Journal articles on the topic 'Soviet Union – Drama'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Soviet Union – Drama.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
Yeremenko, Evgenii Dmitrievich, and Zoya Vyacheslavovna Proshkova. "Редакторская практика в киносотрудничестве Советского Союза и Японии." Vestnik of Saint Petersburg State University of Culture, no. 4 (53) (December 2022): 18–23. http://dx.doi.org/10.30725/2619-0303-2022-4-18-23.
Full textMastny, Vojtech. "The Soviet Union's Partnership with India." Journal of Cold War Studies 12, no. 3 (July 2010): 50–90. http://dx.doi.org/10.1162/jcws_a_00006.
Full textNicholson, Steve. "Censoring Revolution: the Lord Chamberlain and the Soviet Union." New Theatre Quarterly 8, no. 32 (November 1992): 305–12. http://dx.doi.org/10.1017/s0266464x00007089.
Full textWeygandt, Susanna. "The Structure of Plasticity: Resistance and Accommodation in Russian New Drama." TDR/The Drama Review 60, no. 1 (March 2016): 116–31. http://dx.doi.org/10.1162/dram_a_00527.
Full textPajala, Mari. "‘Long live the friendship between the Soviet Union and Finland!’ Irony, nostalgia, and melodrama in Finnish historical television drama and documentary series." European Journal of Cultural Studies 20, no. 3 (January 16, 2017): 271–84. http://dx.doi.org/10.1177/1367549416682244.
Full textVollgraff, Matthew. "The Reflex Republic: Physiologies of Art in the Early Soviet Union." October, no. 188 (2024): 149–74. http://dx.doi.org/10.1162/octo_a_00519.
Full textGudkov, Maxim M. "“People of an Uncertain Existence”: The First Soviet Productions of William Saroyan’s Play My Heart’s in the Highlands." Literature of the Americas, no. 9 (2020): 208–35. http://dx.doi.org/10.22455/2541-7894-2020-9-208-235.
Full textNicholson, Steve. "Responses to Revolution: the Soviet Union Portrayed in the British Theatre, 1917–29." New Theatre Quarterly 8, no. 29 (February 1992): 62–69. http://dx.doi.org/10.1017/s0266464x00006321.
Full textVdovina, Elena A. "Nikolai Volkonsky – the director of radio drama." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, no. 4 (2022): 105–18. http://dx.doi.org/10.35852/2588-0144-2022-4-105-118.
Full textSchelchkov, Andrey. "1973 — the dramatic collapse of the Chilean revolution. Viewed by the materials of the archive of the Central Committee of the CPSU." Latinskaia Amerika, no. 9 (2023): 29. http://dx.doi.org/10.31857/s0044748x0027279-5.
Full textKaidi, Wang. "CULTURAL CONTACTS BETWEEN RUSSIA AND CHINA IN THE FIELD OF MUSIC AND DRAMA THEATER (50s of the XXth century)." Arts education and science 1, no. 2 (2021): 99–106. http://dx.doi.org/10.36871/hon.202102012.
Full textLyubinin, Aleksandr В. "POST-SOVIET DRAMA OF INTERNATIONAL RELATIONS (IN CONNECTION WITH THE 99TH ANNIVERSARY OF THE FORMATION OF THE USSR AND THE 30TH ANNIVERSARY OF ITS ABOLISHMENT)." Russian Economic Journal, no. 5 (November 25, 2021): 62–75. http://dx.doi.org/10.33983/0130-9757-2021-5-62-75.
Full textPettifer, James. "Dimitri Obolensky after the Cold War: Reflections on Saint Vladimir and Orthodoxy." Vestnik of Saint Petersburg University. History 65, no. 4 (2020): 1231–44. http://dx.doi.org/10.21638/11701/spbu02.2020.413.
Full textMalaiko, Serhii. "MANIPULATION OF TRANSLATOR: UNCONSCIOUS TRANSLATION CENSORSHIP OF IDEOLOGICAL PHENOMENA (ON THE BASIS OF ENGLISH TRANSLATIONS OF VALERIAN PIDMOHYLNYI’S NOVELS)." Inozenma Philologia, no. 135 (December 15, 2022): 89–99. http://dx.doi.org/10.30970/fpl.2022.135.3809.
Full textHuttenbach, Henry R. "In Memoriam: Donald W. Treadgold (1922–1994): Teacher, Scholar, Humanist." Nationalities Papers 23, no. 2 (June 1995): 259–60. http://dx.doi.org/10.1080/00905999508408376.
Full textVaughan, Patrick. "“AMERIKA”: The Story Behind the American Television Series that Once Divided a Nation." Zeszyty Prasoznawcze 64, no. 4 (248) (2021): 105–16. http://dx.doi.org/10.4467/22996362pz.21.023.14291.
Full textSporton, Gregory. "The Ballet Called ‘Siegfried’: the Enigmatic Prince of Swan Lake." New Theatre Quarterly 24, no. 3 (August 2008): 281–93. http://dx.doi.org/10.1017/s0266464x0800033x.
Full textBarris, Roann. "Exhibiting Russia." Experiment 23, no. 1 (October 11, 2017): 142–57. http://dx.doi.org/10.1163/2211730x-12341307.
Full textIvantsov, Igor' G. "Re-registration of the members of the All-Union Communist Party of Bolsheviks (VKP(b)) as a form of checking their loyalty to the Soviet power on the examples of the Krasnodar region. 1943-1944." Herald of an archivist, no. 2 (2024): 620–30. http://dx.doi.org/10.28995/2073-0101-2024-2-620-630.
Full textHenderson, Jane. "Making a Drama out of a Crisis: The Russian Constitutional Court and the Case of the Communist Party of the Soviet Union." King's Law Journal 19, no. 3 (January 2008): 489–506. http://dx.doi.org/10.1080/09615768.2008.11427704.
Full textKotin, Igor Yu, Nina G. Krasnodembskaya, and Elena S. Soboleva. "India of 1920s as Seen by Soviet Playwright, Consulting Indologists, Theater Critics." RUDN Journal of Russian History 20, no. 1 (December 15, 2021): 125–44. http://dx.doi.org/10.22363/2312-8674-2021-20-1-125-144.
Full textDiamond, Catherine. "The Pandora's Box of ‘Doi Moi’: the Open-Door Policy and Contemporary Theatre in Vietnam." New Theatre Quarterly 13, no. 52 (November 1997): 372–85. http://dx.doi.org/10.1017/s0266464x00011532.
Full textUlberte, Līga. "THE UNKNOWN HISTORY : BERNHARD REICH ’ S MANUSCRIPT ABOUT VALMIERA THEATRE." Culture Crossroads 19 (October 11, 2022): 68–77. http://dx.doi.org/10.55877/cc.vol19.41.
Full textHakman, Serghei. "Măsurile pregătitoare politico-diplomatice și militar-propagandistice ale U.R.S.S. pentru anexarea Basarabiei și a nordului Bucovinei (II)." Analele Bucovinei 58, no. 1 (September 1, 2022): 117–24. http://dx.doi.org/10.56308/ab.2022.1.08.
Full textPorshnev, Ivan D. "The General Intonation in the Performance of “Boris Godunov” of Vsevolod Meyerhold — Sergei Prokofiev." ICONI, no. 2 (2019): 36–48. http://dx.doi.org/10.33779/2658-4824.2019.2.036-048.
Full textPietrych, Piotr. "Wat w Polsce powojennej. Tezy." Colloquia Litteraria 12, no. 1 (November 18, 2012): 35. http://dx.doi.org/10.21697/cl.2012.1.3.
Full textKostrykina, N. V. "CREATIVITY OF THE KRASNOYARSK DOCUMENTARY FILMMAKER I. ZAITSEVA AS A PHENOMENON OF REGIONAL AND NATIONAL CULTURE." Northern Archives and Expeditions 5, no. 2 (June 30, 2021): 103–12. http://dx.doi.org/10.31806/2542-1158-2021-5-2-103-112.
Full textBudnyk, A., Yu Marchenko, and M. Selivatchov. "Kharkiv Art School in the History of One Family’ Three Generations." Vìsnik Harkìvsʹkoi deržavnoi akademìi dizajnu ì mistectv 2021, no. 02 (October 2021): 107–22. http://dx.doi.org/10.33625/visnik2021.02.107.
Full textKirillova, Natalia B. "Screen Metamorphoses of Ivan Pyryev." Journal of Flm Arts and Film Studies 10, no. 2 (June 15, 2018): 38–48. http://dx.doi.org/10.17816/vgik10238-48.
Full textLēvalde, Vēsma. "Atskaņotājmākslas attīstība Liepājā un Otrā pasaules kara ietekme uz mūziķu likteņiem." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/1 (March 1, 2021): 338–51. http://dx.doi.org/10.37384/aplkp.2021.26-1.338.
Full textAnisimov, Alexander V. "The New Theatrical Buildings of Moscow in XXI Century (on the Hidden Theatres)." Scientific journal “ACADEMIA. ARCHITECTURE AND CONSTRUCTION”, no. 3 (September 27, 2018): 55–65. http://dx.doi.org/10.22337/2077-9038-2018-3-55-65.
Full textHoyer, Dirk. "The Mortgaged Miracle Social Stratification in Contemporary Estonian Cinema." Baltic Screen Media Review 10, no. 1 (April 1, 2022): 180–92. http://dx.doi.org/10.2478/bsmr-2022-0012.
Full textPerucci, Tony. "The Red Mask of Sanity: Paul Robeson, HUAC, and the Sound of Cold War Performance." TDR/The Drama Review 53, no. 4 (November 2009): 18–48. http://dx.doi.org/10.1162/dram.2009.53.4.18.
Full textLerman, Zafra Margolin. "Education, Human Rights, and Peace – Contributions to the Progress of Humanity." Pure and Applied Chemistry 91, no. 2 (February 25, 2019): 351–60. http://dx.doi.org/10.1515/pac-2018-0712.
Full textYurganov, Andrei L'. "On the original version of the play "Fear" by Stalinist playwright Alexander Afinogenov. 1930s." Herald of an archivist, no. 2 (2024): 480–94. http://dx.doi.org/10.28995/2073-0101-2024-2-480-494.
Full textGerman, Dmitry A., and Ihsan Ali Al-Shehbaz. "Typification of miscellaneous Brassicaceae (Cruciferae) from Central and Middle Asia." Phytotaxa 221, no. 1 (July 28, 2015): 57. http://dx.doi.org/10.11646/phytotaxa.221.1.5.
Full textShchukina, Yu P. "Features of Volodymyr Morskoy’s theatrе criticism (1920–1940 years)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (October 3, 2018): 70–83. http://dx.doi.org/10.34064/khnum1-51.03.
Full textHösle, Vittorio. "On Some Specific Traits of Russian Culture." Zeitschrift für Medien- und Kulturforschung 8, no. 1 (2017): 61–78. http://dx.doi.org/10.28937/1000107622.
Full textHeinrich, Carola. "Humor and Memory." East Central Europe 43, no. 3 (December 3, 2016): 257–77. http://dx.doi.org/10.1163/18763308-04303001.
Full textBorkowska, Emilia. "„Russkij malczik” – bohater współczesnej literatury rosyjskiej." Adeptus, no. 2 (December 15, 2013): 44–52. http://dx.doi.org/10.11649/a.2013.011.
Full textLunacharsky, Anatoly. "‘The Last Great Bourgeois’: on the Plays of Henrik Ibsen." New Theatre Quarterly 10, no. 39 (August 1994): 223–41. http://dx.doi.org/10.1017/s0266464x00000531.
Full textBorbuchalova, Baktygul. "KYRGYZ SATIRE: ISSUES OF ORIGIN, TYPE, GENRE." Alatoo Academic Studies 23, no. 3 (September 30, 2023): 225–35. http://dx.doi.org/10.17015/aas.2023.233.24.
Full textÖsterberg, Ira. "Musiikki ja kerronnan tasot Kirill Serebrennikovin elokuvassa Kesä." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 32, no. 2 (July 1, 2019): 8–26. http://dx.doi.org/10.23994/lk.83447.
Full textJo, Sunggu. "Soft Power in Northeast Asia, Using AI in Information Warfare." J-INSTITUTE 8 (August 31, 2023): 23–36. http://dx.doi.org/10.22471/ai.2023.8.23.
Full textIvanova, Yuliia. "Children’s choir in MarkKarminskyi’s creativity." Aspects of Historical Musicology 19, no. 19 (February 7, 2020): 29–43. http://dx.doi.org/10.34064/khnum2-19.02.
Full textKim, Alexander, Mariia Surzhik, and Aleksei Mamychev. "To the Question of Economic and Material Data during the 1st Year of Deportation 1937 in Kazakhstan and It Affected Korean Material Life." Central Asian Affairs, December 21, 2023, 1–17. http://dx.doi.org/10.30965/22142290-bja10048.
Full textLapidus, Rina. "The “Erotic” Tractor in the Soviet Cinema." Quaestio Rossica 8, no. 2 (June 23, 2020). http://dx.doi.org/10.15826/qr.2020.2.478.
Full textPaavolainen, Pentti. "Karjala kulttuurisena traumana Suomen teatterissa." Viipurin Suomalaisen Kirjallisuusseuran toimitteita 23, no. 23 (March 31, 2021). http://dx.doi.org/10.47564/vskst.113646.
Full text"Author's genre definition as a comprehension of the new reality (based on the drama of Ukrainian emigration writers in the middle of the twentieth century)." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 81 (2019). http://dx.doi.org/10.26565/2227-1864-2019-81-18.
Full textNäripea, Eva. "“Viimne reliikvia” ja “Kolme katku vahel”: ruumist eesti ajalookirjanduse ekraniseeringutes / The Last Relic and Between Three Plagues: On Space in Film Adaptations of Estonian Historical Fiction." Methis. Studia humaniora Estonica 12, no. 15 (January 10, 2017). http://dx.doi.org/10.7592/methis.v12i15.12118.
Full text