Academic literature on the topic 'Stanislavski'
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Journal articles on the topic "Stanislavski"
Schmitt, Natalie Crohn. "Stanislavski, Creativity, and the Unconscious." New Theatre Quarterly 2, no. 8 (November 1986): 345–51. http://dx.doi.org/10.1017/s0266464x00002359.
Full textMumford, Meg. "Brecht Studies Stanislavski: Just a Tactical Move?" New Theatre Quarterly 11, no. 43 (August 1995): 241–58. http://dx.doi.org/10.1017/s0266464x0000912x.
Full textMarchenko, Herman. "Vsevolod Meyerhold’s Biomechanics and Boris Zakhava's Educational Work." Scientific and analytical journal Burganov House. The space of culture 16, no. 4 (December 10, 2020): 58–74. http://dx.doi.org/10.36340/2071-6818-2020-16-4-58-74.
Full textSantos, Alessandra Dutra dos. "Questão prática, resposta crítica: o metateatro de Sabina Berman." Aletria: Revista de Estudos de Literatura 7 (December 31, 2000): 137–46. http://dx.doi.org/10.17851/2317-2096.7..137-146.
Full textWhyman, Rose. "The Actor's Second Nature: Stanislavski and William James." New Theatre Quarterly 23, no. 2 (May 2007): 115–23. http://dx.doi.org/10.1017/s0266464x07000024.
Full textBenedetti, Jean. "A History of Stanislavski in Translation." New Theatre Quarterly 6, no. 23 (August 1990): 266–78. http://dx.doi.org/10.1017/s0266464x00004577.
Full textLeșe, Ana Cristina. "K. S. Stanislavski and the physical action." Timisoara Physical Education and Rehabilitation Journal 10, no. 19 (December 1, 2017): 67–72. http://dx.doi.org/10.1515/tperj-2017-0019.
Full textDacre, Kathy. "Teaching Stanislavski." Stanislavski Studies 2, no. 1 (November 2013): 287–95. http://dx.doi.org/10.1080/20567790.2013.11428602.
Full textSennett, Herbert. "Stanislavski and the Actor, and: Stanislavski in Rehearsal (review)." Theatre Journal 52, no. 1 (2000): 151–52. http://dx.doi.org/10.1353/tj.2000.0031.
Full textHobgood, Burnet M. "Stanislavski's Books: an Untold Story." Theatre Survey 27, no. 1-2 (November 1986): 155–65. http://dx.doi.org/10.1017/s0040557400008826.
Full textDissertations / Theses on the topic "Stanislavski"
Ellerby, Charlotte Jane. "Constantin Stanislavski : acting in opera." Thesis, University of East Anglia, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502106.
Full textGurejeva, Viktorija. "Konstantino Stanislavskio sistemos elementų taikymas atlikėjų rengime." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140603_115526-32153.
Full textMany of produsers, pedagogues, actors and performers bases on Stanislavski's system. The development of theater and pedagogy was strongly affected by the system. It is grounded on two parts: „Actors work with himself“ and „Actors work with role“. After getting mastered in this parts, the actor is joined with role in natural way. The system includes a big amount of elements which are investigated in this study. The elements of Stanislavski's system are the tools for actors and performers. The goal of the study is to discover the main elements of Stanislavski's system and to reveal the usibilty of this elements in action and in preparation of the performers. Study object: application of Konstantin Stanislavski's system elements in preparation of performers. Study goal: to discover the main elements of Stanislavski's system, it's usibility and modern actuality. Study objectives: • Introduce the Konstantin Stanislavski's actor preparation system and elements; • To reveal the usibilty of the elements in action and in preparation of the performers. Study methods: • Analisis of a sience literature; • Interview. Study object: application of Konstantin Stanislavski's system elements in preparation of performers. Performer - actor elements of creativity - his internal psychical and external physical qualities. In management of psychophysical qualities. The professional scene action may be achieved by managing the elements of psychophysical qualities. The main principle of... [to full text]
Jones, Victoria. "Brecht's reception of Stanislavski, 1922 to 1953." Thesis, King's College London (University of London), 2005. https://kclpure.kcl.ac.uk/portal/en/theses/brechts-reception-of-stanislavski-1922-to-1953(27007bd8-dd36-4dab-8e64-3677b87f4ae7).html.
Full textKipste, Egils. "Directing experience : an exploration of active analysis and visual cognition theory in the training of contemporary directors." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/72958/2/Egils_Kipste_Thesis_Part_A.pdf.
Full textKerr, William Ryan. "Crippled transcendence, Brian Friel's use of Stanislavski and Brecht." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60312.pdf.
Full textPitches, Jonathan. "The psycho-physical actor : science and the Stanislavski tradition." Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368355.
Full textPoliakov, Stéphane. "Interactions esthétiques : les fondements figuratifs du système de Stanislavski." Lyon 2, 2006. http://theses.univ-lyon2.fr/documents/lyon2/2006/poliakov_s.
Full textThe aesthetics of the Russian theatre is based on acting as a pattern for artistic creation. Russian directors established in the XXth century a system on the poetics of acting which is characterized by a terminology, a pedagogical practice. Stanislavski's writings and own evolution in the Moscow Art Theater draw the fundamentals: process and result, art of representation vs. Art of empathy (pereživanie), finality of the super-objective, refusal of convention and clichés, vitalism of impulses, continuity of action. It is possible to rethink this tradition on the basis of figurative categories such as image, design, colour, motion picture film of the role, through-line of action, point and circle of attention. Metaphors of this kind account for figurative impulses in stage directing. The thesis starts with the different meanings of the word "art" within the Russian tradition so as to describe the figurative practices and exercises in the pedagogy of directing. We then explore the relation between theater and painting at the end of the XIXth century in Russia with the birth of Modern style to aim at the figurative culture of Stanislavski himself between realism and vanishing of the human figure though symbolism. Stanislavski's evolution reveals an internalization of figurative categories and practices (such as the drawings in his director's notebooks) in a theory of acting. Thus, image drawing, composition, line, perspective are tools referring to the actor's and director's creativity. Stanislavski's theory allows to figurate the acting. The system itself becomes figurative and spatializes the artistic process and its psychological impulses
Lee, Edward D. (Edward Dale). "Using the Stanislavski System to Teach Non-Realistic Acting." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278896/.
Full textPoliakov, Stéphane Hamon-Siréjols Christine. "Interactions esthétiques les fondements figuratifs du système de Stanislavski /." Lyon : Université Lumière Lyon 2, 2006. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2006/poliakov_s.
Full textHamner, Matthew. "THE LARAMIE PROJECT: THE SEARCH FOR A PERSONAL ACTING METHOD VIA THE PRINCIPLES OF CONSTANTIN STANISLAVKSI." Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3796.
Full textM.F.A.
Arts and Sciences
Theatre
Books on the topic "Stanislavski"
Benedetti, Jean. Stanislavski. London: Methuen, 1988.
Find full textStanislavski. New York, NY, USA: Routledge, 1988.
Find full textStanislavski in rehearsal. London: Methuen, 2001.
Find full textBenedetti, Jean. Stanislavski: An introduction. 2nd ed. London: Methuen, 1989.
Find full textBenedetti, Jean. Stanislavski: An introduction. 3rd ed. London: Methuen, 2000.
Find full textStanislavski: The basics. New York: Routledge, 2014.
Find full textStanislavski: An introduction. New York: Routledge, 2004.
Find full textStanislavski: A biography. New York, NY: Routledge, 1988.
Find full text1863-1938, Stanislavsky Konstantin, ed. Stanislavski on opera. New York: Routledge, 1998.
Find full textLa méthode Stanislavski: Roman. Paris: Grasset, 2005.
Find full textBook chapters on the topic "Stanislavski"
Dunbar, Zachary, and Stephe Harrop. "The Stanislavski Legacy." In Greek Tragedy and the Contemporary Actor, 53–78. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95471-4_3.
Full textMerlin, Bella. "Stanislavski (1863–1938)." In The Routledge Companion to Studio Performance Practice, 7–42. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003182115-2.
Full textLedger, Adam J. "The Director and Stanislavski." In The Director and Directing, 39–68. London: Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-40767-2_2.
Full textGillies, John. "Stanislavski, Othello, and the Motives of Eloquence." In A Companion to Shakespeare and Performance, 267–84. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996706.ch15.
Full textWhitfield, Petronilla. "A Trial of the Physical Actions Method Inspired by Stanislavski." In Teaching Strategies for Neurodiversity and Dyslexia in Actor Training, 124–49. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429458590-10.
Full textRigler, Sibille. "Stanislavskij, Konstantin Sergeevič." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19914-1.
Full textMerlin, Bella. "Stanislavsky (1863–1938)." In The Routledge Companion to Performance Practitioners, 1–42. Abingdon, Oxon; New York, NY: Routledge, 2020. | Series: Routledge theatre and performance companions: Routledge, 2020. http://dx.doi.org/10.4324/9780367815998-1.
Full textAutant-Mathieu, Marie-Christine. "Meyerhold and Stanislavsky." In The Routledge Companion to Vsevolod Meyerhold, 121–33. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003110804-12.
Full textIllingworth, Scott. "Would Stanislavsky Disapprove?" In Exercises for Embodied Actors, 171–79. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003002819-15.
Full textO'Brien, Nick, Annie Sutton, and Matthew Cooper. "Stanislavski." In Theatre in Practice, 11–45. Routledge, 2018. http://dx.doi.org/10.4324/9781315267425-2.
Full textConference papers on the topic "Stanislavski"
Hallissey, Helen. "'WHO AM I, MR. STANISLAVSKI?' AN EXPLORATION OF STANISLAVSKI'S 'SYSTEM' OF TRAINING ACTORS IN REALIZING CHARACTERIZATION IN THE 1999 IRISH DRAMA CURRICULUM (PRIMARY LEVEL)." In 11th International Conference on Education and New Learning Technologies. IATED, 2019. http://dx.doi.org/10.21125/edulearn.2019.0394.
Full textZancope, Fernanda, and Eduardo Okamoto. "O Trabalho com as Ações Físicas Propostas pelo LUME Teatro Comparado a conceito de Ação no Sistema Stanislavski." In XXV Congresso de Iniciação Cientifica da Unicamp. Campinas - SP, Brazil: Galoa, 2017. http://dx.doi.org/10.19146/pibic-2017-78885.
Full textBukatov, V. "DRAMOHERMENEUTICS: BASIC PROVISIONS, METHODOLOGICAL GUIDELINES AND EDUCATIONAL PRACTICE." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2557.978-5-317-06726-7/107-112.
Full textReports on the topic "Stanislavski"
Ilgenfritz, Pedro. Guide Me Without Touching My Hand: Reflections on the Dramaturgical Development of the Devised-theatre Show One by One. Unitec ePress, December 2016. http://dx.doi.org/10.34074/ocds.038.
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