Academic literature on the topic 'South African National Gallery. Friends'
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Journal articles on the topic "South African National Gallery. Friends"
Andersen, Josephine. "The South African National Gallery Library News Collection." de arte 26, no. 44 (September 1991): 40–43. http://dx.doi.org/10.1080/00043389.1991.11761135.
Full textKerkham, R. "FRESH: ARTIST'S RESIDENCY PROGRAM: South African National Gallery." Nka Journal of Contemporary African Art 2007, no. 21 (September 1, 2007): 122–23. http://dx.doi.org/10.1215/10757163-21-1-122.
Full textLodge, Tom, and Milan Oralek. "FRATERNAL FRIENDS: SOUTH AFRICAN COMMUNISTS AND CZECHOSLOVAKIA, 1945–89." Journal of African History 61, no. 2 (July 2020): 219–39. http://dx.doi.org/10.1017/s0021853720000353.
Full textAndersen, Josephine, and Nozuko Mjoli. "Beyond the walls: taking the art library to the community." Art Libraries Journal 20, no. 4 (1995): 22–24. http://dx.doi.org/10.1017/s0307472200009597.
Full textCrawshay-Hall, Jayne Kelly. "Between Dreams and Realities: A History of the South African National Gallery, 1871–2017." de arte 55, no. 3 (May 21, 2020): 95–101. http://dx.doi.org/10.1080/00043389.2020.1731653.
Full textCrampton, Andrew. "The art of nation-building: (re)presenting political transition at the South African National Gallery." cultural geographies 10, no. 2 (April 2003): 218–42. http://dx.doi.org/10.1191/1474474003eu270oa.
Full textCarman, Jillian. "A History of the Iziko South African National Gallery: Reflections on Art and National Identity, by Anna Tietze." de arte 53, no. 1 (January 2, 2018): 102–8. http://dx.doi.org/10.1080/00043389.2018.1459095.
Full textAndersen, Josephine. "Redressing past cultural biases and imbalances in South Africa: a contribution by the Library of the South African National Gallery." Art Libraries Journal 23, no. 1 (1998): 4–7. http://dx.doi.org/10.1017/s0307472200010749.
Full textNwafor, Okechukwu. "A Nomad's Harvest, Iziko South African National Gallery (ISANG), Cape Town March 5–July 9, 2014." African Arts 48, no. 2 (June 2015): 80–82. http://dx.doi.org/10.1162/afar_r_00223.
Full textAndersen, Josephine. "The museum art library as a bridge between the artist and society, with special reference to the South African National Gallery." Art Libraries Journal 20, no. 2 (1995): 4–12. http://dx.doi.org/10.1017/s0307472200009299.
Full textDissertations / Theses on the topic "South African National Gallery. Friends"
Hahn, Catherine Neville. "The political house of art : the South African National Gallery, 1930-2009." Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/19314/.
Full textCook, Shashi Chailey. ""Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994)" /." Thesis, Rhodes University, 2009. http://eprints.ru.ac.za/1631/.
Full textYoshie, Yoshiara. "Art museums in a diverse society : a visitor study at the South African National Gallery." Thesis, SOAS, University of London, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498502.
Full textLilla, Qanita. ""The advancement of art" : policy and practice at the South African National Gallery, 1940-1962." Master's thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/18426.
Full textThis thesis is an enquiry into the policies and practices that shaped the South African National Gallery in the 1940s and 1950s. Drawing on newspaper reports, the South African National Gallery's exhibition catalogues, pamphlets and annual reports, records of parliamentary debate and the crucial report of the Stratford Commission of 1948 the study has reconstructed a detailed history of the South African National Gallery. Established in 1871 as a colonial museum catering for a small part of the settler population of British descent, the museum came under pressure to accommodate the Afrikaner community after 1948. This did not mean that the liberal ethos at the museum disappeared, however. The South African National Gallery was strongly influenced by public pressure in this period. Public outrage over controversial art sales in 1947 led to the appointment of a commission of enquiry into the workings of the museum. At the same time, the head of the Board of Trustees, Cecil Sibbett, engaged the public on matters of Modern art. The museum's conservative and controversial Director, Edward Roworth was replaced in 1949 by John Paris who ushered in a new phase of development and management, encouraged the reconceptualization of South African art and reorganized the permanent collection. This initiative took place despite decreased autonomy for the Director and increased government imposition of Afrikaner Nationalist ideology. Nevertheless, the South African National Gallery avoided becoming a political instrument of the Apartheid regime.
Becker, Natasha. "Inside and outside the family album: Making, exhibiting and archiving the photograph in the South African National Gallery and the National Library of South Africa." University of the Western Cape, 2018. http://hdl.handle.net/11394/6046.
Full textOne of the first things that reached me about photography was how a photograph tells a story or stories. This experience is perhaps most common when viewing personal photographs. A few years ago I was looking through a vast number of personal photographs, of a family I knew well, and was struck by how all the photographs (in albums, framed or lying loosely about) were part of a particular family narrative. Even without the storytelling, which accompanied my viewing of the photographs, I could still 'read' bits and pieces of the family history (and the broader social, political and cultural histories) in their photographs.
Moruthane, Sepadi. "The digital classification of “unknown maker(s)” of cultural objects: A case study of Iziko South African National Gallery." Master's thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/32884.
Full textBarben, Marc Walter. "What does it mean to be a 'national' gallery when the notions of 'nation' transform radically?: An analysis of the Iziko South African National Gallery's practices and policies in historical contexts." Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/13650.
Full textWhile much has been written on the European display of non - western art and artefact collected from their colonies in Africa, less has been documented about the European settler arts institutions, like the South African National Gallery (SANG), whose distant location away from the imperial centre initially presented particular challenges. In South Africa, since colonialism, these challenges have been expanded by settler nationalisms, a racially oppressive regime, a liberation movement, and a relatively peaceful transition to a democracy. In its form and its function, the SANG has reflected the redefined nationalisms that accompanied these historical moments. In light of the global history of national galleries and more recent theoretical discussions about cultural institutions, this study probes the complex layering of histories evidenced in collection and exhibition practices at the SANG in its historical contexts. Historically South African galleries have reflected colonial and later apartheid ideologies. With the transition to a democratic society in 1994, the ‘new’ South Africa ushered in a radically redefined national identity. If national collections reflect the nations to which they belong, this study questions the SANG’s ability in reflecting successive redefinitions of South African nationhood, and its adaptability in meeting shifting social and political requirements. By examining shifts in collections and display practices and policies, in the SANG’s historical contexts, this paper ultimately asks the question: What does it mean to be a ‘national’ gallery when the notions of ‘nation’ transform radically?
Books on the topic "South African National Gallery. Friends"
Dolby, Joe. Strat Caldecott: Retrospective, South African National Gallery, 7.5.1986-15.6.1986. [Cape Town]: South African National Gallery, 1986.
Find full textKatz, Hanns Ludwig. Hanns Ludwig Katz: South African National Gallery : 24.11.1993-27.2.1994. Cape Town: South African National Gallery, 1994.
Find full textContemporary South African art: 85-95, from the South African National Gallery permanent collection. [Cape Town: The Gallery], 1997.
Find full textGallery, South African National. Guide to the manuscripts in the South African National Gallery. Pretoria: The Service, 1993.
Find full textPemba, George Mnyalaza Milwa. George Milwa Mnyaluza Pemba: South African National Gallery, 27.4.1996-28.7.1996. [Bellville]: Mayibuye Books, 1996.
Find full textGallery, South African National, ed. The Abe Bailey collection in the South African National Gallery. [Cape Town]: Abe Bailey Trust, 2008.
Find full textAlexander, Jane. Jane Alexander: DaimlerChrysler Award for South African sculpture 2002. Ostfildern-Ruit: Hatje Cantz, 2002.
Find full textGallery, South African National, and District Six Museum Foundation, eds. District Six: Image and representation : South African National Gallery : 28.10.1995- 25.2.1996. [Cape Town]: District Six Museum Foundation, 1995.
Find full text1955-, Bedford Emma, and South African National Gallery, eds. A decade of democracy: South African art, 1994-2004 : from the permanent collection of Iziko : South African National Gallery. Wetton, Cape Town: Double Storey Books, 2004.
Find full textDelmont, Elizabeth. Maggie Laubser: Early works from the Silberberg Collection : South African National Gallery, 2 December 1987-31 January 1988 = Maggie Laubser : vroeë werke uit die Silberberg-versameling, Suid-Afrikaanse Nasionale Kunsmuseum, 2 Desember 1987-31 Januarie 1988. Cape Town: South African National Gallery, 1987.
Find full textBook chapters on the topic "South African National Gallery. Friends"
"Classical Impressions, Modernist Aspirations: Shaping a Field of Contention at the South African National Gallery (1895–1947)." In Images of the Art Museum, 191–214. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110341362-010.
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