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Books on the topic 'Spined toad'

Author: Grafiati

Published: 28 June 2022

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1

Yolen, Jane. Commander Toad and the Intergalactic Spy. New York: Penguin USA, Inc., 2009.

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2

Yolen, Jane. Commander Toad and the intergalactic spy. New York: Coward-McCann, 1986.

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3

ill, Albers Dave 1961, ed. Spider and the Sky God: An Akan legend. Mahwah, N.J: Troll Associates, 1993.

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4

Hendricks, P. Amphibian and reptile survey of the Bureau of Land Management Miles City District, Montana. Helena, Mont: Montana Natural Heritage Program, 1999.

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5

Horowitz, Anthony. Skeleton Key: An Alex Rider adventure. New York: Speak, 2004.

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6

Skeleton Key. New York: Scholastic, 2004.

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7

Skeleton Key: An Alex Rider adventure. New York: Speak, 2006.

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8

Horowitz, Anthony. Skeleton Key. New York: Penguin Group USA, Inc., 2008.

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9

Skeleton Key. New York: Philomel Books, 2002.

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10

Skeleton key. London: Walker Books, 2003.

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11

Horowitz, Anthony. Skeleton Key. New York: Speak, 2004.

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12

Horowitz, Anthony. Skeleton Key. London: Walker Books Ltd, 2009.

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13

Nicieza, Fabian, Rob Liefeld, and Todd McFarlane. Spider-Man by Todd McFarlane Omnibus. Marvel, 2016.

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14

Michelinie, David. Spider-Man Visionaries, Vol. 1: Todd McFarlane. Marvel Comics, 2003.

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15

Michelinie, David. Spider-Man Legends Volume 3: Todd McFarlane Book 3 TPB (Spider-Man). Marvel Comics, 2004.

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16

Spider-Man by Todd DeZago & Mike Wieringo Vol. 1. Marvel, 2017.

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17

Michelinie, David. Amazing Spider-Man by David Michelinie & Todd MacFarlane Omnibus. Marvel, 2018.

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18

Yolen, Jane. Commander Toad and the Intergalactic Spy. Tandem Library, 1999.

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19

Yolen, Jane. Commander Toad and the Intergalactic Spy. Putnam Juvenile, 1997.

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20

Michelinie, David. Spider-Man Legends Volume 2: Todd McFarlane Book 2 TPB (Marvel Legends). Marvel Comics, 2003.

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21

McCann, Jim. Marvel Legends: Told Through the Eyes of Captain America, Spider-Man, and Iron Man. Disney Publishing Worldwide, 2017.

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22

Ringlesbach, Dorothy. OSS: Stories that can now be told. AuthorHouse, 2005.

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23

OSS: Stories that can now be told. AuthorHouse, 2005.

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24

Feinberg, Melissa. Telling Lies, Making Truth. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190644611.003.0001.

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This chapter analyzes the political function of show trials in Eastern Europe. It argues that while show trials told lies, their primary purpose was to reveal new truths about the Cold War world to their East European audiences. Show trials described a world where the peace-loving socialist East was continually menaced by the imperialist West, which sent spies and saboteurs to wreck its economic development and plotted to destroy it in a nuclear war. These political plays told East Europeans how they should see the world and clarified the consequences of non-compliance. This chapter also examines how people around the region were required to voice their condemnation of the traitors on trial and dedicate themselves to the search for hidden enemies.

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25

Jerome, Jerome K. Three Men in a Boat and Three Men on the Bummel. Edited by Geoffrey Harvey. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199537976.001.0001.

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Other works may excel this in depth of thought and knowledge of human nature: other books may rival it in originality and size; but, for hopeless and incurable vivacity, nothing yet discovered can surpass it.’ Three Men in a Boat describes a comic expedition by middle-class Victorians up the Thames to Oxford. It provides brilliant snap-shots of London's playground in the late 1880s, where the fashionable steam-launches of river swells encounter the hired skiffs of city clerks. The medley of social vignettes, farcical incidents, descriptions of river fashions, and reflections on the Thames's history, is interspersed with humorous anecdotes told by a natural raconteur. Three Men on the Bummel records a similar escapade, a break from the claustrophobia of suburban life some ten years later; their cycling tour in the Black Forest, at the height of the new bicycling craze, affords Jerome the opportunity for a light-hearted scrutiny of German social customs at a time of increasing general interest in a country that he loved. This account of middle-aged Englishmen abroad is spiced with typical Jeromian humour.

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26

Chocolate, Deborah M. Newton. Spider and the Sky God: An Akan Legend (Legends of the World). Troll Communications, 1999.

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27

Albers, Dave, and Deborah M. Newton Chocolate. Spider and the Sky God: An Akan Legend (Legends of the World). Troll Communications, 1997.

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28

Chocolate, Deborah M. Newton. Spider and the Sky God: An Akan Legend (Legends of the World). Troll Communications, 1992.

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29

Höving, Vanessa, Katja Holweck, and Thomas Wortmann, eds. Christoph Schlingensief: Resonanzen. edition text + kritik im Richard Boorberg Verlag, 2020. http://dx.doi.org/10.5771/9783967074109.

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"Schlingensiefs Kunst war immer ein Spiel mit den Grenzen der Kunst und auch mit deren Überschreitung." Carl Hegemann Kunst oder Quatsch? Schlingensiefs Arbeiten werfen noch immer Fragen auf: Handelt es sich um Zeitdiagnosen? In welchen Traditionslinien stehen sie? Inwiefern sind sie selbst traditionsbildend geworden? Und: Worin liegt ihre Aktualität begründet? Christoph Schlingensief bewegte sich, mit dem Ruf des "enfant terrible" des deutschen Kulturbetriebs spielend, souverän in ganz unterschiedlichen Medien – und oftmals auch jenseits der Grenzen des "guten Geschmacks". Ob er als Regisseur seine ganz eigene Geschichte der deutschen Wiedervereinigung schrieb, als Opernregisseur zu Wagners Musik einen Hasen im Zeitraffer verwesen ließ oder als Autor und Theatermacher seine Krankheit und sein Sterben thematisierte – im besonderen Maße provokant und berührend wirkte all dies, weil Schlingensief sich selbst der Öffentlichkeit aussetzte, sich ins Zentrum seiner Arbeiten stellte und das Spiel mit der Ununterscheidbarkeit von Person und "persona" in beeindruckender Konsequenz bis zum Schluss fortführte. Bei seinem Publikum sorgte diese Kunst für eine Resonanz, die bis heute fortwirkt. Schlingensiefs Arbeiten, das zeigen die Beiträge dieses Bandes, sind nicht vergessen. Zehn Jahre nach seinem Tod werden Texte von WeggefährtInnen und WissenschaftlerInnen versammelt, die an Schlingensiefs Werk erinnern und dieses auf seine Aktualität für die Gegenwart befragen. Vanessa Höving studierte in Köln, Helsinki und St. Louis. 2017 Promotion an der Universität zu Köln mit einer Arbeit zu Medialitätsverhandlungen bei Annette von Droste-Hülshoff. Ebenfalls seit 2017 Wissenschaftliche Mitarbeiterin am Institut für Neuere deutsche Literatur und Medienwissenschaft an der FernUniversität Hagen. Forschungsschwerpunkte: Literatur des 19. Bis 21. Jahrhunderts, Literatur und Medialität, Kulturtheorie, Gender. Katja Holweck studierte in Mannheim und Paris. Sie promoviert zum dramatischen OEuvre Christian Dietrich Grabbes, gefördert durch ein Stipendium der LGF Baden-Württemberg. Seit Herbst 2018 wissenschaftliche Mitarbeiterin am Seminar für Deutsche Philologie der Universität Mannheim. Arbeitsschwerpunkte: Literatur des Vormärz, Romane und Novellen der Jahrtausendwende sowie das Drama und das Theater der Gegenwart. Thomas Wortmann studierte in Bonn, St. Louis und Köln. 2014 Promotion an der Universität zu Köln, danach Juniorprofessor und Juniordozent für Germanistik und Medienästhetik an den Universitäten Tübingen und Mannheim. Seit 2018 Lehrstuhl für Neuere deutsche Literatur und qualitative Medienanalyse an der Universität Mannheim. Arbeitsschwerpunkte: Literatur des 19. und 20. Jahrhunderts, Drama und Theater seit 2000 und Film.

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30

Skeleton key. Anthony Horowitz, 1999.

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31

Horowitz, Anthony. Skeleton Key (Alex Rider 3). Walker Books Ltd, 2005.

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32

Skeleton Key. Tandem Library, 2004.

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33

Horowitz, Anthony. Skeleton Key. Turtleback Books Distributed by Demco Media, 2004.

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34

Skeleton Key. Heinemann Educational Publishers, 2004.

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35

Horowitz, Anthony. Skeleton Key: An Alex Rider Adventure. Scholastic Books, 2002.

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