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Author: Grafiati

Published: 26 July 2024

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1

Maempel, Hans-Joachim. Klanggestaltung und Popmusik: Eine experimentelle Untersuchung. Heidelberg: Synchron, 2001.

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2

Bijsterveld, Karin, and José van Dijck. Sound souvenirs: Audio technologies, memory and cultural practices. Amsterdam: Amsterdam University Press, 2009.

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3

Chion, Michel. Le son. [Paris]: Armand Colin, 2004.

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4

Chion, Michel. Le Son. Paris: Nathan, 1998.

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5

Milner, Greg. Perfecting sound forever: An aural history of recorded music. New York: Faber and Faber, 2009.

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6

Toop, David. Haunted weather: Music, silence, and memory. London: Serpent's Tail, 2004.

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7

Auditive Medienkulturen: Techniken des Hörens und Praktiken der Klanggestaltung. Bielefeld: Transcript, 2013.

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8

Ian, Graham. Music & sound. Hauppauge, NY: Barron's Educational Series, Inc., 2000.

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9

Morrison, Robert Keith. Disk recording 1930 to 1960: A review of some equipment and techniques used in making phonograph records and electrical transcriptions. [Kensington, Calif.?]: Patricia Morrison, 2005.

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10

Touzeau, Jeff. Green audio guide: Sound ideas for a sound planet. Boston, MA: Cengage Learning, 2010.

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11

Bull, Michael. Sound studies: Critical concepts in media and cultural studies. Abingdon, Oxon: Routledge, 2012.

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12

The recording angel: Explorations in phonography. New York: McGraw-Hill, 1987.

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13

Hans, Hirsch. Schallplatten zwischen Kunst und Kommerz: Fakten, Tendenzen und Überlegungen zur Produktion und Verbreitung von Tonträgern. Wilhelmshaven: F. Noetzel, 1987.

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14

Kulle, Jürgen. Ökonomie der Musikindustrie: Eine Analyse der körperlichen und unkörperlichen Musikverwertung mit Hilfe von Tonträgern und Netzen. Frankfurt am Main: P. Lang, 1998.

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15

Krantz, Douglas. How can I use the sound system to communicate more effectively with my congregation? Duluth, Minn. (2211 West 12th St., Duluth, 55806): Krantz Communications, 1995.

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16

Morton, David. Off the record: The technology and culture of sound recording in America. New Brunswick, N.J: Rutgers University Press, 2000.

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17

Profiting from your music and sound project studio. New York: Allworth Press, 2001.

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18

Eisenberg, Evan. The recording angel: The experience of music from Aristotle to Zappa. New York, N.Y., U.S.A: Penguin books, 1988.

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19

Eisenberg, Evan. The recording angel: Music, records and culture from Aristotle to Zappa. London: Pan Books, 1988.

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20

Eisenberg, Evan. The recording angel: The experience of music from Aristotle to Zappa. New York, N.Y., U.S.A: Penguin books, 1988.

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21

Pistacchi, Massimo, and Peppino Ortoleva. Un secolo di suoni, i suoni di un secolo: L'Istituto centrale per i beni sonori ed audiovisivi. Argelato (Bologna): Minerva, 2012.

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22

Perry, Megan. How to be a record producer in the digital era. New York: Billboard Books, 2008.

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23

Saundo to media no bunka shigengaku: Kyōkaisenjō no ongaku. Tōkyō: Shunjūsha, 2013.

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24

Barrio, Manuel Gértrudix. Música y narración en los medios audiovisuales. Madrid: Laberinto Ediciones, 2003.

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25

Lephay, Pierre-Emmanuel. Quand l'enregistrement change la musique. Paris: Hermann, 2017.

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26

Emes, Jutta. Unternehmergewinn in der Musikindustrie: Wertschöpfungspotentiale und Veränderungen der Branchenstruktur durch die Digitalisierung. Wiesbaden: Deutscher Universitäts-Verlag, 2004.

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27

Saviano, Tamara. The most beautiful girl: A true story of a dad, a daughter, and the healing power of music. United States: American Roots Press, 2013.

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28

Doggett, Peter. Electric shock: From the gramophone to the iPhone : 125 years of pop music. London: The Bodley Head, 2015.

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29

Bijsterveld, K. Sound Souvenirs. Amsterdam University Press, 2010.

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30

Krukowski, Damon. New Analog - Listening and Reconnecting in a Digital World. MIT Press, 2017.

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31

Bijsterveld, K., and J. Van Dijck. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam University Press, 2009.

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32

Bijsterveld, K., and J. van Dijck. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam University Press, 2009.

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33

Krukowski, Damon. New Analog: Listening and Reconnecting in a Digital World. New Press, The, 2017.

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34

Krukowski, Damon. The new analog: Listening and reconnecting in a digital world. 2017.

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35

Morat, Daniel, and Hansjakob Ziemer. Handbuch Sound: Geschichte – Begriffe – Ansätze. J.B. Metzler, 2018.

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36

Milner, Greg. Perfecting Sound Forever: An Aural History of Recorded Music. Faber & Faber, 2010.

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37

Perfecting sound forever : an aural history of recorded music - 1. edición. n, 2017.

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38

Milner, Greg. Perfecting Sound Forever: The Story of Recorded Music. Granta Books, 2009.

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39

Milner, Greg. Perfecting Sound Forever: The Story Of Recorded Music. Granta Books, 2018.

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40

Milner, Greg. Perfecting Sound Forever: An Aural History of Recorded Music. Farrar, Straus & Giroux, 2009.

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41

Sonic experience: A guide to the effects of sound. Montréal: McGill-Queen's University Press, 2005.

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42

Toop, David. Haunted Weather: Music, Silence, And Memory (Five Star Fiction S.). Five Star (ME), 2006.

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43

(Editor), Jean-Francois Augoyard, Henry Torgue (Editor), Andra McCartney (Translator), and David Paquette (Translator), eds. Sonic Experience: A Guide To Everyday Sounds. McGill-Queen's University Press, 2006.

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44

(Editor), Jean-Francois Augoyard, and Henry Torgue (Editor), eds. Sonic Experience: A Guide To Everyday Sounds. McGill-Queen's University Press, 2006.

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45

Klang im Zeitalter technischer Medien: Eine Einführung. Wien: Passagen Verlag, 2017.

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46

Young, Miriama. Singing the Body Electric: The Human Voice and Recording Technology. Taylor & Francis Group, 2016.

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47

Schröter, Jens, and Axel Volmar. Auditive Medienkulturen: Techniken des Hörens und Praktiken der Klanggestaltung. Transcript Verlag, 2014.

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48

Auditive Medienkulturen: Techniken des Horens und Praktiken der Klanggestaltung. transcript Verlag, 2014.

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49

Young, Miriama. Singing the Body Electric: The Human Voice and Sound Technology. Taylor & Francis Group, 2016.

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50

Young, Miriama. Singing the Body Electric: The Human Voice and Sound Technology. Taylor & Francis Group, 2016.

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