Books on the topic 'Sound recording industry – History'

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1

Gronow, Pekka. An international history of the recording industry. London: Cassell, 1998.

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2

Mori, Yoshihisa. Onkyō gijutsushi: Oto no kiroku no rekishi. Tōkyō: Tōkyō Geijutsu Daigaku Shuppankai, 2011.

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3

Tou kyriou tou hē phōnē: Historia tēs diskographias. Athēna: Metronomos, 2010.

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4

Simon, Géza Gábor. Magyar hanglemeztörténet: (100 éves a magyar hanglemez, 1908-2008). Budapest: Jazz Oktatási és Kutatási Alapítvány, 2008.

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5

Recording the 'thirties: The evolution of the American recording industry, 1930-39. Denver, CO: Mainspring Press, 2011.

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6

Thérien, Robert. L' histoire de l'enregistrement sonore au Québec et dans le monde, 1878-1950. [Sainte-Foy, Québec]: Presses du l'Université Laval, 2003.

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7

"His Master's Voice": Die Geschichte der Schallplatte. Berlin: Parthas, 2011.

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8

Recording history: The British record industry, 1888-1931. Lanham, Md: Scarecrow Press, 2013.

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9

L'invention du disque 1877-1949: Genèse de l'usage des médias musicaux contemporains. Paris: Archives contemporaines, 2009.

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10

Recording the 'twenties: The evolution of the American recording industry, 1920-29. Denver, CO: Mainspring Press, 2008.

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11

Cowboys and indies: The epic history of the record industry. New York: Thomas Dunne Books, 2014.

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12

Cowboys and indies: The epic history of the record industry. London: Serpent's Tail, 2015.

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13

Laird, Ross. Sound beginnings: The early record industry in Australia. Sydney: Currency Press, 1999.

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14

Gronow, Pekka. The recording industry: An ethnomusicological approach. Tampere: University of Tampere, 1996.

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15

Bootleg: The secret history of the other recording industry. New York: St. Martin's Press, 1995.

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16

Heylin, Clinton. Bootleg: The secret history of the other recording industry. New York: St. Martin's Griffin, 1996.

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17

Anniss, Matt. The music industry. Mankato, Minnesota: Smart Apple Media, 2015.

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18

Michèle, Hung, Garcia Morencos Esteban, and International Federation of the Phonographic Industry., eds. World record sales, 1969-1990: A statistical history of the world recording industry. [London]: International Federation of the Phonographic Industry, 1990.

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19

Smith, Jacob. Spoken word: Postwar American phonograph cultures. Berkeley: University of California Press, 2011.

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20

Sharon, Davis. Motown: The history. Enfield, Middlesex: Guiness Pub., 1988.

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21

British Library. National Sound Archive., ed. Developments in recorded sound: A catalogue of oral history interviews. London: British Library National Sound Archive, 1989.

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22

Staff, Bryan. For the record: A history of the recording industry in New Zealand. Auckland, N.Z: D. Bateman, 2002.

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23

Pettorino, Massimo. Le teste parlanti, ovvero Se le statue materiali con alcuno artificio possono parlare. Palermo: Sellerio, 1999.

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24

Pettorino, Massimo. Le teste parlanti, ovvero, "Se le statue materiali con alcuno artificio possono parlare". Palermo: Sellerio, 1999.

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25

Nihon rekōdo bunkashi. Tōkyō: Iwanami Shoten, 2006.

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26

R, Nauck Kurt, ed. American record labels and companies: An encyclopedia (1891-1943). Denver, Colo: Mainspring Press, 2000.

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27

Great record labels. London: Apple Press, 1992.

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28

Asō, Kōtarō. Dare ga J-POP o sukueru ka: Masukomi ga katarenai gyōkai seisuiki = Who can save the J-POP? Tōkyō: Asahi Shinbun Shuppan, 2013.

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29

Arvidsson, Kjell. Skivblag i Sverige: Musikföretagandets 100-åriga instututionalisering. Göteborg: Göteborg University, 2007.

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30

Cunningham, Mark. Good vibrations: A history of record production. Chessington: Castle Communications, 1996.

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31

Du phonographe au MP3: Une histoire de la musique enregistrée, XIXe-XXIe siècle. Paris: Autrement, 2008.

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32

Rondeau, René. Tinfoil phonographs: The dawn of recorded sound. Corte Madera, CA: R. Rondeau, 2001.

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33

L, Schurk William, ed. Tarnished gold: The record industry revisited. New Brunswick, N.J: Transaction Books, 1986.

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34

Liberty Records: A history of the recording company and its stars, 1955-1971. Jefferson, N.C: McFarland, 1992.

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35

Paramount's rise and fall: The roots and history of Paramount Records. 2nd ed. Denver, Colo: Mainspring Press, 2012.

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36

The life and death of classical music: Featuring the 100 best and 20 worst recordings ever mad. New York: Anchor Books, 2007.

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37

Barr, Steven C. The almost complete 78 rpm record dating guide (II). Spring, TX: Nauck's Vintage Records, 1992.

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38

Utasaki, Takahiko. Shōgen, Nihon kurashikku rekōdos̄hi: Senzen hen. Tōkyō: Ongaku no Tomosha, 1998.

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39

Sutton, Allan. American record companies and producers 1888-1950: An encyclopedic history. Denver, Colorado: Mainspring Press, 2018.

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40

Paramount's rise and fall: A history of the Wisconsin Chair Company and its recording activities. Denver, Colo: Mainspring Press, 2003.

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41

Les transformations de la musique iranienne au début du XXe siècle (1898-1940): Les premiers enregistrements en Iran. Paris: L'Harmattan, 2005.

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42

Nyéki-Kőrösy, Maria. Les documents sonores: Précis de discothéconomie. München: K.G. Saur, 1987.

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43

1934-, Becker Peter, and Historisches Museum am Hohen Ufer., eds. 100 Jahre Schallplatte: Von Hannover in die Welt : Beiträge und Katalog zur Ausstellung vom 29. September 1987 bis 10. Januar 1988 im Historischen Museum Am Hohen Ufer, Hannover. Hamburg: Polygram Deutschland, 1987.

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44

Música, ídolos e poder: Do vinil ao download. Rio de Janeiro, RJ, Brasil: Editora Nova Fronteira, 2008.

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45

Insidetracks: A first-hand history of popular music from the world's greatest record producers and engineers. New York, N.Y: Spike, 1999.

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46

author, Šír Filip, ed. Recorded sound in Czech lands 1900-1946. Brno: Moravian Library in Brno, 2016.

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47

Aronson, Virginia. The history of Motown. Philadelphia, PA: Chelsea House Publishers, 2001.

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48

Thom, Holmes, ed. The Routledge guide to music technology. New York: Routledge, 2006.

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49

Vinyl: A History of the Analogue Record. Taylor & Francis Group, 2014.

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50

Osborne, Richard. Vinyl: A History of the Analogue Record. Taylor & Francis Group, 2016.

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