Relevant bibliographies by topics / Speech imagery

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  2. Dissertations / Theses
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Academic literature on the topic 'Speech imagery'

Author: Grafiati
Published: 6 September 2023

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Journal articles on the topic "Speech imagery"

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Scott, Mark. "Speech imagery recalibrates speech-perception boundaries." Attention, Perception, & Psychophysics 78, no. 5 (April 11, 2016): 1496–511. http://dx.doi.org/10.3758/s13414-016-1087-6.

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Raru, Gregorius. "TUTURAN RITUAL HAMBOR HAJU PADA MASYARAKAT MANGGARAI SEBUAH KAJIAN LINGUISTIK KEBUDAYAAN." Paradigma, Jurnal Kajian Budaya 6, no. 1 (August 25, 2016): 28. http://dx.doi.org/10.17510/paradigma.v6i1.79.

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<p>This study explores the cultural imagery in “ritual speech Hambor Haju at Manggaraian society: a cultural linguistic study”, with two problems that should be researched. Those problems are (1) verbal symbols in ritual speech Hambor Haju; (2) imagery in ritual speech Hambor Haju. This qualitative research was carried oiut in Maggarai Regency, Flores, East Nusa Tenggara province. The data were obtained through observation, interview, documentation study, listening, recording, and note taking. The result of the data analysis is informally reported and verbally described. The data were analyzed using a number of theories and paradigms, particularly cultural linguistics theory from Gary B. Palmer. The results of the study indicates that (1) esthetic form of ritual speech Hambor Haju consists of parallelism and metaphor; (2) verbal symbols of ritual speech Hambor Haju includes grammatical aspects, literary style, and discourse scenario; (3) imagery in ritual speech Hambor Haju consists of (a) esthetics imagery; (b) unity/togetherness imagery; (c) respecting imagery; (d) deliberations imagery; (e) sacred imagery; (f) act imagery; (g) loyalty imagery; (h) ideology imagery; (i) emancipation imagery; (j) seriousness imagery;<br />and (k) pro-existence imagery.</p>
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SHERGILL, S. S., E. T. BULLMORE, M. J. BRAMMER, S. C. R. WILLIAMS, R. M. MURRAY, and P. K. McGUIRE. "A functional study of auditory verbal imagery." Psychological Medicine 31, no. 2 (February 2001): 241–53. http://dx.doi.org/10.1017/s003329170100335x.

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Background. We used functional MRI to examine the functional anatomy of inner speech and different forms of auditory verbal imagery (imagining speech) in normal volunteers. We hypothesized that generating inner speech and auditory verbal imagery would be associated with left inferior frontal activation, and that generating auditory verbal imagery would involve additional activation in the lateral temporal cortices.Methods. Subjects were scanned, while performing inner speech and auditory verbal imagery tasks, using a 1.5 Tesla magnet.Results. The generation of inner speech was associated with activation in the left inferior frontal/insula region, the left temporo-parietal cortex, right cerebellum and the supplementary motor area. Auditory verbal imagery in general, as indexed by the three imagery tasks combined, was associated with activation in the areas engaged during the inner speech task, plus the left precentral and superior temporal gyri (STG), and the right homologues of all these areas.Conclusions. These results are consistent with the use of the ‘articulatory loop' during both inner speech and auditory verbal imagery, and the greater engagement of verbal self-monitoring during auditory verbal imagery.
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WANG, Yongli, Shengnan GE, LantinHuang Lancy, Qin WAN, and Haidan LU. "Neural mechanism of speech imagery." Advances in Psychological Science 31, no. 4 (2023): 608. http://dx.doi.org/10.3724/sp.j.1042.2023.00608.

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Koizumi, Shinichi. "Effects of imagery ability end speech anxiety on imagery vividness of imaginary of speech scene." Japanese journal of psychology 68, no. 3 (1997): 203–8. http://dx.doi.org/10.4992/jjpsy.68.203.

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Rosida, Ana. "A COMPARATIVE STUDY OF POETRY’S STRUCTURE: ‘NIGHT’ BY BLAKE AND ‘SHE WALKS IN BEUATY’ BY BYRON." JENTERA: Jurnal Kajian Sastra 6, no. 2 (December 28, 2017): 142. http://dx.doi.org/10.26499/jentera.v6i2.435.

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This research presented the comparative study about the structure in two poetries; they are Night and She Walks in Beauty. It focused the theme, the figure of speech and the imagery. It used the qualitative research. It is analyzed the structure by reading the poetry carefully and giving the note for each line that contains theme, figure of speech and imagery. It used the theory of comparative study and structural approach.The result of this research shows that the poet of those poetries use theme, figure of speech and imagery. There are many kinds of figure of speech and imagery in the poetry. In Night, there are only four figure of speeches namely (a) Simile, (b) Personification, (c) Metaphor and (d) Hyperbole and uses (1) Visual, (2) Auditory, (3) Tactile and (4) Kinesthetic as the imagery. In She Walks in Beauty, Byron uses (a) simile, (b) personification and (c) litotes as figure of speech and its imagery are (1) Visual and (2) Kinesthetic.The poetry Night and She Walks in Beauty appear both differences and similarities with regard to its poet’s writing style. Blake is subjective whereas Byron is objective in writing. Both poets use the nature in different ways to build the theme, the figure of speech and the imagery. Blake uses the nature to describe two contrast place and Byron used the nature to describe a woman character. AbstrakPenelitian ini membahas studi perbandingan tentang struktur dalam dua puisi, yaitu Night dan She Walks in Beauty. Penelitian ini berfokus pada Theme, Figure of Speech dan Imagery. Penelitian ini menggunakan penelitian kualitatif. Pada penelitian ini, struktur dianalisa dengan membaca puisi dengan seksama dan memberikan catatan untuk setiap baris yang berisi Tema, Majas dan Pencitraan. Penelitian ini mengunakan teori Comparative Study dan pendekatan Structural.Hasil penelitian ini menunjukkan bahwa penyair pada kedua puisi ini menggunakan Tema, Majas dan Pencitraan. Ada banyak jenis majas dan pencitraan dalam puisi tersebut. Pada puisi Night, Majas hanya ada empat yaitu (a) Simile, (b) Personification, (c) Metaphor dan (d) Hiperbole dan menggunakan (1) Visual, (2) Auditory, (3) Tictile dan (4) Kinestethic sebagai pencitraan. Pada puisi She Walks in Beauty, Byron menggunakan (a) Simile, (b) Personification dan (c) Litotes sebagai majas dan pencitraannya adalah (1) Visual dan (2) Kinestethic.Puisi Night dan She Walks in Beauty tampak perbedaan dan persamaan yang berkaitan dengan gaya penulisan penyairnya. Blake adalah penyair yang subjektif sedangkan Byron adalah penyair yang objectif dalam menulis. Kedua penyair tersebut menggunakan alam dengan cara yang berbeda untuk membangun Tema, Majas dan Pencitraan. Blake menggunakan alam untuk menggambarkan dua tempat yang dan Byron menggunakan alam untuk menggambarkan karakter wanita.
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McGuire, P. K., D. A. Silbersweig, R. M. Murray, A. S. David, R. S. J. Frackowiak, and C. D. Frith. "Functional anatomy of inner speech and auditory verbal imagery." Psychological Medicine 26, no. 1 (January 1996): 29–38. http://dx.doi.org/10.1017/s0033291700033699.

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SynopsisThe neural correlates of inner speech and of auditory verbal imagery were examined in normal volunteers, using positron emission tomography (PET). Subjects were shown single words which they used to generate short, stereotyped sentences without speaking. In an inner speech task, sentences were silently articulated, while in an auditory verbal imagery condition, subjects imagined sentences being spoken to them in an another person's voice. Inner speech was associated with increased activity in the left inferior frontal gyrus. Auditory verbal imagery was associated with increases in the same region, and in the left premotor cortex, the supplementary motor area and the left temporal cortex. The data suggest that the silent articulation of sentences involves activity in an area concerned with speech generation, while imagining speech is associated with additional activity in regions associated with speech perception.
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Hastuti, Nur, and Sri Rezeki Ayuni. "Citraan dan Majas dalam Lirik Lagu "Harehare Ya" Karya Maigo Hanyuu Kajian Stilistika." IZUMI 12, no. 1 (May 5, 2023): 1–12. http://dx.doi.org/10.14710/izumi.12.1.1-12.

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Song lyrics are part of the music. Music is made up of rhythm, time signature, harmony and melody. Song lyrics act as one of the elements in the main melody in a music. This study aims to describe the images and figure of speech in the lyrics of the song harehare ya by Maigo Hanyuu. The method used in this study uses stylistic studies as an analytical tool. The data used in this study are the lyrics of the song harehare ya by Maigo Hanyuu. The theory used is Hermintoyo's imagery theory and Seto Kenichi's figure of speech theory. Based on data analysis, it can be concluded that in the lyrics of the song harehare ya by Maigo Hanyuu, imagery and figurative language are found. There are four imagery in the lyrics of this song, namely, imagery of sight, hearing, movement, and feeling. In the lyrics of this song, there are also many figurative language of affirmation dominated by repetition. There are nine repetition figures of speech in the lyrics of this song, and rhetorical figures of speech in the lyrics of this song are two.Keywords: Figure of speech, harehare ya, imagery, song lyrics
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Najwa Fadilanitaa, Khofifah Indar F, and Arneta Destria. "DIKSI, CITRAAN, DAN MAJAS PADA PUISI ’’AKU MENUNGGU BUNGA’’ KARYA HERI ISNAINI’’." Protasis: Jurnal Bahasa, Sastra, Budaya, dan Pengajarannya 1, no. 1 (June 28, 2022): 70–75. http://dx.doi.org/10.55606/protasis.v1i1.26.

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This study discusses the use of diction, imagery, and figure of speech in the poem Aku Waiting for the Flower. The poem I Wait for Flowers is a poem that talks about someone who is waiting for someone they love very much. With beautiful poetry lines and contains very strong meanings and meanings. This study aims to: 1) Describe Diction 2) Explain imagery 3) Describe the figure of speech in the poem Aku Waiting Bunga. This research uses qualitative descriptive research. The data collection technique used is reading and note-taking technique and data analysis technique using descriptive analysis technique which includes description, classification, and analysis. The results of the research on the poem ''I am waiting for the flower'' have denotative and connotative diction, visual imagery, feeling imagery, and imagery. intellectual, as well as figure of speech personification and hyperbole
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Chengaiyan, Sandhya, Divya Balathayil, Kavitha Anandan, and Christy Bobby Thomas. "Effect of Power and Phase Synchronization in Multi-Trial Speech Imagery." International Journal of Software Science and Computational Intelligence 10, no. 4 (October 2018): 44–61. http://dx.doi.org/10.4018/ijssci.2018100104.

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Speech imagery is one form of mental imagery which refers to the imagining of speaking a word to oneself silently in the mind without any articulation movement. In this work, electroencephalography (EEG) signals were acquired while speaking and during the imagining of speaking consonant-vowel-consonant (CVC) words in multiple trials of different time frames. Relative powers were computed for each EEG frequency band. It has been observed that relative power of alpha and theta bands was dominant. Phase Locking Value (PLV), a functional brain connectivity parameter has been estimated to understand the phase synchronicity between two brain regions. PLV results show that the left hemispheric frontal and temporal electrodes has maximum phase lock in alpha and theta band during speech and speech imagery process. The combination of brain connectivity estimators and signal processing techniques will thus be a reliable framework for understanding the nature of speech imagery signals captured through EEG.
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Dissertations / Theses on the topic "Speech imagery"

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Scott, Mark. "Speech imagery as corollary discharge." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42231.

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This thesis tests the theory that the sensory content of inner speech is constituted by corollary discharge. Corollary discharge is a signal generated by the motor system and is a “prediction” of the sensory consequences of the motor system’s actions. Corollary discharge normally functions in the nervous system to segregate self-caused sensations from externally-caused sensations. It does this, partially, by attenuating the nervous system’s response to self-caused sensations. This thesis argues that corollary discharge has been co-opted in humans to provide the sensory content of speech imagery. The thesis further tests the claim that the sensory detail contained in speech imagery is sufficiently rich and sufficiently similar to the representations of external speech sounds that the perception of external speech sounds can be influenced by inner speech. This thesis claims that the perception of external speech is altered because corollary discharge prepares the auditory system to hear those sensory features which the corollary-discharge signal carries. These claims were tested experimentally by having participants engage in specific forms of speech imagery while categorizing external sounds. In one set of experiments, when external sound and speech imagery were in synchrony and were similar in content, the perception of the external sound was altered — the external sound came to be heard as matching the content of the speech imagery. In a second set of experiments, the presence of corollary discharge in speech imagery was tested. When a sensation matches a corollary discharge signal, the sensation tends to have an attenuated impact. This attenuation is a hallmark of corollary discharge. In this set of experiments, when participants’ speech imagery matched an external sound, the perceptual impact of the external sound was attenuated. Proper controls ensured that it was the degree of match between the speech imagery and the external sound that was responsible for this attenuation, rather than some extraneous factor.
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McCord, Walter White. "The contribution of agricultural imagery to the interpretation of Amos." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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Peixoto, Michael Viana. "PrÃtica intersemiÃtica no discurso imagÃtico-cancional de Adriana Calcanhotto: uma proposta de anÃlise." Universidade Federal do CearÃ, 2014. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=11914.

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FundaÃÃo de Amparo à Pesquisa do Estado do CearÃ
A presente tese âPrÃtica intersemiÃtica no Discurso ImagÃtico-Cancional de Adriana Calcanhotto: uma proposta de anÃliseâ estuda e define o discurso imagÃtico-cancional como uma prÃtica discursiva que mobiliza, atravÃs de procedimentos discursivos, linguagens de diferentes modalidades (tanto de natureza verbal quanto nÃo-verbal) para, num processo intersemiÃtico, compatibilizarem-se com a produÃÃo literomusical e, a partir disso, propiciarem a construÃÃo de sentidos. O alicerce teÃrico no qual fincamos esse conceito procede da AnÃlise do Discurso de linha francesa, considerando, sobretudo, as reflexÃes de Maingueneau (1999), Costa (2012), dentre outros. Com base nisso, a questÃo norteadora da pesquisa: Que proposta de abordagem teÃrica e metodolÃgica para uma anÃlise do discurso imagÃtico-cancional pode ser elaborada a partir das categorias discursivas? A operacionalizaÃÃo dessa questÃo e do objetivo se deu por meio da metodologia exploratÃria, em que, a partir de um corpus especÃfico â a produÃÃo literomusical de Adriana Calcanhotto compreendida entre 1990 e 2000, cuja delimitaÃÃo se deu por ordem cronolÃgica, a fim de se perceber como as respectivas produÃÃes se organizam de acordo com o inÃcio e o encerramento da dÃcada; a partir da apropriaÃÃo das categorias discursivas, cancionais e visuais, elaboramos um guia que propÃe um percurso que viabilize a construÃÃo dos sentidos do texto. à luz dessa metodologia, procedemos o exercÃcio de anÃlise dos dados o qual nos permitiu a conclusÃo de que a natureza interdiscursiva do discurso imagÃtico-cancional propicia sentidos tais que sà os sÃo possÃveis devido ao fenÃmeno da intersemioticidade que se estabelece e que . Essa conclusÃo nos possibilita afirmar que, em virtude disso, hà que promover um letramento verbo-visual; tais construÃÃes discursivas requerem do leitor uma aprendizagem acerca do modo de ler determinadas produÃÃes discursivas.
This thesis " intersemiotic Practice in Speech - Cancional imagery of Adriana Calcanhotto: a proposed analysis " studies and sets the image- cancional discourse as a discursive practice that mobilizes through discursive procedures , languages of different modalities (both verbal nature as nonverbal) to, in intersemiotic process compatibilizarem with the literomusical production and , from that , they encourage the construction of meaning. The theoretical foundation on which fincamos this concept comes from the analysis of French Discourse, considering especially the reflections of Maingueneau (1999), Costa (2012), among others. Based on this, the guiding research question: What proposal for theoretical and methodological approach to an analysis of image- cancional speech can be compiled from the discursive categories? The operationalization of this issue and the goal was through the exploratory methodology, in which, from a specific corpus - the literomusical production of Adriana Calcanhotto between 1990 and 2000, whose limits given in chronological order, in order to realize as their productions are organized according to the opening and closure of the decade; from the appropriation of discursive and visual cancionais , categories prepared a guide that offers a path that makes possible the construction of meanings of the text . In light of this methodology , we proceed to the performance analysis of the data which allowed us to conclude that the nature of the image- interdiscursive cancional speech provides such meanings that are only possible due to the phenomenon of intersemioticidade that is established and that. This conclusion allows us to state that, because of this, there is a verb that promote visual literacy; such discursive constructions require the reader learning about the way of reading certain discursive productions.
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Nalborczyk, Ladislas. "Understanding rumination as a form of inner speech : probing the role of motor processes." Thesis, Université Grenoble Alpes (ComUE), 2019. http://www.theses.fr/2019GREAS017/document.

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Les ruminations mentales sont majoritairement exprimées sous forme verbale et il a été proposé de les considérer, par conséquent, comme une forme dysfonctionnelle de parole intérieure (i.e., production mentale de parole). D’autre part, les recherches sur la psychophysiologie de la parole intérieure ont révélé que les processus neuronaux impliqués dans la parole à voix haute et dans la parole intérieure sont similaires. Ces observations sont cohérentes avec l’idée que certaines formes de parole intérieure pourraient être considérées comme une forme de simulation de la parole à voix haute, de la même manière que certaines actions imaginées peuvent être considérées comme le résultat d’une simulation de l’action correspondante (par exemple, marcher et s’imaginer en train de marcher). En d’autres termes, l’hypothèse de la simulation motrice suggère que le système moteur de la parole devrait également être impliqué lors de la production de parole intérieure. L’hypothèse corollaire peut être formulée, selon laquelle la production de parole intérieure (et de ruminations) devrait être perturbée par une perturbation du système moteur de la parole. Nous avons mené une série de cinq études visant à sonder le rôle du système moteur de la parole dans les ruminations. Dans l’ensemble, nos résultats soulignent que, bien que la rumination verbale puisse être considérée comme une forme de parole intérieure, elle ne semble pas recruter spécifiquement le système moteur de la parole. Plus précisément, nous soutenons que la rumination peut être considérée comme une forme de parole intérieure particulièrement condensée, qui s’exprimerait sous la forme d’une représentation phonologique, et dont les traits articulatoires ne seraient pas complètements spécifiés. Nous faisons le lien entre ces résultats et l’hypothèse théorique du cadre “habitude-but” de la rumination dépressive et nous discutons de leurs implications pour les théories de la production de parole intérieure
Rumination is known to be a predominantly verbal process and has been proposed to be considered as such as a dysfunctional form of inner speech (i.e., the silent production of words in one’s mind). On the other hand, research on the psychophysiology of inner speech revealed that the neural processes involved in overt and covert speech tend to be very similar. This is coherent with the idea that some forms of inner speech could be considered as a kind of simulation of overt speech, in the same way as imagined actions can be considered as the result of a simulation of the corresponding overt action (e.g., walking and imagined walking). In other words, the motor simulation hypothesis suggests that the speech motor system should be involved as well during inner speech production. The corollary hypothesis might be drawn, according to which the production of inner speech (and rumination) should be disrupted by a disruption of the speech motor system. We conducted a series of five studies aiming to probe the role of the speech motor system in rumination. Overall, our results highlight that although verbal rumination may be considered as a form of inner speech, it might not specifically involve the speech motor system. More precisely, we argue that rumination might be considered as a particularly strongly condensed form of inner speech that does not systematically involve fully specified articulatory features. We discuss these findings in relation to the habit-goal framework of depressive rumination and we discuss the implications of these findings for theories of inner speech production
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Hofmann, Petra. "Infernal imagery in Anglo-Saxon charters." Thesis, St Andrews, 2008. http://hdl.handle.net/10023/498.

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Wendel, Sue M. "Insights into the Mental Imagery and Gestural Awareness of Representational Gestures Produced in Everyday Talk: An Exploratory Study of Using Participants' Comments as Data." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2646.

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To better understand representational gestures used in everyday talk, this study explores the ways participants talk about their own mental imagery and gestural awareness, and how their comments affect analysis. Literature pertaining to representational gestures, mental imagery, gestural awareness, and self-report data provide the theoretical framework for the study's design and implementation. Data is drawn from observations of two video recorded dyads engaged in everyday conversation, and four audio recorded interviews with each participant individually as they viewed and commented on selected video segments in which they had produced a representational gesture. Findings indicate that participants talked about mental imagery and gestural awareness in ways that were descriptive, explanatory, and self-reflective. They described their mental imagery in i) visual and motor terms, ii) as mental simulations, iii) as textural sensations, and iv) in linguistic metaphors. Participants talked about gestural awareness in terms of i) spontaneity, ii) intentionality, and iii) affective states. Taken altogether, participant comments suggest embodied cognition as a useful framework for analyzing and understanding representational gestures. Further, findings indicate that participant comments served to i) confirm, ii) clarify, and/or iii) expand my analysis, suggesting that participant comments can enhance understanding of mental imagery and gestural awareness in ways that could not be achieved by a researcher's observations and analysis alone.
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Runnals, Jennifer Jane. "Exploring the Cardiovascular Response to Anger Imagery and Speech in Vietnam Veterans With and Without Posttraumatic Stress Disorder." Also available to VCU users online at:, 2007. http://hdl.handle.net/10156/1882.

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Hung, Pei-Fang. "Mental imagery and idiom understanding in adults: Examining dual coding theory." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10878.

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xiii, 205 p. : ill. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.
This study examined idiom understanding in 120 neurologically healthy adults, ages 20-29 (20s Group), 40-49 (40s Group), 60-69 (60s Group), and 80-89 (80s Group) years old. Each participant was administered a familiarity task, definition explanation task, mental imagery task, and forced-choice comprehension task. Twenty idioms, 10 transparent and 10 opaque, were used with no supporting contexts. Participants were asked to rate the familiarity of each idiom, to provide a definition of each, to generate a mental image of each, and to select the best definition of each from among four options. It was predicted that younger and older adults would perform equally well on the comprehension task but that older adults would perform poorer than younger adults on the explanation task. Additionally, mental imagery of idioms was expected to become more figurative with advancing age, and participants were expected to perform better on highly familiar and transparent idioms than on less familiar and opaque ones. Participants rated all 20 idioms as highly familiar, with the lowest familiarity rating for participants in the 20s Group. No significant differences were found on the forced-choice comprehension task across the four age groups although the 20s Group scored the lowest among all age groups. The 60s Group performed significantly better than the 20s Group on the definition explanation task, but no significant differences were found between the other age groups. No significant differences were found in generating mental images between transparent and opaque idioms, and mental images tended to be figurative rather than literal for both types of idioms. The present study adds to our knowledge of idiom understanding across adulthood. Familiarity seemed to play a stronger role than transparency in idiom understanding in adults. Once an idiom was learned and stored as a lexical unit, people used the idiomatic meaning and generated figurative mental imagery immediately without accessing the literal meaning or the literal mental image.
Committee in charge: Marilyn Nippold, Chairperson, Special Education and Clinical Sciences; Roland Good, Member, Special Education and Clinical Sciences; Deborah Olson, Member, Special Education and Clinical Sciences; Nathaniel Teich, Outside Member, English
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Diedrichs, Victoria Anne. "Leveraging Pupillometry and Luminance-Based Mental Imagery for a Novel Mode of Communication." Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/352749.

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Communication Sciences
M.A.
The aim of the present study was to characterize participants’ abilities to answer binary yes/no questions by mentally manipulating imagery to produce imagined changes in luminance, which would in turn cause reflexive perturbations in pupil diameter. First, a paired association was established with participants, linking “yes” responses with imagining a “sunny sky” and “no” responses with imagining a “dark room”. Participants (N=20) then answered 16 yes/no questions using this response method, in place of providing verbal or gestural (e.g., head nod) answers. Pupil diameters were recorded for a period of 8000 ms following each stimulus question while participants maintained the mental image that corresponded with their answer. We hypothesized that on average, “no” responses would yield a pupil dilation and increased diameter relative to baseline, while “yes” responses would instead result in constrictions and smaller pupil diameters compared to baseline. A 2-factor repeated measures analysis of variance (ANOVA), where time was one factor and response type (i.e., yes or no) was the other, revealed a statistically significant interaction of time and response type, a significant main effect of time, and a trend toward significance for response type in aggregated group data. Item level discrimination consisted of comparing the mean pupil diameter in response to a single item for a single participant (e.g., “yes” response on one trial) to the mean pupil diameter of all contrasting responses for that same participant (e.g., all “no” response trials). This method achieved a 64.5% discrimination accuracy. This investigation affirmed the plausibility of leveraging pupillometry and luminance-based mental imagery in favor of an alternative communication system for individuals who are locked-in, as well as its potential as a screening tool. However, further investigation is warranted prior to its implementation.
Temple University--Theses
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Major, Mary Elizabeth. "War's Visual Discourse| A Content Analysis of Iraq War Imagery." Thesis, Portland State University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1535957.

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This study reports the findings of a systematic visual content analysis of 356 randomly sampled images published about the Iraq War in Time, Newsweek, and U.S. News and World Report from 2003-2009. In comparison to a 1995 Gulf War study, published images in all three newsmagazines continued to be U.S.-centric, with the highest content frequencies reflected in the categories U.S. troops on combat patrol, Iraqi civilians, and U.S. political leaders respectively. These content categories do not resemble the results of the Gulf War study in which armaments garnered the largest share of the images with 23%.

This study concludes that embedding photojournalists, in addition to media economics, governance, and the media-organizational culture, restricted an accurate representation of the Iraq War and its consequences. Embedding allowed more access to both troops and civilians than the journalistic pool system of the Gulf War, which stationed the majority of journalists in Saudi Arabia and allowed only a few journalists into Iraq with the understanding they would share information. However, the perceived opportunity by journalists to more thoroughly cover the war through the policy of embedding was not realized to the extent they had hoped for. The embed protocols acted more as an indirect form of censorship.

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Books on the topic "Speech imagery"

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Imagery for preaching. Minneapolis: Fortress Press, 1989.

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John Dryden's imagery. USA: Univ. Presses of Florida, 1989.

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Lord, Jennifer L. Finding language and imagery: Words for holy speech. Minneapolis, MN: Fortress Press, 2009.

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Finding language and imagery: Words for holy speech. Minneapolis, MN: Fortress Press, 2009.

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Lord, Jennifer L. Finding language and imagery: Words for holy speech. Minneapolis, MN: Fortress Press, 2009.

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M, Singh B. Water-imagery in Yeats's works. New Delhi: Anmol Publications, 1992.

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Suscavage, Charlene E. Calderón: The imagery of tragedy. New York: Peter Lang, 1991.

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Khristova, Evdokii͡a. Kak vŭzpriemame rechta. Sofii͡a: Universitetsko izd-vo "Kliment Okhridski", 1988.

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Collins, Christopher. Reading the written image: Verbal play, interpretation, and the roots of iconophobia. University Park, Pa: Pennsylvania State University Press, 1991.

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The architecture of imagery in Alberto Moravia's fiction. Chapel Hill: U.N.C. Dept. of Romance Languages, 1993.

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Book chapters on the topic "Speech imagery"

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McNeill, David, Karl-Erik McCullough, Francis Quek, Susan Duncan, Robert Bryll, Xin-Feng Ma, and Rashid Ansari. "Dynamic Imagery in Speech and Gesture." In Text, Speech and Language Technology, 27–44. Dordrecht: Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-017-2367-1_3.

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Sikdar, Debdeep, Rinku Roy, and Manjunatha Mahadevappa. "Chaos Analysis of Speech Imagery of IPA Vowels." In Intelligent Human Computer Interaction, 101–10. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-04021-5_10.

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Patel, Jigar, and Syed Abudhagir Umar. "Detection of Imagery Vowel Speech Using Deep Learning." In Lecture Notes in Electrical Engineering, 237–47. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-1476-7_23.

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Lonsdale, Steven H. "Pursuit and Attack: Reversals in Hunting Imagery." In Creatures of Speech Lion, Herding, and Hunting Similes in the Iliad, 85–102. Wiesbaden: Vieweg+Teubner Verlag, 1990. http://dx.doi.org/10.1007/978-3-663-12001-8_7.

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Lonsdale, Steven H. "Conclusions: Animal Imagery in the Homeric Narrative." In Creatures of Speech Lion, Herding, and Hunting Similes in the Iliad, 103–28. Wiesbaden: Vieweg+Teubner Verlag, 1990. http://dx.doi.org/10.1007/978-3-663-12001-8_8.

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Paaß, Gerhard, and Sven Giesselbach. "Foundation Models for Speech, Images, Videos, and Control." In Artificial Intelligence: Foundations, Theory, and Algorithms, 313–82. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-23190-2_7.

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AbstractFoundation Models are able to model not only tokens of natural language but also token elements of arbitrary sequences. For images, square image patches can be represented as tokens; for videos, we can define tubelets that span an image patch across multiple frames. Subsequently, the proven self-attention algorithms can be applied to these tokens. Most importantly, several modalities like text and images can be processed in the same sequence allowing, for instance, the generation of images from text and text descriptions from video. In addition, the models are scalable to very large networks and huge datasets. The following multimedia types are covered in the subsequent sections. Speech recognition and text-to-speech models describe the translation of spoken language into text and vice versa. Image processing has the task to interpret images, describe them by captions, and generate new images according to textual descriptions. Video interpretation aims at recognizing action in videos and describing them through text. Furthermore, new videos can be created according to a textual description. Dynamical system trajectories characterize sequential decision problems, which can be simulated and controlled. DNA and protein sequences can be analyzed with Foundation Models to predict the structure and properties of the corresponding molecules.
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Gruber, Ivan, Marek Hrúz, Miloš Železný, and Alexey Karpov. "X-Bridge: Image-to-Image Translation with Reconstruction Capabilities." In Speech and Computer, 238–49. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-87802-3_22.

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Paulus, Dietrich W. R., and Joachim Hornegger. "Speech Recognition." In Pattern Recognition of Images and Speech in C++, 329–53. Wiesbaden: Vieweg+Teubner Verlag, 1997. http://dx.doi.org/10.1007/978-3-663-13991-1_25.

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Blanchet, Gérard, and Maurice Charbit. "Speech Processing." In Digital Signal and Image Processing Using Matlab®, 105–30. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118999592.ch5.

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Bureš, Lukáš, Petr Neduchal, Miroslav Hlaváč, and Marek Hrúz. "Generation of Synthetic Images of Full-Text Documents." In Speech and Computer, 68–75. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-99579-3_8.

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Conference papers on the topic "Speech imagery"

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Li Wang, Xiong Zhang, and Yu Zhang. "Extending motor imagery by speech imagery for brain-computer interface." In 2013 35th Annual International Conference of the IEEE Engineering in Medicine and Biology Society (EMBC). IEEE, 2013. http://dx.doi.org/10.1109/embc.2013.6611183.

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Manuel Macias-Macias, Jose, Juan Alberto Ramirez-Quintana, Graciela Ramirez-Alonso, and Mario Ignacio Chacon-Murguia. "Deep Learning Networks for Vowel Speech Imagery." In 2020 17th International Conference on Electrical Engineering, Computing Science and Automatic Control (CCE). IEEE, 2020. http://dx.doi.org/10.1109/cce50788.2020.9299143.

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Gurkok, Hayrettin, Mannes Poel, and Job Zwiers. "Classifying motor imagery in presence of speech." In 2010 International Joint Conference on Neural Networks (IJCNN). IEEE, 2010. http://dx.doi.org/10.1109/ijcnn.2010.5595733.

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Williams, David P. "Image-quality prediction of synthetic aperture sonar imagery." In 2010 IEEE International Conference on Acoustics, Speech and Signal Processing. IEEE, 2010. http://dx.doi.org/10.1109/icassp.2010.5495165.

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Choi, Jaehoon, Netiwit Kaongoen, and Sungho Jo. "Investigation on Effect of Speech Imagery EEG Data Augmentation with Actual Speech." In 2022 10th International Winter Conference on Brain-Computer Interface (BCI). IEEE, 2022. http://dx.doi.org/10.1109/bci53720.2022.9735108.

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Idrees, Basil M., and Omar Farooq. "Vowel classification using wavelet decomposition during speech imagery." In 2016 3rd International Conference on Signal Processing and Integrated Networks (SPIN). IEEE, 2016. http://dx.doi.org/10.1109/spin.2016.7566774.

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Ngamrassameewong, Sansit, Vichaya Manatchinapisit, and Yodchanan Wongsawat. "Improvement of Motor Imagery BCI using Silent Speech." In 2020 17th International Conference on Electrical Engineering/Electronics, Computer, Telecommunications and Information Technology (ECTI-CON). IEEE, 2020. http://dx.doi.org/10.1109/ecti-con49241.2020.9158081.

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Sikdar, Debdeep, Rinku Roy, Koushik Bakshi, and Manjunatha Mahadevappa. "Multifractal Analysis of Speech Imagery of IPA Vowels." In 2018 40th Annual International Conference of the IEEE Engineering in Medicine and Biology Society (EMBC). IEEE, 2018. http://dx.doi.org/10.1109/embc.2018.8512579.

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Sandhya, C., G. Srinidhi, R. Vaishali, M. Visali, and A. Kavitha. "Analysis of speech imagery using brain connectivity estimators." In 2015 IEEE 14th International Conference on Cognitive Informatics & Cognitive Computing (ICCI*CC). IEEE, 2015. http://dx.doi.org/10.1109/icci-cc.2015.7259410.

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Guven, Erhan, and Peter Bock. "Speech Emotion Recognition using a backward context." In 2010 IEEE Applied Imagery Pattern Recognition Workshop (AIPR 2010). IEEE, 2010. http://dx.doi.org/10.1109/aipr.2010.5759701.

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Reports on the topic "Speech imagery"

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WEHLBURG, JOSEPH C., CHRISTINE M. WEHLBURG, JODY L. SMITH, OLGA B. SPAHN, MARK W. SMITH, and CRAIG M. BONEY. High Speed 2D Hadamard Transform Spectral Imager. Office of Scientific and Technical Information (OSTI), February 2003. http://dx.doi.org/10.2172/808596.

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Maddocks, Sophie. Image-Based Abuse: A Threat to Privacy, Safety, and Speech. MediaWell, Social Science Research Council, April 2023. http://dx.doi.org/10.35650/mw.3051.d.2023.

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Jenkins, Charles M., Yasuyuki Horie, Robert C. Ripley, and William H. Wilson. Explosively Driven Particle Fields Imaged Using a High-Speed Framing Camera and Particle Image Velocimetry. Fort Belvoir, VA: Defense Technical Information Center, August 2011. http://dx.doi.org/10.21236/ada548954.

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Tao, Yang, Amos Mizrach, Victor Alchanatis, Nachshon Shamir, and Tom Porter. Automated imaging broiler chicksexing for gender-specific and efficient production. United States Department of Agriculture, December 2014. http://dx.doi.org/10.32747/2014.7594391.bard.

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Extending the previous two years of research results (Mizarch, et al, 2012, Tao, 2011, 2012), the third year’s efforts in both Maryland and Israel were directed towards the engineering of the system. The activities included the robust chick handling and its conveyor system development, optical system improvement, online dynamic motion imaging of chicks, multi-image sequence optimal feather extraction and detection, and pattern recognition. Mechanical System Engineering The third model of the mechanical chick handling system with high-speed imaging system was built as shown in Fig. 1. This system has the improved chick holding cups and motion mechanisms that enable chicks to open wings through the view section. The mechanical system has achieved the speed of 4 chicks per second which exceeds the design specs of 3 chicks per second. In the center of the conveyor, a high-speed camera with UV sensitive optical system, shown in Fig.2, was installed that captures chick images at multiple frames (45 images and system selectable) when the chick passing through the view area. Through intensive discussions and efforts, the PIs of Maryland and ARO have created the protocol of joint hardware and software that uses sequential images of chick in its fall motion to capture opening wings and extract the optimal opening positions. This approached enables the reliable feather feature extraction in dynamic motion and pattern recognition. Improving of Chick Wing Deployment The mechanical system for chick conveying and especially the section that cause chicks to deploy their wings wide open under the fast video camera and the UV light was investigated along the third study year. As a natural behavior, chicks tend to deploy their wings as a mean of balancing their body when a sudden change in the vertical movement was applied. In the latest two years, this was achieved by causing the chicks to move in a free fall, in the earth gravity (g) along short vertical distance. The chicks have always tended to deploy their wing but not always in wide horizontal open situation. Such position is requested in order to get successful image under the video camera. Besides, the cells with checks bumped suddenly at the end of the free falling path. That caused the chicks legs to collapse inside the cells and the image of wing become bluer. For improving the movement and preventing the chick legs from collapsing, a slowing down mechanism was design and tested. This was done by installing of plastic block, that was printed in a predesign variable slope (Fig. 3) at the end of the path of falling cells (Fig.4). The cells are moving down in variable velocity according the block slope and achieve zero velocity at the end of the path. The slop was design in a way that the deacceleration become 0.8g instead the free fall gravity (g) without presence of the block. The tests showed better deployment and wider chick's wing opening as well as better balance along the movement. Design of additional sizes of block slops is under investigation. Slops that create accelerations of 0.7g, 0.9g, and variable accelerations are designed for improving movement path and images.
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Washington Nichols, Bruno, and Pedro Chapaval Pimentel. Impeachment e imagem pública: uma análise do discurso vazado de Michel Temer / Impeachment and public image: an analysis of Michel Temer’s leaked speech. Revista Internacional de Relaciones Públicas, June 2017. http://dx.doi.org/10.5783/rirp-13-2017-04-41-60.

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Бережна, Маргарита Василівна. Psycholinguistic Image of Joy (in the Computer-Animated Film Inside Out). Psycholinguistics in a Modern World, 2021. http://dx.doi.org/10.31812/123456789/5827.

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The paper is focused on the correlation between the psychological archetype of a film character and the linguistic elements composing their speech. The Nurturer archetype is represented in the film Inside Out by the personalized emotion Joy. Joy is depicted as an antropomorphous female character, whose purpose is to keep her host, a young girl Riley, happy. As the Nurturer, Joy is completely focused on Riley’s happiness, which is expressed by lexico-semantic group ‘happy’, positive evaluative tokens, exclamatory sentences, promissive speech acts, and repetitions. She needs the feeling of connectedness with other members of her family, which is revealed by lexico-semantic groups ‘support’ and ‘help’. She is ready to sacrifice everything to save the girl in her care, which is demonstrated by modal verbs, frequent word-combination ‘for Riley’, and directives.
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Бережна, Маргарита Василівна. Maleficent: from the Matriarch to the Scorned Woman (Psycholinguistic Image). Baltija Publishing, 2021. http://dx.doi.org/10.31812/123456789/5766.

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The aim of the research is to identify the elements of the psycholinguistic image of the leading character in the dark fantasy adventure film Maleficent directed by Robert Stromberg (2014). The task consists of two stages, at the first of which I identify the psychological characteristics of the character to determine to which of the archetypes Maleficent belongs. As the basis, I take the classification of film archetypes by V. Schmidt. At the second stage, I distinguish the speech peculiarities of the character that reflex her psychological image. This paper explores 98 Maleficent’s turns of dialogues in the film. According to V. Schmidt’s classification, Maleficent belongs first to the Matriarch archetype and later in the plot to the Scorned Woman archetype. These archetypes are representations of the powerful goddess of marriage and fertility Hera, being respectively her heroic and villainous embodiments. There are several crucial characteristics revealed by speech elements.
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Sullivan, Gary D., and Andrea M. Faucette. High-Speed Image Recognition Control System. Fort Belvoir, VA: Defense Technical Information Center, April 2001. http://dx.doi.org/10.21236/ada389666.

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Бережна, Маргарита Василівна. The Destroyer Psycholinguistic Archetype. Baltija Publishing, 2021. http://dx.doi.org/10.31812/123456789/6036.

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The aim of the research is to identify the elements of the psycholinguistic image of the main antagonist Hela in the superhero film Thor: Ragnarok based on the Marvel Comics and directed by Taika Waititi (2017). The task consists of two stages, at the first of which I identify the psychological characteristics of the character to determine to which of the archetypes Hela belongs. As the basis, I take the classification of film archetypes by V. Schmidt. At the second stage, I distinguish the speech peculiarities of the character that reflect her psychological image.
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Lee, Jingeol. Measurements of granular flow dynamics with high speed digital images. Office of Scientific and Technical Information (OSTI), January 1994. http://dx.doi.org/10.2172/425294.

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