Dissertations / Theses on the topic 'STORIA DI MILANO'
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SALTAMACCHIA, MARTINA. "Marco Carelli: il mercante di Milano." Doctoral thesis, Università Bocconi, 2011. https://hdl.handle.net/11565/4054082.
Full textGeronimo, Giuliana <1979>. "Milano ospitale 1827-1914. Storia e storie di un secolo degli alberghi milanesi con cartografia storica e nuove tecnologie Web-GIS." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/1146/1/Tesi_Geronimo_Giuliana.pdf.
Full textGeronimo, Giuliana <1979>. "Milano ospitale 1827-1914. Storia e storie di un secolo degli alberghi milanesi con cartografia storica e nuove tecnologie Web-GIS." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/1146/.
Full textTIEGHI, SAMUELE. "LE CORTI MARZIALI DI SALO'. IL TRIBUNALE MILITARE REGIONALE DI GUERRA DI MILANO (1943-1945)." Doctoral thesis, Università degli Studi di Milano, 2014. http://hdl.handle.net/2434/232577.
Full textSartori, Giovanni <1989>. "L’armeria del Museo Poldi Pezzoli di Milano: Storia conservativa e studio diagnostico." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6634.
Full textPigliafreddo, Ilaria <1986>. "Il design scandinavo alle Triennali di Milano negli anni Cinquanta." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2964.
Full textPellegrini, Michele. "L'ordo maior della Chiesa di Milano (1166-1230)." Doctoral thesis, Università degli studi di Padova, 2008. http://hdl.handle.net/11577/3425157.
Full textBordini, Marco <1996>. "Una sfida da vincere. L’impatto economico delle Olimpiadi di Milano-Cortina 2026." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17508.
Full textCAIRATI, CARLO. "I DA CORBETTA: UNA BOTTEGA DI INTAGLIATORI NELLA MILANO DEL CINQUECENTO." Doctoral thesis, Università degli Studi di Milano, 2014. http://hdl.handle.net/2434/233399.
Full textZanzottera, Ferdinando <1969>. "L’edilizia residenziale popolare pubblica di Milano nei primi tre decenni del XX secolo." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/3896/1/zanzottera_ferdinando_tesi.pdf.
Full textZanzottera, Ferdinando <1969>. "L’edilizia residenziale popolare pubblica di Milano nei primi tre decenni del XX secolo." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/3896/.
Full textMODESTI, PAOLA. "La tribuna di Santa Maria della Passione a Milano, 1485-1555 : architettura e storia." Doctoral thesis, Università IUAV di Venezia, 1998. http://hdl.handle.net/11578/278422.
Full textZANINETTA, PAOLO. "Milano, 1262 - 1322: Due segni di un potere nuovo." Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/522.
Full textThe frescoes in the "hall of justice" of the Rocca in Angera and the symbol of the "viper" are the main relics of the propaganda promoted by Ottone, Matteo and Azzo Visconti at the beginning of their seigneurship over Milan.
ZANINETTA, PAOLO. "Milano, 1262 - 1322: Due segni di un potere nuovo." Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/522.
Full textThe frescoes in the "hall of justice" of the Rocca in Angera and the symbol of the "viper" are the main relics of the propaganda promoted by Ottone, Matteo and Azzo Visconti at the beginning of their seigneurship over Milan.
Barbieri, Karen <1992>. "L'attività espositiva della Fondazione HangarBicocca di Milano: installazioni immersive e ricezione del pubblico." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14657.
Full textMISIANO, FRANCESCA. "«LA CITTÀ PIÙ CITTÀ D'ITALIA» VERSO L'EUROPA. L'ESPOSIZIONE INTERNAZIONALE DI MILANO DEL 1906." Doctoral thesis, Università degli Studi di Milano, 2014. http://hdl.handle.net/2434/232582.
Full textBERETTA, MANUELA. "IL MOSAICO ABSIDALE DELLA BASILICA DI SANT'AMBROGIO IN MILANO. STORIA DEI RESTAURI E NUOVE IPOTESI INTERPRETATIVE." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/18748.
Full textThe mosaic that still stands in the apse of the basilica of Sant’Ambrogio in Milan one of the most important works of the city and at the same time more difficult to reconstruct into a correct historical and artistic interpretation. The fragmentary nature of published sources and especially the complex layers of the mosaic, have made indispensable a philological approach to the work. Therefore, a critical and systematic collection of all data and existing sources has been made: first medieval testimony, scholarly literature, pastoral visits, historic tourist guides, iconographic and archival documents, restoration reports. Creating a sort of reasoned atlas of the mosaic and its conservation history appeared immediately as a vital purpose for a scientific approach, and also a valuable tool, currently lacking, of prime importance for future researches. The considerable collected data, often unpublished, have allowed an accurate reading of the mosaic, identifying the ancient parts and those affected by successive restorations. The resulting data, mainly of a technical nature, have been key to revise the past attributive hypotheses and to set a new discussion on the organization of active ateliers in the site and on the stylistic and iconographic issues.
BERETTA, MANUELA. "IL MOSAICO ABSIDALE DELLA BASILICA DI SANT'AMBROGIO IN MILANO. STORIA DEI RESTAURI E NUOVE IPOTESI INTERPRETATIVE." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/18748.
Full textThe mosaic that still stands in the apse of the basilica of Sant’Ambrogio in Milan one of the most important works of the city and at the same time more difficult to reconstruct into a correct historical and artistic interpretation. The fragmentary nature of published sources and especially the complex layers of the mosaic, have made indispensable a philological approach to the work. Therefore, a critical and systematic collection of all data and existing sources has been made: first medieval testimony, scholarly literature, pastoral visits, historic tourist guides, iconographic and archival documents, restoration reports. Creating a sort of reasoned atlas of the mosaic and its conservation history appeared immediately as a vital purpose for a scientific approach, and also a valuable tool, currently lacking, of prime importance for future researches. The considerable collected data, often unpublished, have allowed an accurate reading of the mosaic, identifying the ancient parts and those affected by successive restorations. The resulting data, mainly of a technical nature, have been key to revise the past attributive hypotheses and to set a new discussion on the organization of active ateliers in the site and on the stylistic and iconographic issues.
MASSARA, DANIELA. "L¿EDILIZIA ABITATIVA DI MILANO IN ETÀ ROMANA." Doctoral thesis, Università degli Studi di Milano, 2019. http://hdl.handle.net/2434/616907.
Full textNicolin, Paola <1976>. "T68: il mondo in una mostra: il grande numero alla XIV Triennale di Milano: arte architettura ambiente." Doctoral thesis, Università Ca' Foscari Venezia, 2007. http://hdl.handle.net/10579/150.
Full textSalemme, T. "Un monastero benedettino nel contado di Milano : San Vittore di Meda agli inizi del Trecento." Doctoral thesis, Università degli Studi di Milano, 2009. http://hdl.handle.net/2434/62402.
Full textPanato, Elisa <1981>. "La creazione del quartiere degli affari : il ruolo dell'edilizia bancaria nello spazio di Londra, Milano, Genova." Doctoral thesis, Università Ca' Foscari Venezia, 2011. http://hdl.handle.net/10579/1126.
Full textThis thesis explores the establishment of the central financial district in nineteenth century within the framework of urban transformation processes and the development of the legal and institutional structures of banking. The aim of the research was to understand how and to what extent the new bank headquarters influenced the urban layout, by defining privileged areas for financial exchanges either in contrast or in continuity with the pre-existing economic-institutional centers. The development of the financial centers in the cities of Milan and Genoa has been compared to the evolution of the City area in London through the definition of distinctive parameters like geographical persistence, concentration and centrality, emphasizing affinities and differences on a local as well as on a national and international level. If in the latter case the origin of the financial center is included between the 1830s and 1870s, in the Italian context it is instead comprised between 1895s and the beginning of the first world war. The expansion of the business centers in Milan and Genoa has been traced through the direct analysis of documentary sources, by intersecting the renewal interventions approved by the local town councils with the management of real estate properties pursued by the credit institutes.
Fabbian, Annika <1989>. "Limen Benevolentiae: la Porta Maggiore della Basilica di Sant'Ambrogio a Milano tra arte, restauro e liturgia." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17237.
Full textCUOMO, PIETRO. "POTERE POLITICO E SPAZIO URBANO. ELEMENTI DI GEOGRAFIA CULTURALE PER UNA STORIA DELLA MILANO COMUNALE E SIGNORILE." Doctoral thesis, Università Cattolica del Sacro Cuore, 2015. http://hdl.handle.net/10280/6222.
Full textThis work is aimed to create an interdisciplinary study on the relationship between Milan and its polical regimes in the late Middle Ages. The starting point is the principle, widely used in historiography, that different systems of government produce space differently. The analysis of urban space thus obtained, however, can be improved using instruments from cultural geography. The city - one of the most important and complex topics in Western culture - is the meeting place of the natural history and cultural geography: it is the place where the story takes place, but more than just a stage. Milan is the perfect example of city: it has a history of the first order which turned into an urban structure of absolutely peculiar shape. Both internally and externally (for its ability to shape the territory, by acting on the natural and modeling it to suit your needs, reversing the logic of environmental determinism). Combining the tools of cultural geography with those of historical research, you get the opportunity to use the city itself and its representations as a document, supporting the analysis of historical events, the study of the symbolic value of such achievements.
CUOMO, PIETRO. "POTERE POLITICO E SPAZIO URBANO. ELEMENTI DI GEOGRAFIA CULTURALE PER UNA STORIA DELLA MILANO COMUNALE E SIGNORILE." Doctoral thesis, Università Cattolica del Sacro Cuore, 2015. http://hdl.handle.net/10280/6222.
Full textThis work is aimed to create an interdisciplinary study on the relationship between Milan and its polical regimes in the late Middle Ages. The starting point is the principle, widely used in historiography, that different systems of government produce space differently. The analysis of urban space thus obtained, however, can be improved using instruments from cultural geography. The city - one of the most important and complex topics in Western culture - is the meeting place of the natural history and cultural geography: it is the place where the story takes place, but more than just a stage. Milan is the perfect example of city: it has a history of the first order which turned into an urban structure of absolutely peculiar shape. Both internally and externally (for its ability to shape the territory, by acting on the natural and modeling it to suit your needs, reversing the logic of environmental determinism). Combining the tools of cultural geography with those of historical research, you get the opportunity to use the city itself and its representations as a document, supporting the analysis of historical events, the study of the symbolic value of such achievements.
Edallo, E. "COL REGOLO NEL TASCHINO. LA FORMAZIONE DELL'INGEGNERE MILANESE TRA SCUOLA E ASSOCIAZIONI (1863-1960)." Doctoral thesis, Università degli Studi di Milano, 2011. http://hdl.handle.net/2434/159060.
Full textD'Agati, Niccolo' <1988>. "La Famiglia artistica: un caso di studio per l'arte a Milano tra il 1886 e il 1914." Doctoral thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/17827.
Full textFerrari, S. "I MONASTERI FEMMINILI DI MILANO NELLA TOPOGRAFIA LITURGICA: CONTESTI ARCHITETTONICI E FIGURATIVI TRA VII E XIII SECOLO." Doctoral thesis, Università degli Studi di Milano, 2016. http://hdl.handle.net/2434/373756.
Full textMONTAGNER, LUCA. "LA BRAIDENSE AI TEMPI DI NAPOLEONE. STORIA DI UN'ISTITUZIONE MILANESE ATTRAVERSO LE SUE CARTE D'ARCHIVIO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2022. http://hdl.handle.net/10280/122846.
Full textThis thesis traces the events of the Braidense National Library during the Napoleonic period in Italy, a period that is still little known in the history of the Milanese institution. The work has involved a combination of different types of research, from archival to historical, analysing particular and unpublished fonds of the library itself, whether manuscript or printed, which have made it possible to identify the peculiarities of the daily management of the institution and the relations established beyond the Alps during the French domination in Italy. After an initial chapter dedicated to the status quaestionis on the years of the library's foundation, the following chapters trace the phases of the Milanese institute, divided into three specific periods: the Cisalpine Republic, the Italian Republic and the Kingdom of Italy. The divergences of these periods are thus highlighted, underlining how after the difficulties of the first years the Braidense experienced a moment of growth, both for the enrichment of volumes and for the growing prestige and recognition, not only in Italy but also in Europe.
Galluccio, Arianna <1990>. "Maestri vetrai renani e fiamminghi nella Milano del XVI secolo. I casi di Corrado Mochis e Valerio Profondavalle." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21511.
Full textCASIRAGHI, MATTIA MARTIN. "ROBERTO SANSEVERINO (1418-1487)UN GRANDE CONDOTTIERO DEL QUATTROCENTOTRA IL REGNO DI NAPOLI E IL DUCATO DI MILANO." Doctoral thesis, Università degli Studi di Milano, 2018. http://hdl.handle.net/2434/547212.
Full textPart I. The baron Chapter I. The military career between Naples and Milan (1418-1455) The first part of the chapter analyses the family context of Sanseverino. The father Leonetto belonged to the Sanseverino family of Caiazzo, a cadet branch of uncertain legitimacy of the great baronial family. His mother Elisa was the daughter of Muzio Attendolo and sister of Francesco Sforza. Following the conquest of the kingdom of Naples by Alfonso the Magnanimous, the young Roberto lost all the land he had inherited from his father and was forced to follow Sforza, enlisting in his military company. His relatives from the Sanseverino side of the family, eager to obtain his land, were hostile to him. In the second part of the chapter, the story of the Sanseverino goes back to the service of the maternal uncle, from the Marca war to the Sforza conquest of the Duchy of Milan. This event will prove to be fundamental for the career of Sanseverino, who, towards the mid of the fifteenth century, was the grandson of one of the most powerful Italian princes. His services also earned him the investiture of the fiefs of Colorno and Pontecurone, a prestigious marriage with a member of the family of Correggio and an independent condotta. Chapter II. The recovery of the paternal inheritance in the kingdom of Naples (1455-1464) The chapter analyses the strategies made by Sanseverino to recover the legacy of his father in the South of Italy. The first part of the chapter covers the diplomatic mission of Sanseverino to Alfonso the Magnanimous, who returned him most of his land, as a consequence of the new agreement between the king and Sforza - due to the improvement of the relations between Naples and Milan following the peace of Lodi. The second part of the chapter follows the events of Sanseverino during the war of succession to the kingdom of Naples, which led him to recover Caiazzo, obtained together with the title of count. The chapter also tries to analyse the strategies implemented by the condottiero to create a favorable political context to secure the conquered lands avoiding any possible future losses: on the one hand he cultivated good relations with King Ferrante of Aragon, on the other he held firm agreements with the other Sanseverinos. Chapter III. First disappointments (1465-1466) The chapter focuses on Sanseverino’s attempt to obtain a joint military company co-financed by Milan and Naples, a natural consequence of his dual nature of Sforzesco condottiero and southern baron. The political and economic context of the second half of the sixties, however, were not favourable to him: the reform of the Neapolitan state army and the Milanese economic crisis forced him to go to Florence, which at that time was allied with both the Naples kingdom and the Milan duchy. Part II. The disappointed condottiero Chapter IV. Florence and the condottiero (1467-1470) This chapter discusses the difficult relationship between Sanseverino and Florence. The demanding attitude of the condottiero and the distrust of the republic in dealing with the mercenaries created strong tensions, mitigated only in part by the mediation of the Medici, the Duke of Milan and the king of Naples. On the background of this affair, Sanseverino attempted to forge even stronger relationships with the South, which resulted in his daughter's marriage to a member of the Carafa di Maddaloni family. Over the time, more and more discouraged by the continuous contrasts with Florence, the condottiero also began to distrust both Sforza and Ferrante, who did not keep their promises. Chapter V. Sforzesco illuson (1470-1476) The first part of the chapter analyses the break (however not traumatic) of the Sanseverino with Ferrante d'Aragona and the return to the direct service of the Sforza. Following this, the condottiero invested all his efforts in his interests in Northern Italy, but kept his lands in the South. The second part of the chapter covers his service in Bologna as the most important Sforzesco condottiero in Romagna, his relations with the city and his diplomatic and military contribution in the region. The chapter also discusses the growth of his personal status, due to his experience, a new prestigious marriage with a Malavolti from Siena and the cementing of his friendship with Lorenzo the Magnificent. The final part of the chapter analyses instead the decline of the good relations of Sanseverino with Francesco Sforza, who, from granting him prestigious new fiefs and regular salaries, went to treat him disrespectfully due to a new economic crisis of the duchy that made the pay less and less regular. Furthermore Sanseverino, tired of his inactivity in Bologna, made his first attempt to obtain an independent principality. The climate of tension between the duke of Milan and his cousin Sanseverino was solved only by the assassination of the first on 26 December 1476. Part III. The rebel Chapter VI. A rebellious sforzesco The chapter analyses the actions of the Sanseverino following the assassination of Galeazzo Maria Sforza. The condottiero, taking the parts of the deceased duke's brothers, chose the way of rebellion against the legitimate regency of the young Gian Galeazzo Maria Sforza, led by Bona di Savoia and Cicco Simonetta: he hoped to exploit the moment of political confusion to increase his status further. His vicissitudes in these convulsed years include: first, his plots against the regency, emerging from the papers of the trial brought against him in Milan; his escape to France under Louis XI; his stay in Asti first at the service of the king of France first and later at the service of the king of Naples. Finally, once at the service of King Ferrante, Sanseverino helped the rebel republic of Genoa to reject the assault of Sforza’s remarkable army. The last part of the chapter explains how Ludovico Maria Sforza and Sanseverino managed to return to Milan thanks to the support of the king of Naples and the military ability of the condottiero. Chapter VII. Roberto Sanseverino and Ludovico the Moro (1479-1484) The undertakings analysed in the previous chapter, created in Sanseverino the awareness of being a leading figure of the Italian politics, but gave him the misperception to be able to deal with Ludovico il Moro: the condottiero thus started aspiring to the direct domination of the Duchy of Milan. However, if in the paste his ties with the Sforza family had helped him to achieve his goals, in this case, they undermined his plans: the condottiero had in fact overestimated his position in the hierarchy of power within the Sforza family. Even from the initial agreement to subdivide the tasks with the Moro, Sanseverino appeared to be in an inferior position, both from the point of view of legitimacy and of political ability: the agreement would have lasted until the Sforza had wanted it. Soon Sanseverino was marginalized and forced to a second and sensational escape from the duchy. He then switched to the service of Venice and, thanks to his brilliant conduct held during the war in Ferrara, Sanseverino reached the peak of his personal career, managing to be elected captain general of Italy with the peace of Bagnolo in August 1484. Chapter VIII. The enemy of the peace of Italy (1485-1487) The chapter is devoted to the last part of Sanseverino's life. Following the peace of Bagnolo, the condottiero felt powerful enough to try to conquer an independent principality with his own strength. However, after trying unsuccessfully to take Siena, he realized that a general upheaval in Italy was the only hope for him to get a real success: in August 1485 he decided to support the rebellion of the barons of the South, and was appointed Gonfalonier of the Church by the Pope Innocent VIII. The war that followed turned out to be a disaster for him and soon he was abandoned by the Pope himself, who excluded him from the peace agreement with the King of Naples in August 1486. Without a state that supported him, Sanseverino was extremely vulnerable. Ferrante d'Aragona and the Moro did not miss this opportunity to eliminate him: the Duke of Calabria pursued him, implacable, from Lazio to Romagna, where he forced him to dissolve his military company and escape with a few men in Veneto. Here he was offered a monthly allowance, but he was not given any military duty. At the age of 68 he was a finished man, without his military company and hated by all the Italian powers. He died fighting the Austrians in Trentino the following year.
Bonomi, Emilia <1995>. "Arte e Ambiente: Un binomio in evoluzione. Dalle pratiche estetiche della Biennale di Venezia del 1978 alle riflessioni ecologiche della Triennale di Milano del 2019." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18798.
Full textCASTELNUOVO, GIUSEPPE LUIGI. "Gli spazi economici delle istituzioni ecclesiastiche e civili di Milano e del suo territorio (fine XII-XIII secolo)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/240.
Full textThe search offer an information about economic and fiscal field of Milan institutions (XII - XIII century). The first chapter is dedicated to the economic-financial and fiscal historiography. The second chapter introduces the documentary material facing the problems relative to the evolution of the papers in the course of the VIII-XIII centuries. The third chapter reconstructs the economic-financial management modalities of the patrimony of the presbytery of S. Ambrogio. The fourth chapter analyzes the relationships elapsed between Roman Church and municipality of Milan regarding the problems relative to the libertas ecclesiae and to the taxation of the ecclesiastical organizations in the moment of the introduction of municipal valuation. Fifth chapter is dedicated to the taxation applied on the ecclesiastical organizations from Milan Church, Roman Church and municipality of Milan. Therefore the financial and civil ecclesiastical necessities and the different destinations of the contributions paid to the Church or the municipality have been comprised. The sixth chapter is dedicated to the evolution of the administrative-bureaucratic municipal machine in consequence of the introduction of new instruments of tax collection. In the seventh chapter are analyzed some instruments, notebooks or registries of imbreviature available to the notary who served ecclesiastical organizations and municipality.
CASTELNUOVO, GIUSEPPE LUIGI. "Gli spazi economici delle istituzioni ecclesiastiche e civili di Milano e del suo territorio (fine XII-XIII secolo)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/240.
Full textThe search offer an information about economic and fiscal field of Milan institutions (XII - XIII century). The first chapter is dedicated to the economic-financial and fiscal historiography. The second chapter introduces the documentary material facing the problems relative to the evolution of the papers in the course of the VIII-XIII centuries. The third chapter reconstructs the economic-financial management modalities of the patrimony of the presbytery of S. Ambrogio. The fourth chapter analyzes the relationships elapsed between Roman Church and municipality of Milan regarding the problems relative to the libertas ecclesiae and to the taxation of the ecclesiastical organizations in the moment of the introduction of municipal valuation. Fifth chapter is dedicated to the taxation applied on the ecclesiastical organizations from Milan Church, Roman Church and municipality of Milan. Therefore the financial and civil ecclesiastical necessities and the different destinations of the contributions paid to the Church or the municipality have been comprised. The sixth chapter is dedicated to the evolution of the administrative-bureaucratic municipal machine in consequence of the introduction of new instruments of tax collection. In the seventh chapter are analyzed some instruments, notebooks or registries of imbreviature available to the notary who served ecclesiastical organizations and municipality.
Sora, D. "IL MONASTERO DELLA VISITAZIONE DI MILANO (XVIII-XIX SECOLO). RELIGIONE, POLITICA, SOCIETÀ." Doctoral thesis, Università degli Studi di Milano, 2016. http://hdl.handle.net/2434/354297.
Full textMazzotta, A. C. "UNA RICOSTRUZIONE DELLA QUADRERIA DI PALAZZO LITTA VISCONTI ARESE A MILANO." Doctoral thesis, Università degli Studi di Milano, 2015. http://hdl.handle.net/2434/266805.
Full textTrigona, Monica <1977>. "La sintesi delle arti negli allestimenti della IX Triennale di Milano : alcuni aspetti del confronto tra artisti, architetti e designer." Doctoral thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/6535.
Full textDI, TULLIO MATTEO. "La ricchezza delle comunità: guerra e finanza alle frontiere dello stato di Milano: il caso della Geradadda nel primo Cinquecento." Doctoral thesis, Università Bocconi, 2010. https://hdl.handle.net/11565/4053942.
Full textMATTIA, MIRKO. "QUATTROCENTO ANNI DI STORIA DI MILANO LETTI SUI RESTI DEI SUOI ABITANTI. RECUPERO E STUDIO DEL PATRIMONIO ARCHEOLOGICO E UMANO DEL SEPOLCRETO DELLA CA¿ GRANDA." Doctoral thesis, Università degli Studi di Milano, 2022. http://hdl.handle.net/2434/915723.
Full textThe purpose of this his doctoral thesis is the systematic investigation of a part of the archaeological deposit and of the individuals buried in the Crypt of the Beata Vergine Annunziata, at the ancient Ospedale Maggiore Ca 'Granda in Milan. The archeaological and anthropological methods made it possible to obtain useful results for addressing a multidisciplinary discourse to reconstruct the history of the recovered skeletons. The aforementioned research also laid the methodological foundations for future studies on the crypt and for comparisons with other populations, even from distant geographical areas. The investigated section of the crypt has shown, for the first time, a well-defined stratigraphic sequence, as well as individuals in anatomical connection and non-osseous finds of important archaeological value. The anthropological study was divided into two different campaigns: Campaign A analyzed the 1571 commingled bone remains from previous surveys, without a stratigraphic context, and Campaign B investigated the 1059 bones and 43 individuals recovered in the recent archaeological excavation. The results thus obtained were accompanied by those relating to other scientific disciplines, carried out on a sample of finds of a different nature such as, for example, soft tissues and botanical remains trapped in calcified calculus. In order to make a diachronic comparison to reconstruct the identity of the ancient inhabitants of Milan and include the population of Ca 'Granda in the wider MIAntropo project, an anthropological comparison was then carried out with three different population samples. The archaeological skeletons taken into consideration came from Roman, Medieval and Contemporary necropolises and cemeteries. A first and important result of the archaeological analysis was to identify the dynamics of the burial of the bodies, which was a primary long-term usage deposit. The presence of individuals in anatomical connection is the result of the deposition of numerous corpses shortly after death. The mixture of osteological findings, found in the various levels of the deposit, is mostly due to the action of natural taphonomic events, such as the fall and rolling of bones due to gravity and anthropogenic forces. Anthropological analyses made it possible to reconstruct a non-homogeneous population, constituted of individuals of both sexes and of various ages: from fetuses to elderly over 60 years of age. The data confirmed that mostly the poor population of Milan was treated in the hospital wards; the signs observed on the bones are mostly mainly chronic in nature. The symbolic disease of the Modern Age, syphilis, was well represented among them. A few traumatic injuries were found in the bone findings examined, most suffered before the death of the individual and in course of healing. A large percentage of these traumatic events can be attributed to accidental causes, probably during work activities, but some, even if only a minimal percentage may be ascribed to interpersonal violence. Finally, laboratory analyses made it possible to acquire further information on how medicine was practiced within the hospital and on the lifestyle of the ancient inhabitants, as well as on the Sepolcreto itself and on the dating of the burials. The topics covered made it possible to obtain, for the first time, a reconstructive framework composed of different, but coherent, historical and scientific data, hence proposing a solid methodology to solve the problems still unresolved and subject of future studies. The scientific criteria outlined here will be able to lay the foundations for a multidisciplinary scientific approach, suitable for tackling other study contexts from the archaeological and anthropological point of view.
Alba, Veronica <1996>. "LE CROCI D'ETIOPIA DEL MUSEO DEI CAPPUCCINI DI MILANO. Una lettura delle forme, dei significati e degli usi di uno dei simboli più importanti per la chiesa Tawahedo d'Etiopia." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21564.
Full textBertazzo, Claudia. "Per la storia comparata dei comuni italiani nel Duecento: stratificazione sociale e commisurazione delle pene nei comuni di Firenze, Bologna, Milano e nelle città del Veneto." Doctoral thesis, Università degli studi di Padova, 2008. http://hdl.handle.net/11577/3425546.
Full textTOSI, LUCA. "LE PITTURE MURALI DELLA SALA DELLE ASSE NEL CASTELLO SFORZESCO DI MILANO: L'ICONOGRAFIA DEL MOTIVO AD ALBERI PRIMA E DOPO LEONARDO." Doctoral thesis, Università degli Studi di Milano, 2018. http://hdl.handle.net/2434/576528.
Full textPREMOLI, DANIELE. "NOVA EX VETERIBUS. IL CONTRIBUTO DI GIOVANNI COLOMBO ALLA FORMAZIONE SACERDOTALE A MILANO E AL CONCILIO ECUMENICO VATICANO II (1902-1965)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2021. http://hdl.handle.net/10280/109016.
Full textThis doctorate aims to study the contribution that Giovanni Colombo (1902-1992), future cardinal and archbishop of Milan, made to the theme of priestly formation. Before succeeding Montini in the Ambrosian chair, Colombo was in fact an educator in diocesan seminaries for almost forty years, first as professor and then as rector. He had to deal with the issue of updating the training methods of clerics, a subject widely debated especially in the years after the Second World War and which led, at the end of the Second Vatican Ecumenical Council, to the decree on priestly formation. Called upon to participate in the preparatory phase of the Council, Colombo was responsible for drawing up a considerable part of the outline that would later become the Council Decree Optatam totius. After presenting the Ambrosian Church during the episcopates of Schuster and Montini, with particular attention to its clergy, the thesis examines the years of Colombo's teaching, as professor of Italian literature and spiritual theology, of his rectorate and finally of his participation in the Council, both in the preparatory phase and in the course of the assembly. Finally, the documentary appendix contains some of the ambrosian prelate's notes on priestly formation, and the first outline of the decree on priestly formation.
SQUIZZATO, ALESSANDRA. "Il principe cardinale Giangiacomo Teodoro Trivulzio mecenate e collezionista (1597 - 1656): dinamiche di circolazione artistica nella Milano spagnola." Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/866.
Full textSQUIZZATO, ALESSANDRA. "Il principe cardinale Giangiacomo Teodoro Trivulzio mecenate e collezionista (1597 - 1656): dinamiche di circolazione artistica nella Milano spagnola." Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/866.
Full textTACCOLA, GREGORIO. "RACCOGLIERE, ORDINARE ED ESPORRE NEI MUSEI STORICI. LE FONTI SULLA GRANDE GUERRA NEL MUSEO DEL RISORGIMENTO DI MILANO TRA STORIA CULTURALE E ARCHIVAL TURN (1915-1943)." Doctoral thesis, Università degli Studi di Milano, 2018. http://hdl.handle.net/2434/548118.
Full textThe historical analysis of museums’ Public History practices brings the relation between science and public use of history – often regarded as antithetical - into the historiographical dimension. In order to reflect on the social and political implications of these types of narration of the past, our research reconstructs the formation and development of the collection of the Great War sources from Milan Museum of Risorgimento between the two World Wars. By taking the standpoint of Cultural History, our research questions the role that the historical imagery, embodied in a museum installation, has had in the process of nationalization of the masses in Italy. The follow-up on the figure and work of Antonio Monti (Director, 1925-45) enabled us to frame the process of formation and development of the War Archive-Museum within a social, political and scientific context that clarifies the knowledge gathered so far about the dynamics between center and periphery, as well as about the phases of the memory of war. Besides the study of documentary sources of various nature from Milan’s Civiche Raccolte Storiche (eg. paper documents, correspondence, memorabilia, graphics), the research made use of published sources (brochures, volumes, periodics) and proper archival sources. Among the primary archival sources, the main ones are the registers, card files, catalogs, and the other sets of documentation produced by the museum. The material and immaterial aspects of these sources have been analyzed from both a qualitative and a quantitative point of view. Starting from the archive analysis, from the study of the document management system, and finanlly from the relation between organized and described space, the museum practices concerning the Great War narration have been mainly construed as a material organization of the space (respectively in the archive, in the library, and in the museum). The museum history of the sources reshapes the relational network that gives meaning to the preserved historic heritage, shifting the focus from the immateriality of the representations to the materiality of the sources. On the other hand, the interpretative synthesis made use of anthropological cathegories: within the continuous exchange between reality and imagination, the museum acts as a resignification device that, through the actions of gathering, organizing and displaying, modifies the relational network between the sources, therefore changing their meaning. The history museum enshrines a social pact with the public through the gift, and becomes the scenery of a rite of passage that accomodates the reaggregation of private memories into the public dimension of the history of the nation. Through this rite, the meaning of the war experience is turned from a traumatic event linked to mourning, into a rigeneration myth, thus continuing the action of the Risorgimento. In conclusion, the analysis of the Milan case has allowed us to highlight the specificity of relational networks, unravelling the different meanings hidden by the oleographic representation consistent with the “totalitarian memory” imposed by the Fascist regime. Lastly, the scientific approach emerging from such practices of public use of history has been identified in the production of instruments that allow one to account for the spatial movement of the sources during their museum history.
TACCOLA, GREGORIO. "Raccogliere, ordinare ed esporre nei musei storici. Le fonti della Grande guerra nel Museo del Risorgimento di Milano tra storia culturale e Archival Turn (1915-1943)." Doctoral thesis, Università degli Studi di Milano, 2018. http://hdl.handle.net/10281/268175.
Full textNERI, ELISABETTA. "Tessellata vitrea in età tardoantica e altomedievale: archeologia, tecnologia, archeometria. Il caso di Milano." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1414.
Full textThe thesis studies the production and layout of wall mosaic tesserae and of glass paste sectilia in late antique and early medieval times, focusing in particular on the case of Milan. The first part examines the productive process of glass mosaics to reconstruct the commercial and cultural exchanges of the studied period. Different tools (ethnoarchaeology, technical recipes, archaeometric analyses, archaeological remains, economic sources, quantitative estimates, restoration reports) are used to track the indicators of a workshop producing coloured and gold-leaf mosaic plates, to identify the markers of mosaic glass history and technology from chemical analysis, and to detect the material results on the remains of the actions performed by the craftsmen. The second part investigates the specific issues of the case of Milan. In particular, it reconsiders the hypothesis of the existence of a Milanese workshop that manufactures and lays out glass tesserae, approached so far in a contradictory literature in term of chronology and cultural framework. The archaeological remains, literary sources, iconographic testimonies, and archaeometric analyses, despite their difficult interpretation, allow identifying three stages of diffusion of mosaic art in Milan: the late Imperial age, the age of the Goths, and the final centuries of the Early Middle Ages. Three significant cases are analyzed for each of these periods: the Basilica of San Lorenzo (late 4th-early 5th c.), the baptistery of San Giovanni alle Fonti (end 5th-6th c.) and the Basilica of Sant’Ambrogio (5th-6th and 10th c.). This research contributes to the state of several open questions: the technology of glass, the preserved or innovative features with respect to Roman techniques, the mural decoration of Milanese buildings, the choices of the customers who have financed the buildings, the investment required, the social and commercial relations established in order to carry out the works.
NERI, ELISABETTA. "Tessellata vitrea in età tardoantica e altomedievale: archeologia, tecnologia, archeometria. Il caso di Milano." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1414.
Full textThe thesis studies the production and layout of wall mosaic tesserae and of glass paste sectilia in late antique and early medieval times, focusing in particular on the case of Milan. The first part examines the productive process of glass mosaics to reconstruct the commercial and cultural exchanges of the studied period. Different tools (ethnoarchaeology, technical recipes, archaeometric analyses, archaeological remains, economic sources, quantitative estimates, restoration reports) are used to track the indicators of a workshop producing coloured and gold-leaf mosaic plates, to identify the markers of mosaic glass history and technology from chemical analysis, and to detect the material results on the remains of the actions performed by the craftsmen. The second part investigates the specific issues of the case of Milan. In particular, it reconsiders the hypothesis of the existence of a Milanese workshop that manufactures and lays out glass tesserae, approached so far in a contradictory literature in term of chronology and cultural framework. The archaeological remains, literary sources, iconographic testimonies, and archaeometric analyses, despite their difficult interpretation, allow identifying three stages of diffusion of mosaic art in Milan: the late Imperial age, the age of the Goths, and the final centuries of the Early Middle Ages. Three significant cases are analyzed for each of these periods: the Basilica of San Lorenzo (late 4th-early 5th c.), the baptistery of San Giovanni alle Fonti (end 5th-6th c.) and the Basilica of Sant’Ambrogio (5th-6th and 10th c.). This research contributes to the state of several open questions: the technology of glass, the preserved or innovative features with respect to Roman techniques, the mural decoration of Milanese buildings, the choices of the customers who have financed the buildings, the investment required, the social and commercial relations established in order to carry out the works.
BARBIERI, ALESSANDRO. "LE TERRECOTTE DECORATIVE DEL MUSEO D'ARTE ANTICA DEL CASTELLO SFORZESCO DI MILANO: PRODUZIONE FITTILE E ARCHITETTURA NELL'ETA' SFORZESCA." Doctoral thesis, Università Cattolica del Sacro Cuore, 2015. http://hdl.handle.net/10280/6605.
Full textThe research and cataloguing activities conducted during the internship in 2010-2011 on the clay materials preserved in the deposit of the Museo d’Arte Antica at the Castello Sforzesco in Milan, were what sparked off a series of considerations and reflections on the subject of decorative terracottas during the early Renaissance in Lombardy - particularly Milan and Cremona - the results of which were discussed during the presentation at a conference held in 2011 entitled Terrecotte nel Ducato di Milano. Artisti e cantieri del primo Rinascimento. The decision behind the research conducted for my PhD was to continue and extend the studies to include the collection of clay products preserved by the Art Collections of the Municipality of Milan, more specifically the decorative coroplast productions in the Sforzesca era, which included an in-depth analysis of the contemporary architectonic context of some of the most significant cases. The results obtained, indexed and included in this thesis aim to present an initial mapping of the ornamental repertoires where, starting from the decorative patterns of the individual tiles preserved in the deposit of the Museum, it was possible to establish comparisons and trace relations with the countless architectonic complexes highlighting clay decorations scattered throughout the Lombardy region and bordering areas.