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Books on the topic 'Staging'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 October 2024

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1

Pellegrini, Ann. Performance anxieties: Staging psychoanalysis, staging race. New York: Routledge, 1997.

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2

Dakouri-Hild, Anastasia, and Michael J. Boyd, eds. Staging Death. Berlin, Boston: De Gruyter, 2016. http://dx.doi.org/10.1515/9783110480573.

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Chemers, Michael M. Staging Stigma. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230616813.

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4

Haughton, Miriam. Staging Trauma. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-53663-1.

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5

Weems, Lisa. Staging Dissent. New York, NY : Routledge, 2017.Identifiers: LCCN 2017031067 | ISBN 9781138210660 (hardcover : alk. paper) | ISBN 9781138210677 (pbk. : alk. paper) | ISBN 9781315454771 (ebook): Routledge, 2017. http://dx.doi.org/10.4324/9781315454771.

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6

Taylor, Steven S. Staging Organization. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-63127-1.

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7

Ruru, Li, ed. Staging China. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137529442.

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8

Willis, Martin, ed. Staging Science. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-49994-3.

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9

Komporaly, Jozefina. Staging Motherhood. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230598485.

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10

Lipscomb, Valerie Barnes, and Leni Marshall, eds. Staging Age. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230110052.

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11

Hohenberger, Peter, and K. Conlon, eds. Staging Laparoscopy. Berlin, Heidelberg: Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/978-3-642-56290-7.

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12

Pinchbeck, Michael, and Andrew Westerside, eds. Staging Loss. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97970-0.

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13

Mangan, Michael. Staging Masculinities. London: Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-1-137-07186-6.

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14

Adams, Sarah J., Jenna M. Gibbs, and Wendy Sutherland. Staging Slavery. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003174127.

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15

Cooper, Susan. Staging dance. London: A&C Black, 1998.

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16

M, Thompson William, ed. Staging neoplasms. Philadelphia: Saunders, 1994.

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17

Plunka, Gene A. Staging Holocaust Resistance. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137000613.

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18

Aston, Elaine, and Sue-Ellen Case, eds. Staging International Feminisms. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230287693.

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19

Goddard, Lynette. Staging Black Feminisms. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230801448.

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20

Rey, Rebecca. Staging Don DeLillo. Burlington, VT: Ashgate, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315610504.

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21

Giesekam, Greg. Staging the Screen. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-1-137-09099-7.

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22

French, Sarah. Staging Queer Feminisms. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-46543-6.

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23

Pellegrini, Ann. Performance Anxieties: Staging Psychoanalysis, Staging Race. Taylor & Francis Group, 2014.

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24

Pellegrini, Ann. Performance Anxieties: Staging Psychoanalysis, Staging Race. Taylor & Francis Group, 2014.

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25

Pellegrini, Ann. Performance Anxieties: Staging Psychoanalysis, Staging Race. Routledge, 1996.

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26

Pellegrini, Ann. Performance Anxieties: Staging Psychoanalysis, Staging Race. Taylor & Francis Group, 2014.

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27

Performance Anxieties: Staging Psychoanalysis, Staging Race. Routledge, 1996.

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28

Performance Anxieties: Staging Psychoanalysis, Staging Race. Routledge, 2014.

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29

Cutler, Judith. Staging Death. Allison & Busby, Limited, 2010.

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30

Hohenberger, P., and K. Conlon. Staging Laparoscopy. Springer London, Limited, 2012.

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31

Publicover, Laurence. Staging Romance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806813.003.0003.

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This chapter explores the mostly overlooked history of romance on the early modern stage. Analysing the geographies of two little-known plays, Clyomon and Clamydes (1580s?) and Guy of Warwick (early 1590s?), it argues that, in its imaginative openness and its flexible staging of space, the early modern theatre was the ideal environment in which to stage romance’s extravagant spatial and ethnographical imaginings. Further, the chapter demonstrates how a theatrical tradition of clowning enabled these late-Elizabethan dramas to contest the values of the very romance-worlds they had established. It closes with a fresh reading of Francis Beaumont’s parody of romance, The Knight of the Burning Pestle, arguing that the play satirizes dramatic romance’s spatial grammar as well as its narrative strategies.

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32

Cooper, Susan. Staging Dance. Routledge, 2016. http://dx.doi.org/10.4324/9781315059617.

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33

Nunn, Hillary M. Staging Anatomies. Routledge, 2017. http://dx.doi.org/10.4324/9781315242521.

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34

Pace, Chelsea, and Laura Rikard. Staging Sex. Routledge, 2020. http://dx.doi.org/10.4324/9780429487613.

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35

Trench, Rhona, ed. Staging Thought. Peter Lang UK, 2012. http://dx.doi.org/10.3726/978-3-0353-0284-4.

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36

Singh, Anita. Staging Feminisms. Routledge India, 2021. http://dx.doi.org/10.4324/9781003020226.

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37

Stainton, Leslie. Staging Ground. Penn State University Press, 2014. http://dx.doi.org/10.1515/9780271064345.

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38

Pisano, Jessica. Staging Democracy. Cornell University Press, 2022. http://dx.doi.org/10.1515/9781501764080.

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39

Giloi, Eva, Martin Kohlrausch, Heikki Lempa, Heidi Mehrkens, Philipp Nielsen, and Kevin Rogan, eds. Staging Authority. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110574012.

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40

Jeffs, Kathleen. Metatheatrical Staging. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198819349.003.0006.

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Over the course of the RSC season of Spanish Golden Age plays, metatheatre emerged as a common element of all four productions, one that challenged and bolstered the company at all phases of the plays’ translation, rehearsal, and performance processes. Using the varieties of metatheatre established by Richard Hornby, this chapter shows how the RSC capitalized on the metatheatrical devices in the four plays, and in doing so made direct contact with their audiences, drawing them in by linking multiperspectivism endemic to Golden Age playwriting styles with an audience living in an age characterized by self-consciousness on and off the stage.

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41

Staging Governance. Johns Hopkins University Press, 2018. http://dx.doi.org/10.1353/book.60320.

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42

Shepherd‐Barr, Kirsten E. Staging Modernism. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780199545445.013.0008.

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43

White, Bretton. Staging Discomfort. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401544.001.0001.

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Staging Discomfort examines how queer bodies are theatrically represented on the Cuban stage in order to re-evaluate the role of categorization as one of the state’s primary revolutionary tools. These performances concentrate on an aesthetics of fluidity, and thus upset traditional understandings of performer and spectator, and what constitutes the ideal Cuban citizenry. New affective modes are produced when performing bodies highlight—often in uncomfortably intimate, grotesque, or raw ways—the unavoidability of spectators’ bodies, and their capacity for queerness. Here the imagining of new continuities and subjectivities can lead to a reconfiguration of forms of Cuban citizenship. The affective responses from the closeness experienced in the performances in Staging Discomfort are challenges to the Cuban state’s self-designated role as primary provider for the needs of its citizens’ bodies. Through the lens of queer theory, the manuscript explores the body’s centrality to the state’s deployment of fear to successfully marginalize gay life, which this group of works seeks to defuse through an articulation of intimacies, shame, the death drive, cruising, and failure. These affective experiences shape Cuban subjectivities that emerge out of queerness, but whose focus on inclusivity necessarily involves all Cubans. Several of the central questions that guide Staging Discomfort are: How is Cuban theater agile in its critiques considering the state’s limitations on expression? How do queer performances allow for new understandings about the effects of the state’s failing socialist utopian contract with its citizens? And, can Cuban bodies that come together in queer ways re-imagine Cuban citizenship?

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44

Goodman, Tanya. Staging Solidarity. Routledge, 2015. http://dx.doi.org/10.4324/9781315631929.

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45

Cutler, Judith. Staging Death. Magna Large Print Books, 2010.

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46

Maufort, Marc, ed. Staging Difference. Peter Lang US, 1996. http://dx.doi.org/10.3726/978-1-4539-1015-3.

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47

Staging Musicals. Bloomsbury Publishing Plc, 2019. http://dx.doi.org/10.5040/9781474247757.

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48

Staging Mobilities. Taylor & Francis Group, 2013.

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49

Staging Dance. Bloomsbury Publishing Plc, 1998.

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50

Staging Voice. Taylor & Francis Group, 2021.

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