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Published: 10 December 2022

Last updated: 28 January 2023

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1

Lang, Christopher Louis. "An analysis of Stanley Fish's critical theory in light of post-modern thought, or, Babel revisited." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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2

Urda, Anguita Juan Antonio de. "Representaciones de la violencia en la poesía de la guerra war española." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4852.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on September 20, 2007) Vita. Includes bibliographical references.

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3

Owen, J. Judd. "Religion and the demise of liberal rationalism : the foundational crisis of the separation of church and state /." Chicago, Ill. [u.a.] : Univ. of Chicago Press, 2001. http://www.loc.gov/catdir/toc/uchi051/00012232.html.

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Univ., Diss--Toronto.
Includes bibliographical references and index. If liberalism is a faith, what becomes of the separation of church and state? -- Pragmatism, liberalism, and the quarrel between science and religion -- Rorty's repudiation of epistemology -- Rortian irony and the "de-divinization" of liberalism -- Religion and Rawls's freestanding liberalism -- Stanley Fish and the demise of the separation of church and state -- Fish, Locke, and religious neutrality -- Reason, indifference, and the aim of religious freedom -- Appendix : a reply to Stanley Fish.

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4

Pezzotta, Elisa. "Adaptations : Stanley Kubrick's challenges." Thesis, University of Roehampton, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515227.

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5

Hui, Wai-hung Lawrence, and 許偉雄. "Photographic forum at Stanley Street." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31983352.

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6

Yung, Kei-yau Jason, and 容基佑. "Visitor and community centre, Stanley." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31984356.

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7

Vacirca, Silvia <1981&gt. "Stanley Kubrick: architetture dello spazio." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/3058/.

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8

Tedeschi, Chiara. "Thomas Stanley, editore di Eschilo." Doctoral thesis, Paris, EHESS, 2011. http://www.theses.fr/2011EHES0131.

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Ce mémoir veut analyser les travaux éditoriels de Thomas Stanley conduits à la fin du XVIIe siècle sur le texte des tragédies eschyléennes. L'éditions et les notes manuscrites de Thomas Stanley sont considerées selon le contexte historique, politique et culturel (ch. 1-2). Les charactéristiques de l'édition e les sources que Stanley a utilisé pour la rédiger sont analysées aux ch. 3 et 4. En particulier, le ch. 4 veut décrire les différents exemplaires des volumes annotés par les savants du XVIe et du XVIIe siècle (Jean Dorat, François Portus, Joseph-Juste Scaliger, Isaac Casaubon, Henry Jacob, John Pearson) dont Stanley a copié les conjectures écrites aux marges (qui sont tous listés au ch. Il). En plus, l'édition de Stanley a donné une grande contribution à la diffusion des conjectures de ces savants, bien avant la découverte des volumes annotées qui les conservaient. Le ch. 5 veut considérer le travail direct conduit sur le texte grec par Stanley, en considérant la traduction et le commentaire aux vv. 1-680 de l'Agamemnon. Les ch. 6,7, 8,9 analysent la traduction latine donné par Stanley, le différents aspects du commentaire, la pratique qui adoptait Stanley en corrigéant le texte grec, et ses connaissance de métrique et colométrie ancIennes. Dans son édition, Stanley présente un travail à la fois philologique et encyclopédique. Le commentaire de Stanley désire donner aux lecteurs une grand quantité d'informations différentes pour comprendre, interpréter et corriger le texte d'Eschyle, selon les connaissances accumulées dans les siècles, dans une organisation qui réponds aux nouvelles exigences requis par Francis Bacon et ses partisans aux ouvrages scientiphiques
The edition of Aeschylus plays edited by Thomas Stanley, and the notes he collected for a second one, are the subject of this thesis. The analysis considers the work of Thomas Stanley from different points of view: ch. Land 2 present a summary on the historical events of English Revolution, the contemporary cultural upheavals, and the biography of Thomas ' Stanley. The traits of Stanley's edition and sources are considered in ch, 3 and 4. Ch. 4 describe the different volumes, from which Thomas Stanley copied and exploited the marginal notes of XVI and XVII century scholars (Jean Dorat, Franciscus Portus, Il Scaliger, Isaac Casaubon, Henry Jacob, John Pearson) in his large philological commentary (aIllisted in ch. Il). Furthermore, Thomas Stanley's edition, well-known and widely used tiIl the end of XVm century, has given a great contribution to the diffusion of these scholars' conjectures, much before these annotated volumes were discovered and explored indipendently. Ch. 5 considers how Stanley worked on a portion of Aeschylus' Agamemmon (vv. 1-680), considering the tranlsatioIl, the commentary, the correction practice, and the metrical knowledge. AlI these aspects are deepened in ch. 6,7,8,9. Stanley's edition does n9tjust give attention to the philological issues raised by the text, but shows itself as an "aeschylean encyclopaedia", giving readers a great amount of information on different subject (archaeology, chronology, geography, etc. . . ), in order to let a wider and more complete comprehension of the text. This encyclopaedic 'character matches with the requirements put forward by Francis Bacon and his followers in the first half of the XVIIe century

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9

Saengprapan, Pichaiwat. "Le décor chez Stanley Kubrick." Thesis, Toulouse 2, 2011. http://www.theses.fr/2011TOU20064.

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S’interroger sur le décor de cinéma parait ouvrir un champ de recherche illimité, surtout lorsqu’il s’agit de la création cinématographique de Stanley Kubrick. Indéniablement le décor nous transmet l'état émotif des personnages, illustre l’ambiance des séquences et est même source de jouissance esthétique. Le décor de cinéma chez Kubrick apparaît alors comme un élément prépondérant de son langage cinématographique. Certains décors de ses films font même partie de notre mémoire cinématographique collective. Parmi ses treize longs métrages, cette recherche analyse plus précisément le décor dans A Clockwork Orange / Orange mécanique (1971), décor aussi polémique que le film lui-même. Avec une approche pluridisciplinaire : cinématographique, esthétique, sémiologique, sociologique, historique, cette recherche montre le caractère symbolique et esthétique du décor qui est lié à son aspect iconique, plastique et à son rapport à l’élément sonore du film. L’objet principal est de faire comprendre le « sens » du décor et la façon de le construire au sein du film. L’étude du décor chez Kubrick permet de connaître ses sources d’inspiration et son goût pour l’architecture, le design et les Arts. De surcroît, cette recherche atteste son caractère perfectionniste grâce auquel il est considéré comme l’un des plus grands cinéastes visionnaires de l’histoire du cinéma
Questions on film sets always seem to open up new fields of research, especially when the film is by Stanley Kubrick. Certainly, his scenic design conveys the emotional state of the characters illustrates the atmosphere of the sequences and even arouses our aesthetic pleasure. Kubrick’s film sets are a dominating element for his film language. Many of them are a part of our collective film memory. Among his thirteen films, this research focuses on the scenic design in A Clockwork Orange / Orange mécanique ( 1971 ) which caused as much debate as the movie itself. Thank to a multidisciplinary approach: cinematography, aesthetics, semiology, sociology, and history of art, this research shows the significance and artistic value of the film sets which are linked to its iconic and plastic aspects and to its relationship with sound. The main objective is to clarify the "meaning" of the film sets and the way they are conceived within the movie. The study of the Kubrick’s film sets allows us to know his artistic tastes, his sources, classical and contemporary, of architecture, design and Arts. Furthermore, this research gives evidence of his perfectionist character, thanks to which he is considered as one of the greatest visionary filmmakers of cinema’s history

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10

Yung, Kei-yau Jason. "Visitor and community centre, Stanley." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25948982.

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11

Hui, Wai-hung Lawrence. "Photographic forum at Stanley Street." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25953849.

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12

Thompson, Andrew William. "Stanley Kubrick and the American Myth." Thesis, Boston College, 2011. http://hdl.handle.net/2345/1962.

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Thesis advisor: John Michalczyk
Stanley Kubrick explored and subverted the concept of American Myth throughout his filmography. American Myth may include the notion of social mobility (the American Dream), the archetypal gunslinger of the American West, the righteousness of a democratic system, a belief in social egalitarianism, and explicit foreign policies such as the Monroe Doctrine and the idea of Manifest Destiny. Kubrick’s Paths of Glory is an indictment of modern war and the commoditization of human lives. Dr. Strangelove demonstrates a uniquely American obsession with technology, proving innovation is not always progress. Finally, with Full Metal Jacket, Kubrick shows Vietnam has supplanted the West as America’s frontier, complete with gunplay between cowboys and native inhabitants
Thesis (BA) — Boston College, 2011
Submitted to: Boston College. College of Arts and Sciences
Discipline: College Honors Program
Discipline: Film Studies

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13

Whitfield, Kelly. "Stanley Fish: Interpretation and interpretive communities." Thesis, Whitfield, Kelly (1995) Stanley Fish: Interpretation and interpretive communities. Masters by Coursework thesis, Murdoch University, 1995. https://researchrepository.murdoch.edu.au/id/eprint/52839/.

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This dissertation is a critique of the general theory that Stanley Fish presents in his two books, Is There A Text In This Class: The Authority Of Interpretive Communities, and Doing What Comes Naturally: Change, Rhetoric and the Practice of Theory in Literary and Legal Studies. The importance of the theories presented in these two books is of wider-ranging importance than just the literary and legal academy, which is, at first glance, what Stanley Fish appears to be writing about. Stanley Fish uses these fields as a starting point to discuss interpretation of the text. However, he claims that his arguments have a wider relevance, and can explain the nature of all interpretations of the world around us. Both the legal and literary academies make claims about the nature of interpretation of texts. The history of both fields is full of discussion over what should be regarded as the best method of interpretation of any particular text, with various reading strategies being proposed as being the most objective. Fish’s point of view, however, is that no interpretation can be truly objective, although he also claims that this point of view does not commit him to a position where all interpretation is subjective. He refuses the traditional dichotomy between these two terms. The key to this apparent paradox is in the use of his concept interpretive communities. Stanley Fish proposes interpretive communities as a coherent social system of meaning which explains how interpretation, whilst not being objective in the pure sense of the term, is nevertheless not subjective. Fish’s explanation of interpretive communities has been subject to a great deal of criticism, and this dissertation will first summarize both Fish’s view, and that of some of his critics, then will discuss whether Fish’s arguments prove what he says they prove, or whether his critic’s objections prevail.

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14

St-Pierre, Monique. "L'analyse des relations internationales selon Stanley Hoffmann." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq26278.pdf.

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15

謝啓倫 and Kai-lun Alan Tse. "Aquatic leisure & training centre at Stanley." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31984848.

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16

黃朝龍 and Chiu-lung Dennis Wong. "An audio-visual centre at Stanley Street." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31986110.

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17

Holiš, Jakub. "Analýza Morgan Stanley v průběhu finanční krize." Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-15471.

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The main task of the diploma thesis is an analysis of financial performance and position of Morgan Stanley during several successive periods before and during the subprime financial crisis. Through the analysis of trends in key items, it also demonstrates strong cyclicality of financial performance and position of the investment bank. The first chapter deals with history and key divisions of the Company. The following chapter generally discusses selected phenomena, which, as per the author's view, significantly influenced industry-wide record-breaking performance during the period before the subprime crisis, and which substantially determined Morgan Stanley's risk profile and performance's corrections later during the Crisis. The core part of the Thesis is conceived as an analysis of financial performance and position of Morgan Stanley during the selected periods. The analysis of pre-crisis period until 2006 in the third chapter demonstrates growth of activities lying behind the unprecedented profitability of the Institution. The following fourth chapter analyzes deteriorating financial performance during the subprime crisis and indicates crucial strategy changes, implemented by the Company at the end of 2008. Effects of the strategic changes and challenges of the future development of the Institution are discussed in the last chapter. Additionally, the Thesis includes annexes, which further deal with selected topics and their general relations to investments banks and two annexes which compare Morgan Stanley with its nearest peers during specific periods.

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18

Feinberg, Sarah A. "Stanley Hauerwas's true politics in the church." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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19

Tse, Kai-lun Alan. "Aquatic leisure & training centre at Stanley." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2594809x.

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20

Wong, Chiu-lung Dennis. "An audio-visual centre at Stanley Street." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25950174.

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21

Reincke, Hans Joachim. "SLOYD IN USA STANLEY HALL'S CRITIQUE ON SLOYD." 名古屋大学大学院教育発達科学研究科技術・職業教育学研究室, 2006. http://hdl.handle.net/2237/12063.

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22

Couture, Selena Marie. "Xʷay'Xʷəy' and Stanley Park : performing history and land." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/54325.

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This dissertation demonstrates performance as a mode of knowledge transfer, cultural continuity and intercultural influence that connects people – Indigenous as well as settlers and newcomers – to land. In it I engage with performance studies theory in light of Indigenous conceptions of land, performance and place naming held within the hən'q'əmin'əm' language, while using case studies to explicate histories based on archives and repertoires. Two of my dissertation case studies critically engage with the City of Vancouver Archives. The first deconstructs the use of reenactment to create an origin narrative of benevolent “whiteness” in settler society and the second examines possible Indigenous interventions in the archive through cultural restriction. A third study demonstrates how Aboriginal Tourism of BC’s Klahowya Village, located in Stanley Park 2010-14, presents an enterprise which asserts a connection to land while enabling some intra-nation Indigenous transfer of knowledge. In aiming to rectify the absence of Indigenous women in the archival work that I have undertaken, this dissertation also features performance responses to contemporary theatrical works written and/or performed by Indigenous women in Vancouver between 2012 and 2014. Research methodologies include semiotic and phenomenological analyses enabled by an engagement with Indigenous research methodologies supported by language learning, interviews, as well as archival and field work. This research puts forth a careful examination of the influence of Vancouver’s first archivist, James Skitt Matthews, making note of limitations of the city’s archival collection with regard to Indigenous knowledge and activities. Through analyses of the performative knowledge contained within hən'q'əmin'əm' and colonial place names this research proposes further critical consideration of existing Vancouver place names. I also develop two terms, grounded practices and eddies of influence, which are employed to create a fuller understanding of the significance of land, language and reciprocity, as well as the strategic and tactical methods through which the Indigenous peoples of this area have used performance to contribute to cultural continuation and the maintenance of Indigenous places.
Arts, Faculty of
Theatre and Film, Department of
Graduate

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23

Brown, Graham Roger. "Stanley Abbey and its estates 1150-c.1640." Thesis, University of Leicester, 2012. http://hdl.handle.net/2381/10170.

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This thesis assesses the impact of a Cistercian monastery on the landscape and how, in its turn, the landscape influenced the monastery. It also tests some of the traditional early ideals of the Cistercians such as their attitude to colonisation, land clearance, administration of their territory and dealings with secular society. This study also goes beyond the monastic period and examines what effect the suppression of the monastery had on the landscape and community. The research of monasteries has tended to be insular and concentrate on the recording of their standing fabric or the excavation of the church and conventual buildings; however, this thesis approaches the subject from a different perspective and examines not only the abbey but its territory using archaeology, architecture, documents and map evidence in a holistic, ‘landscape’ manner. In order to understand why the monks chose Chippenham Forest for their monastery the geomorphology of the region and the pre-monastic landscape is first assessed since it probably affected later colonisation. Using the earthwork survey plan of the abbey features within the precinct are identified. It is clear that, following its suppression, the west range of the abbey was converted into a mansion house with gardens and parkland beyond, which are revealed on the plan. Similarly, archaeological evidence would suggest that similar conversions were undertaken at some granges. The abbey’s granges were located in diverse locations; some were in isolated positions while others were on the edge of existing settlements. It is also clear that the monks held manors at an early date, but within some of these manors there were also granges, thus the monks held a compact blocks of land in severalty, but also owned the demesne with tenants owing dues to the abbot.

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24

王穎儀 and Wing-yee Wong. "Redevelopment of waterfront landscape in Stanley, Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31980600.

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25

Yu, Sai-yiu, and 余世耀. "Revitalization of Stanley main street, a new waterfront." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31982815.

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26

Lam, Yuk-chu Tina, and 林淯珠. "Witnessing the War: museum at Stanley Military Cemetery." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31985828.

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27

Kiang, Kam-yin, and 姜錦燕. "Planning for conservation: a case study of Stanley." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31257562.

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28

Baksi, Stanley [Verfasser]. "Rapid Bone Reconstruction Using Reverse Engineering / Stanley Baksi." Aachen : Shaker, 2008. http://d-nb.info/1164341960/34.

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29

Johnson, Marcus P. "An analysis of Stanley Hauerwas's theology of sanctification." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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30

Wong, Wing-yee. "Redevelopment of waterfront landscape in Stanley, Hong Kong." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25950605.

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31

Lam, Yuk-chu Tina. "Witnessing the War : museum at Stanley Military Cemetery /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25950022.

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32

Yu, Sai-yiu. "Revitalization of Stanley main street, a new waterfront." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25949457.

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33

Olson, Ted. "The Stanley Legacy: Mountain Music Creators and Ambassadors." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1198.

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34

Maas, Harro. "William Stanley Jevons and the making of modern economics /." Cambridge : Cambridge University Press, 2005. http://aleph.unisg.ch/hsgscan/hm00155220.pdf.

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35

McKay, Thomas J. "On conjectures of Foulkes, Siemons and Wagner and Stanley." Thesis, University of East Anglia, 2008. https://ueaeprints.uea.ac.uk/38272/.

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Let A = (AI, ... ,Ar ) be a partition of n. An unordered A-tabloid is a partition of the set {I, 2, ... , n} into r pairwise disjoint sets of sizes AI, ,Ar . Let F denote the field of complex numbers and C the symmetric group of {I, 2, , n}. Define HA to be the permutation module of FC whose basis is the set of unordered A-tabloids. Foulkes conjectured in [13] that there exists an injective FC-homomorphism H(b a ) -t H(a b ) when a ::; b. Independently Siemons and Wagner [27] and Stanley [29] generalized this conjecture to ask if there exists an injective map HA -t HA'. In this thesis we investigate these conjectures.

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36

Movahhed, Abdolmohammad. "Context and constraints in Stanley Fish's reader-response theory." Thesis, University of Strathclyde, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510849.

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37

Oliveira, Ana Karine Rodrigues de. "Idealizadores tangenciais e derivações de Anéis de Stanley-Reisner." Universidade Federal da Paraíba, 2012. http://tede.biblioteca.ufpb.br:8080/handle/tede/7365.

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Made available in DSpace on 2015-05-15T11:46:03Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 435456 bytes, checksum: c38ab9cb93018e6c4d934dde6c174c07 (MD5) Previous issue date: 2012-02-16
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The present dissertation furnishes a detailed study about modules of logarithmic derivations, here dubbed tangential idealizers, and some of their main features. Initially, several comparisons between such modules are investigated starting from sufficiently related ideals, motivated by a previous study due to Kaplansky as well as by their close relationship with the classical theory of differential ideals of Seidenberg. We then obtain the first central result, which describes a primary decomposition of the tangential idealizer of an ideal without embedded primary component. Finally, in the second main result, we explore the structure of the derivation module for the class of Stanley-Reisner rings, thus corresponding to tangential idealizers of monomial ideals. An application of such a result is an affirmative answer for the homological Zariski-Lipman conjecture for the present class of rings.
A presente dissertação fornece um estudo detalhado sobre módulos de derivações logarítmicas, aqui denominados idealizadores tangenciais, bem como algumas de suas principais características. Inicialmente, várias comparações entre tais módulos são investigadas, a partir de ideais suficientemente relacionados, motivadas por um estudo prévio de Kaplansky e por sua estreita relação com a clássica teoria dos ideais diferenciais de Seidenberg. Em seguida obtém-se o primeiro resultado central, que descreve uma decomposição primária do idealizador tangencial de um ideal sem componente primária imersa. Finalmente, no segundo resultado principal, é explorada a estrutura do módulo de derivações para a classe de anéis de Stanley- Reisner, correspondendo portanto a idealizadores tangenciais de ideais monomiais. Uma aplicação de tal resultado é a resposta afirmativa para a conjectura homológica de Zariski-Lipman para a presente classe de anéis.

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38

Aziza, Samy. "Approche philosophique du nihilisme dans l'oeuvre de Stanley Kubrick." Paris 1, 2008. http://www.theses.fr/2008PA010653.

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Le pessimisme parfois radical des oeuvres de Kubrick et sa vision désabusée de la nature humaine lui valurent souvent d'être taxé de nihiliste. Pourtant, il ne se reconnaissait pas dans cette description. Dans un premier temps, nous nous proposerons de définir le champ philosophique de notre étude en nous appuyant principalement sur les travaux de Nietzsche et de Heidegger. Dans un deuxième temps, nous nous efforcerons de montrer en quoi le nihilisme est effectivement l'un des principaux thèmes du cinéma de Kubrick. Une première partie sera consacrée au nihilisme actif dans des films tels qu'Orange Mécanique et Docteur Folamour. Une deuxième partie recentrera l'analyse sur le nihilisme passif qui traverse des films tels que 2001 : l'odyssée de l'espace et Full Metal Jacket. La dernière partie sera une réflexion sur la manière dont Kubrick envisage le nihilisme extatique et s'interroge sur la destination finale de ['homme dans des films tels queShining, Eyes Wide Shut et 2001

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39

Meredith, Scott. "Extended techniques in Stanley Friedman's Solus for unaccompanied trumpet." Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6075.

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Thesis (D.M.A.)--University of North Texas, 2008.
System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 12, 2004, June 3, 2004, June 14, 2005, and Mar. 10, 2008. Includes bibliographical references (p. 36-37).

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40

Fischer, Ralf Michael. "Raum und Zeit im filmischen Oeuvre von Stanley Kubrick." Berlin Gebr. Mann, 2006. http://d-nb.info/991631412/04.

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41

Fischer, Ralf Michael. "Raum und Zeit im filmischen Œuvre von Stanley Kubrick /." Berlin : Gebr. Mann Verlag, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3190068&prov=M&dok_var=1&dok_ext=htm.

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42

Mata, Ariadne Costa da. "Blissful violence ambiguity in Stanley Kubrick's a clockwork orange." Florianópolis, SC, 2002. http://repositorio.ufsc.br/xmlui/handle/123456789/83942.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Gradução em Letras/Ingrês e Literatura Correspondente.
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Analise da construção da ambigüidade na narrativa do filme Laranja Mecânica, de Stanley Kubrick (1971). Investiga a relação identificação-afastamento que o filme promove entre o protagonista e o espectador, assim como o modo peculiar como o filme trata a violência. Observa um movimento em direção à ambigüidade que se desenvolve ao longo da obra do diretor, iniciando com estruturas e personagens mais tradicionais, abandonando gradualmente as posições morais seguras. Três filmes são também discutidos como uma amostra da obra do diretor, de modo a traçar a evolução de seu estilo e sua visão de mundo: Dr. Fantástico ou Como Aprendi a Parar de me Preocupar e Amar a Bomba (1963), 2001- Uma Odisséia no Espaço (1968) e De Olhos Bem Fechados (1999).

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Marcolino, Marcio Cardoso. "O compositor Stanley Kubrick: análise do som no filme De olhos bem fechados de Stanley Kubrick através da teoria sonora de Michel Chion." Universidade Federal de Minas Gerais, 2008. http://hdl.handle.net/1843/JSSS-8ZFPVQ.

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This present work proposes the analisys of the film Eyes wide shut (1999) of Stanley Kubrick under the aspect of the intersection of the sound and image languages beyond the categories of sound theory´s Michel Chion. The sound context of film suggest a specific analysis in parallel with the filmic narrative of Kubrick, pointing him like a composer of soundtrack, increasing sound, giving it meaning in front of images.The way adopted came with the sound plans graphic plans of film sequences, showing on time, music, sound effects and voice to study the form like the director use sound like a semantic tool.
Esta dissertação de mestrado tem como objetivo analisar o filme De olhos bem fechados de Stanley Kubrick sob o aspecto da interseção das linguagens sonora e imagética através das categorias da teoria sonora de Michel Chion. O universo sonoro do filme sugere uma análise específica em paralelo com a narrativa fílmica estabelecida por Kubrick, apontando o diretor como um compositor da trilha sonora, ao potencializar o material sonoro, dotando-o de significado frente às imagens. A metodologia adotada parte dos planos sonoros planilhas gráficas das seqüências do filme, explicitando no tempo, música, efeitos sonoros e voz para estudar a forma como o diretor utiliza o som como uma ferramenta semântica.

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Donnelly, Phillip Johnathan. "Stanley Fish on Augustine, reader-response theory as rhetorical faith." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq20914.pdf.

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Mather, Susan. "One of many homes, stories of dispossession from Stanley Park." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0028/MQ37588.pdf.

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Garrison, Joshua B. "Ontogeny recapitulates savagery the evolution of G. Stanley Hall's adolescent /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3215186.

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Thesis (Ph.D.)--Indiana University, Dept. of Educational Leadership and Policy Studies, 2006.
Source: Dissertation Abstracts International, Volume: 67-04, Section: A, page: 1252. Adviser: Donald Warren. "Title from dissertation home page (viewed May 7, 2007)."

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Baird, Ian Forbes. "Poems concerning the Stanley family (Earls of Derby) 1485-1520." Thesis, University of Birmingham, 1990. http://etheses.bham.ac.uk//id/eprint/575/.

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This thesis is an edition of four poems (Lady Bessiye, Bosworth Feilde, Scotish Feilde, and Flodden Feilde) which were written in celebration of the military successes of the family of Stanley, Lords Stanley and Earls of Derby, at the battles of Bosworth (1485) and Flodden (1513). The introduction discusses the manuscripts and editions, the conditions for which the poems were composed, the style of the poems, and their contributions to the history of the period. The poems are newly edited, and the commentaries attempt, as well as elucidating the meanings of obscure lines, to identify the people and places which would have been of interest to the Stanley family and friends.

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Murray, Brian. "H.M. Stanley and the literature of exploration : empire, media, modernity." Thesis, King's College London (University of London), 2012. https://kclpure.kcl.ac.uk/portal/en/theses/h-m-stanley-and-the-literature-of-exploration(4859b4b4-a597-493e-a689-e9445ace8539).html.

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This thesis constitutes the first sustained single-author study of the writings of the Welsh-American explorer Henry Morton Stanley (1840-1904). Stanley’s works have generally been treated as generic examples of ’colonial discourse’ or simply as a historical footnote to the canon of colonial adventure fiction. Little attention has been paid to the possible reasons for the phenomenal popularity and enduring appeal of these texts. I will expand upon previous readings of Stanley not by ignoring the imperial context but by acknowledging that ’imperial discourse’ was itself in dialogue with various other social and cultural trends. My concern throughout is with the exploratory encounter as modernising event - not simply in the sense of the ’civilised’ explorer shedding light on the ’dark continent’ — but in the sense that the retransmission of these frontier narratives in the centre of empire had a transformative affect on how Britons conceived of themselves as modern subjects. -- By emphasising the imperial ’margin’ as a space in which modernity happens and the exploration narrative as the means by which this process is documented, represented and enacted, I challenge conventional notions of modernity as an urban phenomenon diffused from imperial metropolis to colonial periphery. Focusing on the (largely ignored) Welsh and American aspects of Stanley’s identity, allows us to decentre the notion of a fixed imperial metropolis and forces us to acknowledge the complexity, ambivalence and richness of the literature of the exploratory contact zone.

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Silva, Sidney Matos da. "Stanley Milgram e a interpretação sectária nos textos de Qumran." Faculdades EST, 2013. http://tede.est.edu.br/tede/tde_busca/arquivo.php?codArquivo=451.

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Este trabalho de pesquisa visa a verificar quais fatores psicossociais presentes em determinado ambiente favorecem ou determinam a fixação de uma nova interpretação de um texto ou situação. Tomou-se como base o experimento de Stanley Milgram realizado para determinação dos fatores que impõem um determinado comportamento. A pesquisa comprova a hipótese de que os fatores que impõem comportamentos também estão presentes na imposição de uma determinada interpretação. Para tanto, no primeiro capítulo, analisou-se o experimento realizado por Milgram na Universidade de Yale em 1962 a respeito da obediência à autoridade, e deste experimento retirou-se as variáveis determinantes do comportamento dos voluntários. No capítulo segundo analisou-se os escritos sectários da comunidade do Mar Morto, especificamente a de Qumran, verificando que houve mudanças de interpretação do texto canônico tomando como referência o livro de Habacuque. No terceiro capítulo apresenta-se a comprovação que os mesmos fatores presentes no experimento de Milgram se encontravam na comunidade de Qumran e que estes foram refletidos nos textos sectários. Também são apresentados outros eventos históricos que evidenciam a presença das variáveis estudadas confirmando a hipótese. Na sequência, apresentam-se sugestões de análise complementar que podem direcionar uma futura investigação científica.
The aim of this research is to verify which psychosocial factors present in a certain environment determine or favour the establishment of a new interpretation of a text or situation. The Stanley Milgram experiment to determine which factors impose certain behaviors was used as the starting point. This research proves the hypothesis that the factors which impose behaviors are also present in imposing a specific interpretation. For this purpose, in the first chapter, the experiment carried out by Milgram in Yale University in the year 1962 concerning the obedience to authority was analyzed, and from this experiment were drawn the variables which determine the behavior of the volunteers. In the second chapter, the sectarian scriptures of the Dead Sea community, specifically of Qumran were analyzed, verifying that changes of interpretation of the canonical text occurred, focusing on the book of Habakkuk. In the third chapter it is demonstrated that the same factors presented in the Milgram experiment were found in the Qumran community and were reflected in the sectarian texts. Other historical events are also shown which provide evidence of the same variables confirming the hypothesis. In sequence, some suggestions are made for further future scientific analysis.

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Roblou, Yann. "La violence du langage dans les films de Stanley Kubrick." Paris 10, 1997. http://www.theses.fr/1997PA100021.

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La violence est un phenomene facilement identifiable mais un concept evanescent. Elle nous semble constituer l'essence meme du travail du cineaste stanley kubrick. En partant d'une mise en relation de la violence et du langage, nous avons tente de montrer que, dans le cadre de son oeuvre, ces deux termes conditionnent une esthetique formelle aussi bien que thematique. En effet, le langage cinematographique utilise par le realisateur porte des marques evidentes du rapport entre la violence et l'image, le son, le montage et le champ referentiel. On peut trouver egalement des exemples d'une violence symbolique concernant le corps humain, le mecanique, le pouvoir et la mort. Enfin, il est possible de degager de l'oeuvre de kubrick une reflexion qui passe par la mise en scene de l'oeil et du regard pour aboutir a une prise de conscience de la part du spectateur du role qu'il a a jouer dans sa relation avec le film
Violence is an easily identifiable phenomenon but an evanescent concept. It seems to constitute the very essence of filmmaker stanley kubrick's work. Beginning with the interaction of violence and language, we have tried to show that, in the context of his films, these two terms condition a formal as well as a thematic aesthetics. As a matter of fact, the cinematographic language used by the director bears evident marks of the relation between violence and pictorial composition, sound, editing and field of reference. We can also find examples of symbolic violence concerning the human body, machines, power and death. Finally, it is possible to notice the emergence of a reflection, through the dramatization of the eye and of the activity of vision, leading to the spectator's awareness of the part he has to play in his relation to the film

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