Academic literature on the topic 'South Africa Authors'
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Journal articles on the topic "South Africa Authors"
Alden, Chris, and Mills Soko. "South Africa's economic relations with Africa: hegemony and its discontents." Journal of Modern African Studies 43, no. 3 (July 28, 2005): 367–92. http://dx.doi.org/10.1017/s0022278x05001011.
Full textAugustine Umezurike, Samuel, Chux Gervase Iwu, and Lucky Asuelime. "Socio-economic implications of South Africa’s foreign direct investment in Southern African development." Investment Management and Financial Innovations 13, no. 3 (October 10, 2016): 362–70. http://dx.doi.org/10.21511/imfi.13(3-2).2016.08.
Full textZagrebelnaya, N. S., and V. N. Shitov. "HISTORY OF NATIONAL ECONOMIC SYSTEM FORMATION IN THE REPUBLIC OF SOUTH AFRICA." MGIMO Review of International Relations, no. 3(48) (June 28, 2016): 273–79. http://dx.doi.org/10.24833/2071-8160-2016-3-48-273-279.
Full textOzili, Peterson K., and Erick Rading Outa. "Bank income smoothing in South Africa: role of ownership, IFRS and economic fluctuation." International Journal of Emerging Markets 13, no. 5 (November 29, 2018): 1372–94. http://dx.doi.org/10.1108/ijoem-09-2017-0342.
Full textWard, Graham Bernard, and Chris Adendorff. "Entrepreneurship in South Africa." Journal of Media Management and Entrepreneurship 2, no. 1 (January 2020): 70–85. http://dx.doi.org/10.4018/jmme.2020010105.
Full textEckl, Frauke Katharina, Rirhandu Mageza-Barthel, and Sophia Thubauville. "Ethiopia’s Asian Options: A Collage of African and Asian Entanglements." Insight on Africa 9, no. 2 (July 2017): 89–108. http://dx.doi.org/10.1177/0975087817707445.
Full textDentith, Audrey M., Misty Sailors, and Mantsose Sethusha. "What Does It Mean to Be a Girl? Teachers’ Representations of Gender in Supplementary Reading Materials for South African Schools." Journal of Literacy Research 48, no. 4 (December 2016): 394–422. http://dx.doi.org/10.1177/1086296x16683474.
Full textPato, Luke, and Janet Trisk. "New Ways of Seeing: Theological Issues in Post-Apartheid South Africa." Journal of Anglican Studies 1, no. 2 (December 2003): 81–91. http://dx.doi.org/10.1177/174035530300100206.
Full textKhumalo, Ziyanda, and Abdul Latif Alhassan. "Read, write, develop: the socio-economic impact of literacy in South Africa." International Journal of Social Economics 48, no. 8 (April 29, 2021): 1105–20. http://dx.doi.org/10.1108/ijse-07-2020-0448.
Full textZ. Chen, Kevin, Claire Hsu, and Shenggen Fan. "Steadying the ladder." China Agricultural Economic Review 6, no. 1 (January 28, 2014): 2–20. http://dx.doi.org/10.1108/caer-04-2013-0055.
Full textDissertations / Theses on the topic "South Africa Authors"
Van, Wyk W. A. "Analysis of South African general trade book sales : exploring opportunites for SA publishers and authors." Thesis, Stellenbosch : Stellenbosch University, 2006. http://hdl.handle.net/10019.1/85172.
Full textENGLISH ABSTRACT: Mhlongo (2004) observes that the South African bestseller charts are dominated by imported titles and that it appears that the public prefer foreign titles above books published in South Africa (SA). By analysing data of South African general trade book sales, it has been possible to establish to what extent Mhlongho’s statement is true for all Nielsen BookScan South Africa (NBS-SA) Product Class genres. An analysis of the weekly Top 50 bestseller charts produced by NBS-SA proved that local authors face strong competition from frequently read foreign authors. The aim of this report is to assist South African authors to identify niche markets where, though South African published titles do not compete well against imported titles, there is a definite buyer interest. Only product classes that have the potential to yield relatively high returns for the author were considered. An investigation into the number of SA published books within each of the product classes revealed that South African authors and publishers are indeed under-servicing these identified product classes. Further analysis pointed out that South African titles that sell well are mainly on non-fiction topics; and in the young adult group SA title sales are mainly obtained through educational product. Most identified publishing opportunities were within genres requiring very specific or at least some prior knowledge about the subject matter, thereby restricting the possibilities to authors knowledgeable on those subjects. Fiction, however, is a generalist genre and most generalist areas were found to be completely dominated by imported titles. The analysis resulted in the extraction of the most viable publishing opportunities for South African authors in the general book trade market of South Africa. The findings of this research report empower the South African general trade book industry by exposing publishing opportunities in this country. By targeting these genres, local authors increase their probability of earning good returns and reclaiming market share from imported titles, provided that they are capable of producing competitive titles. It was concluded that poor book-buying figures are a consequence of the financial status of South African inhabitants. The outcome hereof is a very distinct buyer group that tends to buy books for application purposes and which focuses on acknowledged bestsellers when it comes to leisure reading. This is not very different from what is seen internationally. The small size of the South African market however does not create enough depth to ensure good sales on average titles.
AFRIKAANSE OPSOMMING: Mhlongho (2004) het beweer dat Suid-Afrikaanse beste verkopelyste gedomineer word deur ingevoerde publikasies en dat dit blyk dat die publiek ingevoerde titels verkies bo Suid-Afrikaans gepubliseerde boeke. Deur middel van ’n analise van algemene boekverkope in Suid-Afrika was dit moontlik om te bepaal hoe waar Mhlongho se bewering is ten opsigte van alle Nielsen BookScan-produkklasse. ’n Analise van die weeklikse Top 50 verkopelyste, gepubliseer deur Nielsen BookScan Suid-Afrika, het bevestig dat outeurs sterk kompetisie kry van welbekende internasionale outeurs. Die doel van hierdie verslag is om Suid-Afrikaanse outeurs te help om markte te identifiseer waarin Suid-Afrikaanse titels nie goed opweeg teen ingevoerde titels nie, maar waar daar nog steeds ’n besliste kopersaanvraag is. Slegs produkklasse wat ’n potensiaal vir relatiewe hoë opbrengste getoon het is oorweeg. ’n Studie na die hoeveelheid Suid-Afrikaans gepubliseerde boeke wat beskikbaar gemaak word in elk van hierdie produkklasse het getoon dat hierdie genres inderdaad nie deur Suid-Afrikaanse outeurs en uitgewers bedien word nie. ‘n Verdere analise het getoon dat Suid-Afrikaanse titels wat goed verkoop merendeels uit nie-fiksie bestaan. In die jong adolessente groep word SA-verkope gekenmerk deur studiemateriaal. Die meeste van die geïdentifiseerde gapings was in genres wat spesifieke kennis of insig tot ’n sekere vakgebied vereis en sodoende die gebruiklikheid daarvan beperk tot outeurs met hierdie vakkennis. Fiksie is egter ’n algemene genre en oor die algemeen word hierdie produkklasse geheel en al gedomineer deur ingevoerde publikasies. Die analise het moontlike geleenthede vir Suid-Afrikaanse outeurs in die algemene boeksektor bloot gelê. Die eindproduk van hierdie navorsingsprojek bemagtig die Suid-Afrikaanse algemene boekbedryf deur uitgeegeleenthede te identifiseer. Deur hierdie geleenthede op te neem staan opkomende outeurs die kans tot goeie verdienste en om markaandeel te wen ten midde van ingevoerde publikasies, mits hulle ’n meedingende produk kan lewer. Die verslag sluit af met die bevinding dat swak boekverkope die resultaat is van die finansiële beslag van Suid-Afrika se inwoners. Die netto effek is ’n baie eiesoortige kopersgroep wat geneig is tot boeke geskik vir toepassings. Verder spits hulle hulle toe op beste verkopers wanneer dit kom by aankope vir ontspanning. Dit is nie aansienlik verskillend van wat die internasionale tendens is nie, maar die grootte van die Suid-Afrikaanse mark laat egter nie genoeg diepte om goeie verkope vir gemiddelde titels te verseker nie.
Spencer, Lynda Gichanda. "Writing women in Uganda and South Africa : emerging writers from post-repressive regimes." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86251.
Full textENGLISH ABSTRACT: The thesis examines how women writers from Uganda and South Africa simultaneously offer a critique of nationalist narratives and articulate a gendered nationalism. My focus will be on the new imaginings of women in and of the nation that are being produced through the narratives of emerging women writers in post-repressive nation-states. I explore the linkages in post-conflict writing by focusing on the literary representations of women and womanhood, while taking into account some of the differences in how these writers write women in these two post-repressive regimes. I read the narratives from these two countries together because, in the last fifty years, both Uganda and South Africa have been through prolonged periods of political repression and instability followed by negotiated transitions to new political dispensations. I use the phrase post-repressive to refer to the post-civil war era after 1986 in Uganda and the post-apartheid period subsequent to the 1994 first democratic elections in South Africa. From the late 1990s, there has been a steady increase in fiction written by emerging women writers in Uganda and South Africa. The term emerging women writers in the Ugandan literary context refers to the writers who have benefitted from the emergence of FEMRITE Publications, the publishing house of the Ugandan Women Writers’ Association; in the South African setting, I use the term to define black women writers publishing for the first time in a liberated state. The current political climate in both countries has inaugurated a new era for women writers; cracks are widening for these new voices, creating more spaces that allow them to foreground, interrogate, engage and address wide-ranging topics which lacked more forms of expression in the past. This study explores how women writers from Uganda and South Africa attempt to capture women’s experiences in literary texts and seeks to find ways of interpreting how such constructs of female identity in the aftermath of different forms of oppression articulate various signs of rupture and continuation with earlier representations of female experience in these two nation states. There are three core chapters in this thesis. I approach the gendered experience as represented in the fictional narratives of emerging women writers through three different perspectives; namely, war and the aftermath, popular literary genres, and identity markers. In the process, I try to think through the following questions: How are writers reclaiming and re-evaluating women’s participation during the oppressive regimes of civil war in Uganda and apartheid in South Africa? How are women writers rethinking and repositioning the roles of women as they continue to live in patriarchal societies that marginalize and oppress them? To what extent have things changed for women in the aftermath of these oppressive regimes as represented in the texts? What new representations of women are emerging? For whom, and from what positions, are these women writing? Is literary representation a reiteration of political representation that ends up not being effective? What is the relation between literary and political representation? Do these narratives open up alternative avenues for writers to represent women’s interests? How do new female literary representations emerge in different novels such as chick lit and crime fiction?
AFRIKAANSE OPSOMMING: Hierdie proefskrif ondersoek die wyses waarop vroueskrywers uit Uganda en Suid-Afrika krities kyk na nasionalisitiese narratiewe en tegelyk ook na ‘n gendered nasionalisme. Daar word gefokus op die nuwe uitbeeldinge van vroue in en van die nasies wat spruit uit die narratiewe van opkomende vroueskrywers in nasiestate in die post-onderdrukking-tydperk. Deur te fokus op die uitbeeldinge van vroue en vroulikheid word die verbande tussen post-konflik-skryfwerk ondersoek, en word ook rekening gehou met etlike verskille in die wyses waarop vroue deur sodanige skrywers in spesifieke post-onderdrukking-regimes uitgebeeld word. Die narratiewe uit die twee lande word saam gelees, want in die loop van die afgelope vyftig jaar ondervind sowel Uganda as Suid-Afrika langdurige politieke onderdrukking en onbestendigheid, gevolg deur onderhandelde oorgange na nuwe politieke bedelings. Die term post-onderdrukking verwys na die tydperk na 1986 na die burgeroorlog in Uganda en na die post-apartheid-era na afloop van die eerste demokratiese verkiesing in Suid-Afrika in 1994. Sedert die laat-1990’s was daar ‘n geleidelike toename in fiksie deur opkomende vroueskrywers in Uganda en Suid-Afrika. In die Ugandese letterkundige konteks verwys die term opkomende vroueskrywers na skrywers wat gebaat het by die totstandkoming van FEMRITE Publications, die uitgewery van die Ugandese vroueskrywersvereniging; in die Suid-Afrikaanse opset word die term gebruik om swart vroueskrywers te beskryf wat vir die eerste keer in ‘n bevryde land kon publiseer. Die huidige politieke klimaat in albei lande het vir vroueskrywers ‘n nuwe era ingelei; vir sulke vars stemme gaan daar breër barste oop wat hulle toelaat om al hoe meer ruimte te skep waarin wyduiteenlopende onderwerpe, wat in die verlede minder uitdrukkingsgeleenthede geniet het, vooropgestel, ondersoek, betrek en aangespreek kan word. Die proefskrif ondersoek die maniere waarop vroueskrywers uit Uganda en Suid-Afrika die vroulike ervaring in letterkundige geskrifte uitbeeld. Daar word gepoog om te vertolk hoe sodanige konstrukte vroulike identiteit verwoord in die nadraai van verskeie soorte onderdrukking en uiting gee aan verskillende tekens van beide die onderbreking in en die voortsetting van vroeëre uitbeeldinge van die vroulike ervaring in die twee nasiestate. Die proefskrif bevat drie kernhoofstukke. Die gendered ervaring word uit drie afsonderlike hoeke benader soos dit in die narratiewe verteenwoordig word, naamlik: oorlog en die nadraai daarvan; populêre letterkundige genres; en identiteitskenmerke. In die loop daarvan word getrag om die volgende vrae te deurdink: Hoe word vroue se deelname tydens die onderdrukkende regimes van die burgeroorlog in Uganda en apartheid in Suid-Afrika hereien en herwaardeer? Hoe herdink en herposisioneer vroueskrywers tans die rolle van vroue soos hulle steeds in patriargale samelewings voortleef waar hulle opsygeskuif en onderdruk word? In hoe ‘n mate het sake vir vroue verander in die nadraai van die onderdrukking, soos dit in die tekste uitgebeeld word? Watter vars representasies van vroue kom onder die nuwe bedeling tot stand? Vir wie, en uit watter posisies, skryf hierdie vroue tans? Is die letterkundige representasie bloot ‘n herhaling van die politieke representasie, wat dan op niks doeltreffends uitloop nie? Wat is die verhouding tussen politieke en letterkundige representasie? Baan hierdie narratiewe alternatiewe weë oop waar skrywers die belange van vroue kan verteenwoordig? Hoe kom nuwe vroulike letterkundige representasies in verskillende narratiewe vorms soos chick lit en misdaadfiksie voor?
Karassellos, Michael Anthony. "Critical approaches to Soweto poetry : dilemmas in an emergent literature." Master's thesis, University of Cape Town, 1989. http://hdl.handle.net/11427/18830.
Full textBokoda, Alfred Telelé. "The poetry of David Livingstone Phakamile Yali-Manisi." Master's thesis, University of Cape Town, 1994. http://hdl.handle.net/11427/17400.
Full textYali-Manisi, a Xhosa writer, performs and writes traditional praise poetry (izibongo) and modern poems (isihobe) and can, therefore, be regarded as a bard because he also performs his poetry. One can safely place him in the interphase as he combines performance and writing. The influence of oral poems and other oral genres can be perceived in his works as some of his works are a product of performances which were recorded, transcribed and translated into English. The dissertation, among other things, examines the way in which Yali-Manisi's work has been influenced by such manipulations. In this study we examine lzibongo Zeenkosi ZamaXhosa, lmfazwe kaMianjeni, Yaphum'igqina and other individually recorded poems. His poetry is characterised by an interaction between tradition and innovation. The impact of traditional poetic canon on the poet, the way of exploiting traditional devices are the most outstanding characteristics concerning his poetry. His optimistic disposition towards the future of the South African political situation leaves one with the impression that he envisages an end to the Black-White political dichotomy. Yali-Manisi manipulates literary forms to articulate specific socio-political and cultural attitudes which are dominant among the majority of South Africans. His writings coincide with some of the major political changes in South Africa. In his recent works, he is explicit and protests against Apartheid structures especially in Transkei and Ciskei. In his earlier works he could not articulate the feelings of his people as an imbongi because of the fear of censorship and themes of protests had to be handled with extreme caution if one's manuscripts were to be published at all. He often alludes to national oppression of the majority by the minority and instigates the former to be politically conscious. In some instances (e.g. in his historical poems) he seeks to correct inaccuracies which are presented in history books. Thus showing the listener/reader another side of the coin. He displays very keen interest and deep knowledge of natural phenomena such as seasons of the year and the behaviour of animals during each period. Poems about historical figures are characterised by certain allusions which refer to realities and events in the life of the 'praised one' or his forefathers. This helps to shed light on the present situation. Although fictitious adaptations of genuine events have been done, an element of reality is still prevalent.
Mde, Vukani. ""Effulgent in the firmament" the politics of representation and the politics of reception in South Africa's 'poetry of commitment', 1968-1983." Thesis, University of Port Elizabeth, 2002. http://hdl.handle.net/10948/288.
Full textThackwray, Sarah. "Storytelling and social commentary in a comparison of Zakes Mda's Ways of Dying (1995) and Black Diamond (2009)." Thesis, Nelson Mandela Metropolitan University, 2017. http://hdl.handle.net/10948/7149.
Full textKrueger, Anton. "Experiments in freedom : representations of identity in new South African drama ; an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994-2007." Pretoria : [s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-10282008-141823.
Full textGaylard, Rob. "Writing black : the South African short story by black writers /." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019/3224.
Full textMontle, Malesela Edward. "Reconstructing identity in post-colonial black South African literature from selected novels of Sindiwe Magona and Kopano Matlwa." Thesis, University of Limpopo, 2018. http://hdl.handle.net/10386/2591.
Full textThis study seeks to examine the concept of identity in the post-colonial South Africa. Like any other African state, South Africa was governed by a colonial strategy called apartheid which meted out harsh conditions on black people. However, the indomitable system of apartheid was subdued by the leadership of the people, which is democracy in 1994. Notwithstanding the dispensation of democracy, colonial legacies such as inequality, racial discrimination and poverty are still yet to be addressed. As mirrored in Sindiwe Magona’s Beauty’s Gift (2008) and Mother to Mother (1998) and Kopano Matlwa’s Coconut (2008) and Spilt Milk (2010), the colonial past perhaps paved a way for social issues to warm their way into the democratic South Africa. This study will use the aforementioned novels penned in the post-colonial period to present an evocation of identity-crisis in South Africa. It will then employ these methodological approaches; Afrocentricity, Feminism, Historical-biographical and Post-Colonial Theory to assert and re-assert the identity that South Africans have acquired subsequent to the political transition from apartheid to democracy. KEY WORDS: Apartheid, Colonialism, Democracy, Identity, Post-Colonialism
Lombard, Erica. "The profits of the past : nostalgic white writing of post-apartheid South Africa." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:bb2c9ae1-e551-4931-9a44-3197fdc6e010.
Full textBooks on the topic "South Africa Authors"
Hilton-Barber, Bridget. Garden of my ancestors. Johannesburg, South Africa: Penguin Books, 2008.
Find full textRooyen, Basil Van. How to get published in South Africa: A guide for authors. 2nd ed. Halfway House [South Africa]: Southern Book Publishers, 1996.
Find full textRooyen, Basil Van. How to get published in South Africa: A guide for authors. Halfway House [South Africa]: Southern Book Publishers, 1994.
Find full textHughes, Langston. Langston Hughes and the South African Drum generation: The correspondence. New York: Palgrave Macmillan, 2010.
Find full textBessie Head: Thunder behind her ears : her life and writing. Portsmouth, NH: Heinemann, 1996.
Find full textBessie Head: Thunder behind her ears : her life and writing. London: James Currey, 1995.
Find full textBook chapters on the topic "South Africa Authors"
Plaatjie, Sebeka Richard, and Monene Mogashoa. "South Africa and Xenophobia." In Advances in Religious and Cultural Studies, 38–55. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-7099-9.ch003.
Full textLeibbrandt, Murray, Vimal Ranchhod, and Pippa Green. "South Africa." In Inequality in the Developing World, 205–30. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198863960.003.0009.
Full textMaumbe, Blessing M., Vesper Owei, and Wallace Taylor. "Enabling M-Government in South Africa." In Mobile Government, 207–32. IGI Global, 2007. http://dx.doi.org/10.4018/978-1-59140-884-0.ch011.
Full text"Authors and Gatekeeping." In A Social History of the University Presses in Apartheid South Africa, 122–56. BRILL, 2016. http://dx.doi.org/10.1163/9789004293489_005.
Full textBezuidenhout, Christiaan, and Karen Booyens. "Corrections and Punishment Approaches in South Africa." In Strategic Learning Ideologies in Prison Education Programs, 66–94. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-2909-5.ch003.
Full textBezuidenhout, Christiaan, and Karen Booyens. "Corrections and Punishment Approaches in South Africa." In African Studies, 827–48. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3019-1.ch045.
Full text"ABOUT THE AUTHORS." In A handbook on Legal Languages and the quest for linguistic equality in South Africa and beyond, x—xi. African Sun Media, 2021. http://dx.doi.org/10.2307/j.ctv1qgnkb7.6.
Full textMutula, Stephen M., and Daisy Jacobs. "Knowledge Management Solution to Challenges of Higher Education in South Africa." In Digital Economy Innovations and Impacts on Society, 50–64. IGI Global, 2012. http://dx.doi.org/10.4018/978-1-4666-1556-4.ch004.
Full textAndreoni, Antonio, Pamela Mondliwa, Simon Roberts, and Fiona Tregenna. "Framing Structural Transformation in South Africa and Beyond." In Structural Transformation in South Africa, 1–27. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192894311.003.0001.
Full textTshifhumulo, Rendani, Faith F. Musvipwa, Tshimangadzo Justice Makhanikhe, and Livhuwani Daphney Tshikukuvhe. "Towards an African-Centered Model of Learning." In Ethical Research Approaches to Indigenous Knowledge Education, 155–77. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-1249-4.ch007.
Full textConference papers on the topic "South Africa Authors"
"List of authors." In 2017 Pattern Recognition Association of South Africa and Robotics and Mechatronics (PRASA-RobMech). IEEE, 2017. http://dx.doi.org/10.1109/robomech.2017.8261113.
Full text"Index of authors." In 2015 Pattern Recognition Association of South Africa and Robotics and Mechatronics International Conference (PRASA-RobMech). IEEE, 2015. http://dx.doi.org/10.1109/robomech.2015.7359533.
Full textDias, Rui, and Hortense Santos. "STOCK MARKET EFFICIENCY IN AFRICA: EVIDENCE FROM RANDOM WALK HYPOTHESIS." In Sixth International Scientific-Business Conference LIMEN Leadership, Innovation, Management and Economics: Integrated Politics of Research. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2020. http://dx.doi.org/10.31410/limen.2020.25.
Full textAlves, Anabela C., Franz-Josef Kahlen, Shannon Flumerfelt, and Anna Bella Siriban Manalang. "Comparing Engineering Education Systems Among USA, EU, Philippines and South Africa." In ASME 2013 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/imece2013-63254.
Full textSalufu, Samuel, Rita Onolemhemhen, and Sunday Isehunwa. "Hydrocarbon Generation Indication from Source Rock to Reservoir Rock: Case Studies of Anambra and Abakaliki Basins South-Eastern Nigeria." In SPE/AAPG Africa Energy and Technology Conference. SPE, 2016. http://dx.doi.org/10.2118/afrc-2560967-ms.
Full textPedreirinho, José Manuel, Michel Toussaint, and Pancho Guedes. "The Porteguese Perspective." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.4.
Full textDi Bella, Francis A., and Jonathan Gwiazda. "A New Concept for a Thermal Air Power Tube Used With Concentrated Solar Energy Power Generation in Open-Pit Mines and Large Natural Geo-Physical Phenomenon." In International Joint Power Generation Conference collocated with TurboExpo 2003. ASMEDC, 2003. http://dx.doi.org/10.1115/ijpgc2003-40071.
Full text"Author index." In IEEE South African Symposium on Communications and Signal Processing. IEEE, 1990. http://dx.doi.org/10.1109/comsig.1990.658517.
Full textCoetzee, Isabella. "Student support to enhance student living and learning at a South African University." In HEAd'16 - International Conference on Higher Education Advances. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/head16.2016.2659.
Full text"Author index." In Proceedings of COMSIG '94 - 1994 South African Symposium on Communications and Signal Processing. IEEE, 1994. http://dx.doi.org/10.1109/comsig.1994.512349.
Full text