Relevant bibliographies by topics / Stained glass window

Academic literature on the topic 'Stained glass window'

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Published: 10 December 2022
Last updated: 9 March 2023

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Journal articles on the topic "Stained glass window"

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Darling, Robert. "Stained Glass Window." Christianity & Literature 44, no. 3-4 (June 1995): 344. http://dx.doi.org/10.1177/014833319504400308.

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Hutama, Krishna. "SENI RAGAM HIAS STAINED GLASS PADA BANGUNAN-BANGUNAN DI JAKARTA." Jurnal Dimensi Seni Rupa dan Desain 2, no. 2 (April 5, 2016): 99–113. http://dx.doi.org/10.25105/dim.v2i2.1266.

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AbstrakStainned glass atau yang lebih dikenal di Indoensia dengan sebutan kaca patri/kaca timah secara teknis adalah rangkaian beragam kepingan kaca berwarna atau mozaik kaca berwarna yang berfungsi untuk tempat masuknya cahaya sekaligus sebagai unsur dekoratif gedung atau rumah seperti jendela atau panel-panel jendela. Pada bangunan gereja atau katedral makna estetis stained glass dipadukan dengan makna spritualnya, antara lain sebagai sumber cahaya agung Tuhan yang menyinari tiap ruang gereja.Tulisan ini mencoba mengetengahkan seni ragam hias stainned glass ( kaca patri) pada jendela bangungan-bangunan di Jakarta AbstractStainned glas known as "kaca patri' . Technically stainned glass is an arrangement of pieces of colored glass, mozaick coloured glass which acts as light entrance,also as a decorative element of a building, such as windows or window panels. Such building like church or Catedral, the aesthetics meaning of stainned glass is combined with the spiritua; meaning, such as God's source of light that illuminates every single chapter in the Church.The purpose of this passage is presentation of the art of stainned glass on windows of buildings in Jakarta
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Lee, Sumin S., and Raymond B. Dyer. "The stained glass window appearance." Abdominal Radiology 41, no. 2 (January 6, 2016): 342–43. http://dx.doi.org/10.1007/s00261-015-0551-4.

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Boerio-Goates, Juliana. "Through a Stained-Glass Window." Dialogue: A Journal of Mormon Thought 24, no. 1 (April 1, 1991): 121–26. http://dx.doi.org/10.2307/45227731.

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Strobl, S. "Protection of historic stained glass." Glass Technology: European Journal of Glass Science and Technology Part A 61, no. 5 (November 2020): 148–52. http://dx.doi.org/10.13036/17533546.61.5.strobl.

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The process of deterioration of a stained glass window, more precisely of its component glass, lead and paint pigments, has in recent decades been researched thoroughly and is now well understood. The need for the protection in particular of the potash window glasses of the middle ages therefore is widely accepted but not the means of how to achieve this aim. Early attempts such as coatings applied on the glass or the sandwich process, known as Jacobi–Process, have failed for a variety of reasons and with disastrous consequences. Short of removing the windows to safe storage, the only response currently available is the creation of a museum like condition on site in the form of the introduction of an isothermal glazing system. Despite its unquestioned merits, the isothermal glazing system is still in dispute mainly because of its interference with a given historic setting. A variety of designs for the isothermal glazing will be discussed, all aimed at minimising their physical and visual impact on the building, making a strong case in favour of this important protective measure.
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B, Zadorozhny. "THE ART OF STAINED GLASS IN THE ARCHITECTURE OF TEMPLE BUILDINGS OF THE RENAISSANCE PERIOD IN LVIV." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 3, no. 2 (November 20, 2021): 38–43. http://dx.doi.org/10.23939/sa2021.02.038.

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The stained glass art of temples and chapels of the Renaissance period occupies a special place in the fine arts of Lviv. Special attention is drawn to the stained glass windows of Lviv's sacred buildings, which impress with their aesthetics, composition, colours, and artistic expressiveness. In the process of studying stained glass windows in the decoration of Renaissance churches and chapels in Lviv, the manufacturing technology, compositional solution, their colour scheme were analyzed and the main features of their artistic and figurative expression were revealed. Renaissance stained glass windows have not survived, all stained glass windows of Lviv temple buildings were made in the XIX-early XX centuries. The stained glass compositions of the Church of the Assumption are marked by a simple and at the same time refined composition and picturesque colours in light tones in contrast to the Gothic patterns. Ornamental stained glass compositions were used in the interiors of the chapels. Ukrainian artists of monumental art used the latest progressive technologies of making stained glass. Professional foreign artists - connoisseurs of stained glass art - were invited to make stained glass window compositions of Lviv Renaissance temple buildings. All stained glass windows of Lviv's sacred buildings are highly artistic decorative works and belong to Ukrainian artistic heritage.
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Mooney, Edward S. "Solve It!: Window Panes." Mathematics Teaching in the Middle School 14, no. 2 (September 2008): 95–100. http://dx.doi.org/10.5951/mtms.14.2.0095.

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Diana designs stained-glass windows. She has a large supply of square glass window panes. Some panes are yellow, and some panes are red. She wants to place them in windows like the one below in such a way that no two windows are the same, even when the design is rotated or reflected. How many different window designs can she create using any combination of red and yellow panes?
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Powell, Kendall. "Flying through an undersea ‘stained-glass window’." Nature 586, no. 7828 (October 5, 2020): 328. http://dx.doi.org/10.1038/d41586-020-02802-7.

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Zulu, Nzinga Shaka. "Sex, Race, and the Stained-Glass Window." Women & Therapy 19, no. 4 (December 7, 1996): 27–35. http://dx.doi.org/10.1300/j015v19n04_05.

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Nikolina, Topić. "tained glass from the research of the Dubrovnik cathedral | Slikano steklo odkrito med raziskavami dubrovniške katedrale." Studia universitatis hereditati, znanstvena revija za raziskave in teorijo kulturne dediščine 10, no. 1 (June 20, 2022): 73–87. http://dx.doi.org/10.26493/2350-5443.10(1)73-87.

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The Dubrovnik Republic maintained its own glass production in the late Middle Ages, including records of window glass manufacturing. This paper will contribute to the study of stained glass in the Balkan region. It will outline late medieval stained-glass fragments (mid-14th to the first half of the 15th century) excavated from the Dubrovnik cathedral during the renewal of the building after a large earthquake in 1979 and are extremely rare in the Balkan region. Analogous examples of Dubrovnik archaeological material can be found among Western European stained-glass windows. These finds indicate that Dubrovnik was influenced by Western European technology through trade or that this way of making stained glass began to be applied in local workshops.
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Dissertations / Theses on the topic "Stained glass window"

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Atkinson, Caroline Sarah. "William Peckitt's Great West Window at Exeter Cathedral." Thesis, University of Plymouth, 2011. http://hdl.handle.net/10026.1/887.

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This thesis examines the Great West Window at Exeter Cathedral designed by William Peckitt of York (1731-95). Peckitt was arguably the most important glass designer of the eighteenth century and undertook prestigious commissions at York, Oxford and elsewhere. In 1764 he was contracted by the Dean of Exeter, Jeremiah Milles, to supply glass to complete the restoration of the Cathedral’s glazing and to make the new window, which has often been considered to be his masterpiece. Peckitt’s Great West Window is no longer extant (although portions of it have been salvaged), having been replaced in 1904 with a window, designed by Messrs Burlison and Grylls, which was itself destroyed by enemy action in 1942. The Burlison and Grylls window was more in keeping with the Gothic revival aesthetic typical of the later nineteenth century and its proponents had argued forcefully that Peckitt’s Great West Window was an aberration that needed to be removed. The thesis provides initially an account of the debate that raged in the national press and beyond about the propriety of replacing Peckitt’s window. This documentary evidence gives a valuable insight into attitudes towards the adornment of churches at the turn of the century: should respect for the extant fabric include Peckitt’s one-hundred-and-fifty year-old contribution or should the building be renovated with a modern medieval-revival window. Until recent times it was largely the case that eighteenth-century glass was regarded as wholly inferior to the medieval glass that preceded it and it is widely accepted that glass making in Britain only recovered with the nineteenth-century Gothic revival and the modern glass that followed it. In this thesis it is suggested that the denigration of eighteenth-century glass and in particular that of William Peckitt at Exeter, ignores its qualities, practical and intellectual, and the Great West Window is used to reveal the seriousness of such endeavours. Peckitt’s work is positioned within the context of the particular circumstances of the restoration of Exeter Cathedral in the mid-eighteenth century under two successive Deans, Charles Lyttelton and the aforementioned Jeremiah Milles, both of whom were nationally significant antiquarian scholars. Peckitt was knowledgeable about medieval glass techniques, worked sensitively in restoring medieval glass and when designing a completely new window for the Cathedral worked closely with Milles to provide an iconographical scheme that was appropriate for the Cathedral, its history and its patrons. The evidence brought forward suggests that it is wrong to presume that glass designers like Peckitt had little understanding of medieval glass manufacture nor any interest in using the medium of glass appropriately in the context of a medieval building.
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Merchant, Sean Robert. "Tending the Broken Window." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1493285369498883.

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Betts, Edmund John. "The new East Window of St Martin-in-the-Fields Church, London : a window of opportunity for developing ordinary theology through a visual image." Thesis, University of Chester, 2014. http://hdl.handle.net/10034/611402.

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Ordinary theology is a developing concept focusing on people’s explicit religious beliefs, and relying on anecdotal evidence and other academic writers to bridge the gap with academy theology. It has influenced empirical studies of ordinary people’s experience with the Bible, doctrine and cathedral visiting. A feminist qualitative ethnographic study and action research provide other voices as alternatives to this empiricism. Theologians-in-the-arts have appropriated art to illustrate their academic theology. This thesis takes further the use of a visual image, with a recently commissioned non-figurative designed window, by a female Iranian-born artist, in an well-known London church. It enquires how far a non-specific doctrinal and non-narrative window encourages wider public participation in meaning making and metaphor generation, challenging the current static concept of ordinary theology. An interpretative paradigm with perspectives from constructivism, phenomenology, and hermeneutics shapes an inductive and qualitative approach to give attention to regular worshippers and visitors. A visual ethnographic method elicits data through semi-structured questionnaires, interviews, and journal writing. Adopting a ‘lay’ outsider participant role during the fieldwork, unstructured situational interviews with passers-by, street traders and church staff were also undertaken. Interpretive lenses of framing, the pastoral cycle, ethnomethodology, and nitty-gritty hermeneutics assisted in analysing the data. The window attracted a high degree of participation, engaging people in reflection. Over 85% of participants were professional/university and technically educated and competent in academic disciplines other than theology. The respondents initially made non-religious statements challenging ordinary theology, which focussed on explicit religion. When respondents viewed it a second time, they used religious concepts. The analysis led to the construction of ordinary portraits constructed of previously not heard voices and challenged the earlier faces of academic partners. The window is a dialogically framed ‘lived experience’ breaking the ‘is’ of metaphor and the gestalt law of closure. This research explores the ‘is not’ of metaphor. It explores the relationship of image, metaphor and concept by focussing on window parts; the images of centre, line and web. The window becomes both a working metaphor and a model of working metaphors extensively used by these participants. Ordinary theology discovers through feminist metaphorical theology that concepts are metaphorical, focusing on both dissimilarities and similarities. The window as a visual image provides an opportunity to extend the concept and metaphor of ordinary theology. It invites academic professionals to an intensive fieldwork experience using a visual image to rediscover a general process of reflection and to reveal people’s indirect and implicit metaphorical ordinary theology.
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Harrison, Katherine. "Putting the stained glass window back together : helpful and unhelpful aspects of psychological therapy with women with breast cancer : a grounded theory analysis." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/putting-the-stained-glass-window-back-together-helpful-and-unhelpful-aspects-of-psychological-therapy-with-women-with-breast-cancer-a-grounded-theory-analysis(d890be65-b264-4c1d-8ea2-cf0e035b44e2).html.

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The purpose of this study was to identify what women with primary breast cancer found helpful and unhelpful in psychological therapy. In-depth qualitative interviews were conducted with eleven women who had been supported post diagnosis, with psychological therapy. The women were, in the main, recruited from the Breast Cancer Voices network, set up by the national charity Breast Cancer Care. Data was analysed using Grounded Theory Analysis (GTA), from a social constructionist perspective. The women identified a range of helpful aspects in therapy: They all discussed their context, being thrown into the breast cancer world and analysis identified three helpful conditions; having the psychological need recognised by others, having easy access to ongoing flexible therapy and valuing the therapist's personal qualities. Three helpful interactions were identified; being enabled to express self safely, being treated as an individual whole woman and accessing the therapist's inner self. In addition, two helpful actions were identified, being helped to empower self and being taught new coping skills. The key theme was being helped to put active self back together again, which was the consequence of the therapy process. Analysis identified two unhelpful conditions, not having easy to access therapy and the therapist's personal qualities being cold and harsh. Two unhelpful interactions were also identified, being unable to express self safely and not being treated as an individual. One unhelpful action was identified, the therapy being too short. The consequence, when therapy was not set up in the right way, was that the women were re-traumatised and remained shattered. Whilst sample size was small, nevertheless the aim of generating rich in-depth data was fulfilled. The findings have theoretical implications: Treating women as whole individuals, helping the women learn individual coping skills from a pluralistic perspective and helping to empower women can be as important as the medical care. The methodological implications are experiencing a therapeutic effect of research participation, valuing the women as active co-researchers, ethically considering participant benefits alongside risks and using GTA from a social constructionist philosophy helped to understand individual experience and at the same time that breast cancer is socially constructed. The practical implications are: Referral pathways to identify women who need psychological support, a safe therapeutic space to express real fears, normalising experience post breast cancer diagnosis and putting in place a flexible therapy contract are all vital to support women with primary breast cancer.
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Voltolina, Stefano. "Studio e Rilievi per la Conoscenza e il Restauro della Grande Vetrata della Chiesa di San Giovanni e Paolo a Venezia." Doctoral thesis, Università degli studi di Padova, 2009. http://hdl.handle.net/11577/3426100.

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In the present work the study of the state of conservation of the Grande Vetrata (Great Stained-Glass Window) of SS. Giovanni e Paolo Church (Venice) was carried out. Themes related to restoration and conservation of stained-glass windows were also considered. Stained-glass windows are complex and not well-knwn works of art. A clear and sure methodology for their conservation is not available. This work started with the identification and characterization of the building, technological and decorative apparatus proper to stained-glass windows. The study of the documentation concerning past restoration works carried out on the Grande Vetrata was helpful in the definition of problems related to the conservation of each apparatus. The evolution of restoration methodologies during time was very interesting. After this first cognitive step metric and photographic surveys of the whole stained-glass window were carried out. A survey of the distribution of degradation phenomena in the work of art was also performed. Data obtained from all the surveys were used to build-up a map of the state of conservation of the work of art. This map will be a useful tool for people that will have to operate on the Grande Vetrata. In the end one panel of the stained-glass window was taken to a restoration laboratory in order to carry out a series of analyses on the piece. The whole operation was carried out in co-operation with skilled stained-glass windows restorers and with the Soprintendenza per i Beni Ambientali e Paesaggistici of Venice. The combination of the skills of restorers, scientists and architects gave all the means for a complete characterization of the conservation state of the panel. Therefore this study will provide the tools for the planning of a correct restoration work.
In questo lavoro di tesi è stato eseguito uno studio approfondito dello stato di conservazione della Grande Vetrata della Chiesa di San Giovanni e Paolo a Venezia e delle problematiche connesse alla conservazione ed al restauro di questo incredibile esempio di arte vetratistica, unico nel suo genere a Venezia. Le vetrate sono opere complesse e poco conosciute. Non esistono metodologie chiare e consolidate per la loro conservazione. Il lavoro svolto in questi tre anni di dottorato è dunque partito proprio con la identificazione e la caratterizzazione dei sistemi costruttivi tecnologici e decorativi propri dell’opera vetrata e con la definizione delle problematiche connesse alla loro conservazione. Riguardo questo ultimo aspetto è stato molto utile lo studio della documentazione relativa agli interventi di restauro eseguiti nel corso dei secoli sulla Grande Vetrata: se infatti è importante conoscere gli ideatori e gli esecutori che hanno dato vita ad un’opera, non è da meno lo studiare le problematiche davanti alle quali si sono trovati i diversi restauratori e l’evoluzione delle metodologie di intervento nel tempo. Una volta compresa la natura dell’opera e delle sue possibili alterazioni sono stati eseguiti un rilievo metrico ed un rilievo fotografico ad alta definizione dell’intera vetrata. Contemporaneamente è stato effettuato un rilievo delle zone interessate dai fenomeni di degrado individuati precedentemente. I dati ottenuti dai rilievi metrico, fotografico e del degrado e dallo studio della storia della vetrata sono stati utilizzati per creare una mappa dello stato di conservazione dell’opera che possa costituire uno strumento di facile ed immediata lettura per chi dovesse trovarsi ad operare sulla vetrata. Il percorso conoscitivo si è concluso con il prelievo e l’analisi in laboratorio di un antello della vetrata. Questa operazione è stata condotta insieme ad un funzionario della Soprintendenza per i Beni Ambientali e Paesaggistici di Venezia e Laguna e ad esperti restauratori di vetrate ed ha costituito un importante momento di confronto e di apprendimento. La combinazione delle competenze relative alle problematiche di conservazione, alle tecnologie di intervento ed alla natura intima dei materiali hanno dato la possibilità di caratterizzare compiutamente lo stato di conservazione dell’antello in esame e di fornire quindi tuttti gli strumenti necessari per le progettazione di un corretto intervento di restauro.
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Kline, Joshua. "A Tiffany Window In the Virginia Museum of Fine Arts and the Patronage of The Saunders Family of Richmond." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2890.

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The aim of this research is to present an important but forgotten Tiffany interior, that of All Saints Episcopal Church, and focuses on the source for the Saunders memorial window, Christ Resurrection. After portraying the Saunders Family and the context of the window and church interior as an important part of Richmond’s history, this thesis sets up a number of inquiries regarding Christ Resurrection. What are the literary sources; what are the formal sources, from the Renaissance to the late nineteenth century; and what is the meaning of the composition? This thesis utilizes an art historical method of archival, connoisseurial, and iconological research. The analysis of the third chapter illustrates that Frederick Wilson’s composition of Christ Resurrection does not follow any one of the Evangelists. Rather it comes from an extensive pictorial tradition from Resurrection scenes of the 14th century leading into the 17th.
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Suganthan, Shanmugalingam. "Enhancement of images of stained glass windows." Thesis, University of Derby, 2003. http://hdl.handle.net/10545/213789.

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Heritage conservators are interested in using digital images in the analysis of stained glass windows. Images of stained glass are significantly different from those of most other subjects because their colour is generated by transmitted, rather than reflected light. Also the medium has a wider dynamic range between highlight and shadow areas than most "real world" scenes. In many cases the background is partially visible through the glass, typically showing trees, foliage, sky or other buildings. Images of stained glass taken with external illumination very often contain shadows, moreover, cast by structures such as protective bars and grilles. The physical structures producing the shadows are often irremovable, because they are difficult to access or constitute structural elements of the window. It is thus necessary to provide a suitable set of image processing tools to remove both background and shadows from the digital images. This research was aimed at the problem of normalising a stained glass image (or a series of images) to remove artefacts arising from imaging geometry, illumination and background. The scope of the investigation covered the statistics of stained glass images, segmentation and feature extraction, and removal of image defects, including non-uniform illumination, shadows of bars and grilles, and background. This thesis introduces systematic procedures to calculate statistics of stained glass on digital images. Some interesting features are explained. The scale invariance property of images is examined carefully, and characteristic scaling behaviours of stained glass images are found. To developed novel algorithms for segmentation and feature extraction, and removal of image defects, including nonuniform illumination, shadows of bars and grilles, and background. These algorithms have been implemented using Mattab. These techniques enable the image defects and shadows to be characterised and removed with a reasonable degree of success.
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Villaro, Izaskun. "Analysis of the energy savings gained by protective glazing on stained single-glass windows at Uppsala cathedral." Thesis, Högskolan i Gävle, Avdelningen för bygg- energi- och miljöteknik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-22101.

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Most European stained glass windows have no protection to reduce the damage due to environmental exposure, and this is the case of the great gothic windows in the Uppsala Cathedral. Currently, the implementation of protective glazing systems is being carried out in order to reduce the damage of the stained glass. In this connection, an analysis of the energy saving potential of the protective system is of great interest. The main obstacle in the implementation of this kind of systems is a social rejection based on the fact that the additional panes perturb the appearance of the historic building. Thus, demonstrating that there would actually be an energy saving, with the corresponding economic saving, would help approving the implementation of the protective glazing system. Measurement data needed for the analysis were available since they were used in condensation studies for the damaging analysis. However, the fact that this data was not gathered thinking of the energy saving analysis and its difficulties, some limitations have appeared in the present study. Accordingly, the needed simplifications imply some uncertainty in the results. However, the reliability of the results and the conclusions that can be drawn from the analysis are contrasted with previous similar studies. Different methods of calculation and analysis will be discussed, and finally results for the heat transfer coefficients through the open air gap and through the whole double paned system will be obtained. Furthermore, an energy saving analysis will be carried out with the winter data for both the case of the case of the Sonens fönster and the case of also implementing a similar system in the rosette of the cathedral. As a result, the conclusions drawn will be that the implemented protective glazing system reduces the heat losses through the windows to less than a third and that savings of about 8700 kWh/year and 13000 kWh/year are achieved in the case of the system being implemented only in Sonenes fönster and also in the rosette respectively. Finally, a rough study of the condensation problem will be exposed and possible matters, along with some advices, of further studies regarding more accurate analysis of both the condensation and the energy saving analysis will be presented.
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Mills, Paula Jayne. "A study of the atmospheric corrosion of mediaeval stained glass windows in the United Kingdom." Thesis, University of York, 1995. http://etheses.whiterose.ac.uk/10858/.

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Hoffman-Stonebraker, Jennifer C. "The history and use of stained glass windows in ecclesiastical buildings in Indianapolis, Indiana, 1865-1915." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1214382.

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This thesis examines stained glass windows in Indianapolis churches built between 1865 and 1915. It studies the trends in Indianapolis stained glass windows and compares them with the national trends in stained glass design. The evidence contained within this thesis indicates that a wide variety of styles popular at the time are represented in Indianapolis churches. The evidence also suggests that some national trends in stained glass did influence the design of the windows in Indianapolis. However, most of the windows in the surviving Indianapolis churches from the period are not typical of the high style trends in church stained glass found elsewhere in the United States.
Department of Architecture
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Books on the topic "Stained glass window"

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Brauet, Ernest L. Roselle. Vidriera policromada =: Stained glass window. [Puerto Rico: s.n.], 2000.

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Michaels, Cherlyn. Counting raindrops through a stained glass window. New York: Hyperion, 2005.

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N, Chin Yvette, ed. Faith, hope, and light: The art of the stained glass window. Philadelphia: Courage Books, 1999.

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Apocalypse: Een glas-in-loodraam van = a glass stained window by Marc Mulders. Zwolle: Waanders, 2006.

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Munir, Sana. The stained-glass window: Stories of the pandemic from Pakistan. Karachi: Liberty Publishing, 2020.

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Academy, British, ed. York Minster: The great east window. Oxford: Published for the British Academy by Oxford University Press, 1995.

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Academy, British, ed. York Minster: The St William window. Oxford: Published for the British Academy by Oxford University Press, 1999.

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Apocalypse: The great east window of York Minster. London, United Kingdom: Third Millennium Publishing Limited, 2014.

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The seventh window: The king's window donated by Philip II and Mary Tudor to Sint Janskerk in Gouda (1557). Hilversum: Verloren, 2005.

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Siffert, Etienne L. Eglise Notre Dame des Victories stained glass window & tapestry book: In celebration of the 150th anniversary. San Francisco, CA: Eglise Notre Dame des Victoires, 2006.

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Book chapters on the topic "Stained glass window"

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Sison, Antonio D. "Conclusion: The New Stained Glass Window." In Screening Schillebeeckx, 183–84. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230602106_7.

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Budianta, Melani. "Beyond the Stained Glass Window Indonesian Perceptions of the United States and the War on Terror." In What They Think of Us, edited by David Farber, 27–48. Princeton: Princeton University Press, 2009. http://dx.doi.org/10.1515/9781400827602.27.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "‘Stained Glass Windows’." In Victorian Material Culture, 239–42. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-77.

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Leissner, Johanna. "Excimer Laser Cleaning for Mediaeval Stained Glass Windows." In Optical Technologies in the Humanities, 151–54. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/978-3-642-60872-8_20.

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Römich, H., P. Mottner, J. Hildenhagen, K. Dickmann, G. Hettinger, and F. Bornschein. "Comparison of Cleaning Methods for Stained Glass Windows." In Springer Proceedings in Physics, 157–61. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/3-540-27176-7_20.

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Carmona, Noemí. "Corrosion of Stained Glass Windows: Applied Study of Spanish Monuments of Different Periods." In Modern Methods for Analysing Archaeological and Historical Glass, 653–75. Oxford, UK: John Wiley & Sons Ltd, 2013. http://dx.doi.org/10.1002/9781118314234.ch30.

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van Bueren, Truus, and Charlotte Dikken. "From Memoria to Commemoration? Stained-Glass Windows in the Netherlands before and after the Reformation." In Reformations and their Impact on the Culture of Memoria, 201–49. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.memo-eb.5.110759.

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Gelin, Marie-Pierre. "Stirps Jesse in capite ecclesiae: Iconographic and Liturgical Readings of the Tree of Jesse in Stained-Glass Windows." In The Tree, 13–33. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.imr-eb.1.102020.

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Stillwell, Richard. "The Stained-Glass Windows." In The Chapel of Princeton University, 23–106. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691195209.003.0002.

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This chapter looks at the stained-glass windows of the crossing and the choir clerestory of the Princeton University Chapel. On the east side of the two transepts and in the choir above the organ cases are four windows which together illustrate aspects of the great themes in the Book of the Psalms. The windows are composed of numerous little scenes that are literal illustrations of verses from the Psalms, or are scenes from the life of Christ suggested by the verses. The four lancets in each window are to be read from left to right, and the three panels in each lancet from top to bottom. The north transept features Psalms 147, 148 and 150, while the south transept shows Psalm 107. In the north side of the choir are Psalms 22 and 23, and in the south side is Psalm 91.
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"Regarding the Early Rose Window." In Investigations in Medieval Stained Glass, 269–81. BRILL, 2019. http://dx.doi.org/10.1163/9789004395718_021.

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Conference papers on the topic "Stained glass window"

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Trümpler, Stefan, Sophie Wolf, Cordula Kessler, and Jürg Goll. "Potential and challenges of interdisciplinary research on historical window glass, stained glass and reverse glass paintings." In Integrated Approaches to the Study of Historical Glass - IAS12, edited by Hugo Thienpont, Wendy Meulebroeck, Karin Nys, and Dirk Vanclooster. SPIE, 2012. http://dx.doi.org/10.1117/12.978231.

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Ceglia, A., W. Meulebroeck, H. Wouters, K. Baert, K. Nys, H. Terryn, and H. Thienpont. "Using optical spectroscopy to characterize the material of a 16thc. stained glass window." In Integrated Approaches to the Study of Historical Glass - IAS12, edited by Hugo Thienpont, Wendy Meulebroeck, Karin Nys, and Dirk Vanclooster. SPIE, 2012. http://dx.doi.org/10.1117/12.981436.

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Burguete Gil, Carmen. "Restoration of the stained glass windows of the British Cemetery of Valencia." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15138.

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Light is a phenomenon that, due to its mysticism, has often been used by different religions and philosophies. In art, this phenomenon is directly related to stained glass windows. In the Middle Ages they were made by glaziers who followed artisanal techniques. These techniques were developed in the heyday of stained glass, but afterwards they were on the verge of disappearing for several centuries. In the 19th century stained glass reappeared but the lack of knowledge about the original artisanal techniques was a great problem. Nowadays, the same problem has to be faced, stained glass windows are features worthy of preservation, but their construction and therefore their maintenance require artisanal techniques which are now disappearing. An example of the reappearance of these skills can be found in the restoration of the stained glass windows of the British Cemetery of Valencia by a special employment centre, run by specialists and carried out by artisans in glass work. This paper will present the work carried out in the recovery of this part of the Valencian traditional heritage, presenting all the stages, such as disassembly, repair and replacement. In addition, this paper will explore the results of the work, restoring the splendour of the windows to the buildings in which they are placed.
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Suganthan, S. "Grille shadow removal from image of stained glass windows." In IEE International Conference on Visual Information Engineering (VIE 2005). IEE, 2005. http://dx.doi.org/10.1049/cp:20050070.

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Andron, Diana Beatrice. "MUSICAL STAINED GLASS WINDOWS. INSTANCES OF THE SOUND IMAGINARY IN COMPARATIVE VIEWS." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s14.044.

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Gavrilova, K. A., and A. A. Leonidova. "CONSERVATION METHODS OF PROTECTION OF BRASS ALLOYS IN NON-SOLDERING STAINED-GLASS WINDOWS." In Реставрация. Наш взгляд - 2022. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604831069_25.

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Rebollo, E., F. Ratti, G. M. Cortelazzo, L. Poletto, and R. Bertoncello. "New trends in imaging spectroscopy: the non-invasive study of the Scrovegni Chapel stained glass windows." In SPIE Optical Metrology. SPIE, 2011. http://dx.doi.org/10.1117/12.888839.

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Colomban, Philippe, Linda C. Prinsloo, Aurélie Tournié, P. M. Champion, and L. D. Ziegler. "On-site Raman Analysis Of Cultural Heritage Sites: The Stained Glass Windows Of The Sainte-Chapelle (Paris) And San Rock Art (South Africa)." In XXII INTERNATIONAL CONFERENCE ON RAMAN SPECTROSCOPY. AIP, 2010. http://dx.doi.org/10.1063/1.3482487.

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Reports on the topic "Stained glass window"

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Shin, Eonyou, and Chanmi G. Hwang. Through a Stained Glass Window. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-998.

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Connors, L. Colored Light: A Brief Study of Stained Glass Windows, Including a Self-Guided Tour of Stained Glass in West Portland. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2090.

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