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Journal articles on the topic 'Statue'

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Published: 4 June 2021
Last updated: 5 March 2023

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1

Lebovici, Élisabeth. "Du statut d'une statue." Multitudes 31, no. 4 (2007): 187. http://dx.doi.org/10.3917/mult.031.0187.

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2

YOSHIMOTO, Takashi. "Asura-statue." Neurologia medico-chirurgica 50, no. 9 (2010): E5—E6. http://dx.doi.org/10.2176/nmc.50.e5.

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3

Ashton, Paul. "Statue Wars." Public History Review 28 (June 4, 2021): 1–18. http://dx.doi.org/10.5130/phrj.v28i0.7746.

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4

Verderame, Lorenzo. "Statue scomparse." Quaderni di Vicino Oriente 17 (2021): 53. http://dx.doi.org/10.53131/qvo1127-60372021_5.

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5

Davis, Carol V. "Silverware Statue." Bridges: A Jewish Feminist Journal 15, no. 2 (October 2010): 68–71. http://dx.doi.org/10.2979/bri.2010.15.2.68.

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6

Jordan, Victoria Sloan. "The Statue." Callaloo 29, no. 4 (2006): 1125. http://dx.doi.org/10.1353/cal.2007.0030.

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7

Blessington, F. "Living Statue." Literary Imagination 13, no. 1 (January 4, 2011): 54. http://dx.doi.org/10.1093/litimag/imq068.

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8

Grossman, Janet Burnett. "Statue Bases." Classical Review 55, no. 2 (October 2005): 662–64. http://dx.doi.org/10.1093/clrevj/bni360.

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9

Marconi, Clemente. "STATUE GROUPS." Classical Review 53, no. 1 (April 2003): 221–23. http://dx.doi.org/10.1093/cr/53.1.221.

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10

Linden, David E. J. "Statue enigma." Nature 369, no. 6483 (June 1994): 714. http://dx.doi.org/10.1038/369714a0.

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11

Gourevitch, Danielle, and Mirko D. Grmek. "Enigmatic statue." Nature 372, no. 6503 (November 1994): 228. http://dx.doi.org/10.1038/372228a0.

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12

Baines, John, and Christina Riggs. "Archaism and Kingship: A Late Royal Statue and its Early Dynastic Model." Journal of Egyptian Archaeology 87, no. 1 (December 2001): 103–18. http://dx.doi.org/10.1177/030751330108700110.

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Publication of British Museum EA 941, a Late Period or early Ptolemaic royal statue in travertine whose model is the Early Dynastic statue of Djoser (Cairo JE 49158) from the serdab on the north side of his Step Pyramid, or another statue of the same type. We present the British Museum statue, compare it with the Djoser statue, and argue for the former's likely dating and Saqqara provenance. Both statues are significant for their iconography of divine kingship and mortuary transfiguration.
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13

Lim, Young-ae. "A Golden Treasure from Korea: The Gilt-Bronze Bodhisattva Statue of Silla." Religions 13, no. 6 (June 16, 2022): 554. http://dx.doi.org/10.3390/rel13060554.

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A gilt-bronze statue of a standing bodhisattva was discovered at the Sŏllimwŏn Temple site. The statue is notable as its halo and pedestal were found intact at the time of discovery, and the bodhisattva figure itself is almost perfectly preserved. There are only a few instances of gilt-bronze statues from the Unified Silla kingdom that can be definitively linked to the site of their original placement. Sŏllimwŏn was physically distant from the royal palace, but its status as a central temple of the Sŏn School 禪宗 and the activities of pre-eminent monks in the ninth century made it important enough to become the site for a splendid gilt-bronze bodhisattva statue. Based on physical, stylistic, and scientific evidence, the statue dates to the latter half of the ninth century and has ties to the Buddhist monk Master Honggak 弘覺禪師. A unique example of a gilt-bronze sculpture, the Sŏllimwŏn bodhisattva is a valuable part of Buddhist material culture in Korea.
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14

Wilson, Nick, Amanda C. Jones, Andrea Teng, and George Thomson. "The epidemiology of attacks on statues: New Zealand as a case study." PLOS ONE 16, no. 6 (June 3, 2021): e0252567. http://dx.doi.org/10.1371/journal.pone.0252567.

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Objectives We aimed to describe the epidemiology of statue attacks along with statue representativeness relative to modern day demographics in one case study country: New Zealand. Methods We performed Internet searches for the existence of outdoor statues of named individuals and historical attacks in New Zealand (NZ), combined a national survey with field visits to all identified statues to examine for injuries and repairs. Results Of the 123 statues identified, nearly a quarter (n = 28, 23%) had been attacked at least once (total of 45 separate attack events), with the number of attacks increasing from the 1990s. Attacks involved paint/graffiti (14% of all statues at least once), nose removal/damage (7%), decapitation (5%), and total destruction (2%). The risk of attack was relatively higher for statues of royalty (50%), military personnel (33%), explorers (29%), and politicians (25%), compared to other reasons for fame (eg, 0% for sports players). Statue subjects involved in colonialism or direct harm to Māori (Indigenous population), had 6.61 (95%CI: 2.30 to 19.9) greater odds (adjusted odds ratio) of being attacked than other subjects. Most of the statue subjects were of men (87%) and Europeans (93%). Other ethnicities were 6% Māori (comprising 15% of the population) and 1% each for Asian and Pacific peoples, who comprise 12% and 7% of the population respectively. Conclusions This national survey found an association between statue attacks and the role of statue subjects in colonialism or direct harm to the Indigenous population. Furthermore, the demography of the statue subjects may represent historical and current social power relationships—with under-representation of women and non-European ethnic groups.
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15

Lefebvre, Thierry. "Changement de statue." Revue d'histoire de la pharmacie 107, no. 406 (2020): 236–38. http://dx.doi.org/10.3406/pharm.2020.24051.

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16

Meisels, Vera. "My musselman statue." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 1, no. 1 (October 30, 2007): 228. http://dx.doi.org/10.17851/1982-3053.1.1.228.

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17

BOLAND, EAVAN. "THE MOVING STATUE." Yale Review 102, no. 4 (2014): 9–10. http://dx.doi.org/10.1353/tyr.2014.0091.

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18

Kim, Nick. "CARTOON: "Statue Record"." Annals of Improbable Research 8, no. 6 (November 1, 2002): 18. http://dx.doi.org/10.3142/107951402782020066.

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19

Templeton, K. E. "Phenobarbital for statue." Neurology 39, no. 4 (April 1, 1989): 609. http://dx.doi.org/10.1212/wnl.39.4.609-a.

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20

Crawford, T. O., and W. G. Mitchell. "Phenobarbital for statue." Neurology 39, no. 4 (April 1, 1989): 609. http://dx.doi.org/10.1212/wnl.39.4.609-b.

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21

Maddox, John. "Hoyle statue unveiled." Nature 358, no. 6384 (July 1992): 269. http://dx.doi.org/10.1038/358269b0.

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22

Feery, Elizabeth. "Statue of Osiris." Art Institute of Chicago Museum Studies 29, no. 2 (2003): 52. http://dx.doi.org/10.2307/4121054.

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23

Veldhuis, Niek. "Kurigalzu's Statue Inscription." Journal of Cuneiform Studies 60, no. 1 (January 2008): 25–51. http://dx.doi.org/10.1086/jcs25608620.

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24

Bojórquez, Mario, and Don Cellini. "Statue of Liberty." Manoa 31, no. 2 (2019): 12. http://dx.doi.org/10.1353/man.2019.0116.

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25

Greene, Jonathan. "Civil-War Statue." Sewanee Review 121, no. 1 (2013): 49. http://dx.doi.org/10.1353/sew.2013.0019.

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26

BOLAND, EAVAN. "THE MOVING STATUE." Yale Review 102, no. 4 (September 23, 2014): 9–10. http://dx.doi.org/10.1111/yrev.12187.

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27

Martino, E. "Statue with Acromegaly." Journal of Endocrinological Investigation 32, no. 5 (May 2009): 484. http://dx.doi.org/10.1007/bf03346491.

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28

Hogi Jung. "Park Chung-hee Government Statue Movement: National Heroes Statue Committee." Korean Studies Quarterly 30, no. 1 (March 2007): 335–63. http://dx.doi.org/10.25024/ksq.30.1.200703.335.

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29

Almgren White, Anette. "Den levandegjorda statyn." Tidskrift för litteraturvetenskap 44, no. 2 (January 1, 2014): 35–48. http://dx.doi.org/10.54797/tfl.v44i2.10513.

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The Animated Statue. An Intermedial Analysis of Statue Ekphraseis in Picture Books This article examines the animation of statues in three Scandinavian picture books: Göran och draken (2002) by Ulf Stark and Anna Höglund, Hva skal vi gøre med lille Jill? (1976) by Fam Ekman and Malte möter Ängel en majkväll på Millesgården (2001) by Maria Hellstadius Wiberg and Karin Södergren. The transformation of humans from organic to inorganic matter is part of an abundant mythopoeia, which calls for a closer examination of the statue motif in children’s literature. This article examines the statue motif, aiming to shed light on the animated statue that children’s books with its dual audience can address. The modern western picturebook, with its strong affinity to the visual arts, is especially pertinent to this area of inquiry. This article employs an intermedial perspective in order to clarify how the animation of statues differs from that of toys. In contrast to a toy, a statue is a representation and therefore an index for something absent or alienated. The statue is a transformation, more precisely an ekphrasis (Bruhn 2000). This study therefore utilizes the differential model of Robillard (2010), designed to mark different medial relations between the ekphrasis and the plastic object, in order to uncover particular relations and the way in which they suggest associations to statue-ekphrasis. This analysis shows that animation is an artistic device relying on intermedial connections to depict conditions of mix-up, confusion, metamorphosis and reverie. The concept of a magic space is also addressed. On one hand, animation suggests art’s imaginative ability to enrich and breathe life into representations. On the other hand, statue-ekphrasis that brings forth the Verfremdungseffekt illustrates and raises awareness of the complex relation between fiction and nonfiction, life and death.
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30

Manik, Joy Endiko, and Tetty Mirwa. "Kajian Bentuk dan Kesesuaian Gerak Patung Legenda Danau Toba terhadap Cerita Legenda Danau Toba." Journal of Education, Humaniora and Social Sciences (JEHSS) 4, no. 1 (June 24, 2021): 372–83. http://dx.doi.org/10.34007/jehss.v4i1.653.

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This study aims to describe the shape and suitability of the statue's motion to the legendary story of Lake Toba in Siallagan village. The method used in this research is descriptive qualitative. The population in this study were ten human statues in the Taman Wisata Legenda Danau Toba which consisted of 10 statues. The 10 statues were assessed to get answers about the shape and suitability of body movements with the Legendary Story of Lake Toba in Siallagan Village. The highest value of a statue has an average value of 73, namely the 2nd sculpture work.While the lowest score of the statue has an average value of 57.25, is the 6th statue work. which is large enough from the beginning of the story to the illustration of the last goldfish statue depicting the end of the story that Uli returned to being a goldfish and the whole village sank to form a lake and an island.
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31

Malek, Jaromir. "The Monuments Recorded by Alice Lieder in the ‘Temple of Vulcan’ at Memphis in may 1853." Journal of Egyptian Archaeology 72, no. 1 (August 1986): 101–12. http://dx.doi.org/10.1177/030751338607200109.

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Alice Lieder, the wife of the Revd J. R. T. Lieder, visited Memphis, and made squeezes of the inscriptions on thirteen statues lying there, in May 1853. Most of the sculptures had been found by Hekekyan in 1852. They included a fragment of a statue of Ramesses III, and one of a colossus of Ramesses VI, a statue of the vizier Paser, a statue of Khaemwese, and a standard-bearing statue of Ramesses II. The previous identifications of the last as Ramesses VI or VII are disputed. The discovery of several statues dated to the reign of Psammetichus I near the Abû'l-ḥôl colossus suggests the presence of an early Saite gateway in the area of the Ramessid southern entrance to the temple of Ptah, and thus corresponds to the accounts of building activities of Psammetichus I by Herodotus and Diodorus.
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32

Irfan, Mochamad, I. Wayan Srijaya, and Coleta Palupi Titasari. "Tinggalan Arkeologi Di Pura Penataran Kacang Bubuan Mas." Humanis 23, no. 4 (November 29, 2019): 291. http://dx.doi.org/10.24843/jh.2019.v23.i04.p06.

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In Bali, the archaeological remains is still functioned and sanctified by the public by placing them in a temple, one of them is Penataran Kacang Bubuan Mas Temple, Ubud, Gianyar regency. The methodin this study is a qualitative committee method which will produce desktiptif data in the form of written words. Data analyis being applied in this research is the qualitative analysis,iconography analysis and contextual analysis. Some theories being applied in this research is the functional theory and semiotics theory. Based on the analysis, the conclusions are drawn in the form of archaeological heritage of 1 piece Ganesha statue,1 piece simpel statue (primitive statue), 6 pieces embodiment statues of bhatari, 2 pieces embodiment statues of bhatara, 1 piece lingga (tribhaga), 2 pieces animal statues, 1 piece priest statue, 1 pieces clownman statue, 4 pieces fragments of statues, 1 piece fragment waterless building fragment, 1 piece natural stone. Archaelogical remains in Penataran Kacang Bubuan Mas Temple, Ubud, Gianyar regency when viewed from its function in the past has experienced a shift function. The local community is still sanctify archaeological remains as a workship tool to ask for safety and protection from harm and fertility. The meaning of the archaeological remains found in the temple is sacred objects for the means of worship by the penyungsung pura community. The means of worshiping the requested statues is symbolism or symbolic that connects worshipers with gods, ancestral holy spirits or for Sang Hyang Widhi Wasa (God).
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33

Bodnar, John, Ken Burns, and Buddy Squires. "The Statue of Liberty." Journal of American History 73, no. 3 (December 1986): 826. http://dx.doi.org/10.2307/1903110.

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34

Torge, Hagit. "Small Statue, Big Conspiracy." Journal of Islamic Archaeology 7, no. 1 (November 7, 2020): 93–99. http://dx.doi.org/10.1558/jia.18278.

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In a large excavation, located in the proximity of the White Mosque, a residential building datedto the Fatimid period was uncovered. The layout and the small finds of this spacious building attest to the wealth of its inhabitants. One special find was a shabti figurine found in a receptionroom. The figurine is evidence of robbery and trade in funerary items from Ancient Egypt.
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35

Romano, J. F., and W. V. Davies. "A Royal Statue Reattributed." Journal of Egyptian Archaeology 71 (1985): 38. http://dx.doi.org/10.2307/3821675.

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36

A., Faheed. "FRAGMENT OF BLOCK STATUE." Egyptian Journal of Archaeological and Restoration Studies 1, no. 1 (June 1, 2011): 31–34. http://dx.doi.org/10.21608/ejars.2011.7472.

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37

Segal, Naomi. "'Sculpting the Strange Statue'." Glimpse 13 (2011): 107–12. http://dx.doi.org/10.5840/glimpse20111317.

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38

Loison, Laurent. "La statue de Lamarck." Cahiers François Viète, no. II-2 (March 1, 2011): 15–30. http://dx.doi.org/10.4000/cahierscfv.1014.

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39

Boles, Margaret. "A Statue of Shiva." Books Ireland, no. 235 (2000): 328. http://dx.doi.org/10.2307/20632197.

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40

Scheid, John, and Jesper Svenbro. "La statue d�Orbilius." Le Genre humain N�37, no. 1 (2002): 197. http://dx.doi.org/10.3917/lgh.037.0197.

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41

Kirchwey, Karl. "A Cement Lawn Statue." Hopkins Review 1, no. 2 (2008): 314. http://dx.doi.org/10.1353/thr.2008.0044.

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42

Peter Goldsworthy. "Self-Portrait with Statue." Antipodes 29, no. 1 (2015): 18. http://dx.doi.org/10.13110/antipodes.29.1.0018.

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43

Mundell, Ian. "Newton statue under fire." Nature 359, no. 6392 (September 1992): 178. http://dx.doi.org/10.1038/359178b0.

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44

Pentassuglio, Francesca. "Come “statue di bronzo”." Revista Archai, no. 28 (March 24, 2020): e02808. http://dx.doi.org/10.14195/1984-249x_28_8.

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Obiettivo del presente contributo è un esame dei riferimenti al tema del silenzio in alcuni “luoghi” della letteratura socratica. Più particolarmente, l’analisi si concentra sull’importanza riconosciuta alla virtù del σιωπᾶν in due specifici ambiti: 1) l’educazione dei giovani e 2) lo scambio dialogico. Il primo aspetto è indagato soprattutto a partire dal Milziade di Eschine di Sfetto, che presenta positivamente la capacità di tacere nei giovani (Stob. 2.31, 23; Plu. De recta rat. aud. 4 p. 39b-c) e che permette di istituire, a questo riguardo, alcuni paralleli con opere non socratiche (in particolare X. Lac. 3.5 e Isoc. Bus. 28-29). Il secondo aspetto, non privo di connessioni con il primo, è invece approfondito soprattutto a partire da un riferimento al ruolo del silenzio nel Protagora platonico (329b), che consente di indagarne la funzione più specificamente anti-sofistica.
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45

Kavanagh, Michael J. "The Statue of Liberty." Group & Organization Management 17, no. 3 (September 1992): 227–28. http://dx.doi.org/10.1177/1059601192173001.

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46

GAIFMAN, MILETTE. "STATUE, CULT AND REPRODUCTION." Art History 29, no. 2 (April 2006): 258–79. http://dx.doi.org/10.1111/j.1467-8365.2006.00501.x.

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47

Ashbee, Paul, and Charles Thomas. "Scilly's statue-menhir rediscovered." Antiquity 64, no. 244 (September 1990): 571–75. http://dx.doi.org/10.1017/s0003598x00078479.

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48

Leising, Gary. "Begging at a Statue,." Prairie Schooner 87, no. 1 (2013): 127. http://dx.doi.org/10.1353/psg.2013.0029.

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49

Bakker, Hans. "Trivikrama: word and statue." Acta Orientalia Academiae Scientiarum Hungaricae 63, no. 3 (September 2010): 241–47. http://dx.doi.org/10.1556/aorient.63.2010.3.1.

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50

Chengzhi, Z. "Statue of a Dog." positions: east asia cultures critique 10, no. 3 (December 1, 2002): 511–24. http://dx.doi.org/10.1215/10679847-10-3-511.

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