Academic literature on the topic 'Space and time – Poetry'
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Journal articles on the topic "Space and time – Poetry"
Motornyy, О. "TIME AND SPACE IN IVAN WERNISCH’S POETRY." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 36 (2020): 198–209. http://dx.doi.org/10.17721/2075-437x.2020.36.16.
Full textArunlal, K., and C. Sunitha Srinivas. "All in the space of a poem: Spatial logics in poetry." Journal of European Studies 47, no. 3 (August 7, 2017): 249–58. http://dx.doi.org/10.1177/0047244117713159.
Full textKudryakova, Tatiana V. "Childhood time and literary space in the Gennadiy Aygi’s poetry." Neophilology, no. 23 (2020): 566–72. http://dx.doi.org/10.20310/2587-6953-2020-6-23-566-572.
Full textZwolska-Płusa, Katarzyna. "Sacrum’s time and space themes in Ludmiła Marjańska’s poetry." Irydion. Literatura - Teatr - Kultura 1 (2015): 55–66. http://dx.doi.org/10.16926/i.2015.01.04.
Full textStout, John C. "The Year in Poetry 2017: Mapping Time and Space." French Review 92, no. 1 (2018): 29–43. http://dx.doi.org/10.1353/tfr.2018.0103.
Full textLewisohn, Leonard. "Metaphysical Time in Rūmī’s Mathnawī: Sufi Terminology of Metaphysical Time." Mawlana Rumi Review 9, no. 1-2 (January 3, 2020): 19–51. http://dx.doi.org/10.1163/25898566-00901004.
Full textAvotiņa, Laura. "MYTHICAL TIME AND SPACE IN THE POETRY OF ULDIS BĒRZIŅŠ." Via Latgalica, no. 1 (December 31, 2008): 118. http://dx.doi.org/10.17770/latg2008.1.1602.
Full textMykhailova, Olena. "FLORISTIC SYMBOLICS OF LINA KOSTENKO POETRY." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 29 (2021): 21–23. http://dx.doi.org/10.17721/1728-2659.2021.29.5.
Full textMasing-Delic, Irene, Sonia Ketchian, Anna Akhmatova, Elisabeth von Erdmann-Pandzic, and Anna A. Achmatova. "The Poetry of Anna Akhmatova: A Conquest of Time and Space." Russian Review 48, no. 2 (April 1989): 220. http://dx.doi.org/10.2307/130354.
Full textHricková, Mária, and Simona Klimková. "The verbalization of grief in David Grossman’s Falling Out of Time." Ars Aeterna 11, no. 2 (December 1, 2019): 41–54. http://dx.doi.org/10.2478/aa-2019-0009.
Full textDissertations / Theses on the topic "Space and time – Poetry"
Wan, Yu-pui, and 溫羽貝. "Time and space in Zheng Chouyu's Poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B3963405X.
Full textWright, Derand Errol. "The Kitchen of Tomorrow and Other Space-Time Anomalies." OpenSIUC, 2012. https://opensiuc.lib.siu.edu/theses/807.
Full textMiner, Lauren A. "Surrender to the Spinning: poems." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3813.
Full textGorton, Lisa. "Donne's cosmos : some aspects of his images of space and time." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310354.
Full textWan, Yu-pui. "Time and space in Zheng Chouyu's poetry Zheng Chouyu shi de shi jian yu kong jian /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B3963405X.
Full textRezende, Jussara Neves. "A simbolização nas imagens poéticas de Cecília Meireles e Sophia de Mello Breyner Andresen: tempo e espaço." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-22082007-141356/.
Full textIn a same age marked by philosophical reflections about the time and their relations with the space, Cecília Meireles and Sofia de Mello Breyner Andresen handed over to the world their first poetic pieces of writing, in which they reveal that those same reflections is not far from poetry. The other way round, in a space-time characterized by the transiency of things, the poetry shows itself as a way of balance in the middle of the passage, avoiding the total being\'s dispersion. This being the case, our analysis tries to focus the forms that space and time take on the poetry of both writers, investigating the possibility of those \"chronotopos\" be useful to the revelation of the human experience in the time and the space.
Cintra, Sonia Maria de Araujo. "Relações espaciotemporais na obra poética de Cesário Verde: fragmentação e busca de totalidade." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-23112009-145427/.
Full textFrom the analysis of the space-time relations en the poem O Sentimento dum Ocidental we want to demonstrate that the poetic work of Cesário Verde is constructed by an incessant process of fragmentation and search for totality. Its cohesion shows, in a synthetic way, a world view and it constitutes a summary of the cesarian problematic, considering not only the poems of this phase or specific cycle, but the whole of his poetry. These two functions, cohesion and problematic, reveal the prevalence of the poetic unity of Cesário, despite its apparent thematic diversity and originality of style which presents some impressionist traces. Taking into consideration the differences of context, the process above mentioned reflects the crisis we live nowadays. Even though the contemporary crisis shows itself in a different manner, we can perceive some of its roots already expressed in Cesários verses, what admits an approaching between Literature and Geography
Bertges, Lívia Ribeiro. "Jogo e poesia visual : a dinâmica dos naipes na obra OLHLO2 de Knorr." Universidade Federal de Mato Grosso, 2015. http://ri.ufmt.br/handle/1/213.
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CAPES
A poesia visual coloca a visão como âmago do processo criativo, deslocando-se no tempo como um método voltado à forma estética da palavra. Afastada da simples ideia de lidar somente com a imagem, a poesia visual abarca características plásticas envolvendo o verbal e não verbal. A poesia ligada à visualidade irrompe o século XX e percorre o século XXI, em que a presença dos computadores impulsiona a experimentar novas modalidades. Nesse contexto, esta dissertação visa analisar, sob diferentes perspectivas semiológicas, a obra literária OLHLO2: Poesia Visual (2007), do poeta contemporâneo Luiz Augusto Knop de Mendonça – KNORR, a qual chama a atenção pelas rupturas estruturais do livro/jogo. Este se constitui de uma caixa pequena, em que a abertura lateral mostra cinquenta e quatro lâminas, cada qual com um poema independente. No verso das lâminas, legendas aparecem com o título, ano de produção e dizer explicativo. Apesar de uma demarcação temporal de execução, o marco principal do livro/jogo é uma desordem sequencial das lâminas poéticas. Pretende-se neste trabalho mostrar como a sintaxe tempo e espaço norteiam as escolhas pictóricas dos poemas selecionados, enquanto naipes do jogo de Knorr (2007). Assim, busca-se compreender como na obra o tempo está ligado ao aspecto não linear da língua caro ao jogo poético inerente à literatura. Do mesmo modo, objetiva-se entender como a noção de espaço, a partir da espacialidade da linguagem e do não verbal, implementa uma maneira de enxergar variados sentidos da experiência de estar no mundo e significar(-se). Bem como entender o curinga, como aquele que perpassa as noções de tempo e espaço. Vê-se o curinga como um conjunto de cartas que privilegia o uso das ambiguidades e a concomitâncias de sentidos interpretativos. Para realização de tais análises, serão escolhidas quarenta e oito poemas que, ao tematizarem sobre tempo, espaço e curinga revelam suas significações como jogo poético-visual.
Visual poetry puts vision at the core of the creative process, running through time as a method concerning the aesthetical shape of the word.Far from the oversimplifying idea of dealing only with image, visual poetry embraces features of the visual arts which connect the verbal and the non verbal. Poetry characterized by visual aspects bursts into the 20th century and goes through the 21st century, in which the presence of computers motivates experiences with new modalities. In this context, the present work aims at analyzing, under distinct semiological perspectives, the literary work "OLHLO2: Poesia Visual" (2007), by the contemporary poet Luiz Augusto Knop de Mendonça - KNORR, which captures attention due to the structural break within the book/game. OLHLO2 consists in a small box, where the side opening shows 54 cards, each of which contains a poem that is independent from the others. At the back of the cards, subtitles appear along with the title, year of production and a brief explanation. Despite of a temporal demarcation of execution, the main landmark of the book/game is the sequential disorder of the poetical cards, each card containing one single poem. This work intends to show how the syntax of time and space guide the pictorial choices of the selected poems as suits of the game by Knorr (2007). In this sense, the goal is to understand how, in OLHO2, time is connected to the nonlinear aspect of the language, so important to the poetical play inherent to literature. Similarly, the purpose is also to understand how the notion of space, through the spatiality of the verbal and of the non verbal, implements a way of seeing multiple meanings of the experience of being in the world and to betake oneself. Understanding the wild cards as those which run through the notions of time and space is also a goal. The wild cards are seen as the ensemble of cards that evidence the ambiguities and the concomitance of different interpretative meanings. The analysis is made through the choice of forty-eight poems that, by bringing about the themes of time, space and of wild cards, reveal their multiple meanings as a visualpoetic game.
Carneiro, Euripedes Leoncio. "DRUMMOND: O POETA QUE ESPIA EXPIANDO." Pontifícia Universidade Católica de Goiás, 2014. http://localhost:8080/tede/handle/tede/3198.
Full textCarlos Drummond de Andrade s poetic work prompts the theme of spyexpiating (espia-expiando, in the Portuguese original), a demonstration of poetic truth in and of itself, through a dialectic-aesthetic prism, with deductive method and reflections, amassing the metaphysical, philosophical and poetical processes wherein the very author is both theme and object, and his work is a true Drummondian anthropology. The main goal of this paper is an attempt at demonstrating that the poet s lyrical self is in an expiatory state, in suffering for having spied, contemplated the outside world, living in a state of unrest in time and space, which allows for the relief of this state of disenchantment, the return poetic memorialism to the beginning, Itabira, which has been remembered, since the first poem in 1930 published in the book Alguma Poesia (Some Poetry, in literal translation) , as a lovely place, metaphorically preserved, thus behaving as the prodigal son of Brazilian poetry. The contact with Drummondian poetry surprises and captivates those who seek it, not only for the aesthetic pleasure, but also for the acute reflection which takes readers and makes them participants in this existential drama, to free them through poetry so they can bask in transcendence, in metaphors. The object is the word embodied in the poem, the saving Word. This research is based on the reflections of thinkers and literary critics such as Michel Foucault, Octavio Paz, Gaston Bachelard, Gilberto Mendonça Teles, Affonso Romano de Sant Anna, among others. The focus on the struggle of the imprisoned soul, impotent before the reality that threatens it, but which reveals itself in the poem, making the latter a freeing, solidary weapon, enabling withdrawal into the sources of emotion, which is larger than the stage of suffering; into the magic, the charm of art and language, as the all-saving, purifying water that flows from the lyrical self. All of this is ultimately combined into the charisma of the poet.
O texto poético de Carlos Drummond de Andrade é revelador do tema espiaexpiando, demonstração da verdade poética por si mesma, num prisma dialéticoesteticista, com um método e reflexões dedutivas ao consubstanciar os procedimentos metafísicos, filosóficos, poéticos, nos quais o próprio autor é tema e objeto, e a sua obra, uma verdadeira antropologia drummoniana. O objetivo principal, neste trabalho é a tentativa de demonstrar que o eu lírico do poeta encontra-se em estado de expiação, sofrimento, por ter espiado, olhado o mundo exterior, vivendo um estado de desassossego, no tempo e no espaço, o que possibilitará como alívio desse estado de desencanto, o retorno - memorialismo poético ao ponto de partida, Itabira que desde o primeiro poema, publicado em 1930, no livro Alguma Poesia é retomada na lembrança como fonte de amabilidade preservada metaforicamente, comportando assim, como o filho pródigo da poesia brasileira. O contato com o texto poético drummondiano surpreende e prende quem o busca, não somente pelo prazer estético, mas pela aguda reflexão que toma o leitor e o faz partícipe desse drama existencial a se libertar na poesia, se alimentar da transcendência, das metáforas. O objeto é a palavra corporificada no poema, como verbo salvador. Toma-se como suporte para esta pesquisa, as reflexões de pensadores e críticos literários como Michel Foucault, Octavio Paz, Gaston Bachelard, Gilberto Mendonça Teles, Affonso Romano de Sant Anna, entre outros. Enfocar o embate da alma prisioneira, impotente diante da realidade que a ameaça, mas que se revela no poema, transformando-o em arma libertária, solidária, possibilitando o recolher-se para as fontes da emoção, que é maior que o estágio de sofrimento, para a magia, encantamento da arte e da linguagem que salva como água purificadora vinda do eu lírico, da transcendência metafórica para outra realidade povoada pelo reino das palavras que passa a ser o carisma do poeta.
Dias, Márcio Roberto Soares. "Os espaços móveis da memória na poesia de Carlos Drummond de Andrade." Programa de Pós-Graduação em Letras e Linguística da UFBA, 2009. http://www.repositorio.ufba.br/ri/handle/ri/10735.
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Esta tese orienta-se por uma leitura da lírica drummondiana, através da qual sobressai a análise da relação afetivo cognitiva que o poeta estabelece com elementos (pessoas, espaços, instituições...) perdidos na nebulosa do tempo, evidenciando-se, sobretudo, a mediação da dimensão temporal como recurso dinamizador da relação poesia/espaço. No atrito com o tempo corrosivo, o poeta dedica-se a registrar as conquistas e as perdas da maturidade, enriquecendo sua obra com a expressão das tensões vividas pelo homem que, lúcido, caminha para a dissipação. Por um lado, essa inscrição da existência na série cronológica faz nascer a noção de que a temporalidade é, em si, cega e irreversível, visto a seqüência dos tempos não garantir um traçado evolucionista do inferior para o superior. Por outro lado, a maturidade sobrevinda faculta-lhe um gesto de resistência: o seu deslocamento em direção aos antepassados para compreender a conformação de sua consciência permite-lhe restabelecer laços afetivos, e, nesse processo, recriar lingüisticamente o seu passado. Uma parcela considerável de sua poesia memorialística traz um tom profundamente marcado pela dúvida, pela inquietude, pelo sentimento de culpa. Esse período de autoanálise mais dura faz sua poesia resvalar na mitificação da família e da Minas Gerais de sua infância, o que acaba por lançar sobre si próprio certa suspeição, marcada principalmente pelo motivo do desajuste familiar. A partir de Lição de coisas, já aos 60 anos de idade, e principalmente com Boitempo, observa-se na poesia de Drummond uma disposição biográfica sem a pungência ou a acrimônia que se percebem em outros versos nos quais o poeta trata de si mesmo ao longo de sua obra.
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Books on the topic "Space and time – Poetry"
Budget travel through space and time. Saint Paul, Minn: Graywolf Press, 2005.
Find full textOptimum use of space: Time spent in Alaska. Anchorage, Alaska: Publication Consultants, 1998.
Find full textJiménez, Juan Ramón. Time ; & Space: A poetic autobiography. New York: Paragon House Publishers, 1988.
Find full textM, Jolas, ed. The poetics of space. Boston: Beacon Press, 1994.
Find full textExplorations: Sacred places and inner spaces poems. McKinleyville, Calif: Fithian Press, 2010.
Find full textJoyce, Elisabeth W. "The small space of a pause": Susan Howe's poetry and the spaces between. Lewisburg [Pa.]: Bucknell University Press, 2010.
Find full text"The small space of a pause": Susan Howe's poetry and the spaces between. Lewisburg [Pa.]: Bucknell University Press, 2010.
Find full textThe poetry of Anna Akhmatova: A conquest of time and space. München: O. Sagner, 1986.
Find full textKetchian, Sonia I. The Poetry of Anna Akhmatova: A Conquest of Time and Space. Bern: Peter Lang International Academic Publishers, 1986.
Find full textMy soul sings: Poetry in spare time. Baltimore, MD: Gateway Press, 1999.
Find full textBook chapters on the topic "Space and time – Poetry"
Yeh, Michelle. "Inventing China: The American Tradition of Translating Chinese Poetry." In Reading the Past Across Space and Time, 285–95. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-55885-5_15.
Full textYeh, Mo-Li, Ming-shean Wang, and Pey-Chwen Lin. "Applying the Time and Space Forms of Poetry to Creative Design." In Cross-Cultural Design, 798–807. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07308-8_76.
Full textGray, Rosemary. "Ontopoiesis in Ben Okri’s Poetic Oeuvre and A Time for New Dreams (2011)." In Phenomenology of Space and Time, 49–57. Cham: Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-02015-0_5.
Full textSepsi, Enikő. "Emptiness, space, and time in Valère Novarina's theater." In Poetic Images, Presence, and the Theater of Kenotic Rituals, 133–42. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003163930-13.
Full textFlach, Sabine. "Moving is in Every Direction." In Bewegungsszenarien der Moderne, 165–76. Heidelberg, Germany: Universitätsverlag WINTER, 2021. http://dx.doi.org/10.33675/2021-82537264-10.
Full textGasperini, Maurizio. "Space, Time, and Space–Time." In Gravity, Strings and Particles, 49–60. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-00599-7_4.
Full textFaye, Jan. "Space, Time, and Space-Time." In Experience and Beyond, 245–77. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31077-0_8.
Full textČapek, Milič. "Time-Space Rather Than Space-Time." In The New Aspects of Time, 324–43. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-009-2123-8_17.
Full textAllday, Jonathan. "Space-time." In Space-time, 85–109. Boca Raton, FL : CRC Press, Taylor & Francis Group, [2019] |: CRC Press, 2019. http://dx.doi.org/10.1201/9781315165141-5.
Full textSoffel, Michael, and Ralf Langhans. "Space–Time." In Space-Time Reference Systems, 49–60. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-30226-8_3.
Full textConference papers on the topic "Space and time – Poetry"
Li, Yeping. "An Analysis of Translation Strategies for Space-Time Compressed Images in Tang Poetry." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.266.
Full textUlfah, Triana, Andayani Andayani, and Sumarwati Sumarwati. "Innovation of Learning to Write Poetry through Time-Lapse Video Media." In Proceedings of the 1st Seminar and Workshop on Research Design, for Education, Social Science, Arts, and Humanities, SEWORD FRESSH 2019, April 27 2019, Surakarta, Central Java, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.27-4-2019.2286929.
Full textTrishina, S. "The life of modern Russian poetry and literature – a look from the inside out." In Russian cultural space: language – mentality – understanding. XX International scientific and practical conference. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1449.rcs_xx-2019/193-195.
Full textRamachandran, Umakishore, Rishiyur S. Nikhil, Nissim Harel, James M. Rehg, and Kathleen Knobe. "Space-time memory." In the seventh ACM SIGPLAN symposium. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/301104.301121.
Full textMosco, Umberto. "Space, time, similarity." In 8th Congress of Romanian Mathematicians. WORLD SCIENTIFIC, 2016. http://dx.doi.org/10.1142/9789813142862_0019.
Full textChen, Gong, Wen-chong Xie, and Yong-liang Wang. "Space-Time Adaptive Monopulse based on Space-Time Uniform Constraint." In 2014 IEEE International Conference on Signal Processing, Communications and Computing (ICSPCC). IEEE, 2014. http://dx.doi.org/10.1109/icspcc.2014.6986185.
Full textPeuquet, D. J. "Making space for time: issues in space-time data representation." In Proceedings. Tenth International Workshop on Database and Expert Systems Applications. DEXA 99. IEEE, 1999. http://dx.doi.org/10.1109/dexa.1999.795200.
Full textShlivinski, A., and Y. Hadad. "Space, Time and Space-Time Discontinuities in Transmission Lines: Review." In 2019 International Conference on Electromagnetics in Advanced Applications (ICEAA). IEEE, 2019. http://dx.doi.org/10.1109/iceaa.2019.8879152.
Full textDi Wu, Daiyin Zhu, and Zhaoda Zhu. "A Time-Varying Space-Time Autoregressive filtering algorithm for space-time adaptive processing." In 2011 IEEE CIE International Conference on Radar (Radar). IEEE, 2011. http://dx.doi.org/10.1109/cie-radar.2011.6159749.
Full textSohaib, Rana Muhammad, and Aamir Habib. "Space Time/Space Frequency&Space Time Frequency Block Coding for GFDM MISO System." In 2019 2nd International Conference on Computing, Mathematics and Engineering Technologies (iCoMET). IEEE, 2019. http://dx.doi.org/10.1109/icomet.2019.8673409.
Full textReports on the topic "Space and time – Poetry"
Talbot, Pierre J. Photonics Space Time Processing. Fort Belvoir, VA: Defense Technical Information Center, April 1997. http://dx.doi.org/10.21236/ada325865.
Full textRockwell, Donald. Space-Time Imaging Systems. Fort Belvoir, VA: Defense Technical Information Center, February 2009. http://dx.doi.org/10.21236/ada584973.
Full textSouder, Jeffrey K. Space, Time and Force: Relationships in Cyber Space. Fort Belvoir, VA: Defense Technical Information Center, February 2001. http://dx.doi.org/10.21236/ada389919.
Full textAnderson, Eric, Sergio Rebelo, and Arlene Wong. Markups Across Space and Time. Cambridge, MA: National Bureau of Economic Research, March 2018. http://dx.doi.org/10.3386/w24434.
Full textSundgren, Bo. Communicating in time and space. Inter-university Consortium for Political and Social Research (ICPSR), 2011. http://dx.doi.org/10.3886/ddiothertopics03.
Full textFrancis, Neville, Michael T. Owyang, and Daniel Soques. Business Cycles Across Space and Time. Federal Reserve Bank of St. Louis, 2019. http://dx.doi.org/10.20955/wp.2019.010.
Full textAlvaro, Peter, William R. Marczak, Neil Conway, Joseph M. Hellerstein, David Maier, and Russell C. Sears. Dedalus: Datalog in Time and Space. Fort Belvoir, VA: Defense Technical Information Center, December 2009. http://dx.doi.org/10.21236/ada538767.
Full textChew, G. F. Space and time from quantum mechanics. Office of Scientific and Technical Information (OSTI), September 1992. http://dx.doi.org/10.2172/10163929.
Full textChew, G. F. Space and time from quantum mechanics. Office of Scientific and Technical Information (OSTI), September 1992. http://dx.doi.org/10.2172/6077034.
Full textCarey, William M., and William B. Moseley. Space Time Processing, Environmental-Acoustic Effects. Fort Belvoir, VA: Defense Technical Information Center, August 1987. http://dx.doi.org/10.21236/ada190764.
Full text