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Books on the topic 'Speech filtering'

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Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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1

Abel, Andrew, and Amir Hussain. Cognitively Inspired Audiovisual Speech Filtering. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-13509-0.

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2

Vega, Leonardo Rey. A Rapid Introduction to Adaptive Filtering. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013.

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3

Mathai, Sybil. Factors involved in the comprehension of speech: Speech rate, filtering, working memory and reading comprehension. Sudbury, Ont: Laurentian University, Department of Psychology, 1997.

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4

Diniz, Paulo S. R. Adaptive Filtering: Algorithms and Practical Implementation. 4th ed. Boston, MA: Springer US, 2013.

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5

Shen, Bo. Nonlinear Stochastic Systems with Incomplete Information: Filtering and Control. London: Springer London, 2013.

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6

Boulanger, Richard Charles. The transformation of speech into music: A musical exploration and interpretation of two recent digital filtering techniques. San Diego: [s.n.], 1985.

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7

Chen, Jongdon. Optimal Filtering for Speech Enhancement (Synthesis Lectures on Speech and Audio Processing). Morgan & Claypool Publishers, 2007.

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8

Diniz, Paulo S. R. Adaptive Filtering. Springer, 2012.

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9

Rey, Hernan, and Leonardo Rey Vega. A Rapid Introduction to Adaptive Filtering. Springer, 2012.

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10

Diniz, Paulo S. R. Adaptive Filtering: Algorithms and Practical Implementation. Springer, 2012.

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11

Diniz, Paulo S. R. Adaptive Filtering: Algorithms and Practical Implementation. Springer, 2012.

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12

Diniz, Paulo S. R. Adaptive Filtering: Algorithms and Practical Implementation. Springer, 2014.

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13

Diniz, Paulo S. R. Adaptive Filtering: Algorithms and Practical Implementation. Springer, 2019.

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14

Shen, Bo, Zidong Wang, and Huisheng Shu. Nonlinear Stochastic Systems with Incomplete Information: Filtering and Control. Springer, 2015.

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15

United States. National Aeronautics and Space Administration., ed. Groundspeed filtering for CTAS. Cincinnati, Ohio: Dept. of Aerospace Engineering and Engineering Mechanics, University of Cincinnati, 1994.

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16

Barker, Andrew. Disreputable Music. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198794462.003.0011.

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This chapter discusses Plutarch’s depiction of an eminent musician’s performance at a symposium, the audience’s enthusiastic response to his ‘bad’ music, and Callimachus’ speech in its defence. Plutarch’s copious array of intertextual allusions serves to alert readers to the moral message the account is designed to convey. Numerous verbal and thematic echoes of Plato’s dialogues undermine the glamorous persona the musician projects, and expose the irresponsibility of the listeners’ responses. Callimachus’ defence is in turn subverted by confusions and unacceptable implications brought out through its medley of intertexts, which open with a flurry of explicit allusions to Peripatetic writings but eventually return to reminiscences of Plato. The chapter ends with the suggestion that in responding to Plutarch’s text, readers may also be filtering it through memories of their own past musical experiences, bringing the relation between the text’s message and its vehicle close to a species of intermediality.
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