Relevant bibliographies by topics / Stephen, James

Academic literature on the topic 'Stephen, James'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Stephen, James"

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Гончаренко, Елла, and Людмила Байсара. "“СТІВЕН ДЖОЙС СЛУХАЄ”: ЦІ СЛОВА ЖАХАЛИ НЕ ОДИН ДЕСЯТОК ЖУРНАЛІСТІВ." Inozenma Philologia, no. 134 (December 15, 2021): 165–71. http://dx.doi.org/10.30970/fpl.2021.134.3520.

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The Ukrainian translation of Terence Killeen’s article “The Words Many a Journalist Dreaded Hearing: «This is Stephen Joyce»” is provided. Terence Killeen is the James Joyce Centre’s research scholar (Dublin). He is the author of numerous publications devoted to James Joyce’s oeuvre. Among them, there are “«Ulysses»’ Unbound: A Reader’s Companion to James Joyce’s «Ulysses»” (2004), an essay on the earliest version of “A Portrait of the Artist as a Young Man” (2020) and others. He is a former journalist although still continues to publish his works on the pages of “The Irish Times”, a leading Irish newspaper (Dublin). The above-mentioned translation made by Ukrainian scholars E. Honcharenko and L. Baisara is accompanied by the detailed and meticulously collected explanatory notes to the article. This piece of work deals with Stephen James Joyce (1932-2020), a grandson of the outstanding Irishman, James Joyce. An eminent Irish writer wrote the poem “Ecce Puer” to commemorate the birth of his grandson and the death of his own father John Joyce, the translation of which is also presented in this article. Stephen Joyce was the only son of George [Giorgio] Joyce, James Joyce’s son. Stephen was a grandson and the last surviving direct descendant of James Joyce. The article highlights Stephen’s real attitude to the literary inheritance of his late grandfather. The translation of the article is published with the Terence Killeen’s kind permission. The original version of the article was published in the Dublin’s newspaper “The Irish Times” on February 23, 2020. Key words: Irish scholar, Joycean, translation, translator, notes, language of original, author, Dublin newspaper, journalist
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Hunt, Joan. "Somebody’s Children." Aboriginal Child at School 18, no. 2 (May 1990): 3–10. http://dx.doi.org/10.1017/s1326011100600728.

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Several months ago I was asked by a neighbour-friend, ‘Mrs James’, to help her get her eleven year-old son, ‘Stephen’ and eight year-old daughter, ‘Katherine’, back to school. Mrs James was in hospital in Sydney at the time, recovering from a serious operation, while Mr James, an invalid pensioner, was trying to look after the two remaining children at home. (An older son is with foster parents).Stephen had missed more than 100 days of school in 1988 and had not returned to school in 1989. Katherine had a somewhat better attendance record but had stopped going to school when her mother went off to Sydney. Stephen’s and Katherine’s absences had been drawn to the attention of the home-school liaison officers.
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Farahmandian, Hamid, and Lu Shao. "Stephen’s neurotic self-estrangement: A case study of James Joyce’s A Portrait of the Artist as a Young Man." Journal of European Studies 52, no. 1 (February 14, 2022): 24–35. http://dx.doi.org/10.1177/00472441211072609.

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This article examines neurosis in the personality of Stephen Dedalus in James Joyce’s A Portrait of the Artist as a Young Man as a means to understand his intellectual and artistic development. Although Joyce’s fictional characters have been studied from various psychoanalytic perspectives, the psycho-neurotic aspect of these characters – particularly Stephen – has been largely overlooked. We use Karen Horney’s theory of neurosis as an analytic device to reveal how Stephen’s self-estrangement and neurotic personality bring about his successful evolution as a creative artist, suggesting that Stephen moves away from other people because of his neurotic need of perfection, self-sufficiency and narrow limits on his life. The uncertainty of these needs leads Stephen to become hostile to his society, as he is estranged from it. Consequently, he adopts a detached personality. His self-estrangement leaves Stephen neurotic inasmuch as it increases his artistic power.
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Shenk, Wilbert R. "The Legacy of James Stephen." International Bulletin of Missionary Research 35, no. 4 (October 2011): 217–23. http://dx.doi.org/10.1177/239693931103500410.

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Carlyle, T. "TC TO SIR JAMES STEPHEN." Carlyle Letters Online 27, no. 1 (January 1, 1999): 366. http://dx.doi.org/10.1215/lt-18521216-tc-sjs-01.

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Carlyle, T. "TC TO SIR JAMES STEPHEN." Carlyle Letters Online 28, no. 1 (January 1, 2000): 293–94. http://dx.doi.org/10.1215/lt-18531018-tc-sjs-01.

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Journal of Transportation Management Editors. "Book Reviews." Journal of Transportation Management 2, no. 1 (April 1, 1990): 123–27. http://dx.doi.org/10.22237/jotm/638928360.

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Contemporary Transportation (Donald F. Wood, James C. Johnson) (Reviewed by Stephen A. LeMay), Law and Economic Regulation in Transportation (Paul Stephen Dempsey, William E. Thoms.) (Reviewed by Gary S. Wilson)
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Deamer, Robert Glen. "Stephen Crane by James B. Colvert." Western American Literature 21, no. 1 (1986): 77–78. http://dx.doi.org/10.1353/wal.1986.0085.

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Mhlambi, Innocentia. "James Stephen Mzilikazi Khumalo (1932–2021)." Tydskrif vir Letterkunde 59, no. 2 (November 21, 2022): 71–73. http://dx.doi.org/10.17159/tl.v59i2.15016.

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Kroninger, Stephen, and James Hamilton. "Exhibit E: Stephen Kroninger and James Hamilton." Baffler 26 (July 2014): 142–43. http://dx.doi.org/10.1162/bflr_a_00299.

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Dissertations / Theses on the topic "Stephen, James"

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Vice, President Research Office of the. "Stephen Chatman's Dilemma." Office of the Vice President Research, The University of British Columbia, 2006. http://hdl.handle.net/2429/2702.

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Russ, Jeffrey J. "Feminine guidance an Augustinian reading of Joyce's Stephen Dedalus /." Connect to resource online, 2009. http://hdl.handle.net/1805/2058.

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Thesis (M.A.)--Indiana University, 2009.
Title from screen (viewed on February 1, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Jason T. Eberl, Brian C. McDonald, Kenneth W. Davis. Includes vitae. Includes bibliographical references (leaf 49).
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Praia, Mariangela Ferreira Andrade. "“Nas curvas de uma emoção” : Stephen Dedalus e a escritura." reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/17587.

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Dissertação (mestrado)—Universidade de Brasília, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2014.
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Esta dissertação aborda questões em torno da escritura joyceana. Stephen Dedalus, personagem-conceito assume a escrita do texto e brinca de artífice, dando margem para que o texto trabalhe questões como aspectos de sua criação, uma certa característica de hospitalidade, seus desdobramentos e a reflexão acerca do gênero textual. A hospitalidade derridiana é discutida também sob os olhares da tradução, que se revela enquanto abertura infinda. Nesse ponto o trabalho também discute a relação cíclica texto-leitor-texto e suas leis. A discussão acerca do gênero textual envolve Biografia, Autobiografia, Retrato, Confissão, Diário, Ensaio. Os pactos leitorautor-texto, o pacto e o espaço biográfico. Por fim, as questões da criação conversam com Gilles Deleuze e Félix Guattari sobre o plano da imanência, o da composição e o que mais nos importa do personagem-conceitual que é Stephen Dedalus. _______________________________________________________________________ ABSTRACT
This dissertation addresses issues concerning Joyce’s writing. The conceptual persona Stephen Dedalus undertakes the writing of the text and acts as an artificer, letting the text work issues such as aspects of its creation, a certain trait of hospitality, its consequences and reflections on genre. Derrida’s hospitality, which is also discussed from the standpoint of translation, is revealed as a conceptual opening up. At this point the cyclical text-reader-text relationship and the laws governing it are then discussed. The discussion on genre involves Biography, Autobiography, Portrait, Confession, Diary, Essay; all the possible pacts readerauthor- text, and then the biographical pact and biographical space. Finally, the issues of criation converse with Gilles Deleuze and Félix Guattari on the plane of immanence, composition and what matters most importantly, Stephen Dedalus as a conceptual persona.
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Natali, Ilaria. "The Ur-portrait : Stephen Hero ed il processo di creazione artistica in A portrait of the artist as a young man /." Firenze : Firenze University Press, 2008. http://digital.casalini.it/9788884539083.

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Ytterbø, Maren Collier. "American Gothic : En tematisk reise i det amerikanske skrekkuniverset." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for språk og litteratur, 2013. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-23833.

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Hoglund, Cara. "Transformations: A Folkloric Exploration of the Musical Comedy Into the Woods by Stephen Sondheim and James Lapine." TopSCHOLAR®, 2000. http://digitalcommons.wku.edu/theses/720.

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The purpose of this thesis is to examine the use of folktales in Stephen Sondheim and James Lapine's 1987 award-winning musical Into the Woods. In doing so, I hope to accomplish several directives. First, to enrich understanding of the musical for all audience members, especially those with a folklore or theater background. I feel that understanding the underlying goals and standards that Stephen Sondheim and James Lapine used in creating the musical will provide a much deeper understanding of the genius of their work. I also aim clearly elucidate the merger of folk narrative and popular musical theater form in this innovative musical. My hope is that analyses such as this will encourage a greater exploration of the strong reciprocal relationship between folklore and theater. Into the Woods is based upon four traditional folktales: Cinderella, Rapunzel, Little Red Riding Hood, and Jack and the Beanstalk. A very brief synopsis of the plot runs as follows: Cinderella, Jack, and Little Red all wish for something, and must go into the woods to get it. Rapunzel, heroine of the fourth tale, already lives in the woods with the Witch, though she wishes to see the world. Added to these tales is the central tale created by Lapine, based on the first section of Rapunzel's tale—the Baker turns out to be Rapunzel's older brother, whom their parents had before the Witch acquired Rapunzel. The Baker and his Wife wish to have a child; only when the Witch visits them do they learn that they have not been able to have a child because when the Witch came to collect Rapunzel, she also curse the Baker's family. When the Witch appears she explains to the Baker how to reverse the curse. The Baker must collect: 1) the cow as white as milk; 2) the cape as red as blood; 3) the hair as yellow as corn; 4) the slipper as pure as gold, all of which belong to one of the traditional folktale characters, before the end of the third midnight. Act One is comprised of the Baker and his wife searching for these items as the other four tales play themselves out according to Grimms' version they are based upon. Act Two begins after "Happily Ever After" and attempts to bring the characters back into real life. Rapunzel has psychological problems; the Princes' eyes stray elsewhere; Jack is bored; and Little Red Riding Hood has become violent. By the end of Act Two, almost every character besides Jack, Little Red, Cinderella, and the Baker have died, due to the fact that the wife of Jack's Giant has come to seek revenge for her husband's death. In Act Two, these four main characters learn to take responsibility for the selfish actions they committed while pursuing their wish in Act One. In the process, they mature psychologically and become part of a cohesive group, learning to work together for a common cause and realizing that everything everyone does effects everyone else in some way. No one is alone. My thesis begins with a chapter on the history of folktale scholarship. Chapter Two gives biographies of Sondheim and Lapine, and discusses the history of the American musical comedy in order to put them and this musical into a theater context as well. Chapter Three summarizes the plot in detail and compares the Broadway and London productions of the show, including reviews of the musical soon after it came out. Chapter Four analyzes Into The Woods in terms of the theories of Vladimir Propp, and compares Sondheim and Lapine's versions of the stories to the Grimms versions (using Jack Zipes' translation) and Joseph Jacobs, from whom they drew their version of Jack and the Beanstalk. Chapter Five does the same thing using the scholarship of Axel Olrik and Max Luthi. Chapter Six explores Sondheim and Lapine's intentions behind the themes in the musical, focusing on the works of Bruno Bettelheim and Erich Fromm. In researching fairy tales for their musical, Sondheim and Lapine read several analyses by folklorists and psychologists. They drew mainly from non-folkloristic sources in creating their interpretations. They critiqued Bettelheim's as well as the Jungians' interpretations of the tales. As Lapine states, "Once we decided on choosing the stories, then the obvious thing was to have a point of view about them" (1991:3). They also drew from the works of Erich Fromm, a Neo-Freudian who primarily focused on the relationship between society and the individual and between individuals.
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Silva, Lemarchand Francisco. "Synesthetic Traits in the Perception of Language in Stephen Dedalus considered as an avatar of James Joyce." Tesis, Universidad de Chile, 2005. http://www.repositorio.uchile.cl/handle/2250/110287.

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Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Inglesa.
The general objective of this work is to analyze the work of James Joyce, specifically, the analysis of A Portrait of the Artist as a Young Man.
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Tolley, Rebecca. "Review of Sociology: A Guide to Reference and Information Sources, by Stephen H. Aby, James Nalen, and Lori Fielding." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etsu-works/5630.

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Esteve, Mary Gabrielle. "Of being numerous : representations of crowds and anonymity in late-nineteenth and early-twentieth century urban America /." Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/6683.

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Koizumi, Symphorosa Sophia Yoko. "Mimetic devices of style in the earlier fiction of James Joyce : 'Dubliners', 'Stephen Hero', 'A Portrait of the Artist as a Young Man'." Thesis, Queen Mary, University of London, 2009. http://qmro.qmul.ac.uk/xmlui/handle/123456789/28084.

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The major characteristics of Joyce's stylistic achievement in the organic unity of contents and expressions are, firstlyp the 'style* is not intended to reveal the author but the whatness, of his characters and subjects described and secondly Joyce's 'style' contains in itself particular meanings beyond the limits of the semantic and lexical contents of words. These features are more specifically defined as his use of the language for mimetic purposes to revealp suggest and represent consciousness (sometimes even unconscious and subconscious) mood, emotion mental patterns thought processes physical movement situation impression and sound effects through his command of the rhythmical syntactical and other grammatical, and phonological possibilities of his medium. In his earlier worksp Dubliners and A Portrait of the Artist as a Young Man(and Stephen Hero for comparison with the Portrait) examination of the variety of his mimetic devices and their purposes contributes to the better comprehension of his works where each stylistic pattern, whether occurring in limited locality or throughout is woven into the whole design of the works. The main recurrent devices can roughly be distinguished as follows andt accordingly, Joyce's mimetic creative ability and variety in his earlier works are to be examined under the following classification: 1. Rhythmic (defined as 'repetition with variations') devices to represent and reveal certain concealed aspects and qualities of his characters; firstly, for characterization by means of special devices of appellations and secondly for revealing the preoccupations and concerns. II. Syntactical grammatical and rhythmic devices to represent, reflect and suggest firstly, his characters thought processes mental patterns emotion, mood and other psychological aspects, and secondly physical movement situation, atmosphere and impression. III. Phonological devices to imitate and suggest actual and imaginary sounds.
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Books on the topic "Stephen, James"

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Foster, Stephen. Re-mediations: Stephen Foster & James Gillespie. Edited by Gillespie James 1945-, Podedworny Carol 1959-, Jones Janet, McMaster Museum of Art, Kelowna Art Gallery, Art Gallery of Sudbury, and Art Gallery of Southwestern Manitoba. Hamilton, Ont: McMaster Museum of Art, 2007.

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James Fitzjames Stephen: Portrait of a Victorian rationalist. Cambridge: Cambridge University Press, 1988.

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Hostettler, John. Politics and law in the life of Sir James Fitzjames Stephen. Chichester: Barry Rose, 1995.

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Lindberg-Seyersted, Brita. Ford Madox Ford and his relationship to Stephen Crane and Henry James. Atlantic Highlands, N.J: Humanities Press International, 1987.

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Canaday, Richard A. Oregon foreclosure and repossession: By Richard A. Canaday, James M. Finn, Stephen Werts. Eau Claire, WI: National Business Institute, 1998.

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McBride, Margaret. Ulysses and the metamorphosis of Stephen Dedalus. Lewisburg [Pa.]: Bucknell University Press, 2001.

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Stephen James O'Meara's observing the night sky with binoculars: A simple guide to the heavens. New York: Cambridge University Press, 2008.

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King, Stephen. Stephen King goes to the movies. New York: Pocket Books, 2009.

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Howlett, M. Stephen Dedalus and Leopold Blum as "Theologians": Their reception of the tradition about Jesus in James Joyce's Stephen Hero, A portrait of the artist and Ulysses. Dublin: University College Dublin, 1998.

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A portrait of the artist as a young man, by James Joyce. Pasadena, Calif: Salem Press, 2012.

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Book chapters on the topic "Stephen, James"

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Scruton, Roger. "Sir James Fitzjames Stephen." In Conservative Texts, 285–96. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21728-1_20.

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Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "James Fitzjames Stephen, Journalism." In Literary and Cultural Criticism from the Nineteenth Century, 271–77. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199915-55.

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Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "James Fitzjames Stephen, Periodical Writing." In Literary and Cultural Criticism from the Nineteenth Century, 129–32. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199915-27.

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Titlestad, Michael. "Stephen Crane and James Hanley’s Open Boats." In Shipwreck Narratives: Out of our Depth, 103–12. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-87041-6_9.

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Bailey, Victor. "James Fitzjames Stephen, “Capital Punishments,” 1864, Excerpt." In Nineteenth-Century Crime and Punishment, 275–90. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429504020-48.

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Bailey, Victor. "James Fitzjames Stephen, “Variations in the Punishment of Crime,” 1885." In Nineteenth-Century Crime and Punishment, 326–46. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429504020-56.

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Smyth, Gerry. "Listening for the Music of What Happens: The Education of Stephen Dedalus." In Music and Sound in the Life and Literature of James Joyce, 145–65. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-61206-1_6.

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"PLAICE, Stephen James." In International Who's Who in Poetry 2005, 1291–96. Routledge, 2004. http://dx.doi.org/10.4324/9780203325803-352.

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DeGirolami, Marc O. "James Fitzjames Stephen:." In Foundational Texts in Modern Criminal Law, 183–98. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780199673612.003.0010.

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"Preface." In James Fitzjames Stephen, ix—xii. Cambridge University Press, 1988. http://dx.doi.org/10.1017/cbo9780511558597.001.

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Conference papers on the topic "Stephen, James"

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Asmarani, Ratna. "The Transformations from the Novel Twilight by Stephenie Meyer to the Fan Fiction Master of the Universe by E.L. James." In Proceedings of the International Conference on Interdisciplinary Language, Literature and Education (ICILLE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icille-18.2019.61.

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