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Relevant bibliographies by topics / Sound, light and Heat

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Journal articles

Academic literature on the topic 'Sound, light and Heat'

Author: Grafiati

Published: 7 September 2023

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Journal articles on the topic "Sound, light and Heat"

1

Ladbury, Ray. "Sound from Sunspots Generates Heat As Well As Light." Physics Today 49, no. 4 (1996): 20–22. http://dx.doi.org/10.1063/1.2807577.

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2

Oehler, Oscar. "Sound, heat and light: photoacoustic and photothermal detection of gases." Sensor Review 15, no. 3 (1995): 14–16. http://dx.doi.org/10.1108/02602289510795923.

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3

Choi, Hyeung Sik, Hee Young Shin, Ji Youn Oh, Tae Woo Lim, and Yun Hae Kim. "Temperature Regulation for LED Lamps Using Fans." Advanced Materials Research 753-755 (August 2013): 1931–38. http://dx.doi.org/10.4028/www.scientific.net/amr.753-755.1931.

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A temperature regulation control for LED(Light Emitting Diode) lamp using a cooling fan was studied. An efficient temperature regulation scheme using fan wind at the lowest sound noise was studied. For the study, after measurement of the minimum sound noise of the fan and related temperature of the LED lamp through tests, experiments on temperature control of the LED lamp using the fan with various size of heat sinks was performed. Also, characteristics and relationship of heat sinks and fans are studied through experiments. To reduce the fan sound noise, a method of reducing the operation time with optimal size of the heat sink was studied.

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4

Thomas, R. L., and L. D. Favro. "From Photoacoustic Microscopy to Thermal-Wave Imaging." MRS Bulletin 21, no. 10 (1996): 47–52. http://dx.doi.org/10.1557/s088376940003164x.

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Photoacoustic spectroscopy is a technique in which the absorption of periodically intensity-modulated light is detected by the sound that it produces at the (acoustic) modulation frequency in a closed volume of gas or liquid in thermal contact with the material absorbing the light. The spectroscopic aspect of the technique relies on the ability to scan the wavelength of the light that stimulates the sound. Thus one can determine the absorption as a function of wavelength through the conversion of absorbed energy to heat and thence to sound. The acoustic detection is carried out synchronously with respect to the imposed intensity-modulation frequency on the light, making it possible to use narrow-band noise reduction. The existence of this technique for detecting sound generated by the absorption of light led Wong and co-workers to investigate the possibility of using the same techniques for microscopy.

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5

Jones, Christopher D., and Jonathan W. Steed. "Gels with sense: supramolecular materials that respond to heat, light and sound." Chemical Society Reviews 45, no. 23 (2016): 6546–96. http://dx.doi.org/10.1039/c6cs00435k.

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6

Strang, David. "Sensitive Chaos." Leonardo 48, no. 3 (2015): 286–87. http://dx.doi.org/10.1162/leon_a_01012.

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This paper describes the life (and death) of the interface in the installation Tiny Moments by David Strang. Tiny Moments is a sound and light interactive installation that explores natural phenomena surrounding heat, ice and presence/ proximity. This installation explores the process of natural materials in computer interaction in a way beyond simple hardware devices available to users. What is created is a space filled with ever changing rhythms of light and sound in complete synchronicity that no user feels to have any control of.

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7

Dannecker, E., B. McLay, and R. Fillingim. "Effects of induced muscle pain on responses to light, sound, heat, and exercise." Journal of Pain 12, no. 4 (2011): P7. http://dx.doi.org/10.1016/j.jpain.2011.02.028.

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8

Golubkov, A. V., L. S. Parfen’eva, I. A. Smirnov, et al. "Heat capacity and velocity of sound in the YbMgCu4 “light” heavy-fermion system." Physics of the Solid State 49, no. 11 (2007): 2042–46. http://dx.doi.org/10.1134/s1063783407110042.

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9

Gosselin, M., L. Legendre, S. Demers, and R. G. Ingram. "Responses of Sea-Ice Microalgae to Climatic and Fortnightly Tidal Energy Inputs (Manitounuk Sound, Hudson Bay)." Canadian Journal of Fisheries and Aquatic Sciences 42, no. 5 (1985): 999–1006. http://dx.doi.org/10.1139/f85-125.

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Variations of sea-ice microalgae at the ice–water interface (Manitounuk Sound, Hudson Bay, Canada) were studied in relation to various energy inputs (light, tidal mixing, and heat) in April and May 1982. Seasonal photosynthetic activity does not start before the light intensity reaches 7.6 μEinst∙m−2∙s−1. Above this value, the seasonal increase in cell numbers and chlorophyll and in the photoadaptation index (Ik) is related to the increase in underice light intensity. The sea-ice community changes from shade to light adaptation to optimize the use of ambient light energy. Photosynthetic efficiency (αB) is mainly controlled by the fortnightly tidal vertical mixing, which governs the amount of phosphate (or of another nutrient factor) in the upper brackish layer. The ice microflora, which grows at a stable interface, takes advantage of nutrient replenishment during mixed water column conditions. We conclude that production of microalgae depends upon three forms of energy: (1) the flux of solar light, (2) the inputs of auxiliary mechanical energy (here, the fortnightly tides), and (3) the energy exchanges (here, the heat flux) responsible for the maintenance or destruction of energetic interfaces (ergoclines).

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10

Adlington, Robert. "Moving Beyond Motion: Metaphors for Changing Sound." Journal of the Royal Musical Association 128, no. 2 (2003): 297–318. http://dx.doi.org/10.1093/jrma/128.2.297.

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This article argues that music offers experiences of change that are at odds with our common understanding of time. Specifically, I question the widespread belief that onward motion is a condition of musical temporality. I approach this issue through metaphor theory, which tends to argue for the necessity of metaphorical experiences of time and music in terms of motion. I argue that music's changing sound evokes a variety of bodily metaphors; motion is not ever-present, but intermingles with metaphors of heat, light, weight, tension and so on. Works by Ligeti, Carter, Kurtág and Saariaho are discussed as case studies.

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