Academic literature on the topic 'Spazio poetico'
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Journal articles on the topic "Spazio poetico"
Giannacco, Valentina. "L’ideale di santità di Ildegarda di Bingen (1098-1179)." De Medio Aevo 14 (June 26, 2020): 43–52. http://dx.doi.org/10.5209/dmae.69895.
Full textMartini, Giulia. "funzione della nostalgia creativa." Polisemie 2 (October 19, 2021): 137–58. http://dx.doi.org/10.31273/polisemie.v2.811.
Full textBenozzo, Francesco. "La Terra dei Morti di Thomas Kinsella come spazio primordiale di un nuovo immaginario." Le Simplegadi 19, no. 21 (November 2021): 18–26. http://dx.doi.org/10.17456/simple-170.
Full textCapello, Francesco. "Spazio cittadino, spazio materno e ideologia poetica: una lettura del primo Moretti." Italianist 28, no. 2 (October 2008): 227–45. http://dx.doi.org/10.1179/026143408x363541.
Full textElsner, Jaś. "From the culture ofspoliato the cult of relics: the Arch of Constantine and the genesis of late antique forms." Papers of the British School at Rome 68 (November 2000): 149–84. http://dx.doi.org/10.1017/s0068246200003901.
Full textKuzmina, A. A. "Poetics of Path Chronotope in Yakut Heroic Epic (S.N. Karataev “Bogatyr Tong Saar”)." Nauchnyi dialog 11, no. 1 (January 28, 2022): 262–78. http://dx.doi.org/10.24224/2227-1295-2022-11-1-262-278.
Full textGiacomini, Lorenzo. "Dal "frammezzo" all'in-between. Un archetipo "tra" spazio mistico e spazio architettonico." TERRITORIO, no. 48 (May 2009): 70–76. http://dx.doi.org/10.3280/tr2009-048012.
Full textVincenzo Lisciani. "Le suggestioni del Purgatorio ne Il deserto dei Tartari: Buzzati e il modello dantesco tra poetica, immaginario e missione morale." Quaderni d'italianistica 41, no. 2 (June 11, 2021): 175–93. http://dx.doi.org/10.33137/q.i..v41i2.36777.
Full textSharma, Dr Shreeja Tripathi, and Prof Shubhra Tripathi. "Bhakti Tradition and Poetics of Introspection." SMART MOVES JOURNAL IJELLH 6, no. 9 (September 10, 2018): 8. http://dx.doi.org/10.24113/ijellh.v6i9.4928.
Full textMessina, Davide. "Leggere e tradurre Primo Levi: Il poema e l’enunciazione." Forum Italicum: A Journal of Italian Studies 48, no. 3 (August 8, 2014): 452–76. http://dx.doi.org/10.1177/0014585814542930.
Full textDissertations / Theses on the topic "Spazio poetico"
Calabrese, G. A. "LA CONSECUENCIA DE UNA METAMORFOSIS. TOPOI POSTMODERNI NELLA POESIA DI LUIS GARCÍA MONTERO." Doctoral thesis, Università degli Studi di Milano, 2014. http://hdl.handle.net/2434/239365.
Full textCAPPELLOTTO, Anna. "Durs Grünbein: poetiche dello spazio." Doctoral thesis, --, 2012. http://hdl.handle.net/10278/41666.
Full textCappellotto, Anna <1982>. "Durs Grünbein: poetiche dello spazio." Doctoral thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1197.
Full textMy doctoral thesis is dedicated to the study of spaces and places in the work of the German poet Durs Grünbein. The first chapter deals with an excursus on the space studies, beginning with some of the traditional authors of the 20th century, to arrive to its latest theorists, which constitutes a useful methodological ground for the development of my analysis. This section ends with the attempt to apply the space studies, in particular the so-called spatial turn, to the literary studies. Afterwards my dissertation is carried out through a thematic criterion: the second chapter consists of an analysis of Grünbein’s work according to the categories outlined in the first part (heterotopias, non-places, places of memory), while the third chapter focuses on some peculiarly grünbeinian poetics of space, such as that of the border, like in the long poem dedicated to the philosopher Descartes. The fourth and last chapter deals with the “water topic”: after shading light on Grünbein’s continuity with the theorization of water as a place I have investigated its poetic and poetological worth, as well as its proximity to the myth (Atlantis) and through it to the recent «German-German history».
PIGNATARO, ROSA. "LA FINESTRA COME SPAZIO METAFORICO NELLA LETTERATURA SPAGNOLA: RIFLESSIONI SULLA POETICA DI RAFAEL ALBERTI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/16894.
Full textThe aim of this research is to attempt to show how the ‘window’, a harmless optical and spatial device, completes many of the traditional observations of the critic, providing another key to the reading in the interpretation of the creative process in the analyzed works. Starting with a quick compilation of the recurrence of the term in Classical and Italian literature, the reaserch focuses on the analysis of the evolution of the word in Spanish literature with some models in which the window is configured as the generative structure of an entire literary work. The third chapter confronts the monographic part of the research: the window would seem an easy symbol in the literary production of an exiled poet, since gazing through a window could be seen as a projection of the artist towards his or her estranged homeland. In reality, by selecting the vast literary production of Rafael Alberti, the recurrence of the word ‘window’ allows us to trace a thematic procedure in the biographical and artistic life of the poet, from childhood to maturity. In the last chapter, the subject of analysis is El Adefesio, a play composed by Alberti during his Argentinian exile. This time the windows are closed and the walls becomes an intolerable prison generating an almost claustrophobic mood, expression of a new theater that speaks of denial and censorship
Carpentieri, Nicola. "The Poetics of Aging: Spain and Sicily at the Twilight of Muslim Sovereignty." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10614.
Full textNear Eastern Languages and Civilizations
Saglia, Diego. "Images of Spain in British romanticism : poetic narratives of cultural difference (1808-1814)." Thesis, Cardiff University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287769.
Full textNascimento, Lucilelia Lemes de Castro Silva. "UM OLHAR SOBRE A POESIA DIGITAL: PROCEDIMENTOS E PRÁTICAS." Pontifícia Universidade Católica de Goiás, 2014. http://localhost:8080/tede/handle/tede/3205.
Full textThis study investigates a range of poetic works created with and disseminated through digital computer media, for their visual, kinetic, and textual practices. We seek to articulate an analytic method grounded in close readings of selected poems out of several contemporary subgenres chosen to focus on poetic practices that raise questions about spatiality, temporality, kineticism, and word-and-image construction. Our chief interest lies in the systematization of the management procedures to access cyber poetry as a poetic form that emerges and is orchestrated in digital media and the forms of engagement presented to the reader. We focus the study on three clusters of poems, the poetic events, the cinematographic poems and visual noise poems. In this study, the attention to the material is applied on the analyzed digital poems. We base on the N. Katherine Hayles s analysis of media. In studying the selected digital poems, we highlighted their spatiotemporal properties and the kinetic and word-picture constructions. We dealt with Flash and animated Poems in the visual noise poetry. We argue that the reader/user s active embodied engagement that is required in the poems analyzed in chapter two and the denial of an active participation in the poems of chapter three is part of the materiality of the works. We emphasize that digital poetry is in a field that is expanding and changing, we dare to say that the poetic writing exploration and experimentation in the age of new media has just begun.
Este estudo investiga uma série de obras poéticas criadas e divulgadas através das mídias digitais, por meio de suas práticas visuais, cinéticas e textuais. Procuramos articular um método analítico fundamentado em leituras de poemas selecionados em vários subgêneros contemporâneos escolhidos para se concentrarem em práticas poéticas que levantem questões sobre a espacialidade, a temporalidade, o cinetismo e a construção de palavras e imagens. O nosso foco principal reside na sistematização dos procedimentos de manejo para acesso à ciberpoesia como forma poética que emerge e é orquestrada em mídias digitais e as formas de engajamento que são apresentadas ao leitor. Concentramos o estudo em três grupos de poemas: os Eventos Poéticos, Poemas Cinematográficos e os Poemas de Ruído Visual. Neste estudo, a atenção ao material é exercida sobre os poemas digitais analisados. Baseamo-nos na análise de mídia de N. Katherine Hayles. Ao estudarmos os poemas digitais selecionados, destacamos as suas propriedades espaço-temporais, as construções cinéticas de palavra-eimagem. Tratamos de poemas em Flash e poemas animados na poesia de ruído visual. Defendemos que o engajamento ativo incorporado que é exigido do leitor/usuário nos poemas analisados no capítulo dois e a negação de uma participação ativa nos poemas do capítulo três faz parte da materialidade das obras. Ressaltamos que a poesia digital constitui-se em um campo que está se expandindo e mudando, não seria ousadia afirmar que a exploração e a experimentação da escrita poética na era das novas mídias apenas começaram.
Collantes, Sánchez Carlos María. "Imprenta y prácticas poéticas en la sociedad cordobesa del Bajo Barroco (1650-1750)." Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30062/document.
Full textThe present thesis, focusing on the study of the poetry printed in Cordova between 1650-1750, it´s an advance in the field opened between the positivist tradition and the innovations in the area of the interpretation, including the sociology of the texts and of the functioning of the works. In the recent years a renovation has appeared in this field, in which the present thesis registers, advancing in a consideration of character to interdisciplinary that it overcomes the existing distances between the former methodologies of the literary studies and his analysis of the texts in stylistic way, with his attention to the material processes, as those of the press and the traffic of the book and the sociology with the relations of authors and readers and the networks that they formed. For the development of the investigation I have the direction from the University of Cordova of Prof. Pedro Ruiz Perez (PHEBO) and for the specialization in press and edition and sociology with Jean-Marc Buiguès (AMERIBER) and the University of Bordeaux 3 Montaigne. This is the start point of the conceptual frame, that considers the convenience of not separating the own work camps of the analysis of the poetry, the history of the edition, the networks of sociology and the resources provided by the new technologies. The methodological model starts of these expositions and takes form of a double line of work: Creation of a bibliography (non-existent up to the date) with support in the tools of the digital humanities (databases, digitized corpuses, etc.) and, of another part, the model of analysis tested in the work on press and poetry, fields respectively developed by both mentioned directors. The conjunction of both allows an new approximation of the questions related to the production, traffic and reading of the texts and his value in a literary field in development
La presente tesis se centra en el estudio y repertorio de la poesía impresa en Córdoba entre 1650-1750. Se plantea como un avance metodológico en el campo de la tradición positivista y la recepción poética, a partir de la bibliografía y la sociología de los textos. La investigación se inscribe en el marco de cotutela internacional entre la Universidad de Córdoba y l´Université Bordeaux Montaigne, siendo los codirectores de la misma el Prof. Pedro Ruiz Pérez (PHEBO) y el Prof. Jean-Marc Buiguès (AMERIBER), respectivamente. Este trabajo avanza sobre una consideración de carácter interdisciplinar que aúne las metodologías de la literatura, la bibliografía y las Humanidades digitales. Se focaliza la atención en la poesía impresa, atendiendo a los procesos materiales, como la manufactura de las obras mediante la imprenta, la circulación del libro y la red de relaciones sociales-literarias entre autores, lectores e impresores. Radica aquí el marco conceptual de salida, que considera la conveniencia de no separar los campos de trabajo propios del análisis de la poesía, la historia de la edición, las redes de sociabilidad y los recursos proporcionados por las nuevas tecnologías. El modelo metodológico arranca de estos planteamientos y se plasma en la elaboración del repertorio catalográfico que albergue a todas las ediciones impresas que contengan algún verso (inexistente hasta la fecha), un directorio biográfico de todos los agentes literarios que intervengan en la producción de la obra y dos bases de datos relacionales que contenga dicha información, concebidas dentro del marco de las Humanidades Digitales. Esto permitirá un nuevo acercamiento a las cuestiones relacionadas con la producción, circulación y recepción de la poesía. En resumen, esta investigación dotará de las herramientas necesarias para definir la práctica del verso en la sociedad bajobarroca cordobesa
Noordhuis-Fairfax, Sarina. "Field | Guide: John Berger and the diagrammatic exploration of place." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154278.
Full textRowe, Ana-María. "El pensamiento poetico de León Felipe de la guerra al exilio, años 1936-1939: el poeta encuentra su voz definitiva." Diss., 2003. http://hdl.handle.net/10500/1210.
Full textClassics & Modern European Languages
M. A. (Spanish)
Books on the topic "Spazio poetico"
Lo spazio poetico di Guido Gozzano e altri saggi. Roma: Editori riuniti, 1991.
Find full textCorsini, Daniela. Spazio pubblico: Grammatica, poetica e opportunità d'uso. Melfi (Italia): Libria, 2017.
Find full textPollicino, Simona. Antoine de Saint-Exupéry: Una poetica dello spazio. Torino: L'Harmattan Italia, 2005.
Find full textCrapiz, Sergio. Henri Michaux: Le poetiche dello spazio interiore. Firenze: Atheneum, 1990.
Find full textDall'uso alla forma: Poetiche dello spazio domestico. Roma: Officina edizioni, 2004.
Find full textDengo, Monica. La poetica dello spazio scritto: Scrittura a mano e calligrafia = The poetics of written space : handwriting and calligraphy. Venezia: Fondazione Musei civici Venezia, 2010.
Find full textAcosta-Hauser, Alessandra. Ippolito Nievo: Confessioni d'un italiano : struttura, spazio e poetica. Bellinzona: Edizioni Casagrande, 1997.
Find full textPetrarca e i suoi luoghi: Spazi reali e paesaggi poetici ... Treviso: Fondazione Benetton studi ricerche, 2009.
Find full textMcLoughlin, Laura Incalcaterra. Spazio e spazialità poetica nella poesia italiana del Novecento : con saggi su Franco Fortini, eugenio Montale, Amelia Rosselli, Giuseppe Ungaretti. Leicester, UK: Troubador, 2005.
Find full textAllen, Josephs, ed. Antologia poetica. 4th ed. Barcelona: Plaza & Janes, 1996.
Find full textBook chapters on the topic "Spazio poetico"
Bello Minciacchi, Cecilia. "Fare del proprio guscio un cielo. Gli spazi dell’inermità nella scrittura di Antonella Anedda." In Studi e ricerche del Dipartimento di Lettere e Filosofia, 477–98. Firenze: Società Editrice Fiorentina, 2023. http://dx.doi.org/10.35948/dilef/978-88-6032-688-1.26.
Full textMarfè, Luigi. "I «gomitoli del tempo». La poetica dello spazio nell’opera di Claudio Magris." In Biblioteca di Studi di Filologia Moderna, 177–88. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.18.
Full textSnyder, Jonathan. "Introduction." In Poetics of Opposition in Contemporary Spain, 1–25. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137533210_1.
Full textSnyder, Jonathan. "Lessons Felt, Then Learned." In Poetics of Opposition in Contemporary Spain, 27–68. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137533210_2.
Full textSnyder, Jonathan. "On Affect, Action, Urban Intervention." In Poetics of Opposition in Contemporary Spain, 69–124. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137533210_3.
Full textSnyder, Jonathan. "The Biopolitics of Neoliberal Governance." In Poetics of Opposition in Contemporary Spain, 125–62. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137533210_4.
Full textSnyder, Jonathan. "House Rules." In Poetics of Opposition in Contemporary Spain, 163–205. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137533210_5.
Full textO’Reilly, Terence, and Stephen Boyd. "The poetic voice of Luis de León in No siempre es poderosa." In Humanism and Religion in Early Modern Spain, 371–80. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003176268-29.
Full textGala, Candelas. "Rafael Alberti’s Comet or the Poetics of Energy and Light: From Electromagnetism to Thermodynamics." In Poetry, Physics, and Painting in Twentieth-Century Spain, 123–54. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9781137002181_6.
Full textFranco Harnache, Andrés. "“Mostrar, no decir”: The Influence of and Resistance Against Workshop Poetics on the Hispanic Literary Field." In New Directions in Book History, 325–44. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_14.
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