Academic literature on the topic 'Spazio poetico'
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Journal articles on the topic "Spazio poetico"
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Giannacco, Valentina. "L’ideale di santità di Ildegarda di Bingen (1098-1179)." De Medio Aevo 14 (June 26, 2020): 43–52. http://dx.doi.org/10.5209/dmae.69895.
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L’ideale di santità di Ildegarda di Bingen emerge non soltanto dalle agiografie composte in onore di Disibodo e Ruperto, patroni dei due monasteri in cui l’agiografa visse, ma anche nella Symphonia armoniae celestium revelationum, un ciclo poetico-musicale in cui è ricostruita l’intera storia della Chiesa, dalle origini apostoliche fino alla nascita del monachesimo. Un ruolo fondamentale in questa ricostruzione è riservato a Maria e alla sua funzione materna. La Vergine ricongiunge la creazione del mondo veterotestamentaria alla rigenerazione del mondo avvenuta nel giorno dell’Incarnazione. Nel grembo di Maria e, quindi, in Cristo confluiscono tre livelli di lettura del testo del Genesi: la creazione (piano letterale), la Chiesa (piano allegorico) e il monachesimo (piano morale-tropologico). Anche Disibodo e Ruperto partecipano ai tre livelli dell’interpretazione genesiaca, ma in loro trova soprattutto spazio il piano morale. Sono, infatti, espressione dell’ascesa dell’uomo nel cammino di virtù, che ha come meta finale l’unione con Cristo.
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Martini, Giulia. "funzione della nostalgia creativa." Polisemie 2 (October 19, 2021): 137–58. http://dx.doi.org/10.31273/polisemie.v2.811.
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Drawing from the corpus of the twenty-four authors anthologised in Poeti italiani nati negli anni ’80 e ’90 (Latiano, Interno Poesia, 2019-2020), this work aims to give an account of the recurring themes and topics of these texts. The first two volumes of this anthology reveal, in spite of a rich formal differentiation and a variety of stylistic solutions, a strong concordance of themes and desire: thematically, these works betray an anxiety concerning the problem of the disintegration of the world, yet they also share in a desire for salvation, achieved by reconstituting oneself in an individual or communal space, through the specific means of poetry. Thus, the images of collapse and epidemic prevail, variously resolved in urban and peripheral contexts, equally opposed by repeated attempts of nostoi and a strong craving for light. This horizontal tendency seems to be the link through which to weave a broader generational discourse which transcends individual authors. A key for interpreting this discourse will be offered, in the second part of the paper, in the function of creative nostalgia. A partire dal corpus dei ventiquattro autori presenti nell’antologia Poeti italiani nati negli anni ’80 e ’90 (Latiano, Interno Poesia, 2019-2020), questo lavoro si propone di focalizzare e mettere in relazione i nodi tematici ricorrenti nei testi. I primi due volumi di quest’antologia rivelano infatti, a dispetto di una ricca differenziazione formale e di soluzioni stilistiche, una forte concordanza tematica e desiderativa, laddove il tema riguarda soprattutto il problema della disgregazione del mondo e il desiderio la capacità di salvarsene, ricostituendosi in uno spazio individuale o comunitario grazie ai mezzi specifici del gesto poetico stesso. Prevalgono allora le immagini del crollo e dell’epidemia, variamente risolte in contesti urbani e periferici, a cui si oppongono altrettanto variamente ripetuti tentativi di nostoi e una fortissima e dilagante ansia di luce. Questa propensione orizzontale sembra a tutti gli effetti la maglia stretta su cui intessere un discorso generazionale più largamente inteso, un discorso che trascenda le singole istanze individuali. Una chiave di lettura per questo discorso verrà individuata, nella seconda parte dell’intervento, nella funzione della nostalgia creativa.
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Benozzo, Francesco. "La Terra dei Morti di Thomas Kinsella come spazio primordiale di un nuovo immaginario." Le Simplegadi 19, no. 21 (November 2021): 18–26. http://dx.doi.org/10.17456/simple-170.
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Tra le numerose opere poetiche di Thomas Kinsella, Notes from the Land of the Dead, del 1973, appare quella più legata agli elementi del paesaggio fisico. In questo saggio si provano a percorrere alcune strategie cognitive e percettive che consentono al poeta irlandese di farsi interprete, attraverso di esso, di un immaginario per la rifondazione poetica del mondo, all’interno di quella che ho recentemente definito come world poetry
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Capello, Francesco. "Spazio cittadino, spazio materno e ideologia poetica: una lettura del primo Moretti." Italianist 28, no. 2 (October 2008): 227–45. http://dx.doi.org/10.1179/026143408x363541.
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Elsner, Jaś. "From the culture ofspoliato the cult of relics: the Arch of Constantine and the genesis of late antique forms." Papers of the British School at Rome 68 (November 2000): 149–84. http://dx.doi.org/10.1017/s0068246200003901.
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DALLA CULTURA DEGLISPOLIAAL CULTO DELLE RELIQUIE: L'ARCO DI COSTANTINO E LA GENESI DELLE FORME TARDO ANTICHEQuesto articolo cerca di esaminare il programma dell'arco di Costantino, ed in particolare il suo riuso dispoliadi precedenti edifici, alia luce di cosa possa essere ricostruito dei più tardi progetti monumentali di Costantino a Costantinopoli. Viene ipotizzata la spoliazione di statue classiche (usate per decorare gli spazi pubblici della nuova città) e delle reliquie apostoliche, le quali vennero utilizzate nelle tombe collocate a fianco di quella di Costantino nel mausoleo dei Santi Apostoli, o durante la vita dell'imperatore stesso o di quella del figlio Costanzo. L'uso di arcaismi poetici, nella loro tipica forma poetica del quarto secolo (quale quella di Cento), viene anche dimostrato. Si sostiene che l'arco di Costantino emerge come un monumento chiave nella genesi di una nuova estetica costantiniana in cui l'antico viene incorporato nel moderno, ed in questo modo inevitabilmente trasformato.
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Kuzmina, A. A. "Poetics of Path Chronotope in Yakut Heroic Epic (S.N. Karataev “Bogatyr Tong Saar”)." Nauchnyi dialog 11, no. 1 (January 28, 2022): 262–78. http://dx.doi.org/10.24224/2227-1295-2022-11-1-262-278.
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The article is devoted to the poetics of the path chronotope in the Yakut heroic epic. The relevance of the topic is due to the need for an in-depth study of the spatio-temporal organization of the path in the olonkho, in particular in the Vilyui epic tradition, to which the olonkho S.N. Karataev “Bogatyr Tong Saar” belongs. The novelty of the article lies in the fact that for the first time the poetics of the path chronotope in the Yakut epic is subjected to systemic analysis, and for the first time the peculiarities of the path chronotope in the Vilyui epic tradition are revealed. The author of the article comes to the conclusion that the chronotope of the path occupies the most important place not only in the chronotope of the olonkho, but in general in its plot-compositional organization. The structure of the path has been determined, consisting of three main parts: the departure of the hero on the path, the process of the path itself, the completion of the path (the return of the hero to his homeland), in which various plot motives are realized. Particular attention is paid to the plot-forming role of the path chronotope in the olonkho, its relationship with the system of characters, poetical and stylistic means. It has been established that the leading links of the poetics of the Yakut heroic epic have inextricable interconnections in solving the main ideological and aesthetic problems.
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Giacomini, Lorenzo. "Dal "frammezzo" all'in-between. Un archetipo "tra" spazio mistico e spazio architettonico." TERRITORIO, no. 48 (May 2009): 70–76. http://dx.doi.org/10.3280/tr2009-048012.
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- The simple preposition "between" has always fuelled the mystic and ontological imagination. In the book Tree of Life compiled by the cabalist Hayyim Vital, a prototype of this tradition is the idea of divine "contraction", the first act of God that left space for the creation of the worlds. Similar concepts can be found in the ontology of Heidegger, where one of the closest words to "being" is "between", the median line marking the difference between "entity" and "being", between "world" and "thing". For Norberg-Schulz, "between" is also the point where Heidegger and Kahn meet. It will be remembered that the latter saw the origin of all inspiration in the "hreshold between silence and ligh"'. However, even the material poetic of Kahn was informed by this archetype, as can be seen from his buildings and from the many "failed masterpieces" from which a paradigm of architectural space emerges. In the Meeting House of the Salk Institute or in the Hurva Synagogue, the space in-between becomes the primary core of meaning. Another theoretician of the in-between hypothesis is Kurokawa, whose "philosophy of symbiosis" unravels in an essentially intermediate cultural and architectural space.
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Vincenzo Lisciani. "Le suggestioni del Purgatorio ne Il deserto dei Tartari: Buzzati e il modello dantesco tra poetica, immaginario e missione morale." Quaderni d'italianistica 41, no. 2 (June 11, 2021): 175–93. http://dx.doi.org/10.33137/q.i..v41i2.36777.
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Dino Buzzati offre ne Il deserto dei Tartari una rielaborazione audace del Purgatorio dantesco per atmosfera e stile. L’aspetto temporale del romanzo è ricalcato esattamente sulla prospettiva dantesca, in cui linearità e circolarità poggiano sull’ambientazione desertica. Tempo e spazio si dilatano o restringono a seconda della prospettiva interiore del personaggio, in una perfetta unione di circolarità e linearità; ugualmente, anche lo spazio sembra oscillare tra Fortezza e deserto per poi subire improvvise verticalizzazioni. Il modello dantesco, come “scrittura verticale” e come “retorica della salvezza,” emerge dunque nei nodi più cruciali dell’immaginazione buzzatiana, mettendo in luce una consonanza profonda e radicata.
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Sharma, Dr Shreeja Tripathi, and Prof Shubhra Tripathi. "Bhakti Tradition and Poetics of Introspection." SMART MOVES JOURNAL IJELLH 6, no. 9 (September 10, 2018): 8. http://dx.doi.org/10.24113/ijellh.v6i9.4928.
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The bhakti movement is among the most forceful instruments of change in the Indian history.The movement signaled the end of a worn out epoch and did much to subvert hierarchies by substituting the concept of redemption through devotion in place of ritualistic orthodoxy. It carried sublime philosophy, to the common masses, of the so-called lower classes, in vernacular languages and open doors for women poets. The movement continues to inspire our generation and enjoys prominence in terms of its reach, magnitude, popularity and spacio-temporal significance. The poetic tradition of this school is marked by a distinctive proclivity for introspection; out of the two schools:nirguna and saguna; the nirguna school of bhakti poetry shows a greater tendency towards introspection. The nirguna group of poets led by Kabir, promote the technique of introspective reflectionas the key to self-realisation and god-realisation. This approach is significant as it breaks away from the convention of ritualistic orthodoxy, which exhibited a strong propensity for outward modes of realisation. Further, a key element of the movement was the popularisation of the percept of a ‘personal God’, which our mythological-fiction retains till date.
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Messina, Davide. "Leggere e tradurre Primo Levi: Il poema e l’enunciazione." Forum Italicum: A Journal of Italian Studies 48, no. 3 (August 8, 2014): 452–76. http://dx.doi.org/10.1177/0014585814542930.
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Il saggio propone un modo nuovo di leggere e tradurre la testimonianza letteraria di Primo Levi a partire dalla relazione fra poesia e prosa in Se questo è un uomo. Collegando la poetica della traduzione di Henri Meschonnic con la linguistica dell’enunciazione sviluppata da Émile Benveniste, il saggio cerca di definire e analizzare il “poema dello sterminio” che sottende la scrittura di Levi, mette alla prova i relativi pregiudizi critici della trasparenza della prosa e dell’intraducibilità della poesia, e suggerisce infine una nuova articolazione del “poema sacro” di Dante nello spazio letterario creato dall’impegno etico a portare testimonianza.
Dissertations / Theses on the topic "Spazio poetico"
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Calabrese, G. A. "LA CONSECUENCIA DE UNA METAMORFOSIS. TOPOI POSTMODERNI NELLA POESIA DI LUIS GARCÍA MONTERO." Doctoral thesis, Università degli Studi di Milano, 2014. http://hdl.handle.net/2434/239365.
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The aim of this dissertation is to show how traditional poetic formulas are transformed in Luis García Montero’s poetry according to the Postmodern view of literature developed by the so called “Poesía de la experiencia”.
Starting from a study of the recurring images of the first person, the analysis focuses on García Montero’s creation of a literary space that expands from the inner essence of the poetic persona, passes through the representation of the body and finally reaches the construction of the literary cities. The textual analysis – developed with the Groupe μ rethoric – reveals how classical literary images are transformed in order to suggest the creation and the need of getting possession of a new public space (poetry) and the recovery of the “incomplete project of modernity”, in agreement with Habermas’s theory of Postmodernism.
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CAPPELLOTTO, Anna. "Durs Grünbein: poetiche dello spazio." Doctoral thesis, --, 2012. http://hdl.handle.net/10278/41666.
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La mia dissertazione è dedicata allo studio degli spazi e dei luoghi nell’opera del poeta tedesco Durs Grünbein. Il primo capitolo è focalizzato sulla «Raumtheorie» a partire da alcuni pensatori classici dal XX secolo fino ai giorni nostri e va a costituire una base metodologica per la successiva analisi dell’opera grünbeiniana. Esso si chiude con un tentativo di applicare gli studi sullo spazio, in particolare il cosiddetto spatial turn, alle scienze letterarie. La tesi si sviluppa successivamente secondo un criterio tematico: il secondo capitolo passa in rassegna i testi avvalendosi delle categorie tratteggiate nella prima parte della mia tesi (eterotopie, nonluoghi, luoghi di memoria), mentre il terzo capitolo si concentra su alcune poetiche spaziali grünbeiniane come quella del confine, sull’esempio del poemetto su Cartesio ‒ e si conclude con una possibile lettura post-DDR dell’opera. Il quarto capitolo studia il topos acquatico: dopo aver fatto luce su una linea di continuità che porta Grünbein alla costante tematizzazione dell’acqua come luogo ne ho studiato il valore sia poetico che poetologico, nonché la sua vicinanza al mito (Atlantide) e, attraverso di esso alla recente «deutsch-deutsche Geschichte».
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Cappellotto, Anna <1982>. "Durs Grünbein: poetiche dello spazio." Doctoral thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1197.
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La mia dissertazione è dedicata allo studio degli spazi e dei luoghi nell’opera del poeta tedesco Durs Grünbein. Il primo capitolo è focalizzato sulla «Raumtheorie» a partire da alcuni pensatori classici dal XX secolo fino ai giorni nostri e va a costituire una base metodologica per la successiva analisi dell’opera grünbeiniana. Esso si chiude con un tentativo di applicare gli studi sullo spazio, in particolare il cosiddetto spatial turn, alle scienze letterarie.
La tesi si sviluppa successivamente secondo un criterio tematico: il secondo capitolo passa in rassegna i testi avvalendosi delle categorie tratteggiate nella prima parte della mia tesi (eterotopie, nonluoghi, luoghi di memoria), mentre il terzo capitolo si concentra su alcune poetiche spaziali grünbeiniane come quella del confine, sull’esempio del poemetto su Cartesio ‒ e si conclude con una possibile lettura post-DDR dell’opera. Il quarto capitolo studia il topos acquatico: dopo aver fatto luce su una linea di continuità che porta Grünbein alla costante tematizzazione dell’acqua come luogo ne ho studiato il valore sia poetico che poetologico, nonché la sua vicinanza al mito (Atlantide) e, attraverso di esso alla recente «deutsch-deutsche Geschichte».My doctoral thesis is dedicated to the study of spaces and places in the work of the German poet Durs Grünbein. The first chapter deals with an excursus on the space studies, beginning with some of the traditional authors of the 20th century, to arrive to its latest theorists, which constitutes a useful methodological ground for the development of my analysis. This section ends with the attempt to apply the space studies, in particular the so-called spatial turn, to the literary studies. Afterwards my dissertation is carried out through a thematic criterion: the second chapter consists of an analysis of Grünbein’s work according to the categories outlined in the first part (heterotopias, non-places, places of memory), while the third chapter focuses on some peculiarly grünbeinian poetics of space, such as that of the border, like in the long poem dedicated to the philosopher Descartes. The fourth and last chapter deals with the “water topic”: after shading light on Grünbein’s continuity with the theorization of water as a place I have investigated its poetic and poetological worth, as well as its proximity to the myth (Atlantis) and through it to the recent «German-German history».
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PIGNATARO, ROSA. "LA FINESTRA COME SPAZIO METAFORICO NELLA LETTERATURA SPAGNOLA: RIFLESSIONI SULLA POETICA DI RAFAEL ALBERTI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/16894.
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L’obiettivo della presente ricerca è stato cercare di dimostrare come la finestra, da innocuo dispositivo ottico e spaziale, completi molte delle osservazioni tradizionali della critica, fornendo un’ulteriore chiave di lettura nell’interpretazione del procedimento creativo nelle opere analizzate. Partendo da una veloce silloge della ricorrenza del termine nella letteratura classica e italiana, si passa alla presentazione dell’evoluzione tematica della finestra nell’ambito della letteratura spagnola focalizzando l’analisi su alcuni modelli in cui il nucleo della finestra si configura come struttura generativa di un’intera opera letteraria. Con il terzo capitolo si entra nella parte monografica della ricerca: la finestra sembrerebbe un facile simbolo nella produzione letteraria di un poeta esiliato, poiché l’affaccio a un davanzale è un proiettarsi idealmente verso la patria perduta. In realtà, selezionando la vastissima produzione letteraria di Rafael Alberti, la ricorrenza della finestra permette di tracciare un iter tematico nella vicenda biografica e artistica del poeta, dall’infanzia alla maturità. Nell’ultimo capitolo, invece, oggetto d’analisi è El Adefesio, un’opera teatrale composta da Alberti durante l’esilio argentino. Questa volta le finestre si chiudono e le mura domestiche si trasformano in un’intollerabile prigione generando quasi una dimensione di claustrofobia, espressione di un nuovo teatro che parla di negazione e di censura.The aim of this research is to attempt to show how the ‘window’, a harmless optical and spatial device, completes many of the traditional observations of the critic, providing another key to the reading in the interpretation of the creative process in the analyzed works. Starting with a quick compilation of the recurrence of the term in Classical and Italian literature, the reaserch focuses on the analysis of the evolution of the word in Spanish literature with some models in which the window is configured as the generative structure of an entire literary work. The third chapter confronts the monographic part of the research: the window would seem an easy symbol in the literary production of an exiled poet, since gazing through a window could be seen as a projection of the artist towards his or her estranged homeland. In reality, by selecting the vast literary production of Rafael Alberti, the recurrence of the word ‘window’ allows us to trace a thematic procedure in the biographical and artistic life of the poet, from childhood to maturity. In the last chapter, the subject of analysis is El Adefesio, a play composed by Alberti during his Argentinian exile. This time the windows are closed and the walls becomes an intolerable prison generating an almost claustrophobic mood, expression of a new theater that speaks of denial and censorship
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Carpentieri, Nicola. "The Poetics of Aging: Spain and Sicily at the Twilight of Muslim Sovereignty." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10614.
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Aging as a physical, aesthetic and intellectual process gained, after muhdath poetry, a position of prominence in Classical Arabic poetry and poetics. Despite its relevance to the development of subgenres such as that of shayb (white hair) and zuhd (ascetic poetry), Arabic verse on aging received little attention by major contemporary critics. This study focuses on the verses on aging penned by the Andalusian poet Abu Ishaq al-Ilbiri and the Sicilian 'Abd al-Jabbar Ibn Hamdis in the XI and XII centuries, arguing for the creative processes through which these two poets reworked the motif of old age, together with other poetic subgenres, fashioning a 'poetics of aging.' By means of such a poetics, al-Ilbiri and Ibn Hamdis voiced their apprehension for the end of their lives, and at once, for the end of Islam's political supremacy in their homelands. Both al-Ilbiri and Ibn Hamdis, as they aged, became more and more preoccupied with the political decline of Islam in Muslim Spain and Sicily. They addressed the prominent political figures of their times, inciting them to a restore Maghribi Islam to its former glory. At the same time, they devoted a significant part of their overall production to subgenres such as the elegiac and the ascetic, in which they reflected upon their physical decay and advocated a withdrawal from worldly pursuits. My study questions this apparent contrast. It is my contention that al-Ilbiri's and Ibn Hamdis's poetics of aging does not imply of personal withdrawal from public life. Such a poetics should instead be read as part and parcel with their public verses of tahrid (public instigation). In what follows I illustrate how al-Ilbiri and Ibn Hamdis combined verses on physical decline, elegies and ascetic verses, in order to convey their late-life reflections as two first-hand witnesses to the end of Islam's social and political cohesion in the Muslim West. Emerging from these verses is a fascinating combination of a political documentation for later Maghribi Muslim history and a quasi-autobiographical voicing of the anxieties these poets experienced living at both the temporal and spatial margins.Near Eastern Languages and Civilizations
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Saglia, Diego. "Images of Spain in British romanticism : poetic narratives of cultural difference (1808-1814)." Thesis, Cardiff University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287769.
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Nascimento, Lucilelia Lemes de Castro Silva. "UM OLHAR SOBRE A POESIA DIGITAL: PROCEDIMENTOS E PRÁTICAS." Pontifícia Universidade Católica de Goiás, 2014. http://localhost:8080/tede/handle/tede/3205.
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Previous issue date: 2014-04-11This study investigates a range of poetic works created with and disseminated through digital computer media, for their visual, kinetic, and textual practices. We seek to articulate an analytic method grounded in close readings of selected poems out of several contemporary subgenres chosen to focus on poetic practices that raise questions about spatiality, temporality, kineticism, and word-and-image construction. Our chief interest lies in the systematization of the management procedures to access cyber poetry as a poetic form that emerges and is orchestrated in digital media and the forms of engagement presented to the reader. We focus the study on three clusters of poems, the poetic events, the cinematographic poems and visual noise poems. In this study, the attention to the material is applied on the analyzed digital poems. We base on the N. Katherine Hayles s analysis of media. In studying the selected digital poems, we highlighted their spatiotemporal properties and the kinetic and word-picture constructions. We dealt with Flash and animated Poems in the visual noise poetry. We argue that the reader/user s active embodied engagement that is required in the poems analyzed in chapter two and the denial of an active participation in the poems of chapter three is part of the materiality of the works. We emphasize that digital poetry is in a field that is expanding and changing, we dare to say that the poetic writing exploration and experimentation in the age of new media has just begun.
Este estudo investiga uma série de obras poéticas criadas e divulgadas através das mídias digitais, por meio de suas práticas visuais, cinéticas e textuais. Procuramos articular um método analítico fundamentado em leituras de poemas selecionados em vários subgêneros contemporâneos escolhidos para se concentrarem em práticas poéticas que levantem questões sobre a espacialidade, a temporalidade, o cinetismo e a construção de palavras e imagens. O nosso foco principal reside na sistematização dos procedimentos de manejo para acesso à ciberpoesia como forma poética que emerge e é orquestrada em mídias digitais e as formas de engajamento que são apresentadas ao leitor. Concentramos o estudo em três grupos de poemas: os Eventos Poéticos, Poemas Cinematográficos e os Poemas de Ruído Visual. Neste estudo, a atenção ao material é exercida sobre os poemas digitais analisados. Baseamo-nos na análise de mídia de N. Katherine Hayles. Ao estudarmos os poemas digitais selecionados, destacamos as suas propriedades espaço-temporais, as construções cinéticas de palavra-eimagem. Tratamos de poemas em Flash e poemas animados na poesia de ruído visual. Defendemos que o engajamento ativo incorporado que é exigido do leitor/usuário nos poemas analisados no capítulo dois e a negação de uma participação ativa nos poemas do capítulo três faz parte da materialidade das obras. Ressaltamos que a poesia digital constitui-se em um campo que está se expandindo e mudando, não seria ousadia afirmar que a exploração e a experimentação da escrita poética na era das novas mídias apenas começaram.
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Collantes, Sánchez Carlos María. "Imprenta y prácticas poéticas en la sociedad cordobesa del Bajo Barroco (1650-1750)." Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30062/document.
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Cette thèse, centrée sur l'étude de la poésie imprimée à Cordoue entre 1650-1750, est conçue comme une avancée dans le champ de recherche laissé libre ente la tradition positiviste et les innovations dans le domaine de l'interprétation, notamment dans la sociologie des textes et l'exploitation des oeuvres. Cette thèse s’inscrit dans le renouvellement qui s’est produit ces dernières années dans ce domaine et qui a fait progresser les études grâce à une nouvelle dimension de nature interdisciplinaire, au-delà des clivages entre les anciennes méthodologies d'études littéraires et leur analyse des textes basée sur la stylistique, et par l’attention accordée aux processus matériels, comme l'impression et la diffusion du livre, la sociologie des relations auteurs/lecteurs, et les réseaux ainsi formés. Pour développer cette recherche, je bénéficierai d’une double direction, celle du professeur Pedro Ruiz Pérez (PHEBO) de l'Université de Cordoue (Espagne), spécialiste de poésie, et de celle du professeur Jean-Marc Buiguès (AMERIBER) de l'Université de Bordeaux Montaigne, spécialiste de l’imprimerie, de l’édition et de la sociologie des auteurs. Le cadre conceptuel de départ pose qu’il est préférable de ne pas séparer les champs de travail de l'analyse de la poésie, de l'histoire de l'édition, des réseaux de sociabilité et des ressources fournies par les nouvelles technologies. Le modèle méthodologique prend appui sur ces approches et s’articule en une double ligne de travail : le développement d’un corpus (inexistant à ce jour) basé sur les outils des humanités numériques (bases de données, corpus numérisé, etc.) et d'autre part sur le modèle d'analyse mis à l'essai dans les travaux sur l'imprimerie et la poésie, développés respectivement par les deux directeurs. La combinaison des deux permet une approche nouvelle des questions liées à la production, la circulation et la lecture des textes et à leur valeur dans un champ littéraire en développementThe present thesis, focusing on the study of the poetry printed in Cordova between 1650-1750, it´s an advance in the field opened between the positivist tradition and the innovations in the area of the interpretation, including the sociology of the texts and of the functioning of the works. In the recent years a renovation has appeared in this field, in which the present thesis registers, advancing in a consideration of character to interdisciplinary that it overcomes the existing distances between the former methodologies of the literary studies and his analysis of the texts in stylistic way, with his attention to the material processes, as those of the press and the traffic of the book and the sociology with the relations of authors and readers and the networks that they formed. For the development of the investigation I have the direction from the University of Cordova of Prof. Pedro Ruiz Perez (PHEBO) and for the specialization in press and edition and sociology with Jean-Marc Buiguès (AMERIBER) and the University of Bordeaux 3 Montaigne. This is the start point of the conceptual frame, that considers the convenience of not separating the own work camps of the analysis of the poetry, the history of the edition, the networks of sociology and the resources provided by the new technologies. The methodological model starts of these expositions and takes form of a double line of work: Creation of a bibliography (non-existent up to the date) with support in the tools of the digital humanities (databases, digitized corpuses, etc.) and, of another part, the model of analysis tested in the work on press and poetry, fields respectively developed by both mentioned directors. The conjunction of both allows an new approximation of the questions related to the production, traffic and reading of the texts and his value in a literary field in development
La presente tesis se centra en el estudio y repertorio de la poesía impresa en Córdoba entre 1650-1750. Se plantea como un avance metodológico en el campo de la tradición positivista y la recepción poética, a partir de la bibliografía y la sociología de los textos. La investigación se inscribe en el marco de cotutela internacional entre la Universidad de Córdoba y l´Université Bordeaux Montaigne, siendo los codirectores de la misma el Prof. Pedro Ruiz Pérez (PHEBO) y el Prof. Jean-Marc Buiguès (AMERIBER), respectivamente. Este trabajo avanza sobre una consideración de carácter interdisciplinar que aúne las metodologías de la literatura, la bibliografía y las Humanidades digitales. Se focaliza la atención en la poesía impresa, atendiendo a los procesos materiales, como la manufactura de las obras mediante la imprenta, la circulación del libro y la red de relaciones sociales-literarias entre autores, lectores e impresores. Radica aquí el marco conceptual de salida, que considera la conveniencia de no separar los campos de trabajo propios del análisis de la poesía, la historia de la edición, las redes de sociabilidad y los recursos proporcionados por las nuevas tecnologías. El modelo metodológico arranca de estos planteamientos y se plasma en la elaboración del repertorio catalográfico que albergue a todas las ediciones impresas que contengan algún verso (inexistente hasta la fecha), un directorio biográfico de todos los agentes literarios que intervengan en la producción de la obra y dos bases de datos relacionales que contenga dicha información, concebidas dentro del marco de las Humanidades Digitales. Esto permitirá un nuevo acercamiento a las cuestiones relacionadas con la producción, circulación y recepción de la poesía. En resumen, esta investigación dotará de las herramientas necesarias para definir la práctica del verso en la sociedad bajobarroca cordobesa
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Noordhuis-Fairfax, Sarina. "Field | Guide: John Berger and the diagrammatic exploration of place." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154278.
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Positioned between writing and drawing, the diagram is proposed by John Berger as an alternative strategy for articulating encounters with landscape. A diagrammatic approach offers a schematic vocabulary that can compress time and offer a spatial reading of information. Situated within the contemporary field of direct data visualisation, my practice-led research interprets Berger’s ‘Field’ essay as a guide to producing four field | studies within a suburban park in Canberra. My seasonal investigations demonstrate how applying the conventions of the pictorial list, dot-distribution map, routing diagram and colour-wheel reveals subtle ecological and biographical narratives.
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Rowe, Ana-María. "El pensamiento poetico de León Felipe de la guerra al exilio, años 1936-1939: el poeta encuentra su voz definitiva." Diss., 2003. http://hdl.handle.net/10500/1210.
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In this dissertation, the poetic thought of León Felipe is examined through the study of his works written during the Spanish Civil War (1936-1939), namely, Good bye, Panamá (1936); La insignia (1937); El payaso de las bofetadas y el pescador de caña (1938); and Español del éxodo y del llanto (1939).
The poet's biographical and poetic paths are outlined, as they are closely linked. A diachronic approach is used to analyse his fundamental ideas or themes that emerge, evolve and merge through his writings during this period which shaped his unique cosmo-vision.
The purpose of this dissertation is to study the works of the poet within the social-historical context in which they evolved, establish the importance of this period as the catalyst for his ideological and poetic thought, and analyse how these aspects are reflected in his poetry to give him a new and definitive voice.Classics & Modern European Languages
M. A. (Spanish)
Books on the topic "Spazio poetico"
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Lo spazio poetico di Guido Gozzano e altri saggi. Roma: Editori riuniti, 1991.
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Corsini, Daniela. Spazio pubblico: Grammatica, poetica e opportunità d'uso. Melfi (Italia): Libria, 2017.
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Pollicino, Simona. Antoine de Saint-Exupéry: Una poetica dello spazio. Torino: L'Harmattan Italia, 2005.
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Crapiz, Sergio. Henri Michaux: Le poetiche dello spazio interiore. Firenze: Atheneum, 1990.
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Dall'uso alla forma: Poetiche dello spazio domestico. Roma: Officina edizioni, 2004.
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Dengo, Monica. La poetica dello spazio scritto: Scrittura a mano e calligrafia = The poetics of written space : handwriting and calligraphy. Venezia: Fondazione Musei civici Venezia, 2010.
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Acosta-Hauser, Alessandra. Ippolito Nievo: Confessioni d'un italiano : struttura, spazio e poetica. Bellinzona: Edizioni Casagrande, 1997.
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Petrarca e i suoi luoghi: Spazi reali e paesaggi poetici ... Treviso: Fondazione Benetton studi ricerche, 2009.
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McLoughlin, Laura Incalcaterra. Spazio e spazialità poetica nella poesia italiana del Novecento : con saggi su Franco Fortini, eugenio Montale, Amelia Rosselli, Giuseppe Ungaretti. Leicester, UK: Troubador, 2005.
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Allen, Josephs, ed. Antologia poetica. 4th ed. Barcelona: Plaza & Janes, 1996.
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Bello Minciacchi, Cecilia. "Fare del proprio guscio un cielo. Gli spazi dell’inermità nella scrittura di Antonella Anedda." In Studi e ricerche del Dipartimento di Lettere e Filosofia, 477–98. Firenze: Società Editrice Fiorentina, 2023. http://dx.doi.org/10.35948/dilef/978-88-6032-688-1.26.
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Il contributo analizza luoghi puntuali e immagini d’inermità ricorrenti nell’opera di Antonella Anedda, rivelando come oggetti miti e spazi limitati e privati diventino nuclei da cui irradiare lo sguardo fuori da sé, gusci di cui fare «un cielo». Nella sua poetica, la contrainte dello spazio minuto, della «mandorla», ove trovare vasti orizzonti proiettati all’esterno è scelta di trasparenza.
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Marfè, Luigi. "I «gomitoli del tempo». La poetica dello spazio nell’opera di Claudio Magris." In Biblioteca di Studi di Filologia Moderna, 177–88. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.18.
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Both in his novels, such as Illazioni su una sciabola (1984), Un altro mare (1991) and Alla cieca (2005), and in his travel writing, such as Danubio (1986), Microcosmi (1997) and L’infinito viaggiare (2005), Claudio Magris outlined a poetics of space that questions about the diachronic depth and the narrative meaning of places. The essay examines the topic of travel in Magris’ work, as a means of metaliterary exploration, in order to reflect on the sense of history and on the identity of the writing subject.
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Snyder, Jonathan. "Introduction." In Poetics of Opposition in Contemporary Spain, 1–25. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137533210_1.
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Snyder, Jonathan. "Lessons Felt, Then Learned." In Poetics of Opposition in Contemporary Spain, 27–68. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137533210_2.
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Snyder, Jonathan. "On Affect, Action, Urban Intervention." In Poetics of Opposition in Contemporary Spain, 69–124. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137533210_3.
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Snyder, Jonathan. "The Biopolitics of Neoliberal Governance." In Poetics of Opposition in Contemporary Spain, 125–62. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137533210_4.
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Snyder, Jonathan. "House Rules." In Poetics of Opposition in Contemporary Spain, 163–205. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137533210_5.
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O’Reilly, Terence, and Stephen Boyd. "The poetic voice of Luis de León in No siempre es poderosa." In Humanism and Religion in Early Modern Spain, 371–80. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003176268-29.
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Gala, Candelas. "Rafael Alberti’s Comet or the Poetics of Energy and Light: From Electromagnetism to Thermodynamics." In Poetry, Physics, and Painting in Twentieth-Century Spain, 123–54. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9781137002181_6.
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Franco Harnache, Andrés. "“Mostrar, no decir”: The Influence of and Resistance Against Workshop Poetics on the Hispanic Literary Field." In New Directions in Book History, 325–44. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_14.
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AbstractUntil recently, due to the Romantic imaginary of the artist-as-genius, the Hispanic literary tradition has been wary of a literary advice industry or academic programs of creative writing. This wariness hindered the professionalization of Hispanic authors, but at the same time it kept Hispanic literature out of anglicized uniformity which permitted, by the mid-twentieth century, a reinterpretation of western literature by writers such as Gabriel García Márquez, Jorge Luis Borges, and Mario Vargas Llosa. Nonetheless since the early 2000s a series of MFA programs in creative writing, first in the United States, but more recently in Latin America and Spain, have been changing Hispanic literature. These programs, with syllabi imported from the Anglophone canons, have influenced a new generation of writers who mirror the English savoir-faire and reject their own literary traditions, which were more experimental, less rooted in realism, and even somewhat baroque. There is, however, also resistance in the field, where workshop-inspired developments coincide with a return to a more Hispanic tradition of innovation.