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Books on the topic 'Stereoscopic depth'

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Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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1

California in depth: A stereoscopic history. San Francisco: Chronicle Books, 1994.

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2

Krueger, Martin. Adaptation in depth perception using stereoscopic TV displays. Ottawa: National Library of Canada = Bibliothèque nationale du Canada, 1992.

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3

Magic 3D: Discover the revolutionary world of photographic free-viewing. London: Stanley Paul, 1995.

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4

Zeller, Bob. The Civil War in depth: History in 3-D. San Francisco: Chronicle Books, 1997.

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5

Diner, Daniel B. Stereo depth distortions in teleoperation. Pasadena, Calif: National Aeronautics and Space Administration, Jet Propulsion Laboratory, California Institute of Technology, 1988.

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6

Busquets, Anthony M. Effect of short-term exposure to stereoscopic three-dimensional flight displays on real-world depth perception. Hampton, Va: Langley Research Center, 1991.

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7

Rosa, Stephan De la. On the efficiency of visual search for targets defined by a conjunction of stereoscopic depth and color. Ottawa: National Library of Canada, 2003.

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8

Parrish, Russell V. Determination of depth-viewing volumes for stereo three-dimensional graphic displays. Hampton, Va: Langley Research Center, 1990.

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9

Dellmann, Sarah. Images of Dutchness. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462983007.

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Why do early films present the Netherlands as a country full of canals and windmills, where people wear traditional costumes and wooden shoes, while industries and modern urban life are all but absent? Images of Dutchness investigates the roots of this visual repertoire from diverse sources, ranging from magazines to tourist brochures, from anthropological treatises to advertising trade cards, stereoscopic photographs, picture postcards, magic lantern slide sets and films of early cinema. This richly illustrated book provides an in-depth study of the fascinating corpus of popular visual media and their written comments that are studied for the first time. Through the combined analysis of words and images, the author identifies not only what has been considered Ÿtypically DutchŒ in the long nineteenth century, but also provides new insights into the logic and emergence of national clichés in the Western world.
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10

Johnstone, Tom. Magic 3D. Hutchinson, 1995.

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11

Johnstone, Tom. Magic 3D. Hutchinson, 1995.

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12

The Civil War in Depth, Volume II. Chronicle Books, 2000.

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13

P, Williams Steven, Parrish Russell V, and United States. National Aeronautics and Space Administration. Scientific and Technical Information Program., eds. Effect of short-term exposure to stereoscopic three-dimensional flight displays on real-world depth perception. [Washington, DC]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1991.

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14

Effect of short-term exposure to stereoscopic three-dimensional flight displays on real-world depth perception. [Washington, DC]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1991.

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15

Determination of depth-viewing volumes for stereo three-dimensional graphic displays. Washington, D.C: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Division, 1990.

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16

P, Williams Steven, Langley Research Center, United States. Army Aviation Research and Development Command., and United States. Army Aviation Systems Command., eds. Determination of depth-viewing volumes for stereo three-dimensional graphic displays. Washington, D.C: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Division, 1990.

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17

P, Williams Steven, Langley Research Center, United States. Army Aviation Research and Development Command., and United States. Army Aviation Systems Command., eds. Determination of depth-viewing volumes for stereo three-dimensional graphic displays. Washington, D.C: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Division, 1990.

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18

Cicerone, Carol M., and Donald D. Hoffman. Illusory Color Spread from Apparent Motion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0042.

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Color from motion describes the perception of subjective color that spreads over physically achromatic regions that are seen in apparent motion. Multiple frames are shown in quick succession, each frame composed of a random placement of differently colored dots on an achromatic background. From frame to frame, the locations of all dots are fixed, whereas the color assignments of dots in the test region change. Subjective color can be measured by color matches to and cancellation by real lights, can be seen with chromaticity differences alone in test and surround dots, and is independent of contour formation. In stereoscopic view, the perception of depth, as well as color and form, can be recovered in tandem with seeing motion. This chapter suggests that in natural scenes, mechanisms triggered by motion may reconstruct the depth, color, and form of partially obscured objects so they can be seen as if in plain view.
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