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1

Mariko, Ichikawa, ed. Staging in Shakespeare's theatres. Oxford: Oxford University Press, 2000.

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2

Hedges, Inez. Staging History from the Shoah to Palestine. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84009-9.

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Oesmann, Astrid. Staging history: Brecht's social concepts of ideology. Albany: State University of New York Press, 2005.

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4

1957-, Marra Kim, and Schanke Robert A. 1940-, eds. Staging desire: Queer readings of American theater history. Ann Arbor: University of Michigan Press, 2002.

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5

Pavlovich, Chekhov Anton. Staging Chekhov: Cherry orchard. New York, NY: Published by Institute for Advanced Studies in the Theatre Arts Press in association with Florida Keys Community College, 1991.

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6

Guhl, Anton, and Gisela Hürlimann, eds. Inszenierte Geschichte | Staging History. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110731378.

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7

Staging History: 1780-1840. Bodleian Library, University of Oxford, 2017.

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8

Staging masculinities: History, gender, performance. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2003.

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9

Komporaly, Jozefina. Staging Motherhood. Palgrave Macmillan, 2014.

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10

Staging whiteness. Middletown, Conn: Wesleyan University Press, 2005.

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11

Staging Detection. Taylor & Francis Group, 2021.

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12

Chemers, Michael M. Staging Stigma. Palgrave Macmillan, 2009.

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13

Lipscomb, Valerie Barnes, and Leni Marshall. Staging Age. Palgrave Macmillan, 2010.

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14

Stallybrass, Peter, and David Scott Kastan. Staging the Renaissance. Taylor & Francis Group, 2013.

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15

Stallybrass, Peter, and David Scott Kastan. Staging the Renaissance. Taylor & Francis Group, 2013.

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16

Rey, Rebecca. Staging Don Delillo. Taylor & Francis Group, 2016.

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17

Staging Don Delillo. Taylor & Francis Group, 2016.

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18

Rey, Rebecca. Staging Don Delillo. Taylor & Francis Group, 2016.

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19

Rey, Rebecca. Staging Don Delillo. Taylor & Francis Group, 2016.

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20

Rey, Rebecca. Staging Don Delillo. Taylor & Francis Group, 2016.

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21

Publicover, Laurence. Staging Romance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806813.003.0003.

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This chapter explores the mostly overlooked history of romance on the early modern stage. Analysing the geographies of two little-known plays, Clyomon and Clamydes (1580s?) and Guy of Warwick (early 1590s?), it argues that, in its imaginative openness and its flexible staging of space, the early modern theatre was the ideal environment in which to stage romance’s extravagant spatial and ethnographical imaginings. Further, the chapter demonstrates how a theatrical tradition of clowning enabled these late-Elizabethan dramas to contest the values of the very romance-worlds they had established. It closes with a fresh reading of Francis Beaumont’s parody of romance, The Knight of the Burning Pestle, arguing that the play satirizes dramatic romance’s spatial grammar as well as its narrative strategies.
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22

Singh, Anita. Staging Feminisms. Taylor & Francis Group, 2021.

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23

Singh, Anita. Staging Feminisms. Taylor & Francis Group, 2021.

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24

Kastan, David S. Staging the Renaissance. Routledge, 2012.

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25

Approximation: Documentary, History and Staging Reality. Taylor & Francis Group, 2020.

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26

Staging the Renaissance. Routledge, 2013.

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27

Stallybrass, Peter, and David Scott Kastan. Staging the Renaissance. Taylor & Francis Group, 2017.

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28

Stallybrass, Peter, and David Scott Kastan. Staging the Renaissance. Taylor & Francis Group, 2017.

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29

Stallybrass, Peter, and David Scott Kastan. Staging the Renaissance. Taylor & Francis Group, 2017.

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30

Stallybrass, Peter, and David Scott Kastan. Staging the Renaissance. Taylor & Francis Group, 2017.

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31

Stallybrass, Peter, and David Scott Kastan. Staging the Renaissance. Taylor & Francis Group, 2013.

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32

Stallybrass, Peter, and David Scott Kastan. Staging the Renaissance. Taylor & Francis Group, 2013.

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33

Herzog, Dagmar. Staging the Third Reich. Taylor & Francis Group, 2020.

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34

Herzog, Dagmar. Staging the Third Reich. Taylor & Francis Group, 2020.

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35

Herzog, Dagmar. Staging the Third Reich. Taylor & Francis Group, 2020.

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36

Herzog, Dagmar. Staging the Third Reich. Taylor & Francis Group, 2020.

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37

Herzog, Dagmar. Staging the Third Reich. Taylor & Francis Group, 2020.

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38

Gilchrist, Kim. Staging Britain’s Past. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350163379.

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Staging Britain's Past is the first study of the early modern performance of Britain's pre-Roman history. The mythic history of the founding of Britain by the Trojan exile Brute and the subsequent reign of his descendants was performed through texts such as Norton and Sackville’s Gorboduc, Shakespeare’s King Lear and Cymbeline, as well as civic pageants, court masques and royal entries such as Elizabeth I’s 1578 entry to Norwich. Gilchrist argues for the power of performed history to shape early modern conceptions of the past, ancestry, and national destiny, and demonstrates how the erosion of the Brutan histories marks a transformation in English self-understanding and identity. When published in 1608, Shakespeare’s King Lear claimed to be a “True Chronicle History”. Lear was said to have ruled Britain centuries before the Romans, a descendant of the mighty Trojan Brute who had conquered Britain and slaughtered its barbaric giants. But this was fake history. Shakespeare’s contemporaries were discovering that Brute and his descendants, once widely believed as proof of glorious ancient origins, were a mischievous medieval invention. Offering a comprehensive account of the extraordinary theatrical tradition that emerged from these Brutan histories and the reasons for that tradition’s disappearance, this study gathers all known evidence of the plays, pageants and masques portraying Britain’s ancient rulers. Staging Britain's Past reveals how the loss of England’s Trojan origins is reflected in plays and performances from Gorboduc’s powerful invocation of history to Cymbeline’s elegiac erosion of all notions of historical truth.
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39

Harvie, Jen. Staging the UK. Manchester University Press, 2005.

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40

Staging Theatre Today. Routledge, 2012.

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41

Staging Holocaust resistance. New York: Palgrave Macmillan, 2012.

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42

STAGING THE UK. MANCHESTER: MANCHESTER UNIV PRESS, 2005.

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43

Sidiropoulou, Avra. Staging 21st Century Tragedies. Taylor & Francis Group, 2022.

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44

Sidiropoulou, Avra. Staging 21st Century Tragedies. Taylor & Francis Group, 2022.

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45

Keenan, Tim. Restoration Staging, 1660-74. Taylor & Francis Group, 2016.

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46

Keenan, Tim. Restoration Staging, 1660-74. Taylor & Francis Group, 2016.

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47

Keenan, Tim. Restoration Staging 1660-74. Taylor & Francis Group, 2020.

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48

Keenan, Tim. Restoration Staging, 1660-74. Taylor & Francis Group, 2016.

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49

Restoration Staging, 1660-74. Taylor & Francis Group, 2016.

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50

Keenan, Tim. Restoration Staging, 1660-74. Taylor & Francis Group, 2016.

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