Journal articles on the topic 'Stanislavski'
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Schmitt, Natalie Crohn. "Stanislavski, Creativity, and the Unconscious." New Theatre Quarterly 2, no. 8 (November 1986): 345–51. http://dx.doi.org/10.1017/s0266464x00002359.
Full textMumford, Meg. "Brecht Studies Stanislavski: Just a Tactical Move?" New Theatre Quarterly 11, no. 43 (August 1995): 241–58. http://dx.doi.org/10.1017/s0266464x0000912x.
Full textMarchenko, Herman. "Vsevolod Meyerhold’s Biomechanics and Boris Zakhava's Educational Work." Scientific and analytical journal Burganov House. The space of culture 16, no. 4 (December 10, 2020): 58–74. http://dx.doi.org/10.36340/2071-6818-2020-16-4-58-74.
Full textSantos, Alessandra Dutra dos. "Questão prática, resposta crítica: o metateatro de Sabina Berman." Aletria: Revista de Estudos de Literatura 7 (December 31, 2000): 137–46. http://dx.doi.org/10.17851/2317-2096.7..137-146.
Full textWhyman, Rose. "The Actor's Second Nature: Stanislavski and William James." New Theatre Quarterly 23, no. 2 (May 2007): 115–23. http://dx.doi.org/10.1017/s0266464x07000024.
Full textBenedetti, Jean. "A History of Stanislavski in Translation." New Theatre Quarterly 6, no. 23 (August 1990): 266–78. http://dx.doi.org/10.1017/s0266464x00004577.
Full textLeșe, Ana Cristina. "K. S. Stanislavski and the physical action." Timisoara Physical Education and Rehabilitation Journal 10, no. 19 (December 1, 2017): 67–72. http://dx.doi.org/10.1515/tperj-2017-0019.
Full textDacre, Kathy. "Teaching Stanislavski." Stanislavski Studies 2, no. 1 (November 2013): 287–95. http://dx.doi.org/10.1080/20567790.2013.11428602.
Full textSennett, Herbert. "Stanislavski and the Actor, and: Stanislavski in Rehearsal (review)." Theatre Journal 52, no. 1 (2000): 151–52. http://dx.doi.org/10.1353/tj.2000.0031.
Full textHobgood, Burnet M. "Stanislavski's Books: an Untold Story." Theatre Survey 27, no. 1-2 (November 1986): 155–65. http://dx.doi.org/10.1017/s0040557400008826.
Full textMann, Laurin. ""Stanislavski" in Toronto." Theatre Research in Canada 20, no. 2 (September 1999): 207–26. http://dx.doi.org/10.3138/tric.20.2.207.
Full textCarnicke, Sharon Marie, and Jean Benedetti. "Stanislavski: A Biography." Theatre Journal 42, no. 1 (March 1990): 134. http://dx.doi.org/10.2307/3207577.
Full textPoliakov, Stéphane. "Stanislavski and images." Stanislavski Studies 5, no. 1 (January 2, 2017): 111–21. http://dx.doi.org/10.1080/20567790.2017.1301732.
Full textRuffini, Franco, and John Dean. "Konstantin Sergeyevich Stanislavski." Peripeti 1, no. 2 (December 2, 2021): 23–26. http://dx.doi.org/10.7146/peri.v1i2.107482.
Full textRuffini, Franco. "De Volta à Sala Fechada: o meu diálogo com Jerzy Grotowski." Revista Brasileira de Estudos da Presença 1, no. 1 (June 2011): 235–59. http://dx.doi.org/10.1590/2237-266020958.
Full textCosta, Iná Camargo. "Stanislavski na cena americana." Estudos Avançados 16, no. 46 (December 2002): 105–12. http://dx.doi.org/10.1590/s0103-40142002000300008.
Full textLesourd, Françoise. "Le Théâtre de Stanislavski." Coulisses, no. 4 (June 1, 1991): 41–51. http://dx.doi.org/10.4000/coulisses.1689.
Full textDesloovere, Martin. ""De stoel van Stanislavski"." Documenta 5, no. 4 (April 29, 2019): 265–69. http://dx.doi.org/10.21825/doc.v5i4.10953.
Full textKlinger, William J. "Stanislavski and computer science." ACM SIGCSE Bulletin 37, no. 4 (December 2005): 111–14. http://dx.doi.org/10.1145/1113847.1113889.
Full textKolankiewicz, Jerzi. "Grotowski face à Stanislavski." Études littéraires 20, no. 3 (April 12, 2005): 139–44. http://dx.doi.org/10.7202/500820ar.
Full textCaffarel Rodríguez, Bárbara, and Ana María Zaharía. "Del teatro al cine: análisis de la creación de los personajes de la obra Tío Vanía y su traslación al cine en Vania en la calle 42." Comunicación y Hombre, no. 18 (February 4, 2022): 109–21. http://dx.doi.org/10.32466/eufv-cyh.2022.18.719.109-121.
Full textCaffarel Rodríguez, Bárbara, and Ana María Zaharía. "Del teatro al cine: análisis de la creación de los personajes de la obra Tío Vanía y su traslación al cine en Vania en la calle 42." Comunicación y Hombre, no. 18 (February 4, 2022): 109–21. http://dx.doi.org/10.32466/eufv-cyh.2022.18.719.109-121.
Full textCooper, Tom. "Acting Stanislavski: A Practical Guide to Stanislavski’s Approach and Legacy by John Gillett." Journal of Dramatic Theory and Criticism 31, no. 1 (2016): 161–62. http://dx.doi.org/10.1353/dtc.2016.0028.
Full textde Guevara, Victor Ladron. "Acting Stanislavski: A Practical Guide to Stanislavski's Approach and Legacy. By John Gillett." Stanislavski Studies 3, no. 1 (January 2015): 87–89. http://dx.doi.org/10.1080/20567790.2015.11428614.
Full textWhyman, Rose. "A Segunda Natureza do Ator - Stanislavski e William James." Revista Brasileira de Estudos da Presença 4, no. 2 (August 2014): 295–312. http://dx.doi.org/10.1590/2237-266043410.
Full textBilgrave, Dyer P., and Robert H. Deluty. "STANISLAVSKI'S ACTING METHOD AND CONTROL THEORY: COMMONALITIES ACROSS TIME, PLACE, AND FIELD." Social Behavior and Personality: an international journal 32, no. 4 (January 1, 2004): 329–40. http://dx.doi.org/10.2224/sbp.2004.32.4.329.
Full textBident, Christophe. "A experiência interior como experiência de ator." Alea : Estudos Neolatinos 15, no. 2 (December 2013): 358–72. http://dx.doi.org/10.1590/s1517-106x2013000200007.
Full textMusilová, Martina. "“Я есмь“ – Stanislavski and Solovyov." Stanislavski Studies 8, no. 1 (December 13, 2019): 51–57. http://dx.doi.org/10.1080/20567790.2019.1700733.
Full textPhillips, Tom. "A Teacher Trainer Reads Stanislavski." Journal of Further and Higher Education 19, no. 3 (September 1995): 94–108. http://dx.doi.org/10.1080/0309877950190309.
Full textDe Gusmão, Henrique Buarque. "“O trabalho do ator sobre si mesmo” proposto por Constantin Stanislavski a partir do modelo narrativo do romance russo." Revista Territórios e Fronteiras 8, no. 2 (December 16, 2015): 291. http://dx.doi.org/10.22228/rt-f.v8i2.411.
Full textPagani, Maria Pia, and Мария Пиа Пагани. "Stanislavski and the Knight of Ripafratta." Stanislavski Studies 2, no. 1 (November 2013): 268–86. http://dx.doi.org/10.1080/20567790.2013.11428601.
Full textDunne, Joseph. "Stanislavski on Stage: The Benedetti Legacy." Stanislavski Studies 3, no. 2 (July 3, 2015): 171–201. http://dx.doi.org/10.1080/20567790.2015.1079046.
Full textHollands, Lavinia. "The Stanislavski system: ubiquitous yet fragmented." Stanislavski Studies 5, no. 1 (January 2, 2017): 55–59. http://dx.doi.org/10.1080/20567790.2017.1295523.
Full textCarvalho, Sergio. "Stanislavski e a formação do ator." Sala Preta 19, no. 1 (August 30, 2019): 260–75. http://dx.doi.org/10.11606/issn.2238-3867.v19i1p260-275.
Full textCopeliovitch, Andrea. "O trabalho do ator sobre si mesmo: memória, ação, linguagem e silêncio." Conceição/Conception 5, no. 2 (December 22, 2016): 76. http://dx.doi.org/10.20396/conce.v5i2.8648046.
Full textRomano, Lucia Regina Vieira. "As novas situações propostas de Pais e filhos em São Paulo: a tradução da poética originária de Stanislavski no contexto nacional." Sala Preta 16, no. 1 (July 1, 2016): 148. http://dx.doi.org/10.11606/issn.2238-3867.v16i1p148-160.
Full textJiménez Draguicevic, Pamela Soledad. "Los signos del método de las acciones físicas de Stanislavski en el ámbito escénico contemporáneo." RICSH Revista Iberoamericana de las Ciencias Sociales y Humanísticas 8, no. 16 (July 1, 2019): 1–27. http://dx.doi.org/10.23913/ricsh.v8i16.173.
Full textHolland, Peter. "The Director and the Playwright: Control over the Means of Production." New Theatre Quarterly 3, no. 11 (August 1987): 207–17. http://dx.doi.org/10.1017/s0266464x00015189.
Full textHughes, R. I. G. "Tolstoy, Stanislavski, and the Art of Acting." Journal of Aesthetics and Art Criticism 51, no. 1 (1993): 39. http://dx.doi.org/10.2307/431969.
Full textHetzler, Eric. "In plain sight: hidden Stanislavski - part one." Stanislavski Studies 10, no. 1 (January 2, 2022): 21–31. http://dx.doi.org/10.1080/20567790.2022.2035908.
Full textAutant-Mathieu, Marie-Christine. "L'inconscient créateur dans le Système de Stanislavski." Revue Russe 29, no. 1 (2007): 9–30. http://dx.doi.org/10.3406/russe.2007.2301.
Full textPoliakov, Stéphane. "Processus, vie, action. Stanislavski réaliste ou spiritualiste." Revue Russe 29, no. 1 (2007): 31–48. http://dx.doi.org/10.3406/russe.2007.2302.
Full textHUGHES, R. I. G. "Tolstoy, Stanislavski, and The Art of Acting." Journal of Aesthetics and Art Criticism 51, no. 1 (December 1, 1993): 39–48. http://dx.doi.org/10.1111/1540_6245.jaac51.1.0039.
Full textBush, Steven, and Буш Стивен. "George Luscombe and Stanislavski Training in Toronto." Stanislavski Studies 2, no. 2 (May 2014): 79–108. http://dx.doi.org/10.1080/20567790.2014.11419725.
Full textArp-Dunham, Joelle Ré. "The cognitive Stanislavski in the rehearsal hall." Stanislavski Studies 5, no. 1 (January 2, 2017): 67–74. http://dx.doi.org/10.1080/20567790.2017.1296992.
Full textJones, Julian. "Stanislavski and The Theatre of The Absurd." Stanislavski Studies 8, no. 2 (July 2, 2020): 247–64. http://dx.doi.org/10.1080/20567790.2020.1814554.
Full textMcLean, Tom. "A minister prepares: liturgical performance and Stanislavski’s method of acting." Theology 124, no. 2 (March 2021): 93–100. http://dx.doi.org/10.1177/0040571x21991745.
Full textTortajada, Maria. "Intériorité/plasticité. La théorie de la mise en scène de S. M. Eisenstein." L’acteur 11, no. 2-3 (October 31, 2007): 225–52. http://dx.doi.org/10.7202/024854ar.
Full textViana, Fausto. "O Teatro de Arte de Moscou e seus arquivos." Revista Aspas 9, no. 1 (August 29, 2019): 43–62. http://dx.doi.org/10.11606/issn.2238-3999.v9i1p43-62.
Full textMcConachie, Bruce. "Method Acting and the Cold War." Theatre Survey 41, no. 1 (May 2000): 47–68. http://dx.doi.org/10.1017/s0040557400004385.
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