6 starts with the accidental silencing of the statue in the early third century CE, and jumps ahead to its rediscovery in Europe. In the mid-eighteenth century, travelers reported seeing a huge statue with poems etched on its surface. Later, Napoleon’s surveyors brought back drawings scribbled down in their free time. The nineteenth century saw a craze for all things Egyptian: Hegel mentioned the colossus; Keats and Wordsworth turned Memnon into a Romantic hero. Memnon functioned as an alter ego for the poet himself, broken in body yet still striving to sing in the harsh environment of the real world. Just as he had in the imperial period, Memnon also represented something strange and inexplicable. The striking voice of Shelley’s “Ozymandias” is also heard only in the context of fragmentation and decay. The status of these statues as fragments, as colossal wrecks, allows for the magic of the voice.

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45

Hough, Stephen. Reflection. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199351411.003.0023.

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Musicians are always talking about ‘shape’ in reference to phrasing, but mostly I think they merely mean that something has shape rather than being ‘shapeless’—always a derogatory term. Shape in this sense means direction, a start and a finish with something pleasing in the middle. Seldom are the visual patterns of a draughtsman or an artist relevant to a musician. Nevertheless, only today I was doing an interview and trying to describe to the journalist a CD I recently recorded of music by Scriabin and Janáček. Strange bedfellows, it would seem, despite some parallels in their Slavic origins and their eccentric visions. But what makes them so different from each other (and therefore fascinating in juxtaposition) is actually related to shape. Scriabin is all seductive curves (across the phrases and up through the exotic harmonies), whereas Janáček is angular and fragmented, motives repeated and insisted on like an army of elbows. Perfumed ...

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46

Pricope, Mihaela. Start LR. Manual de limba romana pentru cetatenii straini. Editura Universitara, 2020. http://dx.doi.org/10.5682/9786062811471.

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Manualul START LR se adreseaza cetatenilor straini care studiaza limba romana si este conceput pentru nivelul A1 conform Cadrului European Comun de Referinta pentru Limbi Straine. Cartea contine 10 unitati tematice care ajuta la fixarea cunostintelor de baza de gramatica cat si la insusirea unui vocabular util in situatii reale de viata cum ar fi: la secretariat, in taxi, la doctor, la cumparaturi, etc. Manualul de fata vizeaza dobandirea competentelor de comunicare orala si scrisa in contexte variate si contine texte scrise si audio pentru practicarea intelegerii unui fragment. El poate fi utilizat de catre profesorii de limba romana ca limba straina sau pentru studiu individual.

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47

van Prooijen, Jan-Willem. Punishment and Cooperation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190609979.003.0005.

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One of the core assumptions of the proposition that moral punishment is an instinct is that punishment stimulates cooperation among group members. This chapter starts with supernatural punishment, illuminating that whereas belief in heaven has no effect on national crime rates, belief in hell reduces crime rates. Also, in economic games, the possibility to punish increases the cooperation that people display. These effects emerge because punishment increases deterrence, communicates moral norms, and instills trust. The chapter then notes that punishment has facilitated cooperation among strangers as people started forming large states, and that people become more punitive in situations that required unconditional cooperation and self-sacrifice for the group (i.e., war). These findings suggest that punishment indeed stimulates cooperation in social groups.

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48

Telotte, J. P. Disney Noir. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038594.003.0006.

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This chapter examines the impact of noir aesthetic in the work of the Walt Disney Studio, which produced some of the most pointedly noir-styled cartoons of the period. The most notable of these cartoons is a series of Donald Duck films: Donald's Crime (1945), Duck Pimples (1945), and The Trial of Donald Duck (1948). These cartoons show how deeply a noir aesthetic had penetrated American culture, for they repeatedly plunge Disney's top star of the period not into the world of oversaturated colors that Disney had pioneered in American animation, or musical-style narratives in which the studio had lately starred him, but into a consistently dark, strangely composed, and highly subjective realm.

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49

Tiberius, Valerie. Assessing Well-Being. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198809494.003.0004.

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This chapter returns to the practical question of how to help friends attain greater well-being. It starts with a summary of the questions we can ask to ascertain how a friend is doing, and then proceeds to consider some obstacles to helping. There are many challenges to helping well: we don’t know enough, we aren’t skilled enough, our friends aren’t open to the kind of help we can provide, or our friend’s values conflict with our own. Acknowledging these challenges allows us to identify guidance about how to be a more helpful friend, including the norms for when it is permissible to discount your friend’s value in case of value conflict. The end of the chapter turns to the question of how the value fulfillment theory can be applied beyond friendship to strangers, children, and animals.

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50

Boogaart, Ronny, and Egbert Fortuin. Modality and Mood in Cognitive Linguistics and Construction Grammars. Edited by Jan Nuyts and Johan Van Der Auwera. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199591435.013.23.

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From the start of cognitive linguistics, in the 1980s, researchers working within this framework have given ample attention to mood and modality. This is understandable since these categories crucially involve speaker attitude and perspective and cognitive linguistics has always concerned itself with the ways in which language users present a subjective construal of reality. This chapter provides a comprehensive overview of how mood and modality are analyzed within different strands of cognitive linguistics, ranging from the models of force dynamics and Mental Spaces to Cognitive Grammar. Specific topics discussed include the polysemy of modal verbs, the analysis of tense as modality, and the highly detailed account of modal verbs offered by Langacker in terms of “grounding” and “subjectivity”. The emerging framework of construction grammar focuses on the linguistic contexts, that is constructions, in which modal forms are used, regarding these as constraints on polysemy.

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