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Journal articles on the topic 'Spaces of production'

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Author: Grafiati

Published: 14 March 2023

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1

Pitas, John-Henry, and Mariya Shcheglovitova. "Discourses, bodies, and the production of space: Challenging the (re)production of more-than-human deathscapes." Human Geography 12, no. 2 (July 2019): 18–35. http://dx.doi.org/10.1177/194277861901200202.

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This paper explores the production of urban spaces as deathscapes, or spaces that are defined by death. We probe the ways in which these spaces are produced by the material content of the spaces themselves, and the discursive representations of those spaces found in popular media. We take as our empirical starting point personal encounters with dead animal bodies in Baltimore, Maryland, USA. Combining qualitative and quantitative methodologies, we juxtapose personal experiences with death in the city with popular representations of Baltimore, as well as a spatial analysis of the geographies of non-human death. Using mixed methodologies, we tease out and highlight the ways in which death, dying, bodies, and violence are used to produce urban deathscapes. Our analysis shows how the production of death and deathscapes are inherently uneven spatial processes, which work in tandem to (re)produce certain spaces as deadly. Furthermore, we illustrate how these spaces are produced in part by discourse, politics, representation, and the material presence of non-human death, challenging what we might think of as being capable of producing space, and broadening the concept of deathscapes. Ultimately we conclude that producing urban spaces as deadly is a means by which capital seeks to reproduce itself, and, through harnessing the power of the non-human dead to produce space, utilize nature to produce new forms of urban capital.

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2

Simoes da Silva, Tony. "Places and Spaces of Knowledge Production." Metascience 18, no. 2 (May 13, 2009): 289–92. http://dx.doi.org/10.1007/s11016-009-9277-7.

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3

Baker, Robert A. "Spaces and Places of Opera." Circuit 17, no. 3 (February 28, 2008): 57–63. http://dx.doi.org/10.7202/017590ar.

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Abstract Site-specific opera are those works which are either composed for, or produced in (or both) a prescribed space other than that of the opera house. The particular site chosen for the production of such a work has a profound effect on how that work of art is received. Questions are raised with regard to the work’s meaning and its relationship to the time and place of the site in which it is performed. In order to better understand the spatial and temporal richness within site-specific opera, recent productions of European and North American operas from the nineteenth and twentieth centuries are considered. Based upon composer/librettist intentions, the site of the premiere production and its relation to the music-dramatic work, five types of site-specific opera are proposed.

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4

Søraa, Roger A. "Spaces between." Nordic Journal of Science and Technology Studies 7, no. 2 (December 18, 2019): 3. http://dx.doi.org/10.5324/njsts.v7i2.3363.

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There is an increasing interest in Science and Technology Studies (STS), as the field experiences growth with respect to the scope of topics, methods and theories deployed to learn and uncover epistemic practices for scientific knowledge production, technological innovations, users and producers.

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5

Mustonen, Tero. "Endemic time-spaces of Finland: from wilderness lands to ‘vacant production spaces’." Fennia - International Journal of Geography 195, no. 1 (June 15, 2017): 5. http://dx.doi.org/10.11143/fennia.58971.

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Traditional land use and occupancy of the wilderness lands of Finnish pre- and early- historic communities has not received much discussion in contemporary geographical debates. This article explores such occupancies and analyses transformations to present land use through two case studies: the Lake Kuivasjärvi basin in Western Finland and the Linnunsuo marsh-mire in Eastern Finland. Environmental justice provides the analytical framing through which the processes of change are analysed within each case by using historical geographical data and reviewing literature. Both locations were communally used by occupying villages prior to the advent of the industrial era. Yet the forestry and peat production industries that were pursued in the twentieth century ignored this historical use and saw them as ‘vacant spaces’ to be developed. In Linnunsuo, a post-production space has developed since the end of the peat production.

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6

Tokgöz-Şahoğlu, Cemile. "Social Production of Hybrid Spaces Through Playbour." Digital Culture & Society 7, no. 1 (December 1, 2021): 113–30. http://dx.doi.org/10.14361/dcs-2021-0108.

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7

Cunningham, Joseph. "Production of consumer spaces in the university." Journal of Marketing for Higher Education 26, no. 2 (July 2, 2016): 199–213. http://dx.doi.org/10.1080/08841241.2016.1238023.

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8

Brunsma, David L., Nathaniel G. Chapman, Joong Won Kim, J. Slade Lellock, Megan Underhill, Erik T. Withers, and Jennifer Padilla Wyse. "The Culture of White Space: On The Racialized Production of Meaning." American Behavioral Scientist 64, no. 14 (November 20, 2020): 2001–15. http://dx.doi.org/10.1177/0002764220975081.

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This article focuses on processes of meaning making in White spaces as the glue that holds their social structures together. Understanding White spaces and how they operate necessitates theoretical development from a cultural perspective. The authors’ research empirically engages with a wide range of White spaces—neighborhoods, subcultural scenes, craft breweries, online digital platforms, and academia, to name a few—and do so from a theoretical space where the two areas of sociology meet: race and culture. We engage with three key questions to theorize the culture of White space: (a) How do these White spaces work? (b) How are these White spaces challenged? (c) How do these White spaces change and/or reproduce themselves? From these engagements, this article develops a general approach to understanding White spaces through understanding their racialized processes of meaning making.

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9

Yang, Ying, Yawen Liu, Congmou Zhu, Xinming Chen, Yi Rong, Jing Zhang, Bingbing Huang, et al. "Spatial Identification and Interactive Analysis of Urban Production—Living—Ecological Spaces Using Point of Interest Data and a Two-Level Scoring Evaluation Model." Land 11, no. 10 (October 16, 2022): 1814. http://dx.doi.org/10.3390/land11101814.

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Identifying urban production–living–ecological spaces and their interactive relationships is conducive to better understanding and optimizing urban space development. This paper took the main urban area of Hangzhou city as an example, and a two-level scoring evaluation model was constructed to accurately identify urban production–living–ecological spaces using point of interest (POI) data. Then, kernel density analysis, a spatial transfer matrix, and a bivariate spatial autocorrelation model were used to reveal the spatial patterns of urban production–living–ecological spaces and their interactive relationships during 2010 and 2019. The results showed that the proposed two-level scoring evaluation model combining both the physical area and density of POIs was effective in accurately identifying urban production–living–ecological spaces using POI data, with an identification accuracy of 88.9%. Urban production space was concentrated on the south bank of the Qiantang River and around the north of Hangzhou. Urban living space had the highest proportion, mainly distributed within the ring highway of Hangzhou in a contiguous distribution pattern, and urban ecological space was concentrated around West Lake and Xiang Lake. During 2010 and 2019, the expansion of urban production–living–ecological spaces had obvious spatial differences. Additionally, the mutual transformation between production and living spaces was more frequent during the study period and was mainly distributed within the ring highway of Hangzhou. There were significant positive spatial correlations between production and living and between living and ecological spaces, while a significant negative spatial correlation occurred between production and ecological spaces. The spatial correlations of urban production–living–ecological spaces revealed obvious spatial heterogeneity. This study proposed a two-level scoring evaluation model to accurately identify the spatial patterns of urban production–living–ecological spaces and their interactive relationships using POI data, which can provide detailed information and scientific references for urban spatial planning and management in rapidly urbanizing cities.

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10

Andrade, Rita de Cássia. "THE COMMERCIAL SPACES AND PRODUCTION OF URBAN SPACES Supply markets of Cuzco – Peru." Revista Geografares 30 (July 8, 2020): 86–110. http://dx.doi.org/10.7147/geo30.26970.

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11

Liu, Bo, Desheng Xue, and Sijun Zheng. "Evolution and Influencing Factors of Manufacturing Production Space in the Pearl River Delta—Based on the Perspective of Global City-Region." Land 12, no. 2 (February 6, 2023): 419. http://dx.doi.org/10.3390/land12020419.

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Evolution and influencing factors of manufacturing production spaces in the global city regions of China are diverse from the West, attracting attention to accurately identify and analyze the real and continuous distribution of manufacturing production spaces on the basis of the actual situation of the region. The 18th National Congress of the Communist Party of China proposed that the production spaces should be intensive and efficient, but the existing studies focus less attention on the manufacturing entity spaces in city regions. Taking the Pearl River Delta as an instance, combined with the POI data of manufacturing enterprises, this study interprets the spatial information of manufacturing production spaces in 1987, 1997, 2007 and 2017 by means of high-resolution remote sensing images. Using various models to quantitatively explore the distribution pattern and evolution characteristics of manufacturing production spaces in the Pearl River Delta in dissimilar periods, and then providing policy guidance for the accurate planning and regulation of manufacturing production spaces in China’s global city regions, on the basis of comparing the evolution mechanism of manufacturing space in Western countries’ global city regions. The results show that: Under the coupling effect of the stage of time series and the heterogeneity of spatial distribution, the manufacturing production spaces in the Pearl River Delta has evolved from the scattered distribution of the core area to the complex and diversified spatial pattern. The hot spots of manufacturing production space expansion in distinct stages also exhibit stage differences. At the current stage, the factors of globalization, technological innovation and policy are becoming increasingly significant. The evolution characteristics of manufacturing production spaces in global city regions in China and Western countries are dissimilar, but the driving factors are similar, which involves the level of urbanization and industrialization, the local government-level infrastructure investment, etc. Instead of simply promoting or restraining the optimization control of manufacturing production spaces, the local governments conduct precise regulation in line with the actual space distribution and development mechanism of manufacturing production spaces in diverse cities. In this process, we can learn from but not copy the experience of the Western countries.

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12

Wolf, Garrett, and Nathan Mahaffey. "Designing Difference: Co-Production of Spaces of Potentiality." Urban Planning 1, no. 1 (March 22, 2016): 59–67. http://dx.doi.org/10.17645/up.v1i1.540.

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Design and Planning professionals have long been influenced by the belief in physically and spatially deterministic power over people and the environment, a belief that their representations of space become space. As a result the goal of design often becomes “fixing” or directing behavior and culture instead of letting culture happen. This outlook often prevents designers from engaging critically with culture, through representational space and spatial practice, as a crucial, possibly the most crucial, aspect in the design process. Just as human cultures interact to constantly reproduce and co-produce hybrid cultures, the professional designer and those users and experiencers of design (at whatever scale) must interact to co-produce spaces and places of activity. Through a critique of the practice of placemaking, we highlight the need to differentiate between participation and co-production. Understanding participation as one element of the design process and the role of design at larger scales of co-productive processes can help designers have a better understanding of how spaces are produced, and the role of designers in the creation of spaces of potentiality. Agamben’s writing on<em> potentialities </em>and Lefebvre’s spatial triad offer a theoretical framework to investigate the ethical role of professional designers in society while taking a critical stance against the singular solutions of modernist urban transformation. Spaces of Potentiality are seen here as a designer’s simultaneous withdrawal from rational problem solving and deterministic solutions, and an engagement with open source strategies for the co-production of urban space.

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13

Tomassoni, Carlos, Ted Huynh, and Thomas Schiller. "Production-based Design Methodology for Shipboard Machinery Spaces." Journal of Ship Production 19, no. 01 (February 1, 2003): 53–63. http://dx.doi.org/10.5957/jsp.2003.19.1.53.

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U.S. shipyards are experiencing a lack of stock designs when compared with worldclass shipyards. Shipyards in this country usually develop "unique designs" from scratch. New designs are traditionally performed by design agents, who do not account sufficiently for production requirements and constraints. This process typically results in excessive production re-engineering and/or rework. This paper presents a production-based methodology that is being developed under the National Shipbuilding Research Program/American Shipbuilding Enterprise (NSRP/ASE) Project 21, Develop and Implement World-Class U.S. Material Standards and Parametric Design Rules to Support Commercial and Naval Auxiliary Ship Construction. This methodology utilizes a zonal design approach that leverages work previously accomplished under the Shipbuilding Technology contract between Designers & Planners, Inc., and the Carderock Division of the Naval Surface Development Center in the 1994–1998 time frame. Under this contract, a collocated team with representatives of domestic and foreign shipbuilders, ship owners, vendors, and designers developed world-class engine rooms. Results of this previously conducted research were summarily reported in the Maritime Reporter. The advanced design methodology presented in this paper incorporates production requirements early in the design process that can result in significant savings in design cost and schedule, production costs, and construction cycle time. The methodology addresses how (1) machinery equipment should be grouped into functional volumes and blocks; (2) the interfaces between functional volumes and blocks and between zones should be considered; (3) producibility issues should be considered early in the design process; (4) the information should be collected and archived for use in future designs. An example is provided to show how this advanced methodology could be used to shorten design time and cost and enhance the producibility of future shipboard machinery spaces.

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14

Murtini, Titien Woro, Arnis Rochma Harani, and Arlina Adiyati. "Management of Gender-Based Production and Commercial Spaces." Jurnal Teknik Sipil dan Perencanaan 20, no. 1 (April 25, 2018): 47–55. http://dx.doi.org/10.15294/jtsp.v20i1.13621.

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Currently, home industry is attaining particular attention from Indonesian government. This activity is considered as an embryo of Indonesia's economic growth. One of the home industries that have been recognized worldwide is batik. Batik is the cultural heritage of Indonesia that which has received international recognition. The famous batik in Indonesia comes from Pekalongan. In Pekalongan, some villages have characteristic of batik, one of them is proto village. In this village, batik is growing through the home industry business, and almost 70% women can write batik. Also, almost all the houses in this village become a place for industry, whether to make batik, sell batik, and modify batik fabric into clothing. The house which should be a residence, it is functioned as a production and business space. This research employed qualitative method with phenomenology paradigm, aimed to understand and reveal the meaning of the phenomenon of human life behavior, both human in capacity as individuals, groups and the wider community in using residential as a business space and production in Proto Batik Village. The results of this study found that the spatial management system in Proto Batik Village is dominated by women in every home. If the living room in business space used as a place to sell and marketing, the function of production room is located in women area such as kitchens, and backyard. It can be concluded that private house spaces are still used as residential functions, but semi-public spaces are utilized as production and business space.

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15

Kim, Ji Yeon. "Production of Spaces in Hyundai Card Advertising Campaign." Korean Journal of Communication & Information 102 (August 31, 2020): 45–70. http://dx.doi.org/10.46407/kjci.2020.08.102.45.

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16

Bazerman, Charles, Joseph Little, and Teri Chavkin. "The Production of Information for Genred Activity Spaces." Written Communication 20, no. 4 (October 2003): 455–77. http://dx.doi.org/10.1177/0741088303260375.

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17

Lemke, N., and R. M. C. de Almeida. "Diffusion on fractal phase spaces and entropy production." Physica A: Statistical Mechanics and its Applications 340, no. 1-3 (September 2004): 309–15. http://dx.doi.org/10.1016/j.physa.2004.04.021.

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18

Luo, Yiling, and Roger C. K. Chan. "Production of coworking spaces: Evidence from Shenzhen, China." Geoforum 110 (March 2020): 97–105. http://dx.doi.org/10.1016/j.geoforum.2020.01.008.

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19

Jones, Rhys Dafydd. "The makeshift and the contingent: Lefebvre and the production of precarious sacred space." Environment and Planning D: Society and Space 37, no. 1 (October 22, 2018): 177–94. http://dx.doi.org/10.1177/0263775818806513.

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Geographical engagement with religion has grown substantially of late, with many recent studies considering the ‘sacred beyond the officially sacred’. However, many sacred spaces are not used solely for devotion, and there is a need to understand the diversity of sacred spaces, including how they come to be used as such, and the experiences of worshipers using them. Drawing on Lefebvrian notions of diversion and appropriation, I argue that the concepts of contingent and makeshift sacred spaces bring more nuanced and complex understandings of the intertwining of sacrality and profanity in spatial formations. Discussion is grounded in the case study of Muslim worshippers’ sacred spaces in rural western Wales; their relatively small demographic profile means that there is a reliance on short-term arrangements in the absence of long-term, privately owned and controlled sacred spaces. Through precarious access to sacred spaces, local Muslims are reliant on local institutions’ hospitality, and there is little development in the region’s Islamic sacred spaces or claims to space in the region. I conclude by highlighting the significance of the contingent and makeshift to understand sacred spaces, and its place in everyday life.

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20

Ngulani, Thembelihle, and Charlie M. Shackleton. "Fuelwood Production and Carbon Sequestration in Public Urban Green Spaces in Bulawayo, Zimbabwe." Forests 13, no. 5 (May 10, 2022): 741. http://dx.doi.org/10.3390/f13050741.

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Trees in public urban green spaces provide a variety of ecosystem goods and services that are greatly appreciated by urban residents. A commonly used good, especially in Global South regions, is that of fuelwood for household energy needs. Yet the production potential of fuelwood from public urban green spaces has rarely been examined. This study quantifies the fuelwood production and allied carbon sequestration potential of 12 public urban green spaces in Bulawayo (Zimbabwe) stratified across neighborhoods of different housing densities. We estimated tree density in the green spaces by means of line transects, and annual production through estimates of the mean annual increment of a sample of marked trees. We found that Bulawayo’s public green spaces produce 1.9 t/ha/yr of fuelwood with a value of $340 to $490/ha/yr, and that production varied across spaces and housing density neighborhoods. This production is much lower than the documented demand but it is likely to be significant for fuelwood-dependent households. In contrast, the amount (1010 ± 160 kg/ha/yr) and value (US$4.04/ha/yr) of carbon sequestration were lower. Formal public green spaces produced more fuelwood as compared to informal green spaces and no difference was evident in tree growth rates between exotic and indigenous tree species. This is one of the first studies to show the value of the fuelwood production and carbon sequestration potential of public green spaces in the region and continent and requires that they are integrated into public urban green space policies, planning, and management in the city.

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21

Walsh, Lael E., Bethan R. Mead, Charlotte A. Hardman, Daniel Evans, Lingxuan Liu, Natalia Falagán, Sofia Kourmpetli, and Jess Davies. "Potential of urban green spaces for supporting horticultural production: a national scale analysis." Environmental Research Letters 17, no. 1 (January 1, 2022): 014052. http://dx.doi.org/10.1088/1748-9326/ac4730.

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Abstract As urban areas and land-use constraints grow, there is increasing interest in utilizing urban spaces for food production. Several studies have uncovered significant potential for urban growing to supplement production of fruit and vegetables, focusing on one or two cities as case studies, whilst others have assessed the global scale potential. Here, we provide a national-scale analysis of the horticultural production potential of urban green spaces, which is a relevant scale for agri-food and urban development policy making using Great Britain (GB) as a case study. Urban green spaces available for horticultural production across GB are identified and potential yields quantified based on three production options. The distribution of urban green spaces within 26 urban towns and cities across GB are then examined to understand the productive potential compared to their total extent and populations. Urban green spaces in GB, at their upper limit, have the capacity to support production that is 8× greater than current domestic production of fruit and vegetables. This amounts to 38% of current domestic production and imports combined, or >400% if exotic fruits and vegetables less suited to GB growing conditions are excluded. Most urban green spaces nationally are found to fall within a small number of categories, with private residential gardens and amenity spaces making up the majority of space. By examining towns and cities across GB in further detail, we find that the area of green space does not vary greatly between urban conurbations of different sizes, and all are found to have substantial potential to meet the dietary needs of the local urban population. This study highlights that national policies can be suitably developed to support urban agriculture and that making use of urban green spaces for food production could help to enhance the resilience of the national-scale food system to shocks in import pathways, or disruptions to domestic production and distribution.

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22

Moe, Merete. "Striated and Smooth Leadership Spaces." Qualitative Inquiry 25, no. 7 (November 22, 2018): 652–60. http://dx.doi.org/10.1177/1077800418806614.

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This article is experimenting with posthuman and new-material approaches to explore new concepts or maybe try to reconceptualize leadership. Thinking with Deleuze and Guattari’s immanent ontology and Barad’s agential realism, I wonder how diffractions and leadership productions in smooth and striated rooms affect and are affected by bodies, work environments, and events. Diffraction is a physical phenomenon concerning how the waves of water, electricity, and light move, overlap, and spread in ever changing directions when encountering obstructions. The research is based on thinking, talking, and wondering with glowing events after shadowing director Maria in the Early Childhood Education and Care (ECEC) center Dandelion. As an encountering thought, a glowing event is challenging our beliefs and basis for discussion on how leadership is both smoothing and striating the space, sometimes creating turning points. The event is glowing as an example of leadership production affecting relations and well-being.

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23

Weiss, Naomi. "Opening Spaces." Classical Antiquity 39, no. 2 (October 2020): 330–67. http://dx.doi.org/10.1525/ca.2020.39.2.330.

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This paper explores the construction of dramatic space in the prologues of classical Greek drama. Drawing from theater scholarship on the phenomenology of space, I show how tragedians and comedians alike experimented with how to shape their audience’s understanding of a play’s setting. I focus on opening scenes in plays by Sophocles and Aristophanes where a character sees with and for the audience, and demonstrate how these moments of staged spectatorship are not necessarily straightforward or seamless; they can facilitate the viewing of dramatic space but also, by laying it bare, reveal its complications. Sometimes there are multiple representational possibilities for physical space within and around the theater; sometimes physical and fictional space are to be seen simultaneously; sometimes the representational gap between physical and fictional space is kept open for a surprisingly long time. Such exposure of the process of theatrical representation, I argue, can draw the audience in as a co-participant in a drama’s production.

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24

Weiss, Naomi. "Opening Spaces." Classical Antiquity 39, no. 2 (October 2020): 330–67. http://dx.doi.org/10.1525/ca.2020.39.2.330.

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This paper explores the construction of dramatic space in the prologues of classical Greek drama. Drawing from theater scholarship on the phenomenology of space, I show how tragedians and comedians alike experimented with how to shape their audience’s understanding of a play’s setting. I focus on opening scenes in plays by Sophocles and Aristophanes where a character sees with and for the audience, and demonstrate how these moments of staged spectatorship are not necessarily straightforward or seamless; they can facilitate the viewing of dramatic space but also, by laying it bare, reveal its complications. Sometimes there are multiple representational possibilities for physical space within and around the theater; sometimes physical and fictional space are to be seen simultaneously; sometimes the representational gap between physical and fictional space is kept open for a surprisingly long time. Such exposure of the process of theatrical representation, I argue, can draw the audience in as a co-participant in a drama’s production.

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25

Byeon, Gongkyu, and Sunjin Yu. "Mobile AR Contents Production Technique for Long Distance Collaboration." Webology 19, no. 1 (January 20, 2022): 4491. http://dx.doi.org/10.14704/web/v19i1/web19296.

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This study proposes that mobile AR users with different physical spaces can use one collaboration coordinate by synchronizing each other's coordinates. When each user uses mobile AR remote contents from a distance, it is difficult to maintain the same working environment depending on their physical environment. In order for physical spaces to maintain the same working environment in different situations, the coordinates of the virtual object must be matched to the direction of each client. To solve this problem, this paper proposes a coordinate synchronization technology using a shared coordinate flag. Through this technique, the interaction of all subsequent objects can be performed based on the shared coordinate system of the local client. The user installs a coordinate synchronization flag on a map formed based on each physical space. Through this flag, the location of the virtual object may be synchronized based on each client to perform collaboration. To verify the proposed technology, the mobile AR remote technology was implemented as a painting contents application. Three users synchronized the coordinate system together on three Android mobile devices to verify the feasibility of the technology proposed in this paper.

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26

Allen, John, and Michael Pryke. "The Production of Service Space." Environment and Planning D: Society and Space 12, no. 4 (August 1994): 453–75. http://dx.doi.org/10.1068/d120453.

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In this paper we attempt to demonstrate the use and limitations of Henri Lefebvre's The Production of Space as an approach to questions of social space. The City of London provides the service space, as it were, through which Henri Lefebvre's ideas are examined and illustrated. The paper is divided into three parts. In the first section we set out the main ideas of Lefebvre on questions of social space, in particular the notions of representations of space, representational spaces and spatial practices, and how they have been taken up in the work of Harvey, Shields, and Soja. In the second section we use the example of the abstract space of finance to show how a particular dominant coding of space has been achieved through the routine spatial practices and global networks of those who work in the City's financial markets. In particular, the modes of power and the different sets of relationships through which a dominant financial space is secured are highlighted. In the third section we draw attention to the people who disappear within the financial spaces of the City, those who clean, cater within, and secure the abstract space of finance on a subcontract basis. Focusing upon the spatial practices of this contract work force, we show the manner in which they use the dominant space and their ability to subvert or contradict the dominant coding of finance. In short, the two work forces occupy the same place, yet live their everyday lives within different spaces.

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27

Nocco, Mallika A., Noah Weeth Feinstein, Melanie N. Stock, Bonnie M. McGill, and Christopher J. Kucharik. "Knowledge Co-Production with Agricultural Trade Associations." Water 12, no. 11 (November 18, 2020): 3236. http://dx.doi.org/10.3390/w12113236.

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Scientists and agricultural trade associations may further conservation outcomes by engaging with one another to uncover opportunities and engage in social learning via knowledge co-production. We observed, documented, and critically reviewed knowledge exchanges among scientists and agricultural stakeholders working on a multidecadal water conflict in Wisconsin. Differences in knowledge exchange and production were related to meeting spaces, organization, time management, and formality of interactions. We found that repetitive, semiformal meetings organized and led by growers facilitated knowledge exchange, co-production, and social learning. However, scientists often appeared uncomfortable in grower-controlled spaces. We suggest that this discomfort results from the widespread adoption of the deficit model of scientific literacy and objectivity as default paradigms, despite decades of research suggesting that scientists cannot view themselves as objective disseminators of knowledge. For example, we found that both scientists and growers produced knowledge for political advocacy but observed less transparency from scientists, who often claimed objectivity in politicized settings. We offer practical methods and recommendations for designing social learning processes as well as highlight the need to better prepare environmental and extension scientists for engaging in agribusiness spaces.

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28

Valler, Dave, Nicholas Phelps, Julie Miao, Paul Benneworth, and Franziska Eckardt. "Science Spaces as ‘Ethnoscapes’: Identity, Perception and the Production of Locality." Urban Science 3, no. 1 (January 29, 2019): 17. http://dx.doi.org/10.3390/urbansci3010017.

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Science and technology spaces around the world are, simultaneously, major physical, technological and symbolic forms, key elements of economic strategy, and sites of international labour movements and knowledge transfer. They are thus the product of multiple imaginations, with multiple, potentially divergent, objectives. In this paper, we compare three international science spaces as ‘ethnoscapes’, emphasising the distinctive perceptions, cultures and identities amongst international science and technology migrants and visitors at these sites. This, we contend, sharpens a sense of the ‘international-ness’ of science spaces in various dimensions, given the particular experiences of scientific migrants and visitors moving into different nations, locations and facilities, their roles in constructing international communities, and their navigation of alternative spaces. It also offers insight into the production of contextual (rather than spatial or physical) localities, as international scientists and technologists experience and constitute larger formations, building on their perceptions of varied and interacting science ’scapes.

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29

Bauriedl, Sybille, and Anke Strüver. "Platform Urbanism: Technocapitalist Production of Private and Public Spaces." Urban Planning 5, no. 4 (December 15, 2020): 267–76. http://dx.doi.org/10.17645/up.v5i4.3414.

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Digital technologies and services are increasingly used to meet a wide range of urban challenges. These developments bear the risk that the urban digital transformation will exacerbate already existing socio-spatial inequalities. Graham’s assumption from nearly 20 years ago (2002)—that European cities are characterised by various forms of socio-spatial segregation, which will not be overcome by digital infrastructures—thus needs to be seriously acknowledged. This contribution critically scrutinizes the dominant narratives and materializations of standardised smart urbanism in Europe. We investigate how the prospects of improved efficiency, availability, accessibility and quality of life through digital technologies and networks take the demands and effects of the gendered division of labour into account. By zooming in on platform urbanism and examples related to mobility and care infrastructures, we discuss whether and to what extent digital technologies and services address the everyday needs of all people and in the same way or whether there are exclusionary lines. Our objective is to bring digital and feminist geographies into dialogue, to stress the mutual construction of society and space by platform economies and to ask how gendered geographies in cities are produced through and by digitalisation.

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Mayell, Marcus R., Tim Perez, and Carl P. Giegold. "Spaces for recording and production in the streaming age." Journal of the Acoustical Society of America 150, no. 4 (October 2021): A75. http://dx.doi.org/10.1121/10.0007676.

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Kunwar, Ramesh Raj. "Tourism Education, Curriculum Spaces, Knowledge Production, and Disciplinary Pluralism." Gaze: Journal of Tourism and Hospitality 9 (April 30, 2018): 83–155. http://dx.doi.org/10.3126/gaze.v9i0.19724.

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In course of designing the courses, the present author in the phase of curriculum coordination, consulted various research papers and books based on the theoretical models of tourism and hospitality education. The review of those works not only have broadened the mind of curriculum designer but also has given knowledge education on various fields of tourism education. It is strongly believed that tourism education will become the backbone and impetus for making tourism as an institution and industry stronger. One of the most important aspects of studying tourism is disciplinarian approach. The sources of knowledge production are based on monodiscipline, multidiscipline, interdiscipline, transdiscipline, extradiscipline, postdiscipline, antidiscipline, metadiscipline and nomadology also coined as disciplinary pluralism or plurydisciplines that have created a disciplinary dilemma. The curriculum should be designed on the basis of praxis and phronesis (Aristotalian thought based on application and theory), Tourism Education Future Initiative’s ( TEFI ) model, John Tribe’s (1997) model ( TF1 and TF2) , Echtner’s (1995) three pronged approach, Mayaka and Akama’s (2007 & 2015) curriculum space model and Koh’s (1994) marketing approach and others. All the above mentioned theoretical models and approaches will help in thinking of and thinking for tourism and hospitality. Simultaneously, it will also help for knowing, seeing, doing and being in the field of education in relation with tourism, hospitality and events (THE). But in this study, only tourism education has been prioritized.Tourism academic world has debated and advocated regarding different approaches, concepts, models, theories and paradigms developed by different scholars of tourism and hospitality.The scientific and reliable arguments have been occurred in different timelines, centralized on tourism education, research, knowledge, phenomena, normative and existential knowledge, successful intelligence, learning, life-long learning, collaboration, professionalism competences, scholarship, disciplines, academic territory, academic tribe, field, forcefield, studies, knowledge production, philosophic practitioner, curriculum space, management, social sciences, disciplinary pluralism, liberal and vocational balance in the field of tourism and hospitality subjects that have become the force for understanding tourism education in a better way.The Gaze: Journal of Tourism and Hospitality Vol.9 2018 p.83-155

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Tinic, Serra. "Mediated Spaces: Cultural Geography and the Globalization of Production." Velvet Light Trap 62, no. 1 (2008): 74–75. http://dx.doi.org/10.1353/vlt.0.0018.

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Boano, Camillo. "‘Violent spaces’: production and reproduction of security and vulnerabilities." Journal of Architecture 16, no. 1 (February 2011): 37–55. http://dx.doi.org/10.1080/13602365.2011.547002.

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Moxley, Joseph. "Datagogies, Writing Spaces, and the Age of Peer Production." Computers and Composition 25, no. 2 (January 2008): 182–202. http://dx.doi.org/10.1016/j.compcom.2007.12.003.

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Yrigoy, Ismael. "The production of tourist spaces as a spatial fix." Tourism Geographies 16, no. 4 (May 16, 2014): 636–52. http://dx.doi.org/10.1080/14616688.2014.915876.

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Leonard, Dickens. "Spectacle spaces: Production of caste in recent Tamil films." South Asian Popular Culture 13, no. 2 (May 4, 2015): 155–73. http://dx.doi.org/10.1080/14746689.2015.1088499.

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Dong, Zhenhua, Jiquan Zhang, Alu Si, Zhijun Tong, and Li Na. "Multidimensional Analysis of the Spatiotemporal Variations in Ecological, Production and Living Spaces of Inner Mongolia and an Identification of Driving Forces." Sustainability 12, no. 19 (September 25, 2020): 7964. http://dx.doi.org/10.3390/su12197964.

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There is increasing focus on the difficult challenge of realizing coordinated development of production, living and ecological spaces within the regional development process. An ecological–production–living space evaluation index system was established in this study based on the concept of ecological, production and living spaces (EPLSs), the relationship between land use function and land use type and the national standard of land use classification. The aim of this study was to reveal the driving forces and patterns of variation in EPLSs in Inner Mongolia from 1990 to 2015. The results indicated that Inner Mongolia is mainly dominated by ecological space, followed by production space. Production and living spaces are mainly distributed to the south of the Greater Hinggan–Yinshan–Helan mountain ranges. Spatial changes in EPLSs were accelerated with prominent regional differences, with declining ecological area and increasing living and production spaces. Regional urbanization and industrialization were identified as the driving forces for change in EPLS in Inner Mongolia. It is hoped that the findings of this study can provide rational guidance for management of land use and coordinated development of EPLSs within Inner Mongolia.

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Bridge, Gavin. "Resource Triumphalism: Postindustrial Narratives of Primary Commodity Production." Environment and Planning A: Economy and Space 33, no. 12 (December 2001): 2149–73. http://dx.doi.org/10.1068/a33190.

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It is now commonplace to assert that the contemporary discursive landscape is strewn with an abundance of environmental narratives. Yet these stories about nature seldom speak of the material geographies that link practices of postindustrial consumption to often-distant spaces of commodity supply. A postscarcity narrative in which the availability of natural resources no longer poses a limiting factor on economic growth, therefore, characterizes the current period. In this paper I examine how these narratives of ‘resource triumphalism’ construct the nature of commodities and the places that supply them. Using a range of sources, I illustrate how extractive spaces are constructed through a discursive dialectic which simultaneously erases socioecological histories and reinscribes space in the image of the commodity. The paper advances the claim that, despite their apparent marginality in narratives of postindustrialism, primary commodity-supply zones play a key role within broader narratives about modernity and social life. I draw on Hetherington's reworking of the concept of heterotopia to argue that commodity-supply zones be considered contemporary ‘badlands’, marginal spaces in and through which broader processes of sociospatial ordering are worked out. By examining the geographical imaginaries associated with mineral extraction, I demonstrate how contemporary discourses of commodity-supply space facilitate the material practices through which such ordering occurs.

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Bank, Mads, and Morten Nissen. "Beyond spaces of counselling." Qualitative Social Work 17, no. 4 (January 25, 2017): 509–36. http://dx.doi.org/10.1177/1473325016680284.

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The article articulates experiments with spatial constructions in two Danish social work agencies, basing on (a) a sketchy genealogical reconstruction of conceptualisations and uses of space in social work and counselling, (b) a search for theoretical resources to articulate new spaces, and (c) data from a long-standing collaboration with the social workers working with youth and drugs. Beside a critical analysis of how disciplinary and pastoral spaces make it difficult to engage in helpful conversations with young drug users, we show how spaces of attunement, spaces of production, and public spaces are forms of spatialisations which might be taken as prototypical in attempts to develop social work and counselling.

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Visser, Vivian, Jitske van Popering-Verkerk, and Arwin van Buuren. "The Social Production of Invited Spaces: Toward an Understanding of the Invitational Character of Spaces for Citizens’ Initiatives." VOLUNTAS: International Journal of Voluntary and Nonprofit Organizations 32, no. 4 (January 19, 2021): 869–80. http://dx.doi.org/10.1007/s11266-020-00310-w.

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AbstractThe rise of citizens’ initiatives is changing the relation between governments and citizens. This paper contributes to the discussion of how governments can productively relate to these self-organizing citizens. The study analyzes the relation between the social production of invited spaces and the invitational character of such spaces, as perceived by governments and citizens. Invited spaces are the (institutional, legal, organizational, political and policy) spaces that are created by governments for citizens to take on initiatives to create public value. We characterize four types of invited spaces and compare four cases in Dutch planning to analyze how these types of invited spaces are perceived as invitational. From the analysis, we draw specific lessons for governments that want to stimulate citizens’ initiatives. We conclude with a general insight for public administration scholars; in addition to formal rules and structures, scholars should pay more attention to interactions, attitudes and meaning making of both government officials and citizens.

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Liberali, Fernanda, and Adolfo Tanzi Neto. "The production of social school democratic spaces for agency transformation." Calidoscópio 19, no. 4 (March 24, 2022): 436–50. http://dx.doi.org/10.4013/cld.2021.194.01.

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This article discusses the production of social school democratic spaces for teachers’ and students’ agency transformation in a Latin American globalized context – Brazil, through their participation in an engaged multiliteracy project (Digitmed Program/Brazil), where some social, political, economic, and cultural issues are at the basis. In this program, there are all types of social exclusion such as age, gender, class, race, hearing differences; oppressions lived by educators and students; children and teenagers who work on streets as opposed by others who have a very limited perception of the surrounding reality; students involved with drugs, both as users and as dealers, students who consider suicide as an option, and other similar dramatic circumstances. The project involves a critical-collaborative intervention research (Magalhães, 2011) with private and public (municipal and state) schools, focusing on a university-school-community partnership for the joint construction of a school democratic social space for agency transformation. In this project, the concept of agency offers us basis to investigate the development of individuals in the critical transformation process of their social realities through engaged multiliteracy. Keywords: democratic space production; agency; globalized context, critical collaboration; engaged multiliteracy.

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Ajeti, L., and M. Ajeti. "PRODUCTION WITH THREE BASIC MANIFOLDS IN SPACES WITH AFFINE CONNECTION." Advances in Mathematics: Scientific Journal 11, no. 6 (June 7, 2022): 539–53. http://dx.doi.org/10.37418/amsj.11.6.3.

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Let consider products in Reimannian and Weyl spaces with consideration that this scientific paper takes into account symmetric affine connections in space provided with 3 products with base manifolds that are studied. Results are gained with operator formed from the enlarged differiantable covariant. Appreciating the connection of enlarged differiantable covariant of fundamental tensors in Weyl’s space. Tensor is appreciated and considered.

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Wright, Richard, James D. Harnsberger, David B. Pisoni, Mario A. Svirsky, and Adam R. Kaiser. "Comparing perception and production vowel spaces of cochlear implant users." Journal of the Acoustical Society of America 109, no. 5 (May 2001): 2502. http://dx.doi.org/10.1121/1.4744915.

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Leyshon, Catherine, Michael Leyshon, and Jayne Jeffries. "The complex spaces of co-production, volunteering, ageing and care." Area 51, no. 3 (November 7, 2018): 433–42. http://dx.doi.org/10.1111/area.12504.

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Collins, Louise Sarsfield. "Subversive property: law and the production of spaces of belonging." Social & Cultural Geography 19, no. 2 (July 12, 2017): 296–97. http://dx.doi.org/10.1080/14649365.2017.1353225.

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Shumow, Moses. "Immigrant journalism, ideology and the production of transnational media spaces." Media, Culture & Society 34, no. 7 (September 28, 2012): 815–31. http://dx.doi.org/10.1177/0163443712452770.

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Frisvoll, Svein. "Power in the production of spaces transformed by rural tourism." Journal of Rural Studies 28, no. 4 (October 2012): 447–57. http://dx.doi.org/10.1016/j.jrurstud.2012.06.001.

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Ali Khan, M., and N. T. Peck. "On the interiors of production sets in infinite dimensional spaces." Journal of Mathematical Economics 18, no. 1 (January 1989): 29–39. http://dx.doi.org/10.1016/0304-4068(89)90003-7.

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Becuţ, Anda Georgiana, and Egil Petter Stræte. "Introduction Contemporary food practices. Spaces of food production and consumption." International Review of Social Research 7, no. 2 (November 27, 2017): 69–70. http://dx.doi.org/10.1515/irsr-2017-0008.

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Dutta, Mohan Jyoti. "Contested Narratives, Fragmented Spaces, and Subalternity." Qualitative Communication Research 2, no. 1 (2013): 1–41. http://dx.doi.org/10.1525/qcr.2013.2.1.1.

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As a Third World subject in U.S. academe, I became aware of my Third Worldliness in the very first semester of graduate coursework and was socialized into the position of being a silent observer of stories circulated about the Third World by first world people. As I looked for opportunities for questioning the dominant logic in communication scholarship that operated on the first-Third dichotomy, the traditional practices of literature reviews and graduate coursework into which I was socialized taught me that the discipline of communication is historically situated within the rubric of US-based systems of knowledge production, maintaining its West-centric hegemony through articulations of discursive configurations that construct and limit the possibilities for engaging with subaltern voices from the global South. Drawing from postcolonial and subaltern studies theories, I seek to perform scholarship in subalternity in this essay by engaging with the erasures, silences, and omissions propagated through the epistemological and ontological tools of US-based communication knowledge production systems.

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