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Relevant bibliographies by topics / Storytelling – Canada / Books

Books on the topic 'Storytelling – Canada'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

McCall, Sophie. First person plural: Aboriginal storytelling and the ethics of collaborative authorship. Vancouver: UBC Press, 2011.

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2

R, Dion Michael, ed. Braiding histories: Learning from Aboriginal peoples' experiences and perspectives : including the Braiding histories stories co-written with Michael R. Dion. Vancouver: UBC Press, 2009.

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3

Dan, Yashinsky, ed. Next teller: A book of Canadian storytelling. Charlottetown, P.E.I., Canada: Ragweed, 1994.

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4

Centre, Canadian Literature, ed. The Sasquatch at home: Traditional protocols & modern storytelling. Edmonton: University of Alberta Press, 2011.

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5

Kiviuq: An Inuit hero and his Siberian cousins. Montreal: McGill-Queen's University Press, 2009.

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6

Duncan, Dave. The hunters' haunt. New York: Ballantine Books, 1995.

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7

Life lived like a story: Life stories of three Yukon native elders. Vancouver, B.C: University of British Columbia Press, 1991.

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8

Cruikshank, Julie. Life lived like a story: Life stories of three Yukon native elders. Lincoln: University of Nebraska Press, 1990.

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9

Cruikshank, Julie. Life lived like a story: Life stories of three Yukon native elders. Lincoln: University of Nebraska Press, 1990.

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10

The testimonial uncanny: Indigenous storytelling, knowledge, and reparative practices. Albany: SUNY Press, 2014.

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11

Indigenous storywork: Educating the heart, mind, body, and spirit. Vancouver: UBC Press, 2008.

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12

Falconer, Shelley. Stones, bones and stitches: Storytelling through Inuit art. Toronto: Tundra Books, 2007.

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13

Montgomery, L. M. Days of dreams and laughter: The story girl and other tales. New York: Avenel Books, 1990.

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14

Montgomery, L. M. Anne of the island and tales of Avonlea. New York: Avenel Books, 1990.

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15

Research is ceremony: Indigenous research methods. Black Point, N.S: Fernwood Pub., 2008.

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16

Montgomery, L. M. The story girl. London: Bantam, 1990.

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17

Shuo gu shi di nü hai. Taibei Shi: Ke zhu shu fang, 1992.

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18

Grinsted, Keith. Storytelling: How to Put the Story of Your Businness into Works. Business Expert Press, 2017.

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19

Lester, James, Elisabeth André, David Thue, Mei Si, and Joshua Tanenbaum. Interactive Storytelling: 4th International Conference on Interactive Digital Storytelling, ICIDS 2011, Vancouver, Canada, November 28-1 December, 2011, Proceedings. Springer London, Limited, 2011.

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20

McCall, Sophie. First Person Plural: Aboriginal Storytelling and the Ethics of Collaborative Authorship. University of British Columbia Press, 2012.

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21

Stories Find You, Places Know: Yup'ik Narratives of a Sentient World. University of Utah Press, 2017.

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22

Cusack-McVeigh, Holly. Stories Find You, Places Know: Yup'ik Narratives of a Sentient World. University of Utah Press, 2017.

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23

Borrows, Lindsay Keegitah. Otter's Journey Through Indigenous Language and Law. University of British Columbia Press, 2018.

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24

Otter's Journey through Indigenous Language and Law. UBC Press, 2018.

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25

Violence Against Indigenous Women: Literature, Activism, Resistance. Wilfrid Laurier University Press, 2017.

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26

Hargreaves, Allison. Violence Against Indigenous Women: Literature, Activism, Resistance. Wilfrid Laurier University Press, 2017.

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27

Hargreaves, Allison. Violence Against Indigenous Women: Literature, Activism, Resistance. Wilfrid Laurier University Press, 2017.

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28

Audrey, Fofonoff, and Northern Lakes College. Stony Point Campus., eds. Âcimowina: Storytelling. Edmonton: Voices Rising/Learning at the Centre Press, 2000.

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29

Casting Back: Sixty Years of Writing and Fishing. Greystone Books Ltd., 2016.

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30

The Story Girl: A novel by L. M. Montgomery narrating the adventures of a group of young cousins and their friends in a rural community on Prince Edward Island, Canada. Les Prairies Numeriques, 2020.

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31

Canada's Best Features: Critical Essays on 15 Canadian Films (Cross/Cultures). Editions Rodopi B.V., 2002.

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32

Walz, Eugene P. Canada's Best Features: Critical Essays on 15 Canadian Films (Cross/Cultures). Editions Rodopi B.V., 2002.

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33

Mitêwâcimowina: Indigenous Science Fiction and Speculative Storytelling. Theytus Books, Limited, 2016.

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34

Murphy, Clifford R. Country Music as Cultural Practice. Edited by Travis D. Stimeling. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190248178.013.14.

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This chapter argues that country music should be examined first and foremost as social practice—as a driver of community expression and social capital through music, words, and dance. While country music functions in a multitude of ways, from narrative storytelling to commercial product and points in between, the commercial sphere of country music has been exhaustively examined. Scholarly inquiry into country music, rooted in the folk revival of the mid-twentieth century and significantly influenced by collectors (and collections) of commercial country music, has maintained a southern, commercial focus for much of the past half-century. As such, scholarly and popular understanding of what, where, and who country music springs from has ignored significant regional vernacular forms and uses of country music. Ethnographic inquiry has made it possible to tell the story country music culture and traditions. Murphy illustrates his argument with examples from New England, the Mid-Atlantic, and Atlantic Canada.

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35

Tales for an unknown city: Stories from one thousand and one friday nights of storytelling. Montreal: McGill-Queenʼs University Press, 1990.

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36

1928-, Aubrey Irene E., McDiarmid Louise, and Canadian Library Association, eds. Share a tale: Canadian stories to tell to children & young adults. Ottawa: Canadian Library Association, 1995.

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37

The Hunters' Haunt. ereads.com, 2004.

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38

Yashinsky, Dan. Tales for an Unknown City. McGill-Queen's University Press, 1990.

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39

Yashinsky, Dan. Tales for an Unknown City: Stories from 1001 Friday Nights of Storytelling. McGill-Queen's University Press, 1990.

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40

Lambert, Lori. Research for Indigenous Survival: Indigenous Research Methodologies in the Behavioral Sciences. University of Nebraska Press, 2014.

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41

Life Lived Like a Story: Life Stories of Three Yukon Native Elders (American Indian Lives). University of Nebraska Press, 1992.

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42

Cruikshank, Julie. Life Lived Like a Story: Life Stories of Three Yukon Native Elders (American Indian Lives). University of Nebraska Press, 1991.

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43

Archibald, Jo-Ann. Indigenous Storywork: Educating the Heart, Mind, Body, and Spirit. University of British Columbia Press, 2008.

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44

Selby, Sharon. Memory and Identity in Canadian Fiction: Self-Inventive Storytelling in the Works of Five Authors. McFarland & Company, Incorporated Publishers, 2018.

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45

Falconer, Shelley, and Shawna White. Stones, Bones and Stitches: Storytelling through Inuit Art. Tundra Books, 2007.

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46

Tales for an Unknown City: Stories from One Thousand and One Friday Nights of Storytelling. McGill-Queen's University Press, 1992.

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47

Melvin, David Skene. Crime Where the Nights are Long: Canadian Stories of Crime and Adventure from the Golden Age of Storytelling. Simon & Pierre, 1999.

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48

1936-, Skene Melvin David, ed. Crime where the nights are long: Canadian stories of crime, adventure, and terror from the golden age of storytelling. Toronto: Simon & Pierre, 1999.

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49

Skene-Melvin, David. Crime Where the Nights Are Long: Canadian Stories of Crime and Adventure from the Golden Age of Storytelling. Dundurn Press, 1998.

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50

Skene-Melvin, David. Crime Where the Nights Are Long: Canadian Stories of Crime and Adventure from the Golden Age of Storytelling. Dundurn Press, 1998.

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