Academic literature on the topic 'Stage Space'

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Journal articles on the topic "Stage Space"

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Volbea, Beatrice. "“Animating” the Stage - Stage Elements." Theatrical Colloquia 7, no. 1 (June 1, 2017): 273–80. http://dx.doi.org/10.1515/tco-2017-0009.

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Abstract In modern days, new acting spaces have become popular through the artistic expression and diversity of means they offer to the actors so that they get closer to their audience, sometimes ignoring the dramatic text and using it more like a pretext in a given context. The act of creation is now motivated by the possibility it offers its creator to artistically acquire new knowledge and discover new forms of expression to render aspects of contemporary life. Art is not a product, it is a perpetually changing process in time and space. All the artistic research arises from unanswered questions, from an unrefrainable need to express oneself in the new context: cinema, artistic films, documentary films, modern and contemporary performances, visual culture and associated culture, body and space, public space, video editing/processing.
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Pringle, Trish. "The Space of Stage Magic." Space and Culture 5, no. 4 (November 2002): 333–45. http://dx.doi.org/10.1177/1206331202005004002.

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Гусейнова, Диляра Айдыновна. "Sacralization of the Stage Space." Islamovedenie 10, no. 2 (September 2019): 91–102. http://dx.doi.org/10.21779/2077-8155-2019-10-2-91-102.

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Muhammad, Safdar, Ming Ronnier Luo, and Xiao Yu Liu. "Improvement of JPEG for Color Images by Incorporation of CAM02-UCS and Cubic Spline Interpolation." Applied Mechanics and Materials 731 (January 2015): 7–12. http://dx.doi.org/10.4028/www.scientific.net/amm.731.7.

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Image data is always a major fraction of the huge data to be stored or transmitted. That is why researchers have been evolved in finding out different ways and techniques to increase compression rate and reduce information loss. This research investigated the improvement of JPEG compression algorithm by incorporating cubic spline interpolation (CSI) in the sampling stage and four different color spaces in the color space transformation stage. JPEG 1992 standard was considered and results were compared with previous works done by different researchers. The sampling and color space transformation stages of the JPEG algorithm were taken into consideration. In the color space transformation stage, two linear and non-uniform color spaces RGB and YIQ, and two uniform color spaces CIELAB and the CIECAM02 based uniform color space CAM02-UCS were incorporated and investigated. The sampling stage of JPEG contributes much to improve the compression rate at the cost of loss of some information. Current study incorporated cubic spline interpolation technique to reduce the information loss at this typical stage. The CIEDE2000 color difference formula, which is best correlated with the human visual perception, was used as metric to investigate performance of newly proposed improvements in JPEG algorithm for color image compression. The test results showed that the proposed modifications in the two stages of JPEG algorithm improved its performance in terms of compressibility and quality, and the difference in performance was statistically significant. Psychophysical experiments were also performed which validated the test results.
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Al-Jarrah, Mohammad A. "Image Segmentation Utilizing Color-Space Feature." International Journal of Multimedia Data Engineering and Management 6, no. 1 (January 2015): 39–53. http://dx.doi.org/10.4018/ijmdem.2015010103.

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In this paper, the authors introduced a stochastic model for color images. Utilizing this model, they proposed a new method for color image segmentation. The proposed method consists of three stages; the first stage considers the red, green, and blue color component of the image as a gray image. One of the known gray image Thresholding algorithm is applied on the three color components. The second stage segments the image based on the results of first stage. This stage produces eight color segments. The third stage identifies the segments through color-space correlation. Color-space correlation algorithm assumes that a set of pixels are considered to belong to one region if and only if they belong to the same color cluster and all connected using neighborhood filters. The last stage may produce very small segments. These small segments are merged with their closed neighbors based on color features. Finally, Conducted experiments achieved perceptually accepted segments and compare favorably to other segmentation methods.
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Fadillah Rahmat, Romi, Sarah Purnamawati, Joko Kurnianto, Sharfina Faza, and Muhammad Fermi Pasha. "Vacant parking space identification using probabilistic neural network." Indonesian Journal of Electrical Engineering and Computer Science 14, no. 2 (May 1, 2019): 887. http://dx.doi.org/10.11591/ijeecs.v14.i2.pp887-894.

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<span>The need for public parking space is increasing nowadays due to the high number of cars available. Users of car parking services, in general, are still looking for vacant parking locations to park their vehicle manually. With the current technological developments, especially in image processing field, it is expected to solve the parking space problem. Therefore, this research implements image processing to determine the location of vacant parking space or occupied ones that run in real-time. In this study, the proposed method is divided into five stages. The first stage is image acquisition to capture the image of parking location. Then it continues to pre-processing stage which consists of the process of saturation, grayscale and thresholding. The third stage is image segmentation to cut the image into five parts. The next stage is feature extraction using invariant moment, and the last stage would be identification process to determine the location of vacant parking spaces or occupied ones. The results of this research using 100 test images generates an accuracy, recall, and precision of 94%.</span>
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De Vos, Jozef. "Mariko Ichikawa, The Shakespearean Stage Space." Documenta 32, no. 2 (April 16, 2020): 160–62. http://dx.doi.org/10.21825/doc.v32i2.16242.

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Berranger, Yvon. "Theater stage with multiple space extensions." Journal of the Acoustical Society of America 83, no. 6 (June 1988): 2472. http://dx.doi.org/10.1121/1.396303.

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Aronson, Arnold. "Time and Space on the Stage." Performance Research 18, no. 3 (June 2013): 84–94. http://dx.doi.org/10.1080/13528165.2013.818318.

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Doule, Ondřej, Vratislav Šálený, Benoît Hérin, and Tomáš Rousek. "Omicron space habitat—research stage II." Acta Astronautica 70 (January 2012): 139–58. http://dx.doi.org/10.1016/j.actaastro.2011.07.027.

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Dissertations / Theses on the topic "Stage Space"

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De, Sola David Theodore. "Community, space, and performance : a public stage in Central Square." Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/65710.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning; and, (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1995.
Includes bibliographical references (p. 143-146).
In this thesis I strive to explore the question, "what is good architecture?" through the design of a facility for formal and informal musical and theatrical performance. The site for this project is in Central Square, Cambridge, Massachusetts, on the Southeast comer of Massachusetts Avenue and Prospect Street. The program of the design includes a multi-use theater supported by first and second level commercial retail space, a multi-floored office space, and integrated subway station, each included to encourage pedestrian traffic and generate revenue. Additionally, the facility includes a jazz club, a folk room, and a rock club. The final product is a hybrid of existing facilities and ideas developed with prospective facility users; I have made efforts to take advantage of the knowledge and ideas of some users in determining the program and design. The facility aims to encourage and facilitate community integration with use-specific and non-use specific elements. It aims to strengthen the pattern of public gathering now inhibited by the spatial arrangement of the area. Among the important areas of inquiry, I focus considerable attention on the outdoor and semi-outdoor public space of the facility. The design intends to generate an eddying effect on the linear flow of pedestrian traffic down Massachusetts Avenue. By providing areas for street performers with sheltered seating and standing areas for itinerant audiences, this space intends to take on a theatric and communal character. To achieve the goals set out above I have drawn upon a process involving design, theory, and precedent models falling under three main categories. Design Precedents: -Theaters; -Music Halls; -Night Clubs. Organizational Design Precedents: -User Involved Design Tools; -User Involved Design Precedents. Inventive Programming Precedents: -Personal Account of Inventive Process; -Case investigation.
by David Theodore de Sola.
M.Arch.
M.C.P.
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Jordan, Richard. "The space between: Representing 'youth' on the contemporary Australian stage." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16173/2/Richard_Jordan_Exegesis.pdf.

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Young characters throughout the history of Australian theatre have traditionally been represented as tragic, transient, and dangerous; discourses which have defined and limited their construction. 'Youth' itself is a concept which has been invented and perpetuated within Western Art and Media for much of the twentieth century and beyond, creating an exclusive 'space' for young people: a space between childhood and a standard human being. This thesis seeks to explore the implications of this space, as well as contextualise a new creative work - the stage play like, dead - within the canon of Australian theatre texts which portray young characters. like, dead will be shown to be a work which reappropriates clichéd youthful discourses through the use of irony, humour, and a sense of postmodern 'performativity' among its characters. In so doing it will demonstrate an alternative approach to representing young people on the Australian stage, by enhancing the constructedness of traditional images of 'youth' and pursuing the creation of young characters which are not solely defined by the term.
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Jordan, Richard. "The space between : representing 'youth' on the contemporary Australian stage." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16173/.

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Young characters throughout the history of Australian theatre have traditionally been represented as tragic, transient, and dangerous; discourses which have defined and limited their construction. 'Youth' itself is a concept which has been invented and perpetuated within Western Art and Media for much of the twentieth century and beyond, creating an exclusive 'space' for young people: a space between childhood and a standard human being. This thesis seeks to explore the implications of this space, as well as contextualise a new creative work - the stage play like, dead - within the canon of Australian theatre texts which portray young characters. like, dead will be shown to be a work which reappropriates clichéd youthful discourses through the use of irony, humour, and a sense of postmodern 'performativity' among its characters. In so doing it will demonstrate an alternative approach to representing young people on the Australian stage, by enhancing the constructedness of traditional images of 'youth' and pursuing the creation of young characters which are not solely defined by the term.
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Briginshaw, Valerie A. "Dance, space and subjectivity." Thesis, University of Chichester, 2001. http://eprints.chi.ac.uk/861/.

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Vaughters, Amy Lillian. "Delineated Space." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd_retro/58.

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This document is a detailed description of the work produced throughout my graduate study in the Department of Photography and Film at VCU. Topics discussed in relation my photographic process include: stage, memory, character, the forgotten, and nostalgia.
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Sen, Shiladitya. "Metatheatricality on the Renaissance Stage, the Audience and the Material Space." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/165652.

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English
Ph.D.
My dissertation examines how early modern metatheater enabled the Renaissance stage and its original audience to develop a complex and symbiotic relationship. Metatheater--by which I mean a particular mode of theatre, in which actors, playwrights, dramatic characters and/or (in particular) audiences express or share a perception of drama as a fictional and theatrical construct--pervaded Renaissance drama, not by simple happenstance but arising almost inevitably from the complex context within which it functioned. The early modern stage was a particularly conflicted forum, which monarchs and playwrights, town fathers and actors, censors and audiences, impresarios and anti-theatricalists, all strove to influence and control. The use of the metatheatrical mode allowed playwrights and players to better navigate this difficult, sometimes dangerous, space. In particular, the development of Renaissance metatheater derived from (and, simultaneously, affected) the unique nature of its original spectators, who practiced a much more actively engaged participation in the theater than is often recognized. Performers and playwrights regularly used metatheatricality to adapt to the needs and desires of their audience, and to elicit the intellectual and emotional responses they desired. My study utilizes a historically contextualized approach that emphasizes the material conditions under which Renaissance drama arose and functioned. It begins by examining the influence of the surrounding milieu on the Renaissance stage and its spectators, especially its facilitation of the development and use of metatheater. Then, via close readings of four plays--Kyd's The Spanish Tragedy, Shakespeare's Henry V and Antony and Cleopatra, and Beaumont's The Knight of the Burning Pestle--the dissertation indicates how varied and versatile early modern metatheater was, and how it responded to and influenced the nature of its audiences. My study demonstrates the centrality of metatheater to early modern theatrical practice, delineates its pervasive influence on the stage-audience relationship in Renaissance theaters, and underlines the influence of material conditions on the creation and dissemination of Elizabethan and Jacobean drama.
Temple University--Theses
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Ozdemir, Basak Gonca. "Power Stage Design And Implementation Of A Deploymentmechanism Driver For Space Applications." Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614058/index.pdf.

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With the developments in space technology, the capabilities of spacecrafts have been increased considerably which in turn have entailed the development of more efficient spacecrafts in terms of cost, mass, size and power. One way to achieve such a development is the replacement of body mounted appendages with the deployable ones, which greatly reduces the size, mass and cost of the spacecraft especially when large appendages are considered. In order to obtain these deployable structures, deployment mechanisms and deployment mechanism drivers are used. A deployment mechanism is a combination of electrical and/or mechanical structures which hold the appendages in the stowed position before launch and deploys them after the launch with the power and commands supplied by the deployment mechanism driver. This necessary power of the deployment mechanism driver is produced by the Power Stage of the deployment mechanism driver and the necessary commands required by the deployment mechanism are supplied by the Control Stage of the deployment mechanism driver. In this thesis, the power stage of a deployment mechanism driver will be designed and implemented taking into account of the requirements for Low Earth Orbit Satellites such as temperature tolerance, reliability and radiation limits. In order to acquire a cost, mass and size efficient Power Stage, different deployment mechanism topologies will be studied and the most convenient one among these topologies will be chosen as the deployment mechanism driver load and the design will be performed accordingly.
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Temizer, Seda. "Reading Architectural Space Through A Staged Event." Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/3/1218379/index.pdf.

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This study is an inquiry into the architectural aspects of stage space, which is believed to be the materialization of visual relationships, with the claim that it is also the best illustration of the proposition that architectural discourse is affected by the changes in visual culture. The study is based on the assumption that changes in the conceptualization of architectural space have also been influenced from the shifts in the field of vision, which are the consequences of the changes in the social, political and economical circumstances as well as the developments in science and technology. Within the acknowledgement of three major shifts in the field of vision that have been identified by Jonathan Crary, the study focuses on a reading and assessment of twentieth century developments that differ from the traditional conception of space and ways of spatial representation. Being a key to reconsider architectural space production, the outcomes of these developments are read through the construction of stage and performance spaces. Stage space possesses knowledge about the making of architecture. This study is an attempt to demonstrate how stage space is in relation to or anticipates changes in conception of architecture. Because of its instant nature and flexibility, stage space can be seen as a tool for making experiments for possible changes in the conception of architectural space.
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Zhang, Yong. "A DSP based variable-speed induction motor drive for a revolving stage." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/273.

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Variable speed drive technology has advanced dramatically in the last 10 years with the advent of new power devices. In this study, a three phase induction motor drive using Insulated Gate Bipolar Transistors (IGBT) at the inverter power stage is introduced to implement speed and position control for the revolving stage in the Frederic Wood Theatre This thesis presents a solution to control a 3-phase induction motor using the Texas Instruments (TI) Digital Signal Processor (DSP) TMS320F2407A. The use of this DSP yields enhanced operations, fewer system components, lower system cost and increased efficiency. The control algorithm is based on the constant volts-per-hertz principle because the exact speed control is not needed. Reflective object sensors which are mounted on concrete frame are used to detect accurate edge position of revolving stage. The sinusoidal voltage waveforms are generated by the DSP using the space vector modulation technique. In order to satisfy some operating conditions for safe and agreeable operation, a look-up table, which is used to give command voltage and speed signals in software, is applied to limit the maximum speed and acceleration of the revolving stage. Meanwhile, a boost voltage signal is added at the low frequency areas to make the motor produce maximum output torque when starting. A test prototype is then built to validate the performance. Several tests are implemented into the IGBT drive to explore the reason for unacceptable oscillations in IGBT’s gate control signals. Improvement methods in hardware layout are suggested for the final design.
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Kumlu, Armagan. "CFD INVESTIGATION OF IMPELLER DIFFUSER INTERACTION EFFECTS ON RADIAL COMPRESSOR STAGE." Thesis, KTH, Kraft- och värmeteknologi, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-157534.

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The effects of impeller-diffuser interaction are investigated through numerically simulating the modified wedge vane profiles. Steady and time-accurate, 3D- viscous RANSsolver is used to perform flow field computations. The original design is modified to obtain better aerodynamic performance. Five morechanges are made to the leading edge profile of the new design, in order to assess different degrees of unsteadiness. These changes show that their contribution on stageefficiency is rather minor, while they have a huge reduction on blade loadings. Moreover, it is shown that the shorter radial distance of vaneless space does not necessarilymean an increased loading thanks to the eliminating in-phase fluctuations on pressureand suction sides. It is found that the impeller reacts to the upstream static pressure disturbance, whichis caused by the applied geometry change and its resultant flow field in the wedge diffuser, but not to the radial location of a certain profile. In addition, the results indicatethat the wedge diffuser aerodynamic performance is driven by time-averaged flow fieldbehaviour.
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Books on the topic "Stage Space"

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The Shakespearean stage space. Cambridge: Cambridge University Press, 2012.

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P, Loftus Joseph, ed. Orbital debris from upper-stage breakup. Washington, DC: American Institute of Aeronautics and Astronautics, 1989.

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Europe, Council of, and Greece Ministry of Culture, eds. A Stage for Dionysos: Theatrical space & ancient drama. Athens: Kapon Editions, 1998.

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Hopkins, D. J. City/stage/globe: Performance and space in Shakespeare's London. New York, NY: Routledge, 2007.

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Shortt, William C. The UCT story: From stage coach to space shuttle. [Columbus, Ohio]: United Commercial Travelers of America, 1988.

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City/stage/globe: Performance and space in Shakespeare's London. New York: Routledge, 2008.

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Woman's theatrical space. Cambridge: Cambridge University Press, 2004.

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Woman's theatrical space. Cambridge: Cambridge University Press, 1994.

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Fogden, Edward. Space physics. Cheltenham, [Eng.]: Stanley Thomas, 1989.

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Morgan, Clay. Shuttle-Mir: = [Mir-shattl] : the U.S. and Russia share history's highest stage. Houston, Tex: National Aeronautics and Space Administration, Lyndon B. Johnson Space Center, 2001.

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Book chapters on the topic "Stage Space"

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Brown, John Russell. "Stage Space." In Shakespeare and the Theatrical Event, 165–79. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-0-230-62961-5_11.

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Brown, John Russell. "Off-stage Space." In Shakespeare and the Theatrical Event, 180–96. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-0-230-62961-5_12.

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Falb, Peter. "The Stage Space: Realizations." In Modern Birkhäuser Classics, 50–57. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98026-3_10.

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Biet, Christian, and Christophe Triau. "Stage as place and stage as space." In What is the theatre?, 158–76. London ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429437137-10.

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Suresh, B. N., and K. Sivan. "Stage Auxiliary Systems." In Integrated Design for Space Transportation System, 539–80. New Delhi: Springer India, 2015. http://dx.doi.org/10.1007/978-81-322-2532-4_13.

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West, Russell. "Introduction: Staging Space." In Spatial Representations and the Jacobean Stage, 1–11. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9781403913692_1.

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Schrogl, Kai-Uwe, Charlotte Mathieu, Agnieszka Lukaszczyk, and Jacques Blamont. "Setting the Stage." In Threats, Risks and Sustainability — Answers by Space, 1–20. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-87450-9_1.

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Carrington, H., W. J. Gully, M. Hubbard, C. Varner, and P. Arter. "Multi-Stage Cryocooler for Space Applications." In Cryocoolers 8, 93–102. Boston, MA: Springer US, 1995. http://dx.doi.org/10.1007/978-1-4757-9888-3_10.

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Falb, Peter. "The Stage Space: Controllability, observability, Equivalence." In Modern Birkhäuser Classics, 58–64. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98026-3_11.

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Styan, J. L. "Stage Space and the Shakespeare Experience." In Shakespeare in Performance, 24–41. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-22713-3_2.

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Conference papers on the topic "Stage Space"

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SPONABLE, JESS. "Two stage or not to stage?" In Space Programs and Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1990. http://dx.doi.org/10.2514/6.1990-3835.

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REITAN, THANE. "Small upper stage - An orbit enabling hydrazine propulsion stage forthe small satellite community." In Space Programs and Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1992. http://dx.doi.org/10.2514/6.1992-1670.

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DAY, JR., ROBERT, and JAMES HARVELL. "The Upper Stage Responsiveness Study." In Space Programs and Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1990. http://dx.doi.org/10.2514/6.1990-3694.

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EARLEY, SIDNEY, ROBERT SPENCER, and JAMES CATHCART. "NLS/HLLV upper stage evolution." In Space Programs and Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1992. http://dx.doi.org/10.2514/6.1992-1652.

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Nilsen, James, Milton Franke, R. Anthenien, and Jack Barnett. "Staging Variables on Two-Stage-To-Orbit Reusable Launch Vehicles." In Space 2005. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2005. http://dx.doi.org/10.2514/6.2005-6685.

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Hopkins, Joshua. "Comparison of Propulsion Options for a Lunar Lander Ascent Stage." In Space 2005. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2005. http://dx.doi.org/10.2514/6.2005-6740.

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GIGOU, JACQUES. "Ariane-5 solid-propellant stage development." In Space Programs and Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1992. http://dx.doi.org/10.2514/6.1992-1656.

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Kennedy, F., and M. Jacox. "The Integrated Solar Upper Stage (ISUS) Program." In Space Programs and Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1995. http://dx.doi.org/10.2514/6.1995-3628.

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EMRICH, JR., W., A. YOUNG, and J. MULQUEEN. "Nuclear stage configuration studies for Mars missions." In Space Programs and Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1990. http://dx.doi.org/10.2514/6.1990-3788.

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COPPER, J. "Single stage rocket concept selection and design." In Space Programs and Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1992. http://dx.doi.org/10.2514/6.1992-1383.

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Reports on the topic "Stage Space"

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Jones, Gregory. State space approach to flood stage estimation. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5248.

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AIR FORCE SPACE COMMAND SPACE MISSILE SYS CTR. Space and Missile Systems Center Standard: Test Requirements for Launch, Upper-Stage and Space Vehicles. Fort Belvoir, VA: Defense Technical Information Center, September 2014. http://dx.doi.org/10.21236/ada619375.

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DEPARTMENT OF DEFENSE WASHINGTON DC. Military Standard: Test Requirements for Launch, Upper-Stage, and Space Vehicles. Fort Belvoir, VA: Defense Technical Information Center, September 1994. http://dx.doi.org/10.21236/ada286627.

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Sun, Yipeng, Tor Raubenheimer, and Juhao Wu. Parameter Selection and Longitudinal Phase Space Simulation for a Single Stage X-Band FEL Driver at 250 MeV. Office of Scientific and Technical Information (OSTI), August 2011. http://dx.doi.org/10.2172/1022481.

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Dwyer, Matthew B., Sebastian Elbaum, Suzette Person, and Rahul Purandare. Parallel Randomized State-Space Search. Fort Belvoir, VA: Defense Technical Information Center, January 2006. http://dx.doi.org/10.21236/ada459092.

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Candy, J. Accelerometer Modeling in the State-Space. Office of Scientific and Technical Information (OSTI), February 2021. http://dx.doi.org/10.2172/1777338.

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Méndez-Vizcaíno, Juan C., and Nicolás Moreno-Arias. A Global Shock with Idiosyncratic Pains: State-Dependent Debt Limits for LATAM during the COVID-19 pandemic. Banco de la República, October 2021. http://dx.doi.org/10.32468/be.1175.

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Fiscal sustainability in five of the largest Latin American economies is examined before and after the COVID-19 pandemic. For this purpose, the DSGE model in Bi(2012) and Hürtgen (2020) is used to estimate the Fiscal Limits and Fiscal Spaces for Peru, Chile, Mexico, Colombia, and Brazil. These estimates advance the empirical literature for Latin America on fiscal sustainability by offering new calculations stemming from a structural framework with alluring novel features: government default on the intensive margin; dynamic Laffer curves; utility-based stochastic discount factor; and a Markov-Switching process for public transfers with an explosive regime. The most notable additions to the existing literature for Latin America are the estimations of entire distributions of public debt limits for various default probabilities and that said limits critically hinge on both current and future states. Results obtained indicate notorious contractions of Fiscal Spaces among all countries during the pandemic, but the sizes of these were very heterogeneous. Countries that in 2019 had positive spaces and got closer to negative spaces in 2020, have since seen deterioration of their sovereign debt ratings or outlooks. Colombia was the only country to lose its positive Fiscal Space and investment grade, thereby joining Brazil, the previously sole member of both groups
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8

Krebs, William B. A Diffusion on a Fractal State Space. Fort Belvoir, VA: Defense Technical Information Center, September 1989. http://dx.doi.org/10.21236/ada213555.

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Demeuov, Аrman, Zhanna Tilekova, Yerkin Tokpanov, Olena Hanchuk, Natalia Panteleeva, and Iryna Varfolomyeyeva. Use of GIS technology in geographical education. EDP Sciences, June 2021. http://dx.doi.org/10.31812/123456789/4619.

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At the present stage, digital information technologies create a new education system focused on the global educational space. In general education schools, in connection with the adoption of the updated program, the section Geoinformatics and cartography provides for the use of developing a map-scheme, modeling and conducting small studies on the topic under study. As a result, digital technology has a place in geographical education. This is due to significant changes in the pedagogical and methodological approach in teaching geography and other disciplines. As a result, the education system has changed, the content of education has been updated, a new approach has appeared, a new attitude to geoinformation technologies in schools. The article discusses the importance of computer technologies in the education system, including the effectiveness and necessity of using geoinformation technologies. The article substantiates the relevance of the use of geoinformation technologies in the teaching of geography.
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BAGIYAN, A., and A. VARTANOV. SYSTEMS ACQUISITION IN MULTILINGUAL EDUCATION: THE CASE OF AXIOLOGICALLY CHARGED LEXIS. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-3-48-61.

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The process of mastering, systematizing and automatizing systems language skills occupies a key place in the theory and practice of teaching foreign languages and cultures. Following the main trends of modern applied linguistics in the field of multilingual research, we hypothesize the advisability of using the lexical approach in mastering the entire complex of systems skills (grammar, vocabulary, phonology, functions, discourse) in students receiving multilingual education at higher educational institutions. In order to theoretically substantiate the hypothesis, the authors carry out structural, semantic, and phonological analysis of the main lexical units (collocations). After this, linguodidactic analysis of students’ hypothetical problems and, as a result, problems related to the teaching of relevant linguistic and axiological features is carried out. At the final stage of the paper, a list of possible outcomes from the indicated linguistic and methodological problematic situations is given. This article is the first in the cycle of linguodidactic studies of the features of learning and teaching systems language skills in a multilingual educational space.
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