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Relevant bibliographies by topics / Stereo audio / Books

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Books on the topic 'Stereo audio'

Author: Grafiati

Published: 25 June 2021

Last updated: 1 February 2022

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1

Car stereo cookbook: How to design, choose, and install car stereo systems. New York: McGraw-Hill, 1998.

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2

Yoder, Andrew R. Auto audio: Choosing, installing, and maintaining car stereo systems. 2nd ed. New York: McGraw-Hill, 2000.

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3

How to design and install high performance car stereo. North Branch, MN: Cartech, 1996.

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4

Pettitt, Joe. How to design and install high-performance car stereo. North Branch, MN: Cartech, 2003.

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5

SMPTE Television Conference (19th 1985 San Francisco, Calif.). Components of the future: Digital components, analog components, future technology, stereo audio in television. Edited by Streets John, Friedman Jeffrey B, and Society of Motion Picture and Television Engineers. Scarsdale, NY: Society of Motion Picture and Television Engineers, 1985.

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6

Petersen, George. Tech terms: A practical dictionary for audio and music production. [S.l.]: Hal Leonard Pub. Corp., 1993.

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7

Scott, Michael S. Loud car stereos. Washington, D.C: U.S. Dept. of Justice, Office of Community Oriented Policing Services, 2001.

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8

Jenny, Bartlett, ed. Practical recording techniques: The step-by-step approach to professional audio recording. 4th ed. Burlington, Mass: Focal, 2005.

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9

Jenny, Bartlett, ed. Practical recording techniques. 5th ed. Boston: Elsevier/Focal Press, 2008.

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10

Jenny, Bartlett, ed. Practical recording techniques. 3rd ed. Boston, MA: Focal Press, 2002.

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11

Bartlett, Bruce. Practical recording techniques. Carmel, Ind: Sams, 1992.

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12

Jenny, Bartlett, ed. Practical recording techniques. 2nd ed. Boston: Focal Press, 1998.

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13

S, Gross Lynne, ed. Radio production worktext: Studio and equipment. 4th ed. Boston, MA: Focal Press, 2002.

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14

S, Gross Lynne, ed. Radio production worktext: Studio and equipment. 3rd ed. Boston: Focal Press, 1998.

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15

S, Gross Lynne, and Gross Brian, eds. Radio production worktext: Studio and equipment. 5th ed. Burlington, MA: Focal Press, 2006.

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16

Prentiss, Stan. Audio Modulation Stereo and Television Stereo. TAB Books Inc, 1985.

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17

Car Stereo Cookbook. New York: McGraw-Hill, 2005.

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18

Moulton, David. David Moulton's Audio Lecture Series: Stereo Miking, Stereo Mixing, Reverberation (Playback Platinum Series). Music Maker Pubns, 2003.

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19

Rumreich, Mark. Car Stereo Cookbook (TAB Electronics Technician Library). McGraw-Hill/TAB Electronics, 2005.

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20

Rumreich, Mark. Car Stereo Cookbook (TAB Electronics Technician Library). 2nd ed. McGraw-Hill/TAB Electronics, 2005.

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21

Living stereo: Histories and cultures of multichannel sound. Bloomsbury Academic, 2015.

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22

Harley, Robert. Introductory Guide to High-Performance Audio Systems: Stereo - Surround Sound - Home Theater. Acapella Publishing, 2007.

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23

Pfanzagl-Cardone, Edwin. The Art and Science of Surround and Stereo Recording: Including 3D audio techniques. Springer, 2020.

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24

Car Stereo Speaker Projects Illustrated (TAB Electronics Technical Library). McGraw-Hill/TAB Electronics, 2000.

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25

Ferguson, Daniel. Car Stereo Speaker Projects Illustrated (TAB Electronics Technical Library). McGraw-Hill/TAB Electronics, 2000.

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26

Greenebaum, Ken, and Ronen Barzel. Audio Anecdotes III: Tools, Tips, and Techniques for Digital Audio. 3rd ed. AK Peters, 2006.

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27

1966-, Greenebaum Ken, and Barzel Ronen, eds. Audio anecdotes II: Tools, tips, and techniques for digital audio. Wellesley, MA: A K Peters, 2004.

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28

Greenebaum, Ken, and Ronen Barzel. Audio Anecdotes II: Tools, Tips, and Techniques for Digital Audio. AK Peters, 2004.

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29

Rock n' Blues Harmonica: A World of Harp Knowledge, Songs, Stories, Lessons, Riffs, Techniques and Audio Index for a New Generation of Harp Players (includes ... stereo CD jamming buddy and harmonica). Cross Harp Press, 2000.

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30

Practical Recording Techniques: The Step-By-Step Approach to Professional Audio Recording. Taylor & Francis Group, 2016.

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31

Bartlett, Jenny, and Bruce Bartlett. Practical Recording Techniques: The Step-By-Step Approach to Professional Audio Recording. Taylor & Francis Group, 2016.

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32

Rock n' Blues Harmonica: A World of Harp Knowledge, Songs, Stories, Lessons, Riffs, Techniques and Audio Index for a New Generation of Harp Players (Includes ... book and 74 minute stereo CD Jamming Buddy). Cross Harp Press, 2000.

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33

Oppenheimer, Steve, and George Petersen. Electronic Musician's Tech Terms (From Electronic Musician Magazine). Hal Leonard Corporation, 1993.

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34

Fink, Robert. Below 100 Hz. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0005.

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This chapter explores cultural theories of sub-bass production and reception in electronic dance music (EDM), reggae, and other bass-heavy popular musics. After a brief review of the musicology surrounding sub-bass (particularly the work of Steve Goodman and Julian Henriques), the discussion moves on to a cultural history of the sub-bass signal chain, including the subject of subwoofer design and other aspects of audio engineering for the reproduction of musical sounds below 100 Hz. The chapter details the perceptual responses to low frequencies and the physics of sub-bass sound propagation in order to critique the mystification of recent theorists of “bass culture.”

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35

Bartlett, Jenny, and Bruce Bartlett. Practical Recording Techniques, Third Edition. 3rd ed. Focal Press, 2001.

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36

(Narrator), Michael B. Arkin, ed. Hark!: A Novel of the 87th Precinct (87th Precinct Mysteries (Audio)). Recorded Books, 2004.

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37

Reese, David E., and Lynne S. Gross. Radio Production Worktext: Studio and Equipment. 3rd ed. Butterworth-Heinemann, 1997.

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38

Gross, Lynne S., and David Reese. Radio Production Worktext: Studio and Equipment, Fourth Edition (Book & CD-ROM). 4th ed. Focal Press, 2001.

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39

Canadian Industry Program for Energy Conservation., Canadian Steel Producers Association, and Canada Natural Resources Canada, eds. Benchmarking energy intensity in the Canadian steel industry. Ottawa: Natural Resources Canada, 2007.

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40

Robin, Libby, Chris Dickman, and Mandy Martin, eds. Desert Channels. CSIRO Publishing, 2010. http://dx.doi.org/10.1071/9780643097506.

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Desert Channels is a book that combines art, science and history to explore the ‘impulse to conserve’ in the distinctive Desert Channels country of south-western Queensland. The region is the source of Australia’s major inland-flowing desert rivers. Some of Australia’s most interesting new conservation initiatives are in this region, including partnerships between private landholders, non-government conservation organisations that buy and manage land (including Bush Heritage Australia and the Australian Wildlife Conservancy) and community-based natural resource management groups such as Desert Channels Queensland. Conservation biology in this place has a distinguished scientific history, and includes two decades of ecological work by scientific editor Chris Dickman. Chris is one of Australia’s leading terrestrial ecologists and mammalogists. He is an outstanding writer and is passionate about communicating the scientific basis for concern about biodiversity in this region to the broadest possible audience. Libby Robin, historian and award-winning writer, has co-ordinated the writings of the 46 contributors whose voices collectively portray the Desert Channels in all its facets. The emphasis of the book is on partnerships that conserve landscapes and communities together. Short textboxes add local and technical commentary where relevant. Art and science combine with history and local knowledge to richly inform the writing and visual understanding of the country. Conservation here is portrayed in four dimensions: place, landscape, biodiversity and livelihood. These four parts each carry four chapters. The ‘4x4’ structure was conceived by acclaimed artist, Mandy Martin, who has produced suites of artworks over three seasons in this format with commentaries, which make the interludes between parts. Martin’s work offers an aesthetic framework of place, which shapes how we see the region. Desert Channels explores the impulse to protect the varied biodiversity of the region, and its Aboriginal, pastoral and prehistoric heritage, including some of Australia’s most important dinosaur sites. The work of Alice Duncan-Kemp, the region’s most significant literary figure, is highlighted. Even the sounds of the landscape are not forgotten: the book's webpage has an audio interview by Alaskan radio journalist Richard Nelson talking to ecologist Steve Morton at Ocean Bore in the Simpson Desert country. The twitter of zebra finches accompanies the interview. Conservation can be accomplished in various ways and Desert Channels combines many distinguished voices. The impulse to conserve is shared by local landholders, conservation enthusiasts (from the community and from national and international organisations), Indigenous owners, professional biologists, artists and historians.

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