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1

Mori, Yoshihisa. Onkyō gijutsushi: Oto no kiroku no rekishi. Tōkyō: Tōkyō Geijutsu Daigaku Shuppankai, 2011.

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2

Tou kyriou tou hē phōnē: Historia tēs diskographias. Athēna: Metronomos, 2010.

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3

Simon, Géza Gábor. Magyar hanglemeztörténet: (100 éves a magyar hanglemez, 1908-2008). Budapest: Jazz Oktatási és Kutatási Alapítvány, 2008.

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4

Rhein, Eduard. 100 Jahre Schallplatte. Berlin: Presse- und Informationsamt des Landes Berlin, 1987.

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5

"His Master's Voice": Die Geschichte der Schallplatte. Berlin: Parthas, 2011.

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6

Thérien, Robert. L' histoire de l'enregistrement sonore au Québec et dans le monde, 1878-1950. [Sainte-Foy, Québec]: Presses du l'Université Laval, 2003.

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7

Lippus, Urve, and Kadri Steinbach. Eesti helisalvestised 1939: Estonian sound recordings 1939. Tallinn: Eesti Muusika- ja Teatriakadeemia, 2009.

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8

L'invention du disque 1877-1949: Genèse de l'usage des médias musicaux contemporains. Paris: Archives contemporaines, 2009.

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9

Smith, Jacob. Spoken word: Postwar American phonograph cultures. Berkeley: University of California Press, 2011.

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10

Imperial War Museum. Sound Archive. The Special Operations Executive: Sound archive, oral history recordings. London: Trustees of the Imperial War Museum, 1998.

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11

Sharma, A. N. The wonder that was the cylinder: Early and rare Indian cylindrical records. Mumbai: Spenta Multimedia, 2014.

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12

R, Nauck Kurt, ed. American record labels and companies: An encyclopedia (1891-1943). Denver, Colo: Mainspring Press, 2000.

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13

History of music. Minneapolis, Minnesota: Essential Library, an imprint of Abdo Publishing, 2015.

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14

Jütka, Salavetz, ed. Five hundred 45s: A graphic history of the seven-inch record. New York, NY: Collins Design, 2010.

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15

Cunningham, Mark. Good vibrations: A history of record production. Chessington: Castle Communications, 1996.

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16

Kiste, John Van der. Singles file: The story of the 45 rpm record. South Brent: A & F Publications, 1987.

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17

Museum, Imperial War. The Spanish Civil War collection: Sound archive oral history recordings. [London]: Published by the Trustees of the Imperial War Museum, 1996.

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18

Utasaki, Takahiko. Shōgen, Nihon kurashikku rekōdos̄hi: Senzen hen. Tōkyō: Ongaku no Tomosha, 1998.

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19

Barr, Steven C. The almost complete 78 rpm record dating guide (II). Spring, TX: Nauck's Vintage Records, 1992.

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20

Les transformations de la musique iranienne au début du XXe siècle (1898-1940): Les premiers enregistrements en Iran. Paris: L'Harmattan, 2005.

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21

Recording the 'thirties: The evolution of the American recording industry, 1930-39. Denver, CO: Mainspring Press, 2011.

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22

Phonogramm-Archiv, Berliner, ed. Die Wachszylinder des Berliner Phonogramm-Archivs. [Berlin]: Ethnologisches Museum, Staatliche Museen zu Berlin, 2006.

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23

Sound designer's companion. Louisville, Ky: Broadway Press, 2008.

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24

Maksymi͡uk, Stepan. Z istoriï ukraïnsʹkoho zvukozapysu ta dyskohrafiï. Lʹviv: Vyd-vo Ukraïnsʹkoho katolyt͡sʹkoho universytetu, 2003.

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25

Git zaman gel zaman: Fonograf gramofon taş plak. İstanbul: Pan Yayıncılık, 2004.

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26

Prachumphon, Phrưtthiphon. Khrư̄angsīang bōrān: Tamnān hǣng sāt læ sin. Krung Thēp Mahā Nakhō̜n: Samākhom Nakʻanurak Khrư̄anglēn Krabō̜ksīang læ Hīpsīang Thai, 2005.

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27

Stolla, Jochen. Abbild und Autonomie: Zur Klangbildgestaltung bei Aufnahmen klassischer Musik, 1950-1994. Marburg: Tectum, 2004.

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28

Lebrecht, Norman. The Life and Death of Classical Music. New York: Knopf Doubleday Publishing Group, 2008.

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29

Amlan, Das Gupta, ed. Music and modernity: North Indian classical music in an age of mechanical reproduction. Kolkata: Thema, 2007.

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30

Kukkonen, Einari. Elämää juoksuhaudoissa: Suomalaisen levyiskelmän vaiheita 1940-44. [Jyväskylä]: Kustannuskolmio, 1985.

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31

Insidetracks: A first-hand history of popular music from the world's greatest record producers and engineers. New York, N.Y: Spike, 1999.

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32

Vinyl: A history of the analogue record. Burlington, VT: Ashgate, 2013.

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33

Spoken word: Postwar American phonograph cultures. Berkeley: University of California Press, 2010.

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34

Bengler, Ben. The audio mixer as creative tool in musical composition and performance. Graz: Institut für elektronische Musik, 2011.

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35

Skorokhodov, G. Taĭny grammofona: Vse neizvestnoe o plastinkakh i zvezdakh gramzapisi. Moskva: ĖKSMO, 2004.

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36

Ingram, Adrian. The Gibson ES175: Its history and players. Ely, Cambs: Music Maker Books, 1994.

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37

Gössel, Gabriel. Fonogram: Praktický průvodce historií záznamu zvuku. Praha: Radioservis, 2001.

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38

Hoezenboek: De vormgeving van de Nederlandse platenhoes, 1950-1970. Leiden: Primavera Pers, 2010.

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39

Exotiquarium: Album art from the space age. New York: St. Martin's Griffin, 1999.

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40

Copeland, Peter. Sound Recordings. British Library, 1991.

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41

Osborne, Richard. Vinyl: A History of the Analogue Record. Taylor & Francis Group, 2016.

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42

Vinyl: A History of the Analogue Record. Taylor & Francis Group, 2014.

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43

Osborne, Richard. Vinyl: A History of the Analogue Record. Taylor & Francis Group, 2016.

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44

Osborne, Richard. Vinyl: A History of the Analogue Record. Taylor & Francis Group, 2016.

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45

Oral History Interviews and Sound Recordings Catalogue. Kirklees Metropolitan Council,Cultural Services, 1988.

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46

Setting The Record Straight: A Material History Of Classical Recording (Music/Culture). Wesleyan University Press, 2004.

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47

A Brief History Of Album Covers. Flame Tree Publishing, 2008.

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48

Burgess, Richard James. History of Music Production. Oxford University Press, Incorporated, 2014.

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49

Today in history. Washington, DC: Library of Congress, 1997.

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50

From Edison to Marconi: The First Thirty Years of Recorded Music. McFarland & Company, Inc., Publishers, 2005.

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