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Books on the topic 'Soviet Union – Drama'

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Author: Grafiati

Published: 27 July 2024

Last updated: 29 July 2024

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1

Misha, Glenny, ed. Stars in the morning sky: Five new plays from the Soviet Union. London: Hern, 1989.

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2

Taruskin, Richard. Opera and drama in Russia as preached and practiced in the 1860s. Rochester, N.Y: University of Rochester Press, 1993.

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3

Ginsburg, Saul M. The drama of Slavuta. Lanham: University Press of America, 1991.

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4

Gogol, Nikolai Vasilevich. The inspector: A comedy in five acts. New York: Theatre Communications Group, 2014.

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5

1919-, Ostrom Vincent, ed. The drama of Russian political history: System against individuality. College Station: Texas A&M University Press, 2003.

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6

University of Birmingham. Centre for Russian and East European Studies, ed. Molotov and Soviet government: Sovnarkom, 1930-41. New York: St. Martin's Press in association with the Centre for Russian and East European Studies, University of Birmingham, 1996.

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7

Rudnit͡skiĭ, K. Russian and Soviet theater, 1905-1932. New York: Abrams, 1988.

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8

1942-, Leach Robert, and Borovsky Victor 1939-, eds. A history of Russian theatre. Cambridge: Cambridge University Press, 1999.

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9

Senelick, Laurence. Russian comedy of the Nikolaian era. Amsterdam: Harwood Academic Publishers, 1997.

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10

Aksenov, Vasiliĭ Pavlovich. Your murderer. Amsterdam: Harwood Academic, 2000.

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11

1954-, Freedman John, ed. The simpleton. Amsterdam, The Netherlands: Harwood Academic Publishers, 2000.

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12

translator, Shalina Margarita, and Chekhov Anton Pavlovich 1860-1904, eds. Uncle Vanya. London: Samuel French, 2015.

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13

1860-1904, Chekhov Anton Pavlovich, ed. Uncle Vanya. New York: Theatre Communications Group, 2014.

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14

Lipovet︠s︡kiĭ, M. N. (Mark Naumovich), ed. Performing violence: Literary and theatrical experiments of new Russian drama. Bristol, UK: Intellect, 2009.

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15

Maria, Shevtsova. Dodin and the Maly Drama Theatre. London: Taylor & Francis Group Plc, 2004.

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16

Clayton, J. Douglas. Pierrot in Petrograd: The Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama. Montréal: McGill-Queen's University Press, 1993.

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17

Laurence, Senelick, ed. Wandering stars: Russian emigré theatre, 1905-1940. Iowa City: University of Iowa Press, 1992.

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18

Maria, Shevtsova. Dodin and the Maly Drama Theatre: Process to performance. New York: Routledge, 2004.

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19

Philip, Callow. Chekhov, the hidden ground: A biography. London: Constable, 1998.

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20

Bulgakov, Mikhail Afanasʹevich. Black snow: A theatrical novel. Brooklyn: Melville House, 2013.

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21

Bulgakov, Mikhail Afanasʹevich. Black snow: A theatrical novel. London: Harvill Press, 1999.

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22

Bulgakov, Mikhail Afanasʹevich. Black snow: A theatrical novel. London: Collins-Harvill, 1991.

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23

Bulgakov, Mikhail Afanasʹevich. Театральный роман: Романы, пьесы. Moskva: ĖKSMO, 2010.

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24

F, Kat︠s︡is L., Kaspina M, Fishman David E. 1957-, and Project Judaica, eds. Idish: I︠a︡zyk i kulʹtura v Sovetskom Soi︠u︡ze. Moskva: Rossiĭskiĭ gos. gumanitarnyĭ universitet, 2009.

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25

F, Kat︠s︡is L., Kaspina M, Fishman David E. 1957-, and Project Judaica, eds. Idish: I︠a︡zyk i kulʹtura v Sovetskom Soi︠u︡ze. Moskva: Rossiĭskiĭ gos. gumanitarnyĭ universitet, 2009.

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26

Friel, Brian. Fathers and sons. New York: Samuel French, 1987.

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27

Friel, Brian. Fathers and sons: After the novel by Ivan Turgenev. London: Faber and Faber, 1987.

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28

Pavlovich, Chekhov Anton. The cherry orchard: A comedy in four acts. Hanover, N.H: Smith and Kraus Play Licensing, 2006.

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29

Pavlovich, Chekhov Anton. The cherry orchard. London: French, 1986.

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30

Korovin, Igor. Air Crash Investigations: DRAMA in SIOUX CITY the Crash of United Airlines Flight 232. Lulu Press, Inc., 2011.

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31

Macfadyen, David. Russian Television Today: Primetime Drama and Comedy. Taylor & Francis Group, 2007.

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32

Schwartz, Stefan, and Long Chris. The Americans. 2018.

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33

MacFadyen, David. Russian Television Today: Primetime Drama and Comedy. Taylor & Francis Group, 2007.

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34

MacFadyen, David. Russian Television Today: Primetime Drama and Comedy. Taylor & Francis Group, 2007.

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35

MacFadyen, David. Russian Television Today: Primetime Drama and Comedy. Taylor & Francis Group, 2007.

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36

MacFadyen, David. Russian Television Today: Primetime Drama and Comedy. Taylor & Francis Group, 2007.

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37

MacFadyen, David. Russian Television Today: Primetime Drama and Comedy. Taylor & Francis Group, 2011.

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38

Vosstanie: Drama na Tendre, posledstvii︠a︡ vosstanii︠a︡, komanda korabli︠a︡. Moskva: [s.n.], 2008.

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39

Dmitriĭ, Petrunʹ, Tatʹi︠a︡na Sarana, and Vasiliĭ Pavlov. Torgsin. 2017.

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40

Cannon Harris, Susan. The Flaming Sunflower: The Soviet Union and Sean O’casey’s Post-Realism. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424462.003.0006.

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Abstract:

Sean O’Casey came to see the Soviet Union as a market for the kind of ideologically-committed and antirealist drama that neither the Abbey Theatre’s directors nor London’s commercial producers wanted. Many of the plays O’Casey wrote after his move to England in 1928 become legible only in the context of the history charted during this book’s first four chapters, the Stalinised British left organizations with which O’Casey worked, and the genre of socialist realism. Investigating the genesis and performance history of O’Casey’s 1939 Communist play The Star Turns Red, this chapter shows how O’Casey’s post-realist aesthetic derives from the literary tradition of queer socialism, which reached him through Shelley and Larkin. Analyzing O’Casey’s nondramatic writing about and for the Soviet Union as well as his American supporters’ insistence that he remained artistically independent of Soviet ideologies about literature, this chapter shows that O’Casey’s ambivalence about British left culture masks an unbounded admiration of the kind of proletarian literature which O’Casey believed – thanks to his limited and misleading contact with it – was represented by socialist realism. O’Casey was also strongly drawn to the heroic and heterosexual masculinity cultivated by official Soviet culture.

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41

T︠S︡arevna Sofʹi︠a︡ i Petr: Drama Sofii. Moskva: Veche, 2008.

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42

Russian television today: Primetime drama and comedy. London: Routledge, 2008.

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43

Watson, Derek. Molotov and Soviet Government: Sovnarkom, 1930-41. Palgrave Macmillan, 2016.

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44

Milne, Lesley, and Konstantin Rudnitskii. Russian and Soviet Theater 1905-1932. Harry N Abrams, 1989.

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45

Worrall, Nick. Modernism to Realism on the Soviet Stage: Tairov- Vakhtangov-Okhlopkov. Cambridge University Press, 2008.

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46

MacFadyen, David. Russian Television Today: Primetime Drama and Comedy (Routledge Contemporary Russia and Eastern Europe Series). Routledge, 2007.

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47

Das russische Drama der Moderne: Eine Einführung. Frankfurt am Main: P. Lang, 1992.

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48

Neva: Bilingual edition. 2016.

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49

Imitations of Life: Two Centuries of Melodrama in Russia. Duke University Press Books, 2002.

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50

Buckler, Julie, Joan Neuberger, Richard Stites, and Louise McReynolds. Imitations of Life: Two Centuries of Melodrama in Russia. Duke University Press, 2002.

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