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Pinxit, Vaughn. "Stillness: A meditation in new media art." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/93556/1/Vaughn_Pinxit_Thesis.pdf.
While technology is often seen as a noisy, impatient and pervasive aspect of our lives, this practice-led research project investigated the counter proposition–that we might be able to evoke sensations of stillness through technology-mediated artworks. Investigations into stillness were informed by Buddhism, phenomenology, and experiences of meditation and the practice of archery. By combining visual art, performance, installation, video and interaction design, a series of experimental, interdisciplinary artworks were produced and exhibited to evoke a sense of stillness and to impel audiences to consider the form and nature of stillness in relation to time, space and motion.
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Neto, Oliver Augusto. "Frantic stillness : modernism and the writing of boredom." Thesis, University of Bristol, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.723432.
Rais-Rohani, Afsheen 1966. "While (true) : computation and time : dynamics of stillness." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/70361.
Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2002. Pages [160]-163 blank. Includes bibliographical references. As the use of digital technologies and computation becomes prominent in Architectural design, there arises a need to transpose the creative process into that new medium intact. The goal of this thesis is to investigate the possibilities for this transition and to allow for the emergence of a poetics. A Poetics of Computation. by Afsheen Rais-Rohani. S.M.
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Price, Dustin Michael. "A discourse in stillness the language of silence /." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Thesis/Spring2009/d_price_042409.pdf.
Haikala, Eeva-Mari. "An attempt to mirror the painterly and stillness in autobiographical visual practice." Thesis, University of Roehampton, 2016. https://pure.roehampton.ac.uk/portal/en/studentthesis/an-attempt-to-mirror-the-painterly-and-stillness-in-autobiographical-visual-practice(9573f5c6-22c2-46d2-a871-e6425fecf397).html.
An Attempt to Mirror the Painterly and Stillness in Autobiographical Visual Practice is a practice-as-research project consisting of a portfolio of videos, photographs, and the documentation of live performances, and a written thesis. The written part is intended to work as a supportive body of material for the portfolio – or ‘brackets’, as it will be referred in the text – revealing the creative process behind those artworks, and the central thinkers, writers and artists that are relevant to this study, as well as offering contextualisation through an exploration of the lineage of other artists and discussions within which my practice-as-research project resides. The writing is built around the idea of ‘attempts’, in a written interpretation of a method I have applied to many of the artworks. Another key word of the study, the aforementioned brackets, is inspired by Virginia Woolf’s use of brackets in her novel To The Lighthouse. In this thesis I will explain the way in which these brackets have inspired me in the creation of many of the artworks. This will also offer an insight into how I relate to the text from within a visual artistic practice generally, and how using the brackets as a concept has also become a tool for identifying relationships between the art pieces presented in the portfolio and the written thesis itself. The text also reveals the multifaceted role of the painterly within this study project. The painterly will be discussed as a poetic-atmospheric visual frame for the artworks, and will also be explored in terms of how it emerges if the movement or the moving image is slowed down, which in turn brings this painterly quality of the artwork into close parallel with the still life painting genre. Finally, I will demonstrate, through the exploration of three artists from the past – Gwen John, Helene Schjerfbeck, and Virginia Woolf – the complexity of the writings of art history, biographies, and autobiographies.
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Gersh, Andrea R. "We lost it in the move: arguments for stillness as a form of social movement." Thesis, Boston University, 2007. https://hdl.handle.net/2144/28570.
Boston University. University Professors Program Senior theses. PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. 2031-01-02
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Moroney, Kathleen. "Stillness in motion : an interdisciplinary study of movement in time and space through ceramics and dance." Thesis, University of Sunderland, 2017. http://sure.sunderland.ac.uk/8476/.
The research investigates stillness as movement in time and space explored and exploited through an interdisciplinary study of ceramics and dance. Exercises consistent with Butoh, a Japanese dance form, are employed as an exploratory tool to facilitate a broader interpretation of stillness as motion through a corporeal processing of concepts such as time and space. Laban's 'principles of movement' are observed, explored and employed as a method used in choreography to analytically study movement as still components of a flux within space to inform dance composition. This study maps a path to practice that involves the constructing of a material bridge that links two disciplines, ceramics and dance, through similarities and varying approaches to a shared area of concern: movement in time and space. The constructing of this path to practice and its effect on the composing and installing of ceramic composition is the focus of the study. The study begins with the contextualising of 'stillness' as a state of 'movement in time' through Bergson's concepts in philosophy. The experience of real time is located internally by the philosopher Heidegger, who references real time as lived time felt in and through the body. At this point in the research the path transitions to a physical and performative engagement with 'stillness in time and space' in search of its qualities and textures, which shifts studio practice for a period of time from ceramics to dance practice. Two three-part case studies are constructed from participation in a Butoh dance workshop and through the observation of a choreography workshop. Studio experimentation follows which maps a ceramic path to practice through the perspective of dance, exploring the potential to share learning across a disciplinary divide. The final part of the case studies involves the composing and constructing of ceramic installations through the shared perspective of ceramics and dance. This thesis contributes to the discourse on interdisciplinary practice, specifically relating to ceramics and dance. It provides a transferable model of research that merges two fields of practice, broadening and intensifying the experience of learning through a combined kinesthetic, visual and cognitive approach. This model has been tested as an extension of this research within the field of dance and within a therapeutic environment to effect learning.
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Popean, Mihai. "The Stillness of the Silent Sound: A Tantric Analysis of Karlheinz Stockhausen's Aus den sieben Tagen." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1421042444.
De, Leon Jennifer. "Dance and stillness a phenomenological hermeneutic inquiry into the experience of stillness : presented through the medium of dance performance and written exegesis : exegesis submitted to Auckland University of Technology in partial fulfillment of the degree of Master of Health Science, 2005." Full thesis. Abstract, 2005.
Miller, Juliet. "Stillness." In Art, Memoir and Jung, 31–38. 1 Edition. | New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003083030-5.
Cornell, Joseph, Edison Company, Andy Warhol, and Jack Goldstein. "Stillness/Movement." In The (Moving) Pictures Generation, 23–32. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137118516_2.
Hill, Sarah Patricia, and Giuliana Minghelli. "Introduction." In Stillness in Motion, 1–24. Toronto: University of Toronto Press, 2015. http://dx.doi.org/10.3138/9781442619975-003.
Valtorta, Roberta, Sarah Patricia Hill, and Giuliana Minghelli. "1. Photography and the Construction of Italian National Identity." In Stillness in Motion, 27–66. Toronto: University of Toronto Press, 2015. http://dx.doi.org/10.3138/9781442619975-004.
Lolla, Maria Grazia. "2. Local Colour and the Grey Aura of Modernity: Photography, Literature, and the Social Sciences in Fin-de-Siècle Italy." In Stillness in Motion, 67–96. Toronto: University of Toronto Press, 2015. http://dx.doi.org/10.3138/9781442619975-005.
Minghelli, Giuliana. "3. Eternal Speed/Omnipresent Immobility: Futurism and Photography." In Stillness in Motion, 97–130. Toronto: University of Toronto Press, 2015. http://dx.doi.org/10.3138/9781442619975-006.
Alù, Giorgia. "4. The Peripatetic Portrait: Exchange and Performance in Migration Photographs at the Turn of the Nineteenth Century." In Stillness in Motion, 133–48. Toronto: University of Toronto Press, 2015. http://dx.doi.org/10.3138/9781442619975-007.
Lin, Han Hong, Ping Hsuan Han, Kuan Yin Lu, Chia Hung Sun, Pei Yi Lee, Yao Fu Jan, Amy Ming Sui Lee, Wei Zen Sun, and Yi Ping Hung. "Stillness Moves." In MM '18: ACM Multimedia Conference. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3265845.3265856.
Blevis, Eli. "Stillness and motion, meaning and form." In DIS '14: Designing Interactive Systems Conference 2014. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2598510.2602963.
Gibson, Ruth E. "Capturing Stillness: Visualisations of dance through motion/performance capture." In Electronic Visualisation and the Arts (EVA 2011). BCS Learning & Development, 2011. http://dx.doi.org/10.14236/ewic/eva2011.41.
Lai, Mei-Kei, and Siu Wing Chung. "TranScent in Stillness: Exploring the Feasibility of Using Incense Art with Virtual Reality for Meditation." In ARTECH 2021: 10th International Conference on Digital and Interactive Arts. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3483529.3483535.
Drakatos, P. A., M. Kallaras, and K. Karakassis. "Introducing Fuzzy Logic Analysis in the Life Cycle of Mechanical Systems." In ASME 2000 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/detc2000/rsafp-14476.
Abstract During an operation a mechanical system cost is a function of the time operation. Until now, we have taken into account the variation of economical factors as a function of time. The present work tries to import fuzzy logic in order to determine a variable model of economical factors as a reference to stillness, lubrication, repair of the mechanical systems and the variation of the operation tensions as for time. Which important levels are the mechanical systems so time operation affects the equivalent cost. The fuzzy logic model which was established, have data which was measured in the past and these data make a model with polynomial method, which doesn’t gives trustworthily results. The use of computer software is important because this method is variable as a function of cost and time.
