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Seifarth, Joerg. "Souvenir." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2005. http://dx.doi.org/10.18452/15390.
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Ziel der vorliegenden Dissertation ist es, Formen kultureller Produktion und ihre Anbindungen an sprachliche und politische Realitäten am Beispiel der kanadischen Provinz Québec darzustellen. Die Existenz des französischsprachigen Québec und seiner Differenz ist nicht gegen das englischsprachige Kanada zu erklären, sondern mit diesem. Identitätsreferenzen und Geschichtsbilder sind Teil öffentlicher Bekundungen, ob nun journalistischer, künstlerischer, schulpolitischer oder anderer Art. Gefragt wird nach der Bedeutung historischer Tatsachen für die Gegenwart und dem spezifischen Gebrauch der Geschichte, ihren Helden und Machern in diversen narrativen Formungen an den Schnittpunkten von Öffentlichkeit und Erinnerung. Die verwendeten Quellen decken die Bereiche Film, Literatur, Presse und Politik ab; besonderes Augenmerk wurde auf Schulbuchtexte aus dem Geschichtsunterricht der Sekundarstufe gelegt. Es konnte gezeigt werden, dass sich in zahlreichen Instanzen der Auseinandersetzung nicht etwa anglokanadische und frankokanadische (oder „englische“ und „französische“) Kontrahenten gegenüberstehen, sondern dass die Konfliktparteien oft nicht diesseits und jenseits der Sprachbarriere liegen. Dies konnte am Beispiel der verwobenen Beziehungen von liberaler politischer Macht in Ottawa und dem ultrakonservativen katholischen Klerus Québecs im 19. und 20. Jahrhundert illustriert werden. Gleichzeitig zeigt sich, dass heterogene Strukturen in konkreten Situationen durch wirksame Grenzziehungen gewissermaßen ausgeblendet werden können. Die entstehenden Trennungslinien hatten und haben in Kanada und in Québec sprachliche, religiöse, politische und ethnische Formen, die in Momenten der Krise zu Matrizen bekannter Solidaritäten werden. Im Ergebnis der Untersuchungen steht das Fazit, dass Kanada als Föderation die Sezession Québecs nicht als Ganzes überleben würde. Die Alternative zur gegenwärtigen politischen Gestalt wäre somit nicht Québec auf der einen und ein verbleibendes „English Canada“ auf der anderen Seite, sondern ein weiteres Aufbrechen der bisherigen Kohäsion. Darüber hinaus konnte ein Zusammenhang zwischen der auffälligen Besonderheit einer mehrheitlich katholischen und französischsprachigen Bevölkerung und der großen englischen Monarchie in Amerika aufgezeigt werden.This Ph.D. thesis aims at an analysis of various forms of cultural production and links with linguistic and politic realities in the Canadian Province Québec. The existence of a French-speaking Québec and its difference cannot be explained without considering “the rest of Canada” as a major factor. Identity references and images of history are seen as public expressions in journalistic, artistic, educational or other forms. The present relevance of historical facts, the specific usage of history, its heroes and its makers are of special interest in narratives operating at the intersection of public sphere and memory politics. Various sources were used in the process of research: film, literature, the press and politics. Special attention was given to history text books in English and French used for secondary level courses in Québec schools. In a number of conflicts the opponents were not on both sides of the language barrier representing „english“ and „french“ interests. One example studied is the case of the intricate relations between liberal political power in Ottawa and the conservative Catholic Church in Québec. At the same time, heterogeneous structures seem to be faded out in specific situations when powerful lines of separation are drawn. In critical situations solidarities are formed in Canada and Québec along the lines of language, religion, politics and ethnic background. As a result of the study it became clear that the separation of Québec from Canada would result not in two parts, Québec and “English Canada” but that the cohesion of the present federation would eventually dissolve into much smaller parts. It also became clear that there is an integral relation between the distinctness of a population with a catholic and French-speaking majority and the English monarchy present in America.
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Sjöberg, Simon. "Pilgrim souvenir : Ekologisk hållbar souvenir för pilgrimsvandrare." Thesis, Mittuniversitetet, Institutionen för design, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-36620.
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I detta projekt utvecklas en souvenir för Selånger pilgrimscenter. Genom undersöknin- gar och enkäter bestäms det att souveniren skall vara en vandringsstav för pilgrimsvan- drare. Syftet och målet med projektet är att ta fram en unik souvenir för marknaden som även skall vara ekologiskt hållbar och produc- erbar i regionen. Projektet går igenom design- processens tre olika faser för att ta fram en lösning till designproblemet. Genom olika un- dersökningar och användartester utvecklas en form till stavens handtag för att ge ett ergono- miskt grepp till användaren och visuellt unikt uttryck för Selånger pilgrimscenter.
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Andersson, Sara, and Maria Berthelius. "You can take the souvenir out of the destination but you can’t take the destination out of the souvenir : En kvalitativ studie av åttiotalisters syn på souveniren." Thesis, University of Kalmar, Baltic Business School, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hik:diva-2652.
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De symboler som en gång upplevdes som autentiska har blivit globaliserade och den traditionella souvenirens autenticitet ifrågasätts därför i dagens samhälle. Det finns således skäl till att diskutera hur giltiga de existerande definitionerna av souveniren verkligen är bland dagens och morgondagens resenärer – åttiotalisterna.Syftet med denna uppsats var att undersöka souvenirens mening och innebörd bland åttiotalister.Med en kvalitativ metod genomfördes, med hjälp av snöbollstekniken, tio enskilda djupintervjuer med personer födda mellan 1982 och 1985. Dessa intervjuer tolkades från en hermeneutisk ansats. Åttiotalisters syn på souveniren överrensstämmer inte med de existerande definitionerna. Istället för att se en souvenir som ett föremål med uppenbar och synlig koppling till platsen har den emotionella aspekten blivit viktigare. Begreppet souvenir har gått från att vara konkret till abstrakt. Det visar sig att det inte är föremålet i sig som är viktigt utan vilken betydelse individen ger föremålet. Därmed kan vilket föremål som helst bli en souvenir. Utifrån åttiotalisters syn på souveniren har en ny definition skapats.
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Gardella, Teresa <1988>. "Turismo e souvenir. Etnografia del ruolo dei souvenir in vetro di Murano nel fenomeno turistico veneziano." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4923.
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Obiettivo del presente lavoro è la verifica delle mutazioni economiche, sociali, antropologiche nell’uso della città di Venezia e delle ricadute occupazionali, tramite il livello di un misuratore in netta espansione quale la diffusione dei souvenir, in particolare in vetro di Murano, determinato dall’imperante turismo di massa. Da una prima analisi, i protagonisti fondamentali che determinano la scena culturale del commercio del vetro di Murano sono: i produttori (gli artigiani), i venditori (negozianti) ed i consumatori (i turisti). Nonostante ci siano altri “attori” a completare la scena (i grossisti, gli intromettitori, gli intermediari tout court, portieri di albergo, le agenzie di viaggio, tassisti, gondolieri ed altri), si è scelto di concentrarsi sui tre protagonisti, integrati anche del ruolo che rivestono le istituzioni che intervengono nel processo di regolamentazione normativa del commercio. Ciascun attore interpreta una parte diversa nella stessa scena. Come entrano in contatto le loro azioni? Il risultato finale è determinato dalle negoziazioni che si instaurano tra loro, che definiscono le scelte della produzione, della vendita, e del segmento di clientela a cui rivolgersi. Questa complessa rete di relazioni determina la natura stessa del commercio del vetro di Murano, perché l’incrocio tra i vari punti di vista cambia di volta in volta la logica, che si adatta in maniera determinante alle intenzioni dei venditori ma si sostanzia nella qualità della produzione ed anche nella domanda e nell’aspettativa dei consumatori.
L’argomento della ricerca è quello di investigare il ruolo dei souvenir nel fenomeno turistico studiato attraverso una oscillazione dello sguardo focale, dal generale al particolare, ovvero contestualizzandolo nella più ampia area di studi di antropologia del turismo, nella letteratura sul turismo a Venezia nell’ambito delle discipline che hanno trattato l’argomento da diverse prospettive teoriche e metodologiche, per arrivare al caso di studio etnografico del souvenir in vetro di Murano. Si è scelto di approfondire l’analisi di questo settore emblematico nell’ipotesi largamente condivisa, dello stretto cordone ombelicale tra le dinamiche dell’andamento turistico, verso Venezia, delle sue mutazioni, ed il conseguente rimbalzo economico, produttivo e sociale del settore vetro. Si è cercato di verificare le relazioni tra i valori di tipicità, di referenzialità, di peso economico sociale, di mutamento dei rapporti tra struttura produttiva, commercializzazioni, regole di governance delle istituzioni, di variazioni antropologiche indotte dai cambiamenti ed ai riflessi complessivi per la città. La chiave obbligata e la parola ai protagonisti ed in parte agli spettatori del fenomeno (i cittadini) attraverso una ricerca sul campo, che mette in luce le varie percezioni degli attori, il loro senso di autocoscienza rispetto al problema, le loro prospettive, lo stato dell’arte del settore specifico artigianale, della creatività giovanile anche aldilà del comparto vetrario. L’osservazione partecipante, aldilà dei semplici colloqui e interviste, pur nei limiti imposti dalla difficoltà di scandagliare le opinioni dei turisti e dei cittadini, si è maggiormente soffermata nel mondo della produzione e della commercializzazione. Si è cercato cioè, attraverso un rapporto non episodico, di far affiorare le differenti consapevolezze rispetto al settore, e parallelamente, di prendere coscienza della stato attuale in cui versa il settore. Ben più problematica, ed aldilà di una conoscenza specifica come quella proposta, sembra l’individuazione di linee forza di tendenza innovativa, che non possono prescindere da un panorama culturale ben più ampio e quantomeno interdisciplinare.
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Davies, James Quail. "A musical souvenir : London in 1829." Thesis, University of Cambridge, 2005. https://www.repository.cam.ac.uk/handle/1810/244877.
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This thesis involves a 'thick description' of music and musical representation in a single year: 1829. The context for the study is London, although the city has been approached less as a metropolitan than as a cosmopolitan centre, a global capital with global significance. This is a cultural history of music presented as a montage of case studies formed around musical events. Cases have been selected both with the general contrast of the group and the variety of musical types available to the description in mind (concert music, or major and minor theatrical forms). The potential of each event to have meaning beyond itself (to be representative) has been a third consideration, since cases are discussed in terms of broader historical, political and cultural flows. Newspapers, playbills, manuscript scores, almanacs, handbills, memoirs, journals, diaries and other ephemera have been used both to locate and frame evidence. The montage of cut-outs, in other words, forms an ensemble of partial histories, a picture of the intricately textured life of musical London. Cases are as follows: the final performances of a castrato analysed in terms of the emergence of the biological sciences and shifts in the history of the voice; a danced Beethoven symphony discussed in terms of ballet and concert trends; a colonial melodrama dealt with from the perspective of the postcolonial critic; an exploration of how new ways of imagining the city relate to new ways of imagining symphonic discourse; female duet-singing approached in light of psychoanalysis and gender studies; and the exchange of a musical annual looked at in view of the anthropology and philosophy of the gift. The use of the appellation 'A Musical Souvenir' in the title gestures towards the emergence of the 'music-annual form' in 1829, and - related to this - an emerging awareness of what I call 'year-historical situatedness'.
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Haydon, Kirsten, and kirsten haydon@rmit edu a. "Antarctic landscapes in the souvenir and jewellery." RMIT University. Art, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090227.115157.
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Experience of Antarctica is unique and overwhelming and the phenomenon of the landscape and knowledge of its history continues to inspire artists and writers. Since Antarctica's discovery and exploration both before and during the Heroic Age; explorers, expeditioners, artists and writers have attempted to record and visualise Antarctica. In1982 international Antarctic programmes started to assist artists to travel to Antarctica with the intention of providing perceptive interpretations no longer attached to science or exploration. This practice-led research is the first project where a jeweller has explored and interpreted a personal experience of Antarctica to produce souvenir and jewellery objects. These objects reveal new interpretations of Antarctica that engage with the viewer through the recognisable personal jewellery and souvenir object. This research has produced new contemporary souvenir and jewellery objects by interpreting both personal photographs and re-examining the historic stories, photographs and representations of Antarctica. The bibliographic investigations of historical jewellery and souvenirs provided specific examples of historical personal mementos that are now displayed in museums. This research analyses the meaning of historical examples of souvenirs and jewellery and examines the way in which photography has been manipulated and used on hard media. Through this analysis and examination of historical examples the research focuses on studio-based experimentation with enamelling and contemporary technologies to establish the links enamelling has had with micromosaics and miniature painting. This practice-led research investigates new and innovative ways to interpret these historical techniques and draw on the notion of the souvenir. Thinking through the processes used in this research and retelling the personal experience of Antarctica, contemporary technologies are used to reimagine historical examples of tourist jewellery and personal souvenirs presenting a further understanding of Antarctica's significance both culturally and environmentally. The research not only provides an addition to the diverse range of interpretations of Antarctica it also explores the area of enamelling in contemporary jewellery and object making by contributing to the current revival of the tradition both locally and internationally. This research offers new experiences and knowledge through the investigation, experimentation, manufacture and installation of enamelled objects.
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Paquette, Jean. "Le souvenir des rêves et la personnalité." Thèse, Université du Québec à Trois-Rivières, 1988. http://depot-e.uqtr.ca/5781/1/000572513.pdf.
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Hu, Yiqiu. "Souvenir = Authentic+sustainable : a guide for designers." Thesis, Linnéuniversitetet, Institutionen för design (DE), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-86848.
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The designer explores how to improve souvenir design in the real market by questioning the issues of authenticity and the need of sustainable strategies. It takes the city of Växjö as a start point for a touristic place and analyses different categories. Through observations and interviews, the issues are confirmed and a design brief is made. Based on theories of product semantics and emotional design, the result from the investigation summarised to suggest guide for souvenir design. The guide is illustrated in a series of videos meant to anyone working in the souvenir industry.
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Soucy, Linda. "Portrait de W., suivi de, L'oeuvre du souvenir." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0006/MQ43952.pdf.
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Mejcher, Sonja. "Geschichten über Geschichten : Erinnerung im Romanwerk von Ilyas Huri /." Berlin : K. Schwarz, 2001. http://catalogue.bnf.fr/ark:/12148/cb39223071m.
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Marx, Annette. "Implizite Wiederholungseffekte beim Erinnern von Bewegungen /." Aachen : Shaker, 2001. http://catalogue.bnf.fr/ark:/12148/cb38918275m.
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Dambricourt, Jean-Pierre. "Esthétique du souvenir ou les mémoires de la musique." Paris 1, 1989. http://www.theses.fr/1989PA010561.
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Toute musique ne serait qu'un memorial. Le chapitre un, partant de "wozzeck" de berg, montre en quoi consiste l'heritage d'un compositeur lorsqu'il s'attaque a un genre donne dans le cadre d'un systeme musical donne. Le chapitre deux se demande si le timbre a une memoire a partir du cas singulier de la clarinette : tout instrument engendre-t-il forcement des modes d'ecriture types ou n'est-il qu'un objet inerte que le compositeur s'approprie? le chapitre trois, consacre a "a-ronne" de l. Berio, analyse comment le materiau litteraire de l'oeuvre sert de guide d'un voyage a travers l'histoire de la musique, l'histoire de l'art et meme la vie quotidienne. Le chapitre quatre aborde le probleme de la constitution de la forme musicale et du role de la memoire dans la perception musicale. Le chapitre cinq rattache l'hypothese de l'existence de "memoires" de la musique a une theorie esthetique de la repetition. Enfin, le chapitre six met en evidence le statut d'inter-science de l'esthetique musicale et pose le probleme de sa methode tandis que le chapitre sept rassemble les resultats provisoires d'une recherche forcement inachevee en une meditation sur la postmodernite musicale. Les memoires de la musique ont a se confronter a ce stockage integral de l'information propre a la culture d'aujourd'hui. Loin de conforter des tendances reactives, cela implique pour le compositeur une re-composition et non un re-cyclage qui pose avec toute sa force la question de l'avenir de l'art. Ce que peuvent etre les memoires et l'avenir de la philosophie est envisage en filigrane.
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Martin, Jean-Clément. "La Guerre de Vendée et son souvenir, 1973-1980." Lille 3 : ANRT, 1990. http://catalogue.bnf.fr/ark:/12148/cb37607730x.
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St-Onge, Monique. "Le souvenir selon Adler : étude du concept de la constance." Thèse, Université du Québec à Trois-Rivières, 1990. http://depot-e.uqtr.ca/5638/1/000583420.pdf.
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Seifarth, Joerg [Verfasser], Renate [Gutachter] Hof, Thomas [Gutachter] Macho, and Ulrike [Gutachter] Brunotte. "Souvenir / Joerg Seifarth ; Gutachter: Renate Hof, Thomas Macho, Ulrike Brunotte." Berlin : Humboldt-Universität zu Berlin, 2005. http://d-nb.info/1208079808/34.
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Grundmann, Heike. ""Mein Leben zu erleben wie ein Buch" : Hermeneutik des Erinnerns bei Hugo von Hofmannsthal /." Würzburg : Königshausen & Neumann, 2003. http://catalogue.bnf.fr/ark:/12148/cb39026207f.
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Jagow, Bettina von. "Ästhetik des Mythischen : Poetologien des Erinnerns im Werk von Ingeborg Bachmann /." Köln : Böhlau, 2003. http://catalogue.bnf.fr/ark:/12148/cb390308411.
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Bogner, Ralf Georg. "Der Autor im Nachruf : Formen und Funktionen der literarischen Memorialkultur von der Reformation bis zum Vormärz /." Tübingen : M. Niemeyer, 2006. http://catalogue.bnf.fr/ark:/12148/cb410531239.
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Ceccom, Johnatan. "Quel rôle pour l'hippocampe dans le stockage rapide d'un souvenir épisodique ?" Toulouse 3, 2011. http://www.theses.fr/2011TOU30249.
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La mémoire épisodique permet l'acquisition, le stockage et le rappel de souvenirs autobiographiques vécus dans un contexte spatio-temporel particulier. Certains paramètres dont la charge émotionnelle peuvent intervenir dans la formation d'une mémoire épisodique. Ils permettent d'ancrer un apprentissage réalisé en une seule séance comme c'est le cas avec les " flashbulb memories " ou mémoire flash. L'hippocampe et en particulier la région CA3 est le support de ce type de mémoire. Les caractéristiques particulières de la matrice auto-associative de CA3 lui permettent notamment grâce au zinc et aux récepteurs NMDA de jouer un rôle de détonateur qui autorise la génération et le stockage rapide de traces mnésiques de type épisodique au sein de son réseau récurrent. Nous avons réalisé des travaux qui montrent que le zinc et les récepteurs NMDA sont indispensables à la consolidation d'un conditionnement de peur au contexte acquis en une seule séance. Nous avons également montré que l'effet délétère sur la mémoire de la perturbation du zinc et des récepteurs NMDA peut être compensé lorsque l'apprentissage est réalisé en procédure distribuée par un phénomène de " spacing effect " ou effet d'espacement tributaire de l'expression de nouvelles protéines dans CA3. Si l'implication de l'hippocampe et de ses sous régions CA1 et CA3 est clairement établie dans le cadre de l'acquisition et de la consolidation d'informations multimodales, son implication dans le rappel mnésique demeure controversée. Grâce à des inactivations temporaires simultanées des régions CA3 et CA1 réalisées à l'aide d'un anesthésique local, nous avons montré que ces aires sont nécessaires au rappel d'une mémoire épisodique acquise 24h auparavant mais aussi que l'une ou l'autre de ces régions est suffisante pour assurer l'évocation complète du souvenir. Enfin notre dernière étude s'intéresse à la perturbation de la mémoire épisodique dans le cadre d'un syndrome neurodégénératif : la maladie d'Alzheimer. Nous avons mis au point un modèle murin " rapide " de la pathologie amyloïde grâce à une injection unique d'une solution d'oligomères du peptide Aß1-42 dans le cerveau de souris sauvages. Ce modèle présentait un déficit de mémorisation à long terme d'un apprentissage contextuel. Nous avons appliqué différents traitements à ce modèle : la mémantine qui est utilisée chez l'Homme et des chélateurs de métaux lourds, le clioquinol ainsi qu'une molécule nouvelle, le PA1637. Ces chélateurs qui sont sensés réduire la génération de stress oxydatif nous ont permis de reverser les effets délétères induits par la pathologie amyloïde dans notre modèle. Le PA1637 qui présente des caractéristiques de toxicité et d'action très intéressantes représente un nouveau traitement potentiel de la maladie d'AlzheimerEpisodic memory supports acquisition, storage and recall of autobiographic memories experienced in a specific temporo-spatial context. Many parameters and particularly the emotional burden can modulate episodic memory formation and improve the anchoring of "one-shot learning" as it is the case in "flashbulb memories". The CA3 hippocampal area is specifically involved in this type of memory. The high content of zinc and now acknowledged presence of NMDA receptors at the postsynaptic level allow Mossy Fibers to play the role of a detonator responsible of the fast generation and storage of episodic memories into the CA3 recurrent network. We also showed that memory impairments induced by reversible inactivation of zinc and NMDA receptors may be compensated by spaced learning procedures resulting in a "spacing effect" phenomenon that is dependent of proteins expression in CA3. Although the implication of CA1 and CA3 hippocampal area is clearly established for the acquisition and storage of multimodal information, their role in memory recall is less clear. Using simultaneous reversible inactivations of CA1 and CA3 areas by a local anaesthetic, we showed that these regions are both involved in the recall of memories acquired 24h earlier and that each of them is sufficient for triggering the recall of a complete memory. Finaly, our last study focused on episodic memory impairments in a neurodegenerative syndrom : Alzheimer disease. A "fast" mouse model of amyloid pathology was designed by injecting an oligomeric solution of Aß1-42 peptide in the brain of wild type mice. 21 days after injection, mice showed long term memory impairments in the contextual fear conditioning paradigm. The effects of different treatments were compared using this model : memantin, a symptomatic treatment used in Humans and heavy metal chelators, clioquinol and a new drug, PA1637 were used. These chelators designed to reduce oxidative stress proved successful in reversing the disturbing effect induced by the amyloid pathology. PA1637 that proved less toxic and displayed greater efficacy than clioquinol, carries good curative potentialities as a lead treatment for Alzheimer's disease
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KOATE, NICHOLLS AIDA CATHERINE. "Temps, memoire et souvenir dans le roman africain de langue francaise." Cergy-Pontoise, 1999. http://www.theses.fr/1999CERG0065.
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Apres plus de soixante-dix annees d'existence, la litterature africaine de langue francaise a change. Les souvenirs que livre, a l'issue de ce long parcours, la memoire iconoclaste de romanciers comme mudimbe ou calixte beyala refletent une veritable revolution culturelle. A la difference de leurs aines aux yeux rives sur le passe, comme nazi boni ou camara laye, les ecrivains de la deuxieme generation brisent les carcans standardises admis comme referents dans le roman de la premiere generation pour que s'exprime, sur un mode diversifie et personnel, tout un imaginaire social et culturel. Pour ces memoires enfin liberees du joug de la memoire collective, il s'agit moins d'epiloguer sur la realite sociopolitique d'une " afrique en morceaux " - ainsi qu'elles le firent face au syndrome colonial dans le roman de la premiere generation - que de reconstruire, par le truchement d'une multiplicite de recits de vie, les categories fondamentales du temps, de l'espace et de l'identite, fortement ebranlees par l'histoire d'un continent qui n'en finit pas de s'enliser dans le sous-developpement.
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Givens, Seth A. "Bringing Back Memories: GIs, Souvenir Hunting, and Looting in Germany, 1945." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1275450120.
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Grewatz, Abby. "Folk Art, Nationalism, and Identity in a Kyiv, Ukraine Souvenir Market." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/17901.
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Since the collapse of the USSR independent Ukraine has used politics and culture to define a separate national identity, in contrast to Russia. Through a performance studies lens I describe Kyiv's largest souvenir market, Andriyivsky Uzviz, and place it in the context of nationalism and cultural promotion. I draw on Conquergood who situates the performing of culture at the intersection of history and identity, and Kapchan who notes that markets are key sites where ethnic identity is defined within sociopolitical frameworks. While profit and customer demand are important to vendors in the Uzviz, Ukrainianness is consciously emphasized through their folk art items. Vendors wear national costume, sell "traditional" Ukrainian items, and explicitly identify as Ukrainian, not Russian. Through one Uzviz folk artist I illustrate vendors' use of folk arts to express Ukrainian cultural identity and show how the market is a microcosm of the larger nationalist movement in Ukraine.
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Leon, Radu <1971>. "Shapes of souvenir : Venetian views: English recollections of the Grand Tour." Doctoral thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/12885.
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An enquiry into the conception and making of 18th-century Venetian cityscapes collected as souvenirs by English travellers during the Grand Tour. These drawings and paintings are analysed as memorials of their authors’ pictorial practice, rather than as ‘finished’ pieces, in order to allow possible patterns of thought to emerge and to verify coincidences and differences with extant critical interpretations of these artworks seen in a historical context. This exploration of visual remembrance in relation to Venetian topography intends to shift the focus from consumption to the production of mnemonic cityscapes, while it considers repercussions in polity and the economy. Practices of contemporary English landscape painters are compared and contrasted to corroborate the visual analysis of Venetian pictorial souvenirs.
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Sjöberg, Evelina, Lisa Pettersson, and Elin Weigardh. "Turisten och souveniren : Motiv till inköp." Thesis, Linnéuniversitetet, Institutionen för organisation och entreprenörskap (OE), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-49275.
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Syfte: Syftet med uppsatsen är att kartlägga de olika motiv som finns i samband med att turisterna gör souvenirinköp som de tar med sig hem. Metod: Uppsatsen bygger på en hypotetisk-deduktiv ansats för att skapa en djupare förståelse för hur motiv speglar souvenirer. Den empiriska datan samlades in genom strukturerade intervjuer där 320 respondenter deltog. Slutsatser: Studiens resultat visar att det finns olika motiv till souvenirinköp. Det framgår även att det finns skillnader i motiven gällande genus. Studien visar att inköp av souvenirer går att koppla till turismshopping
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Peter, Westling. "Ett objekt med betydelse : Unga vuxna och deras souvenirer." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-110236.
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Boldyreva, Olha, and Olga Yezhova. "Analysis of features of the tourist postcard design and its role in modern culture." Thesis, Universitatea Tehnică a Moldovei, 2021. https://er.knutd.edu.ua/handle/123456789/18203.
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This article presents the results of a study of the role of a tourist postcard in modern culture and its design features. The classification of tourist postcards was proposed. The analysis and characteristics of design techniques that are used to create tourist postcards were carried out. Examples of tourist postcards were given and their features were described.
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Nomura, Miki. "Souvenir purchase patterns of domestic tourists case study of Takayama City, Japan /." Online version, 2002. http://www.uwstout.edu/lib/thesis/2002/2002nomuram.pdf.
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Hureau, Joëlle. "Du devenir au souvenir : la mémoire collective des Français d'Algérie : 1830-1987." Paris, Institut d'études politiques, 1990. http://www.theses.fr/1990IEPP0016.
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Parmi les voies multiples menant à la mémoire collective, la littérature a été choisie pour aborder celle des Français d'Algérie. Leur communauté mal délimitée a produit des écrivains représentatifs de son ambiguité. Leur oeuvre de 1830 à 1987 permet de distinguer quatre strates de mémoire. Parallèlement à la conquête de l'Algérie par les Français (1830-1847), cette mémoire se construit à partir de passés différents et sur des bases nouvelles pour tous, autour des séductions et des périls d'une Algérie étrangère. De 1848 à 1895, la mémoire collective cherche à se consolider selon des données en rupture avec la conquête. Elles se résument en harmonie globale dans l'hétérogénéité et dans une Algérie appropriée, en dépit des révoltes (1864-1881). De 1896 à 1954, se fixent et se répètent les grands thèmes définitifs, opposant les "Algériens" (population européo-française) aux "indigènes" inassimilables. Enfin, ces certitudes longuement mémorisées s'effondrent ou sont ébranlées par la guerre d’Algérie (1954-1962). A posteriori, celle-ci déclenche un processus de mémorisation volontaire, dont la pérennité est aussi incertaine que celle de la communauté qui le sous-tendAmongst many of the varied outlets, literature has been chosen to portray the collective memories of the French Algerian people. This undefined community produced writers who were to reflect its ambiguity. If the literary works which came to the fore from 1830 to 1987 are analysed, four periods can be distinguished. As the Algerian conquest by the french progressed (1830-1847), new experiences and memories were being developed. These were based on the varied cultural backgrounds of the people and on the entirely new circumstances. The overall theme was that their new land could be both dangerous and promising. However from 1848 to 1895 their collective memories seem to consolidate irrespective of the conquest now completed. These new works emphasize the need for harmony despite their heterogenous backgrounds but violent riots (1864-1881) were to defy this viewpoint. From 1896 to 1954, the themes become more constant and allow the differentiation of two groups: "Algerians" - this literaly refers the french or Europeans-and the "natives", not easily integrated with the new "Algerians". Finally their long established memories are shattered by Algeria's war (1954- 1962). Yet this war initiates a new process of memorisation based on individuals and associations
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Gagnepain, Pierre. "Du mot au souvenir : Etudes cognitives et neurofonctionnelles de l'amorçage perceptif auditif." Caen, 2008. http://www.theses.fr/2008CAEN1516.
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Les effets d'amorçage perceptif (EAP) traduisent l'influence inconsciente que la présentation au préalable d'un stimulus va exercer sur son traitement perceptif ultérieur. Les objectifs de cette thèse étaient de comprendre 1) la nature et le substrat neurofonctionnel des représentations sous-tendant les EAP auditif, et 2) le rôle des EAP lors la formation de souvenirs accessibles à la conscience. Chacun de ces objectifs a fait l'objet d’une étude de psychologie cognitive et d'une autre en imagerie par résonnance magnétique fonctionnelle. L'étude 1 montre que les EAP dépendent de la voix et de la familiarité des stimuli (mots versus pseudomots). L'étude 2 révèle que les EAP pour les mots sont associés à une diminution de la réponse hémodynamique (RH) dans le cortex auditif accompagnée ou pas d'une latence plus courte, et à une augmentation de RH pour les pseudomots. L'étude 3 indique que les EAP sont reliés aux processus de formation des souvenirs. L'étude 4 démontre que cette relation est liée au fait que la diminution d'activité dans le cortex auditif associée aux EAP, module l'activation du lobe temporal médian, région clef lors de la formation de souvenirs. Ces résultats indiquent que les traces mnésiques pour les mots encodent les informations liées à la voix, et que la récupération inconsciente de ces traces dans le cortex auditif dépend de différents mécanismes neuronaux. De plus, ils montrent que le cortex auditif peut former de nouvelles représentations pour des pseudomots. Enfin, ils soulignent l'importance des processus inconscients lors de la formation de souvenirs, phénomènes jusqu'à présent considérés comme indépendants dans les modèles de la mémoire humaine
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Sarrazin, Jean-Christophe. "La mémoire spatio-temporelle : variabilité de la réponse et productibilité du souvenir." Université Aix-Marseille 2, 2003. http://www.theses.fr/2003AIX22038.
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Bovo, Elena. "Absence, souvenir, la relation à autrui chez Emmanuel Lévinas et Jacques Derrida /." Turnhout : Brepols, 2005. http://catalogue.bnf.fr/ark:/12148/cb39970219k.
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Chuang, Hsin-i. "La matérialité du souvenir : l’expérience esthétique comme expérience mnésique dans l'art contemporain." Electronic Thesis or Diss., Paris 8, 2019. http://www.theses.fr/2019PA080025.
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Le souvenir relève d'une prédisposition à prendre en considération la présence évanescente d’une intensité mnésique, car il se présente comme un certain écart à l'égard du niveau d'espace, de temps et de signification où nous sommes établis. Après avoir analysé les pouvoirs plastiques du souvenir en nous penchant sur les pratiques artistiques, nous nous sommes proposés de montrer que l’œuvre d’art apprend à connaître, au contact de la perception, une matérialité potentielle qui rend possible une nouvelle analyse de la sensibilité. Du fait qu’elle est réglée sur une réalité tangible, l’œuvre d’art se confond souvent avec le procédé formel des matériaux qui la supportent. Et penser concrètement la matérialité, c'est-à-dire la penser non pas par la seule réflexion, mais par le sentiment également, change radicalement notre appréhension de l’œuvre.En guise d’indice discret, la sensation intensive du corps nous mène à reconnaître tous ceux qui ont contribué à transmettre l’émotion ressentie et à enrichir notre mémoire. À chaque instant, elle ne se raconte pas, mais cristallise en bloc dans le présent. L’artiste opère une présentification de son état émotionnel et explore les correspondances ou les disjonctions entre les sens, afin de se trouver dans un « rythme de la durée » qui n'existe que s'il y participe. Grâce à cette perpétuelle présentification de l'épaisseur temporelle, l’œuvre devient le véhicule du fonctionnement mnésique.Dans cette recherche, nous avons tenté d’élucider le profil de l’intégralité d’une matérialité du souvenir, en vue d’entrevoir la possibilité palpable d’un état affectif dans le cadre de différentes expériences, comme un vecteur de la réalisation artistique. Nous avons cherché à reconnaître la spécificité de cet objet d'étude et attaché une attention particulière aux « processus de création », car notre thèse a pour objet de s'interroger sur les conditions théoriques et pratiques qui rendent possible l’élaboration des problématiques du souvenir dans le domaine de l'artThe memory creates a predisposition to move towards the evanescent moments of an intense memory because it declares itself as a certain deviation related to time and space, referring to where we're located. After analyzing the powers of remembrance in terms of dealing with artistic practices, we proposed to demonstrate that the work of art correlated with perception teaches us to fully grasp a potential materiality that makes possible a new analysis of our sensitivities. Due to works of art being based on a tangible reality, it is often confused with the formal process of materials that can support them . In particular, thinking about the materiality, not by the reflection of the artist's work, but by our feeling, changes completely our apprehensions. By way of an unobtrusive indication, the intensive sensation of the body leads us to recognise all those things which have contributed to transmitting the emotions felt and to enriching our memory. The artist operates a presentification of his/her emotional state and explores the connections and the disjunctions between the senses, in order to find herself/himself in a rhythm of the duration, which only exists if she/he participates at the same time. we have probed into a profile of the materiality of memory, with a view considering the tangible possibility of an emotional state within the framework of our different experiences, as a force for artistic creation. We attempted to recognise the specificity of this study and paid particular attention to the « process of creation », because our approach starts with practical and theoretical conditions, which may be combined with issues of the memory in the field of art
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Frödin, Ellen. "Hatten, dockan, capen, byrån : ting och tinglighet hos Djuna Barnes." Thesis, Stockholms universitet, Avdelningen för litteraturvetenskap, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-96807.
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The inhuman element in Djuna Barnes’s works has been widely acknowledged. So far the research has, however, concerned itself primarily with animality, thus neglecting the importance of things and thingliness in her texts. In this essay I outline a new way of approaching Barnes were things are taken into account as a vital element in her literary world, using theories on prostheses, fetishes and souvenirs. In Nightwood and four of the short stories, ”A Night Among the Horses”, ”Aller et Retour”, ”Cassation”, and ”The Grande Malade”, I examine clothing, interiors, collections, statues and dolls as objects that in different ways harbour meaning, dream, riddle, memory, history, longing and desire. The aim is not at translating these objects; my concern is not so much with what they mean, as how they mean; how they are used and thus how they interact with the characters.
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Camargo, Renata Silva Santos. "Produção, consumo e significados dos souvenirs turísticos em Tiradentes - MG." Universidade Federal de Juiz de Fora (UFJF), 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/2597.
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A presente tese tem como objetivo investigar os significados atribuídos à produção e ao consumo de souvenirs na cidade de Tiradentes - MG tendo em vista a teoria da dádiva de Marcel Mauss. A pesquisa, de natureza qualitativa, guiou-se por um olhar sociológico e antropológico relacional e interpretativo. Nesse trabalho assumo a perspectiva interpretativista da realidade nos moldes de Geertz. Nesse sentido, deixo claro que mais do que apresentar uma realidade dada a todos os observadores independente de seus valores, apresento uma versão que deve muito à interação com meus entrevistados em Tiradentes e no distrito de Vitoriano Veloso, o “Bichinho”. A estratégia metodológica posta em prática nessa pesquisa lançou mão da revisão bibliográfica, assim como a observação participante, a entrevista semiestruturada e conversas informais. O uso do gravador, da câmera fotográfica e de um diário de campo também constituíram técnicas importantes à apreensão de informações valiosas nem sempre expressas discursivamente pelos entrevistados. Teoricamente a tese se vale de contribuições que permitiram refletir sobre a noção de consumo bem como suas práticas por parte dos consumidores e produtores de souvenirs para além das perspectivas centradas no sujeito racional. A noção de dádiva e de fato social total, central à reflexão de Marcel Mauss, orientou em grande parte a apreensão da realidade ao longo de minha estadia como pesquisadora em Tiradentes. Minha interpretação das interpretações construídas a partir da interação com meus entrevistados aponta, dentre outras coisas, para um campo ambíguo e plural de significados. Em grande parte acredito que os diferentes pertencimentos dos sujeitos em relação à estrutura social sejam cruciais para dar conta dessa variação. Ao variar a inserção do sujeito em um determinado grupo social mudam também os significados associados aos souvenirs assim como a outros objetos, como aqueles classificados como artesanato. A teoria da dádiva de Mauss responde a algumas das questões postas por mim. Contudo, percebi que ela não consegue dar conta da ampla gama de sentidos atribuídos pelos atores, notadamente aqueles inseridos em contextos mais individualistas. A compreensão do fenômeno do consumo de souvenirs em Tiradentes por turistas permite ir além das ideias mais simples de um sujeito ávido por consumir o que encontra nas localidades turísticas, sendo um ato de classificação e de ordenamento da realidade. Novas questões surgiram ao final dessa pesquisa, ensejando continuidades a partir de um olhar amadurecido sobre o fenômeno turístico e o consumo.
This present thesis has as objective to investigate the significance attributed to the production and consumption of souvenirs in the city of Tiradentes- MG keeping in view the theory of the gift by Marcel Mauss. The research, in qualitative nature, was guided by a sociological view and a relational and interpretative anthropological view. In this work, I assume the interpretive perspective from the reality of the ideas of Geertz: In this way, I make it clear that more than presenting a reality given to all observers independent of their values, I present a version that owes much to the interaction with those interviewed in Tiradentes and in the district of Vitoriano Veloso, the “Bichinho”. The methodological strategy put into practice in this research utilized bibliographical revision, as well as participant observation, the semistructured interview and informal conversations. The use of a recorder, photographic camera, and a field diary constituted important techniques in the apprehension of valuable information, not always expressed discursively by those interviewed. Theoretically the thesis is valued by contributions that permit reflection about the idea of consumption as well as the practices of the consumers and producers of souvenirs, beyond the perspectives centered on the rational subject. The notion of the gift and total social fact, central to the thoughts of Marcel Mauss, guided in great part the apprehension of the reality throughout my stay as a researcher in Tiradentes. My interpretation of the interpretations built from interaction with those I interviewed point, among other things, to an ambiguous field and many meanings. In great part I believe that the different affiliations of the subjects in relation to the social structure are crucial in accounting for this variation. Varying the insertion of the subject in a determined social group also changes the associated significance of the souvenirs, in addition to other objects, such as those classified as craft-work. The theory of the gift by Mauss answers some of my questions. However, I recognized that it cannot account for the wide range of meanings attributed by the actors, notably those inserted in more individualized contexts. The understanding of the phenomenon of the consumption of souvenirs in Tiradentes by tourists permits going beyond the most simple ideas of a greedy subject consuming what he finds in tourist locations, being an act of classification and reality planning. New questions arise at the end of this research, causing continuity from a mature look concerning the touristic phenomenon and consumption.
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Hřebout, Martin. "Expanze nového produktu na trh s dárkovými předměty." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-199033.
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The aim of the thesis is to evaluate the possibility of extension of the product Prague Old Timer on the Prague souvenir market and suggest with the theoretical knowledge a strategy which will contribute to the most efficient expansion. This work analyzes the Prague souvenir market and evaluates the factors that caused the current situation when there are few Czech souvenirs shops. The part dedicated to the product Prague Old Timer describes the main risk related to the expansion and a base on the research determining the optimal price for the final customers
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Petit, Emmanuelle. "Matérialisations du souvenir en montagne : les enjeux identitaires des places et des placements." Phd thesis, Université Michel de Montaigne - Bordeaux III, 2012. http://tel.archives-ouvertes.fr/tel-00752857.
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Cette thèse s'intéresse à un ensemble d'objets qui matérialisent différents types de souvenirs au sein des Alpes Occidentales. L'originalité de ces artefacts réside dans leur nature même : ils figurent tous l'idée de montagne sous diverses formes et pour différents motifs. Il s'agit tout aussi bien de monuments érigés au détour d'une rue ou sur une place centrale pour commémorer un exploit, une catastrophe ou l'oeuvre d'un homme en relation avec la montagne, que de stèles funéraires, profilées à l'image de sommets, érigées ça et là dans les cimetières, ou encore de plaques scellées à même le roc de la montagne.A partir d'une réflexion sur le façonnement de ces artefacts qui jouent avec la figure de la montagne, cette recherche interroge le rôle de l'espace dans les processus mémoriels et identitaires. Elle propose une lecture interobjective par l'identification, la spatialisation et la généalogie des différentes manières de mettre en scène le souvenir. Elle aborde également à partir de récits produits dans deux contextes spécifiques (Bessansen Haute-Maurienne (Savoie), Chamonix en Haute-Arve (Haute-Savoie)), selon une approche intersubjective cette fois, les relations que les hommes nouent avec ces artefacts, qu'ils vivent quotidiennement au contact de ces derniers ou qu'ils les contemplent de manière tout à fait occasionnelle. Cette démarche et ce terrain permettent de dégager les enjeux identitaires de la mise en visibilité des souvenirs et de souligner le rôle de l'espace dans ces processus.Cette thèse défend l'idée que les artefacts sont centraux dans l'établissement des rapports sociaux. Ils participent à la construction des mondes de chacun et jouent un rôle actif dans les relations à soi et à l'autre autour d'un ensemble de jeux d'échelles et de métriques. Les artefacts du souvenir seraient donc à la fois un ferment et un révélateur du fonctionnement identitaire de la société. Cette thèse vise alors à montrer qu'à partir d'un tout petit objet, il est possible de saisir de nombreux enjeux du fonctionnement de la vie en société, qui s'expriment entre autres par la recherche, l'octroi, la tenue, la défense d'une place. C'est en cela une invitation au développement d'une micro-géographie attentive aux individus, à ce qu'ils disent, à ce qu'ils font, et à ce qui légitime leur place, celle qu'ils veulent tenir et celle qu'on leur fait tenir, à travers les rapports sociaux qui se nouent et se dénouent autour de ces artefacts.
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Pont, Carmen Ana. "Le regard intime : du souvenir privé à la mémoire collective, l'écriture autobiographique portoricaine." Paris 3, 2003. http://www.theses.fr/2003PA030082.
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Le parcours des graphies du Je portoricain qui mène du 17e au 20e siècle est marqué par l'errance, par la quête d'une nation imaginaire et par l'histoire violente des relations coloniales. D'abord, nous abordons le Je dans sa relation avec l'Espagne par l'étude de quatre textes : Infortunios de Alonso Ramírez (Carlos de Sigüenza y Góngora), El jíbaro de Manuel Alonso, les mémoires d'Alejandro Tapia y Rivera et le journal intime d'Eugenio M. De Hostos. Ensuite, nous étudions la reconstruction autobiographique de l'invasion nord-américaine de Porto Rico dans son rapport avec des textes de propagande de l'époque et dans sa quête des racines hispaniques à partir du roman autobiographique El niño de arcilla (Evaristo Ribera Chevremont). Puis, nous abordons le roman autobiographique Litoral (Luis Palés Matos), en tenant compte de ses nombreuses réécritures ainsi que de sa recherche des racines afro-antillaises et mythiques de l'identité portoricaine. Finalement, la relation Je/Nation nous permet de faire une analyse comparative des mémoires de José Luis González (La luna no era de queso) et de ceux d'Irene Vilar (The Ladies' Gallery) dans le contexte du nationalisme portoricain. Art poétique, art du souvenir ou de l'oubli, de la réécriture, de la recherche identitaire et du portrait, l'écriture autobiographique portoricaine joue le rôle d'une archive bilingue où la connaissance de soi passe par le savoir historique et par cet autoportrait auquel l'Autre, le colonisateur, obligeFrom the 17th to the 20th century, the violent history of colonial relations has marked Puerto Rican autobiographical writing and made it the story of a nomadic I in search of an imaginary nation. The first chapter of this thesis analyses four autobiographical texts written during the Spanish rule of Puerto Rico: Infortunios de Alonso Ramírez (Carlos de Sigüenza y Góngora), El jíbaro (Manuel Alonso), the memoirs of Alejandro Tapia y Rivera and the diary of Eugenio M. De Hostos. The second chapter studies the autobiographical memory of the Spanish-American War in Puerto Rico in relation to US imperial propaganda of the time. It concentrates on the autobiographical novel El niño de arcilla (E. R. Chevremont). The third chapter studies the autobiographical novel Litoral (Luis Palés Matos), its many rewritings, and its search for the Afro-Caribbean and mythical roots of Puerto Rican identity. Our last chapter is a comparative study of two memoirs - La luna no era de queso (José L. González) and The Ladies' Gallery (Irene Vilar) - in the context of Puerto Rican nationalism. Poetic art, art of remembrance and of forgetting, art of rewriting and of constructing a cultural identity, Puerto Rican autobiographical writing operates as a bilingual archive where self-knowledge is defined not only by historical inquiry, but also by the necessity to construct a self-portrait or a mask which enables the I to merge with, or to be distinguished from, that Other who is the colonizer
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Quet, Étienne. "Noyaux réuniens et rhomboïde du thalamus et persistance d'un souvenir chez le rat." Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAJ008/document.
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Les noyaux Reuniens et Rhomboïde (ReRh) du thalamus, par leurs connexions denses et réciproques avec l’hippocampe (HP) et le cortex préfrontal médian (CPFm), constituent un relais clé entre ces deux structures et semblent impliqués dans les interactions HP-CPFm, support de la persistance des souvenirs. Par des approches de lésion, d’inactivation pharmacogénétique et d’imagerie cellulaire appliquées à différents paradigmes comportementaux, l’implication des noyaux ReRh dans les processus mnésiques, particulièrement de consolidation, a été évaluée. Nos travaux ont notamment mis en évidence que les noyaux ReRh, par leur implication spécifique dans les processus offline de consolidation, sont nécessaires pour la persistance à long terme d’un souvenir de peur conditionnée au contexte chez le rat. Ainsi l’implication du noyau Reuniens dans les processus de consolidation, initialement mise en évidence dans le cas de la mémoire spatiale, peut être étendue à d’autres types de mémoire HP-dépendantsNeuroanatomical and electrophysiological data place the thalamic Reuniens and Rhomboid nuclei as a key relay between the hippocampus (HP) and the medial prefrontal cortex (mPFC), two brain structures essential for memory. As such, the ReRh nuclei are thought to be involved in HP-mPFC interactions, supporting consolidation processes, and thus memory persistence. Using excitotoxic lesion, chemogenetic inactivation and cellular imaging approaches in various behavioral paradigms, we assessed the implication of the ReRh nuclei in memory processes, particularly consolidation. Our results show that the ReRh nuclei are necessary for offline consolidation of contextual fear memory in rats. A similar conclusion has been drawn from a previous study taxing spatial memory, another HP-dependent type of memory. Thus, the present data show that the necessity of the ventral midline thalamus to systems-level consolidation is not limited to a particular type of memory but could be more general
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Benson, Tracey. "The museum of the personal : souvenirs and nostalgia." Thesis, Queensland University of Technology, 2001. https://eprints.qut.edu.au/16204/1/Tracey_Benson_Thesis.pdf.
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This research paper examines the role of the souvenir in terms of social relations and notions of self-identity and/or autobiography. Many types of souvenir objects (commercial and non-commercial) are explored as being agents that participate in the construction of identity. Commodity fetishism, nostalgia and fetishism are examined as key elements that define the social relations surrounding the souvenir. The notion of home and family is also explored as a fundamental aspect of how identity is constructed.
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Benson, Tracey. "The museum of the personal : souvenirs and nostalgia." Queensland University of Technology, 2001. http://eprints.qut.edu.au/16204/.
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This research paper examines the role of the souvenir in terms of social relations and notions of self-identity and/or autobiography. Many types of souvenir objects (commercial and non-commercial) are explored as being agents that participate in the construction of identity. Commodity fetishism, nostalgia and fetishism are examined as key elements that define the social relations surrounding the souvenir. The notion of home and family is also explored as a fundamental aspect of how identity is constructed.
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Aronsson, Cecilia, Sara Rudenstam, and Sofia Ödeen. "Produktutveckling i stadens tjänst : en explorativ studie om design av souvenirer." Thesis, Tekniska Högskolan, Högskolan i Jönköping, JTH, Industriell organisation och produktion, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-21402.
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It is increasingly important for cities to attract visitors, potential new residents and businesses. Jönköping is one of the cities working with place marketing, a strategy that intends to mediate a positive image of the city, in order to accomplish just that. People often have a need to preserve the memory of a trip into something tangible. Anyone visiting Jönköping encounters a souvenir choice, much like the one in many other cities. Linked to the idea of positive place marketing, our work aims to investigate how we as product developers can create a product that en¬hances the image of Jönköping based on the thought that all residents are con¬sig¬nors. Accordingly, we develop three different products from the residents' own image of the city. Our research questions are: Based on the photographs, what image of Jönköping do the ambassadors mediate of their own city? As designers, what in Jönköping's history versus the image of Jönköping today, can we seize in order to give products for visitors a sense of authenticity? As designers, how can we use knowledge of place branding in the development of souvenirs? We performed interviews within three different aspects: history, souvenirs and place branding, all focused on the city of Jönköping. The interviews and a work-shop formed the basis for the further design process. This work has resulted in three products: the matchbox Det nya Jönköping i en historisk förpackning, highlights an important part in the city's history and becomes a conversation piece. Lek dig genom Jönköping want to show visitors what the city offers, and distinguish it from others, from the on-site. Detaljerna gör staden is an every¬day object and function can get residents to begin to discover the details of their own city. Through the use of knowledge and theories of place branding and souvenirs, we would argue that we have found a way to actually catch the residents' image of the city in a number of products. We also believe that it would be able to apply this type of project in other locations to create more authentic and at the same time innovative souvenirs.Det blir allt viktigare för städer att locka till sig besökare, potentiella nya invånare och näringsliv. Jönköping är en av de städer som arbetar med platsmarknadsföring, en strategi som handlar om att förmedla en positiv bild av staden, i syfte att åstadkomma just detta. Människor har ofta ett behov av att bevara minnet av en resa i något materiellt. Den som besöker Jönköping möts av ett souvenirutbud likt det i många andra städer. Kopplat till idén om positiv platsmarknadsföring syftar vårt arbete till att undersöka hur vi som produktutvecklare kan skapa en produkt som stärker bilden av Jönköping utifrån tanken om att alla stadens invånare är avsändare. I detta tar vi fram tre förslag på produkter utifrån Jönköpingsbornas egen bild av staden. Våra frågeställningar är: Utifrån fotografierna, vilken bild av Jönköping förmedlar ambassadörerna av sin egen stad? Vad kan vi som designers ta till vara på i Jönköpings historia kontra bilden av dagens Jönköping för att ge produkter avsedda för besökare autenticitet? På vilket sätt kan vi som designers använda kunskaper inom place branding vid utveckling av souvenirer? Vi har genomfört samtalsintervjuer utifrån tre olika aspekter: historia, souvenirer och platsmarknadsföring, alla med fokus på staden Jönköping. Intervjuerna och en workshop låg till grund för den fortsatta designprocessen. Arbetet har resulterat i tre produkter: tändsticksasken Det nya Jönköping i en historisk förpackning, lyfter fram en viktig del i stadens historia och blir en conversation piece. Spelet Lek dig genom Jönköping vill visa besökaren vad staden erbjuder och särskiljer den från andra, under tiden den används på plats. Underläggen som namngetts Detaljerna gör staden har en tydlig vardagsfunktion och kan få invånarna att börja upptäcka detaljer i sin egen stad. Genom att använda oss av kunskaper och teorier inom place branding och souvenirer vill vi hävda att vi har hittat en väg för att faktiskt fånga Jönköpingsbornas bild av staden i ett antal produkter. Vi tror också att man skulle kunna applicera denna typ av projekt på andra platser för att skapa mer autentiska och samtidigt nyskapande souvenirer.
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Doiron, Andrée Mélissa. "Le complexe des aboiteaux : l'expérience du souvenir obstinément renouvelée chez l'écrivain acadien Claude LeBouthillier." Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25582/25582.pdf.
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Le, Bihan Loig. "Du film au souvenir : Esquisse d'une théorie des processus psychiques du spectateur de films." Paris 3, 2003. http://www.theses.fr/2003PA030149.
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Le cinéma naît, dit-on, non pas comme invention technique mais comme spectacle collectif. Pourtant, au contraire du théâtre, c'est un spectacle qui nécessite l'obscurité. Chacun y est renvoyé à son intimité. Quelle sera alors, dans la réception des films, la part commune des effets psychiques, et sa part intime ? Telle est la question qui nous accompagnera tout au long de ce mémoire. Pour tenter d'y répondre, nous commençons par un réexamen des propositions faites par les psychologues de l'Institut de Filmologie et, après eux, par les métapsychologues du cinéma des années 1970. Ayant mis en évidence ce que ces propositions partagent - un portrait du spectateur des fictions filmiques régressant à une phase fusionnelle - nous proposons de considérer le spectateur comme un ego clivé, engagé imaginairement dans le film, et s'en sachant pourtant dégagé. Nous ne disons alors pas autre chose que Schiller lorsqu'il décrivait le mode esthétique du pathétique. Le spectateur, même lorsqu'il entre dans un rapport hypnoi͏̈de avec le film ou s'y accorde, s'en sait distinct. Dans un deuxième mouvement, nous distinguons deux régimes d'effets psychiques. D'une part, celui de ce que nous nommons l'effectuation dessine le paysage de l'Efficience du film, lorsqu'elle mobilise la part de notre psyché disponible aux identifications, et enclenche une dynamique cognitive autant qu'émotionnelle. Le régime de l'affectuation, d'autre part, regroupe des effets de Rencontre qui se manifestent soit sous la forme de reliefs de l'effectuation (lorsque le film nous impressionne excessivement), soit dans son interruption (lorsque des images nous arrachent à la diégèse). En dernier lieu, nous cherchons à répondre à cette ultime question : comment la différenciation de deux régimes d'effets psychiques se répercutera-t-elle dans la postériorité du spectacle filmique ? Nous distinguons alors deux mémoires filmiques : dites générique (ou des récits) et spécifique (peuplée de souvenirs d'images)The cinema was apparently invented, not as a technical instrument, but as a show for an audience. Yet, unlike the theatre, it requires darkness. Each spectator is taken back to his innermost being. What will the part of collective psychological effects and that of intimacy be when viewing the film ? That is the question we must consider all along our dissertation. To give it an answer, we first go over the work done by Institut de Filmologie psychologists as well as by the seventies metapsychologists of the cinema. After revealing what these works have in common-a portrayal of the viewer regressing to a fusion state-we propose that the viewer be partly engaged in the fiction film in an imaginary way, but knowing it. Eventually, what we assume has already been said by Schiller, when he described the aesthetic mode of the pathetic. The spectator, even when mesmerised or tuned up by the film, knows he is distinct from it. In a second section, we distinguish between too flows of psychological effects. On the one hand, what we name effectuation, draws the landscape of Efficiency, when it rouses a part of our psyche receptive to identifications and triggers a cognitive and emotional dynamic. On the other hand, affectuation brings together Chance effects that appear as reliefs of effectuation processes (when a film impresses us inordinately) or in their interruption (when images pull us out of the diegesis). Finally, we attempt to answer this question : what will the aftereffects of these psychological processes be once the show is over ? We, then, distinguish two kinds of film memories : one generic (story memory) and one specific (composed of image memories)
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Lu, Wanchun, and 盧宛辰. "Souvenir Authenticity Perceptions, Souvenir Characteristics and Purchase Intentions among Tourists in Taipei Longshan Temple." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/98120957200342049600.
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碩士中國文化大學
觀光事業學系
99
Religious culture as a unique tourism resources to meet the spiritual needs of people and aesthetic desires. Religious sites will have a strong cultural appeal to tourists, tourists will want to participate in cultural tourism authenticity of consciousness. Pur-chase of souvenirs for the tourist part of tourist activities, and religious and cultural features of tourism products to attract visitors attention. Motivation of this study is to understand the religious tourist souvenirs authenticity relationship between perception and purchase intention, characteristics and buying souvenirs and souvenirs of the rela-tionship between characteristics of the relationship between perception and reality, Longshan Temple in Taipei to study the scope of the study to tourists object. The results showed that perceived authenticity was positively related to the purchase intention, souvenirs characteristics on purchase intention and positive relationship with souvenirs characteristics positively related to the authenticity of the vision. That tourists feel the authenticity of the Longshan Temple in Taipei perceived higher willingness to buy reli-gious souvenirs will be higher; tourist souvenirs are available for religious and cultural characteristics of the higher purchase intention will also increase; souvenirs will also affect the characteristics possessed perceived authenticity of tourists, souvenir higher culture, the authenticity of the higher perceptions.
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蕭斐文. "A Study of Souvenir Choice Preference." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/39818260453385284852.
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碩士世新大學
觀光學系
92
Shopping consumption is an important activity when travel. General speaking, tourists purchase souvenirs for memorizing the journey or as gifts for their friends at a scenic spot. Therefore, how to increase tourist shopping on souvenirs would be a critical issue for developing local tourism business. Furthermore, if tourism businessmen can clearly understand the attribute preference of tourists while designing the souvenirs, they can use these as basis to design the products. This study attempted to identify vacation lifestyle for distinguishing attribute preference of souvenirs by survey tourists in Chiufen Taipei County. 389 usable questionnaire were obtained. According to the research results, gender, age, marital status, education level, career, and income influences vacation lifestyle. In other respects, frequency of the domestic trip, travel partner and the resources of journey will also affect the vacation lifestyle. Therefore, these variables also affect the attribute preference of the souvenirs. Furthermore, vacation lifestyle strongly correlates to the attribute preference of the souvenirs. For example, the “family vacation style” tourists tend to prefer “presentation,” “the practical consideration,” and “the shop convenience”.
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MA, MU-LAN, and 馬木蘭. "Entrepreneurial Path of Women’s Baking Souvenir." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/x28faa.
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碩士亞洲大學
休閒與遊憩管理學系碩士在職專班
106
The objectives of this research are to investigate the course of entrepreneurship for women’s baking souvenir and to identify the connotation of micro-entrepreneurship in women’s baking souvenir business in order to explore the successful key factors for women micro entrepreneurship (WME). By employing qualitative method, the fieldwork has implemented 7 in-depth semi-structured interviews with 7 professional women in baking businesses. The research concludes: 1.The internal and external business environments for the entrepreneurship of baking souvenir; 2.The motive, traits, and talent of female entrepreneurs in the field of baking souvenir; 3.The challenges and adaptation of female entrepreneurs to set up their own businesses. In summary, inner perseverance and physical support are two important key factors to underpin the course of entrepreneurship for women’s baking souvenir in a fierce and highly competitive market. All recommended factors in this research could test women’s willpower to initiate their own business.
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CHIU, HUNG-LI, and 邱泓曆. "The Factors Affecting Souvenir Choice Intention." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/hg7paw.
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碩士國立臺北教育大學
社會與區域發展學系碩士班
107
Buying souvenir has been recognized as one factor of travel. From the consumer's behavior aspect, consumer try to performance characteristics from brand / product image, which is known as "self-consistency" in psychology, it can actuate people come into being purchase motivation.To explore the relationship between self-concept, culture distance & familiarity of consistency make effect on the consumer’s purchasing of willingness is an important marketing issues. This study was going to explore the relationship between self-concept ,culture distance & familarity of consistency make effect on purchasing souvenir of willingness by tourism, build on the established basis research hypothesis literature, the research object of the european & japanese, & the scope of the study is tourism often buying the Taiwan souvenir, the selection of the eight product conducted a questionnaire testing. The data were collected by google forms.There were 244 questionnairs were collected. The results showed that, culture distance & self-concept demographic variables of the relationship between of the significant differences are in consistency. The choise of tourist souvenirs is influenced by self-concept & cultural distance.The functional conguruity also had a positive impact on souvenir choise.The souvenir managers should consider the influence of the type of souvenir on development of the place.
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Shen, Su-Hui, and 沈素惠. "The Influence of Souvenir Authenticity Perceptions on Shopping Value and Satisfaction - A Study of Airport Souvenir Avenue." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/yxg99m.
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碩士中華科技大學
航空運輸研究所在職專班
104
Authenticity is an important factor to attract consumers, influence consumer choice to do shopping needs, so consumers souvenir choice will be more cautious, demand for authenticity and adherence are increasing. Travelling to adestination, tourists often purchase local souvenirs as reminding evidences of atravel. enhance consumer perception of authenticity of souvenir. In order to meet consumer demand, and thus understand the issues and the degree of satisfaction of shopping value after generation of consumers when shopping, industry is the most important concern and issue. This study aims to investigate the causal relationship between souvenirs authenticity, shopping value and shopping satisfaction. For the final sample the response rate was 88.5% (i.e 354 usabl surveys were collected form the 400 questionnaires distributed). The techniques for testing the hypotheses are based on multiple regression analysis and mediated regression analysis. The results of survey show：(1) souvenirs authenticity had a significant effect on consumer shopping satisfaction; (2) souvenirs authenticity had a significant effect on consumer shopping value; (3) consumer shopping value had a significant effect on shopping satisfaction; and (4) souvenirs authenticity is partially mediated through shopping value in influencing shopping satisfaction. Recommends that industry can be increased from the authenticity of local traditional cultural elements to proceed, in order to create shopping value and enhance the overall consumer shopping satisfaction.
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Lee, Hou-Ching, and 李厚璟. "Domestic tourists' souvenir purchase behavior study-The role of travel motivation, souvenir product attributes, and store attributes." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/05814247731933295971.
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碩士中國文化大學
觀光事業學系
98
The purpose of this study is to analyze what travel motivations influence the attributes of the souvenir product and the store where the souvenir is purchased, and what souvenir attributes and store attributes will influence tourists’ purchase intention. Data were collected from 347 tourists who had traveled to Neiwan and bought souvenir. The motivations of tourists who traveled to Neiwan were divided into four facts: “self satisfaction”, “history visit”, “away from stress”, and “crowded and noisy”. The attributes of souvenir products were: “attractive look and package”, “design”, “uniqueness”, and “easy to care and carry”. Then the attributes of stores were: “image and sales associate”, “product display”, “location”, and “promotion”. The attributes of souvenir products and store were significantly and positively influenced by travel motivation. Purchase intention was significantly and positively influenced by souvenir product attributes and store attributes.
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Kusdibyo, Lusianus. "Unlocking Souvenir Shopping Tourism in Indonesia : a Cross-Cultural Study." Thesis, 2015. https://vuir.vu.edu.au/29986/.
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Souvenir shopping has emerged as a critical component of the Indonesian tourism industry because it helps small home industries to survive and develop. The aims of this study was to gain an understanding of souvenir tourists’ behaviour across three groups – Indonesian, Asian and non-Asian - in relation to their shopping preferences, travel patterns and demographic characteristics. This research was to identify the key determinants of the motivational push and pull factors of shopping tourists, their travel experience quality, satisfaction and behavioural intention from different cultural backgrounds. Further, this study examined the relationship between tourists’ travel motivation and other behavioural constructs in relation to future behavioural intention in the Indonesian souvenir shopping tourism context.