Relevant bibliographies by topics / Staging

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Staging'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 October 2024

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Journal articles on the topic "Staging"

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Žavbi Milojević, Nina. "The classical dramatic text and its value in contemporary theatre." Journal of Education Culture and Society 4, no. 1 (January 12, 2020): 228–35. http://dx.doi.org/10.15503/jecs20131.228.235.

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This paper deals with the classical dramatic text and its staging in contemporary theatre. Specifi cally, it aims to show that classical texts can address topical issues. This is illustrated by the example of several stagings of Ivan Cankar’s Hlapci, one of the most infl uential dramatic texts in Slovene literature. The history of this dramatic text is presented from its fi rst publication and reception to the different stagings in various Slovene professional theatres. The focus is on how the situation in Slovene society is refl ected in each examined staging. The drama Hlapci was fi rst staged almost one hundred years ago, when the staging followed closely the dramatic text. However, after 1980 stagings became more independent from the text and more artistic freedom was allowed. The paper will prove that classical dramatic texts are very appropriate for staging in contemporary theatre, especially with an innovative director’s approach.
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Haitzinger, Nicole, and Stella Lange. "Europe's Staging – Staging Europe." Forum Modernes Theater 31, no. 1-2 (2020): 125–29. http://dx.doi.org/10.1353/fmt.2020.0010.

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Watson, Chris. "Staging." Oncology Times 43, no. 5 (March 5, 2021): 4. http://dx.doi.org/10.1097/01.cot.0000737680.02010.39.

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Resnick, Martin I. "Staging." Journal of Urology 147, no. 3 Part 2 (March 1992): 881–82. http://dx.doi.org/10.1016/s0022-5347(17)37411-6.

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Sessler, Andrew M. "Staging." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 503, no. 1-2 (May 2003): 62–63. http://dx.doi.org/10.1016/s0168-9002(03)00642-9.

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Bernick, Paul E., and W. Douglas Wong. "Staging." Surgical Oncology Clinics of North America 9, no. 4 (October 2000): 703–20. http://dx.doi.org/10.1016/s1055-3207(18)30106-6.

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Kim, Sophie-Jung Hyun. "Staging." American Historical Review 129, no. 2 (June 1, 2024): 578–86. http://dx.doi.org/10.1093/ahr/rhae171.

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Mader, Jon T., Mark Shirtliff, and Jason H. Calhoun. "Staging and Staging Application in Osteomyelitis." Clinical Infectious Diseases 25, no. 6 (December 1997): 1303–9. http://dx.doi.org/10.1086/516149.

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Levin, David J. "Reading a staging/Staging a reading." Cambridge Opera Journal 9, no. 1 (March 1997): 47–71. http://dx.doi.org/10.1017/s0954586700005152.

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In February of 1929, the German National Party raised a matter of pressing concern in the Prussian State Parliament: the party requested a parliamentary investigation into ‘the transformation of the State Opera at the Platz der Deutschen Republik (popularly known as the Kroll Opera) into a laboratory for Bolshevik art experiments’. The crisis had become particularly acute in the wake of the Kroll Opera's production of Der fliegende Holländer, which had been premièred a few weeks earlier on 15 January 1929 and which, according to the party, brazenly ‘mocked the spirit of Richard Wagner’. For anyone who has worked on Wagner or, for that matter, simply attended performances of his works, the sentiments come as no surprise. Indeed, the fact that they arose in the wake of Otto Klemperer's and Jiirgen Fehling's famously abstract production (with sets by Ewald Dülberg) make them almost predictable. Fehling and Klemperer incurred the wrath of the National Party for producing what I want to call a ‘critical reading’ of Wagner's text. In Klemperer's and Fehling's reading, the Dutchman's ship may be anchored in the mid-nineteenth century, but it is not permanently mired there. And that is precisely what enraged the National Party, just as years later Patrice Chereau would incur the wrath of countless like-minded Wagnerians, whose recourse to the official channels of government for the redress of their aesthetic grievances was, however, no longer so direct.
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RISI, CLEMENS. "Shedding light on the audience: Hans Neuenfels and Peter Konwitschny stage Verdi (and Verdians)." Cambridge Opera Journal 14, no. 1-2 (March 2002): 201–10. http://dx.doi.org/10.1017/s0954586702000137.

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‘Scandal’, ‘uproar’ and ‘sensation’ are words that are often used by critics when writing about operatic stagings of directors Hans Neuenfels and Peter Konwitschny. Neuenfels' 1981 staging of Aida in Frankfurt/Main aroused a veritable furore, as did his interpretation of Nabucco (Berlin, 2000); similar reactions greeted Konwitschny's Graz Aida (1994) and his Hamburg Don Carlos (2001). Neuenfels and Konwitschny continually undermine traditional concepts of operatic staging: the provocative statements advanced by their powerful images regularly elicit bewildered reactions.
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Dissertations / Theses on the topic "Staging"

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Derouin, Jason. "Staging Modernism." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/117.

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This thesis, which supports an exhibition of visual art, develops from Jean Baudrillard's philosophy of seduction. I have focused on the representation of the bachelor and his pad in American men's magazines from the mid-twentieth century. During this period, magazines such as Playboy, Escapade and Rogue created features on modern living to reassure an independent and affluent man that a dwelling with style and taste would ensure a happy bachelor life and facilitate intimacy. My photographs and collages add complexity to this portrait by framing this unique space as a stage where an unmarried man encircled by his lusty decor acted to entrance a woman.
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Clausen, Barbara. "Staging the documentary." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-172646.

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Barbara Clausen thinks about the relationship between experience and knowledge in curating performance art. She will in particular explain her curatorial work on Babette Mangolte's first international solo exhibition which took place at the VOX center for contemporary art in Montreal in 2013. This exhibition and film retrospective showcased Mangolte's various practices and modes of production, as one of the key chroniclers of 1970s performance in dance, visual arts and theater, ranging from early archival works to new site specific multi-media installations. Clausen will consider the complexity of Mangolte's practices in light of the current processes of change that are taking hold in the visual politics of performance arts’ past and present.
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Le, Thuy T. M. Arch(Thuy Thanh)Massachusetts Institute of Technology. "falsework : staging construction." Thesis, Massachusetts Institute of Technology, 2020. https://hdl.handle.net/1721.1/129868.

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Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, February, 2020
Cataloged from student-submitted thesis.
Includes bibliographical references (pages 156-158).
In a reality at once distant and imminent, the Lost Languages and Other Voices exhibit features stories of stone, tree, and jig. Suspended between a zero-waste utopia where out-of-commission buildings are efficiently stripped for parts, pulverized, and recast into new buildings and a preserved world where the size of climate-controlled wunderkammers get ever larger, these material narratives pull one into perspectives vastly distinct from one's own. At times longer-lived, other times more slowly developed, and oftentimes involving subtle sensibilities, the tales of these matter characters enumerate the point that mass can neither be created nor destroyed, although it may be rearranged in space, or its associations may be changed in form. This thesis proposes falsework as a support structure for architectural transformations that renders un-building a lot more kindred to unfurling than demolishing. Designed as a process governed by both material and notional instructions, falsework selectively subtracts and reconfigures parts of built form to reveal indeterminate spaces that had always been (possible) there, thereby enabling reflective, mournful, or prospective activities. "Staging" refers to both the performance itself and the act of setting the stage for what comes next, prioritizing the procedure of construction over or adjacent to its resulting artifacts. This expanded notion of "construction" challenges the supremacy of architectural objects as well as the obsession with their creation and relative indifference towards their life and ultimate demise. In a world filled with perpetually moving matters, falsework sustains possibilities open, for things to collapse or for an eventual repair.
by Thuy T. Le.
M. Arch.
M.Arch. Massachusetts Institute of Technology, Department of Architecture
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Gretzinger, Matthew Christopher. "Staging Orson Welles." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1288594983.

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Lechner, Judith H. Cook Roger F. "Staging Hitler myths." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6526.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on November 18, 2009). Thesis advisor: Dr. Roger Cook. Includes bibliographical references.
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Steiner, Margaret. "Staging the sensation." Thesis, University of East London, 2013. http://roar.uel.ac.uk/3012/.

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The main concerns of this work lie in examining the role of architecture in staging the sensation of the psychological uncanny. This document describes my research and practice since the Proposal was written in 2008. Central to this enquiry is the notion of the uncanny house - that of my childhood in post-war suburban London. Buildings and lives had been lost and damaged. I attempt in my research to acquaint myself with, and understand, the background to my early years. My memories as the child in the house, together with my later experience of being within built spaces, form the basis of the investigation. I write about the artists who have influenced my work during the doctoral programme. The study of these artists has enabled a progression from formal considerations towards a greater psychological and emotional content. In the paintings of Antoni Tàpies and Giorgio Morandi I looked at colour and form; three-dimensional spatial considerations in the work of Nathan Coley and Richard Serra; the architecture of fear of Edward Hopper and Egon Schiele; the lonely architectural settings of George Shaw and Vilhelm Hammershøi; and the psychological content of the work of Käthe Kollwitz and Hughie O'Donoghue. Three main areas of theory have been researched. The first is the uncanny house as described in the work of Anthony Vidler. Particularly relevant to my work are his references to the uncanny house having the possibility to be both homely and cosy, and concealed and kept from sight. The dark dwellings of my memory are also recalled by his descriptions of houses in 19thc. Gothic literature. The second area of research is photography. Part of my practice was based on a set of press photographs taken during the second world war. Theories of the photograph's relationship to time and history give an insight into the way I have used them. 2 The third area of research concerns the experience of being within a built space. This resumes an enquiry begun during BA studies, about the consciousness of being within built spaces. It concludes with a reference to the writing of Maurice Merleau-Ponty and his theories of the body being sensitive to its surroundings. My creative practice of the five years of the doctoral programme is described. Modelmaking was used during the early part of the programme. Models were used to investigate the terraced houses of the suburbs and reflect on the lives of their occupants. I write of the uncertainty experienced when I was no longer able to make models, and how this led to the use of a set of press photographs from the second world war. I describe the significance of these photographs to my creative practice and how new photographs were made from the originals, giving them a different interpretation. Finally, the advances of the latest phase of my practice are reviewed. I acknowledge the value of drawing as an effective medium with which to express myself. I describe my reticence in confronting the people in the war photographs, how I was finally able to engage more closely with their emotions, and by doing so, how my perception was modified of how architecture could stage the sensation of the psychological uncanny.
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de, Paor Áine Máire. "Staging Ireland Down Under." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29150.

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This doctoral project uses quantitative data from the AusStage database to provide an overview of the plays, playwrights and practitioners involved in staging Irish drama on the Australian stage over time. The data reveal a surge in Australian practitioner and audience interest in Irish drama and performance-making during the final decade of the twentieth century and the first decade of the twenty-first century. This period is scrutinised to reveal possible reasons for the popularity of this vein of performance in Australia at the time. The early twenty-first century is subsequently discussed as a time when the Australian academy began to recognise the vibrancy and uniqueness of Irish theatre and performance. This study then presents case studies drawn from a diverse range of performances presented by Irish and Australian mainstage and independent practitioners in Australia during and since this era. Bourdieu’s ‘Habitus’ is employed as a theoretical framework to elucidate the unique qualities of an Irish manner of being in the world that draws such practitioners and audiences to this strand of world theatre and performance in Australia. Arjun Appadurai’s theories on interculturality and his concept of a ‘community of sentiment’ are discussed in order to argue for these practitioners and their audiences as such a community drawn to an Irish habitus, as elucidated by the sociologist Tom Inglis. The study discusses mainstage Irish performances that resonated in Australia at a time of disillusionment with institutional religion. Collaborations between Irish and Australian practitioners highlighting subaltern concerns are also examined. Finally, independent theatre companies on the fringes of Australian cultural life that have benefited from the ‘cultural capital’ associated with Irishness are also identified as constituents of this community.
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Campanella, Tonia Sina. "Intimate Encounters; Staging Intimacy and Sensuality." VCU Scholars Compass, 2006. http://hdl.handle.net/10156/1730.

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Hochstenbag, Monique. "Imaging in clinical lung cancer staging." [Maastricht] : Maastricht : UPM, Universitaire Pers Maastricht ; University Library, Maastricht University [Host], 2003. http://arno.unimaas.nl/show.cgi?fid=8287.

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Lang, Brian. "Cancer staging for differentiated thyroid carcinoma." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B36916134.

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Books on the topic "Staging"

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Pellegrini, Ann. Performance anxieties: Staging psychoanalysis, staging race. New York: Routledge, 1997.

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Dakouri-Hild, Anastasia, and Michael J. Boyd, eds. Staging Death. Berlin, Boston: De Gruyter, 2016. http://dx.doi.org/10.1515/9783110480573.

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Chemers, Michael M. Staging Stigma. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230616813.

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Haughton, Miriam. Staging Trauma. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-53663-1.

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Weems, Lisa. Staging Dissent. New York, NY : Routledge, 2017.Identifiers: LCCN 2017031067 | ISBN 9781138210660 (hardcover : alk. paper) | ISBN 9781138210677 (pbk. : alk. paper) | ISBN 9781315454771 (ebook): Routledge, 2017. http://dx.doi.org/10.4324/9781315454771.

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Taylor, Steven S. Staging Organization. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-63127-1.

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Ruru, Li, ed. Staging China. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137529442.

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Willis, Martin, ed. Staging Science. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-49994-3.

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Komporaly, Jozefina. Staging Motherhood. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230598485.

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Lipscomb, Valerie Barnes, and Leni Marshall, eds. Staging Age. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230110052.

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Book chapters on the topic "Staging"

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Owens, Colette, and Anas Younes. "Staging." In Handbook of Lymphoma, 27–31. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-08467-1_4.

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Levine, S. M., R. M. Terek, T. J. Hough, and G. A. Tung. "Staging." In Imaging of Soft Tissue Tumors, 127–38. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/3-540-30792-3_10.

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Aughterson, Kate. "Staging." In Aphra Behn: The Comedies, 147–66. London: Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-0-230-62944-8_8.

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Santolalla, Oscar. "Staging." In Rock the Tech Stage, 83–89. Berkeley, CA: Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-6312-9_10.

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Nahler, Gerhard. "staging." In Dictionary of Pharmaceutical Medicine, 172–73. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-89836-9_1317.

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Christensen, Carl, and Charles B. Hammond. "Staging." In Clinical Perspectives in Obstetrics and Gynecology, 122–26. New York, NY: Springer New York, 1987. http://dx.doi.org/10.1007/978-1-4612-4698-5_11.

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Levine, S. M., R. M. Terek, T. J. Hough, and G. A. Tung. "Staging." In Imaging of Soft Tissue Tumors, 107–21. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-662-07856-3_7.

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Hough, T. J., G. A. Tung, and R. M. Terek. "Staging." In Imaging of Soft Tissue Tumors, 113–26. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/978-3-662-07859-4_7.

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Weik, Martin H. "staging." In Computer Science and Communications Dictionary, 1648. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_18045.

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Goldstraw, P. "Staging." In Lung Tumors, 83–90. Berlin, Heidelberg: Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/978-3-642-82873-7_8.

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Conference papers on the topic "Staging"

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John, R. R., I. Ackerley, R. Smith, A. Robinson, V. Prakash, M. Shastry, P. Strouhal, and K. Wells. "Deep Texture Analysis for Automated TNM Staging." In 2024 IEEE Nuclear Science Symposium (NSS), Medical Imaging Conference (MIC) and Room Temperature Semiconductor Detector Conference (RTSD), 1. IEEE, 2024. http://dx.doi.org/10.1109/nss/mic/rtsd57108.2024.10655397.

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Plessiet, Cédric, Georges Gagneré, and Remy Sohier. "Avatar Staging." In VRIC '18: Virtual Reality International Conference - Laval Virtual VRIC '18. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3234253.3234293.

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Niwa, Kenta, Kento Ohtani, and Kazuya Takeda. "Music staging AI." In 2017 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2017. http://dx.doi.org/10.1109/icassp.2017.8005294.

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Rompf, Tiark, and Martin Odersky. "Lightweight modular staging." In the ninth international conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1868294.1868314.

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Hahn, Andrew. "Staging Airliner Service." In 7th AIAA ATIO Conf, 2nd CEIAT Int'l Conf on Innov and Integr in Aero Sciences,17th LTA Systems Tech Conf; followed by 2nd TEOS Forum. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2007. http://dx.doi.org/10.2514/6.2007-7759.

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Yallop, Jeremy. "Staging generic programming." In POPL '16: The 43rd Annual ACM SIGPLAN-SIGACT Symposium on Principles of Programming Languages. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2847538.2847546.

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Yao, Liuyi, Zijun Yao, Jianying Hu, Jing Gao, and Zhaonan Sun. "Deep Staging: An Interpretable Deep Learning Framework for Disease Staging." In 2021 IEEE 9th International Conference on Healthcare Informatics (ICHI). IEEE, 2021. http://dx.doi.org/10.1109/ichi52183.2021.00030.

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Danilewski, Piotr, Marcel Köster, Roland Leißa, Richard Membarth, and Philipp Slusallek. "Specialization through dynamic staging." In the 2014 International Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2658761.2658774.

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Dietz, D., J. H. Degnan, J. D. Beason, and P. Turchi. "Staging fluid formation calculations." In 1990 Plasma Science IEEE Conference Record - Abstracts. IEEE, 1990. http://dx.doi.org/10.1109/plasma.1990.110732.

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Kelly, J. H., M. J. Shoup III, and D. L. Smith. "OMEGA Upgrade Staging Options." In OE/LASE '89, edited by George Dube. SPIE, 1989. http://dx.doi.org/10.1117/12.951190.

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Reports on the topic "Staging"

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Borovina, Karen. 4000 sqft Storage-Staging Facility. Office of Scientific and Technical Information (OSTI), April 2021. http://dx.doi.org/10.2172/1776745.

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Madden, M. S., M. D. Adickes, C. J. Hostick, S. M. Nealey, and B. W. Smith. Pantex staging study near-term alternatives. Office of Scientific and Technical Information (OSTI), December 1992. http://dx.doi.org/10.2172/7008619.

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Certa, P. J., W. H. Grams, C. M. McConville, L. W. L. W. Shelton, and E. J. ,. Westinghouse Hanford Slaathaug. Low-level waste feed staging plan. Office of Scientific and Technical Information (OSTI), August 1996. http://dx.doi.org/10.2172/293376.

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Nell, J. G., and C. H. Parks. Internet commerce for manufacturing data staging. Gaithersburg, MD: National Institute of Standards and Technology, 2000. http://dx.doi.org/10.6028/nist.ir.6578.

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Per Onnerud and Suresh Sriramulu. STAGING OF FUEL CELLS - PHASE II. Office of Scientific and Technical Information (OSTI), August 2002. http://dx.doi.org/10.2172/821879.

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Madden, M. S., M. D. Adickes, C. J. Hostick, S. M. Nealey, and B. W. Smith. Pantex staging study near-term alternatives. Office of Scientific and Technical Information (OSTI), December 1992. http://dx.doi.org/10.2172/10110644.

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Martin, Scott, Kareem Ahmed, and Tommy Genova. Improving NOx Entitlement with Axial Staging. Office of Scientific and Technical Information (OSTI), February 2022. http://dx.doi.org/10.2172/1846098.

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Huang, F. F. Pressurization of whole element canister during staging. Office of Scientific and Technical Information (OSTI), January 1998. http://dx.doi.org/10.2172/362543.

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Certa, P. J. Preliminary low-level waste feed staging plan. Office of Scientific and Technical Information (OSTI), February 1996. http://dx.doi.org/10.2172/16097.

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Klote, John H., Harold E. Nelson, Scot Deal, and Bernard M. Levin. Staging areas for persons with mobility limitations. Gaithersburg, MD: National Institute of Standards and Technology, 1992. http://dx.doi.org/10.6028/nist.ir.4770.

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