Relevant bibliographies by topics / Stolpersteine (Demnig, Gunter)

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Academic literature on the topic 'Stolpersteine (Demnig, Gunter)'

Author: Grafiati
Published: 29 July 2024
Last updated: 30 July 2024

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Journal articles on the topic "Stolpersteine (Demnig, Gunter)"

1

Drozdowska, Karolina. "«Å utsette den andre døden»: Snublesteiner i norsk litteratur." Scandinavistica Vilnensis 17, no. 3 (July 31, 2023): 447–64. http://dx.doi.org/10.15388/scandinavisticavilnensis.2023.22.

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The trauma of the Second World War and the Holocaust has been a broadly explored topic in Norwegian culture in the last ten–fifteen years. This, in turn, resulted in a massive popularity of both fiction and non-fiction literature where the topic is prominent, as well as a growing interest in postmemory studies among literary scholars. This paper discusses the motif of Stolpersteine in three Norwegian literary texts, published between the years 2016 and 2019: two novels, No, a Hundred Times No by Nina Lykke, Keep Saying Their Names by Simon Stranger and one essay, “Snublesteinene i Oslo” [“Stoplersteine in Oslo”] by Ole Robert Sunde, published in an anthology entitled The Homeland & Other Stories. Stolpersteine (“stumbling stones”) are commemorative brass plaques in the pavement in front of the last address of victims of National Socialism. This remembrance project was started by the German artist Gunter Demnig in the 1990s and there are now tens of thousands of “stones” placed in over a thousand locations in Europe, also in Norway. The aim of this paper is to answer two questions: firstly, what formal function the motif plays in the three chosen texts and, secondly, how can Stolpersteinene become bearers of memory and postmemory, according to the theoretical framework developed around the topic of war and trauma.
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2

Baumann, Pierre, Hélène Camarade, Claire Kaiser, and Nicolas Patin. "Stolpersteine à Bordeaux et Bègles. Retour sur un projet mémoriel, historique et artistique de Gunter Demnig." Allemagne d'aujourd'hui 225, no. 3 (2018): 127. http://dx.doi.org/10.3917/all.225.0127.

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3

Demnig, Gunter. "Gunter Demnig : « Les Stolpersteine sont l’œuvre de toute une vie ». Conférence de l’artiste le 6 avril 2017 au Goethe Institut de Bordeaux." Allemagne d'aujourd'hui 225, no. 3 (2018): 87. http://dx.doi.org/10.3917/all.225.0087.

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Osborne, Dora. "Mal d'archive: On the Growth of Gunter Demnig's Stolperstein-Project." Paragraph 37, no. 3 (November 2014): 372–86. http://dx.doi.org/10.3366/para.2014.0135.

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In Archive Fever, Derrida opens a critical perspective on the status of the trace as that which remains with his reading of Gradiva, the Pompeian fantasy woman who is supposed to have left her singular toe-print in the ash of Vesuvius. This article returns to the figure of Gradiva as emblem for the non-coincidence of origin and trace, in order to outline the (increasingly troubling) archival aspects of Gunter Demnig's Stolperstein-project, a large-scale, decentralized memorial commemorating those deported under National Socialism. Returning to the site of a missed encounter, Demnig attempts to reinscribe the trace of those who vanished there. But as his project grows, it also shows signs of archive fever, betraying a desire to take possession of the trace of the other, and revealing how, as Derrida describes, the archive does not exist without the political control of memory.
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Ashley Kaplan, Brett. "Memory as Fluid Process: James Friedman's "12 Nazi Concentration Camps" and Gunter Demnig's Stolpersteine." Shofar: An Interdisciplinary Journal of Jewish Studies 37, no. 1 (2019): 41–71. http://dx.doi.org/10.1353/sho.2019.0002.

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Kaplan. "Memory as Fluid Process: James Friedman's “12 Nazi Concentration Camps” and Gunter Demnig's Stolpersteine." Shofar 37, no. 1 (2019): 41. http://dx.doi.org/10.5703/shofar.37.1.0041.

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7

Cook, Matthew, and Micheline van Riemsdijk. "Agents of memorialization: Gunter Demnig's Stolpersteine and the individual (re-)creation of a Holocaust landscape in Berlin." Journal of Historical Geography 43 (January 2014): 138–47. http://dx.doi.org/10.1016/j.jhg.2013.09.001.

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8

Suganda, Sonya Puspasari. "DEATH AND ONE OF ITS MANY NARRATIVES: THE STORY OF THE STOLPERSTEINE-PROJECT IN GERMANY." International Review of Humanities Studies, July 31, 2020. http://dx.doi.org/10.7454/irhs.v0i0.269.

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Within the contemporary German society, there is an initiative that has been ongoing for over 25 years. This initiative is called the Stolperschwelle which is conducted to commemorate the falling victims of the Nazi. An artist named Gunter Demnig started the whole project in 1992, and in 2017 – with the support of the society – he succeeded to place the 70.000th stumbling stone (in German; Stolpersteine), a 96 mm x 96 mm x 100mm brass plaques in the pavement of the last victim’s address. At first, it was meant to remember the death of the Jewish during the Nazi era, but nowadays the stumbling stones also represent the death of the marginalized groups including the Gipsy, the homosexuals, people with physical disability, and people who are falsely accused because of their religious and political belief. In the Stolpersteine-project, anybody can show their respect for the victims of the Nazi by sponsoring a stumbling stone – its manufacture and its installation for 120 euro – dedicated to one victim. This article analyses how this Stolpersteine-project can be viewed from various perspectives by using socio-cultural, historical, and urban landscape perspectives. The study is conducted using a qualitative approach through literature review. The findings show that the main story evolving around the Stolperstein project is the death of someone, caused by extremely terrible matter. By engaging in the Stolperstein, the modern German society tries to commemorate someone’s death, even someone they do not personally know. The historical perspective looks at the difference of microhistory and macrohistory when it comes to one nation’s history. In the Stolpersteine project, people deal greatly with microhistory. Finally, the urban landscape perspective emphasizes that the construction of space can contribute to reliving the past as well as building a better understanding for a nation’s generation.
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9

Trouche, Dominique. "Monumentaliser ou dé-monumentaliser les habitants du passé par la représentation ? Entre acte mémoriel et spectralité : les Stolpersteine de Gunter Demnig." Les Cahiers de Framespa, no. 26 (April 9, 2018). http://dx.doi.org/10.4000/framespa.4634.

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Books on the topic "Stolpersteine (Demnig, Gunter)"

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1947-, Demnig Gunter, ed. Stolpersteine: Idee, Künstler, Geschichte, Wirkung. Essen: Klartext Verlag, 2017.

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2

Goette, Jürgen-Wolfgang. Stolpersteine: Erich-Mühsam-Preis 2009 an Gunter Demnig. Lübeck: EMG, 2009.

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3

Hildesheim, Goethegymnasium, and Hildesheimer Heimat und Geschichtsverein, eds. Verfolgt, ermordet - unvergessen: Zur Erinnerung an Schülerinnen der Städtischen Höheren Töchter- und Staatlichen Goetheschule unter der nationalsozialistischen Gewaltherrschaft : Begleitheft zur Gedenkveranstaltung im Goethegymnasium und zur Verlegung von "Stolpersteinen" durch Gunter Demnig am 17. August 2010. Hildesheim: Gerstenberg, 2010.

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4

Unknown. Stolpersteine. Gunter Demnig und sein Projekt. Emons Verlag, 2007.

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5

Hahn, Wolfgang, Manfred Schneckenburger, and Gunter Demnig. Vor meiner Haustür - "Stolpersteine"von Gunter Demnig. Arachne Verlag, 2010.

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Book chapters on the topic "Stolpersteine (Demnig, Gunter)"

1

"Individuals commemorate individuals: Gunter Demnig, Stolpersteine and the advent of a democracy of remembrance in Germany." In Verhandelte Erinnerungen, 231–36. Verlag Ferdinand Schöningh, 2017. http://dx.doi.org/10.30965/9783657787982_012.

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2

"Gunter Demnigs Erinnerungsprojekt Stolpersteine." In Theater und Subjektkonstitution, 373–82. transcript-Verlag, 2012. http://dx.doi.org/10.14361/transcript.9783839418093.373.

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3

Fries, Caroline. "Gunter Demnigs Erinnerungsprojekt Stolpersteine." In Theater und Subjektkonstitution, 373–82. transcript Verlag, 2012. http://dx.doi.org/10.1515/transcript.9783839418093.373.

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4

Schaarschmidt, Thomas. "Ein Kunstprojekt macht Geschichte. Gunter Demnigs Stolpersteine." In Public Historians, 288–300. Wallstein Verlag, 2021. http://dx.doi.org/10.5771/9783835347489-288.

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