Journal articles on the topic 'Sound film'
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Cumbow, Robert C., and William Johnson. "Film Sound." Film Quarterly 39, no. 2 (December 1985): 64. http://dx.doi.org/10.2307/1212343.
Cumbow, Robert C., and William Johnson. "Film Sound." Film Quarterly 39, no. 2 (December 1985): 64. http://dx.doi.org/10.1525/fq.1985.39.2.04a00100.
Rusinova, Elena A. "The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero." Journal of Flm Arts and Film Studies 11, no. 1 (March 15, 2019): 15–26. http://dx.doi.org/10.17816/vgik11115-26.
Langkjær, Birger. "Making fictions sound real - On film sound, perceptual realism and genre." MedieKultur: Journal of media and communication research 26, no. 48 (May 17, 2010): 13. http://dx.doi.org/10.7146/mediekultur.v26i48.2115.
Archer, Martin O. "Space Sound Effects Short Film Festival: using the film festival model to inspire creative art–science and reach new audiences." Geoscience Communication 3, no. 1 (June 18, 2020): 147–66. http://dx.doi.org/10.5194/gc-3-147-2020.
Baranowski, Andreas M., Rebecca Teichmann, and Heiko Hecht. "Canned Emotions. Effects of Genre and Audience Reaction on Emotions." Art and Perception 5, no. 3 (August 10, 2017): 312–36. http://dx.doi.org/10.1163/22134913-00002068.
REDFERN, NICK. "Sound in Horror Film Trailers." Music, Sound, and the Moving Image: Volume 14, Issue 1 14, no. 1 (July 1, 2020): 47–71. http://dx.doi.org/10.3828/msmi.2020.4.
Booth, Gregory. "Religion, gossip, narrative conventions and the construction of meaning in Hindi film songs." Popular Music 19, no. 2 (April 2000): 125–45. http://dx.doi.org/10.1017/s0261143000000088.
Corbella, Maurizio, and Anna Katharina Windisch. "Sound Synthesis, Representation and Narrative Cinema in the Transition to Sound (1926-1935)." Cinémas 24, no. 1 (February 26, 2014): 59–81. http://dx.doi.org/10.7202/1023110ar.
Prince, Stephen. ": Sound-on-Film: Interviews with Creators of Film Sound . Vincent LoBrutto." Film Quarterly 49, no. 1 (October 1995): 64. http://dx.doi.org/10.1525/fq.1995.49.1.04a00300.
Hill, James W., and Eugene N. Finley. "Sound mixing system for film sound editing." Journal of the Acoustical Society of America 81, no. 1 (January 1987): 211. http://dx.doi.org/10.1121/1.394977.
MILLER, M. D., and E. KROTSCHECK. "THEORY OF THIRD SOUND AND STABILITY OF THIN 3He–4He SUPERFLUID FILMS." International Journal of Modern Physics B 21, no. 13n14 (May 30, 2007): 2091–102. http://dx.doi.org/10.1142/s021797920704349x.
Efimova, Natalia Nikolaevna. "Sound Editing in Screen Works." Journal of Flm Arts and Film Studies 7, no. 2 (June 15, 2015): 73–81. http://dx.doi.org/10.17816/vgik7273-81.
Altman, Rick. "Establishing Sound." Cinémas 24, no. 1 (February 26, 2014): 19–33. http://dx.doi.org/10.7202/1023108ar.
Tieber, Claus, and Anna K. Windisch. "Musical moments and numbers in Austrian silent cinema." Soundtrack 12, no. 1 (November 1, 2020): 7–20. http://dx.doi.org/10.1386/ts_00009_1.
Bell, Desmond. "Sound, music and film – towards a total sonic fabric." New Soundtrack 5, no. 1 (March 2015): 69–85. http://dx.doi.org/10.3366/sound.2015.0069.
Koneva, Maria Nikolayevna. "Planning Element as a Narrative Method in Moulding of Audiovisual Imagery in Documentaries." Journal of Flm Arts and Film Studies 6, no. 3 (September 15, 2014): 126–33. http://dx.doi.org/10.17816/vgik63126-133.
Griffith, Frank, and David Machin. "Communicating the ideas and attitudes of spying in film music: A social semiotic approach." Sign Systems Studies 42, no. 1 (May 26, 2014): 72–97. http://dx.doi.org/10.12697/sss.2014.42.1.04.
Avidad, Andrea. "Deadly Barks: Acousmaticity and Post-Animality in Lucrecia Martel's La ciénaga." Film-Philosophy 24, no. 2 (June 2020): 222–40. http://dx.doi.org/10.3366/film.2020.0140.
Tatnell, David M., Mark S. Heath, Steven P. Hepplestone, Alastair P. Hibbins, Samuel M. Hornett, Simon A. R. Horsley, and David W. Horsell. "Coupling and confinement of current in thermoacoustic phased arrays." Science Advances 6, no. 27 (July 2020): eabb2752. http://dx.doi.org/10.1126/sciadv.abb2752.
Prince, Stephen. "Review: Sound-on-Film: Interviews with Creators of Film Sound by Vincent LoBrutto." Film Quarterly 49, no. 1 (1995): 64. http://dx.doi.org/10.2307/1213516.
Donaldson, Lucy Fife. "Feeling and Filmmaking: The Design and Affect of Film Sound." New Soundtrack 7, no. 1 (March 2017): 31–46. http://dx.doi.org/10.3366/sound.2017.0095.
Rusinova, Elena A. "Sound as a Sign and Artistic Symbol in Film." Journal of Flm Arts and Film Studies 10, no. 3 (September 15, 2018): 19–33. http://dx.doi.org/10.17816/vgik10319-33.
MacDonald, Shana. "Voicing Dissonance." Feminist Media Histories 1, no. 4 (2015): 89–107. http://dx.doi.org/10.1525/fmh.2015.1.4.89.
Tan, Siu-Lan. "Investigating Sound Design in Film: A Commentary on Kock and Louven." Empirical Musicology Review 13, no. 3-4 (April 18, 2019): 149. http://dx.doi.org/10.18061/emr.v13i3-4.6723.
Robinson, Kelly. "An Adaptable Aesthetic: Theodor Sparkuhl's Contribution to Late Silent and Early Sound Film-making at British International Pictures, 1929–30." Journal of British Cinema and Television 17, no. 2 (April 2020): 172–90. http://dx.doi.org/10.3366/jbctv.2020.0518.
Branigan, Edward. "Sound and Epistemology in Film." Journal of Aesthetics and Art Criticism 47, no. 4 (1989): 311. http://dx.doi.org/10.2307/431131.
d’Escriván, Julio. "Sound Art (?) on/in Film." Organised Sound 14, no. 01 (March 26, 2009): 65. http://dx.doi.org/10.1017/s1355771809000090.
Flinn, Carol. "Film sound comes of age." Quarterly Review of Film and Video 11, no. 4 (December 1989): 83–87. http://dx.doi.org/10.1080/10509209009361329.
Rwafa, Urther. "Sound and polysemy in film." Muziki 5, no. 1 (July 2008): 152–59. http://dx.doi.org/10.1080/18125980802671441.
Churcher, Mel. "Sound Speed: Voice on Film." Voice and Speech Review 3, no. 1 (January 2003): 50–53. http://dx.doi.org/10.1080/23268263.2003.10739377.
BRANIGAN, EDWARD. "Sound and Epistemology in Film." Journal of Aesthetics and Art Criticism 47, no. 4 (September 1, 1989): 311–24. http://dx.doi.org/10.1111/1540_6245.jaac47.4.0311.
Liz Czach. "The Sound of Amateur Film." Film History 30, no. 3 (2018): 75. http://dx.doi.org/10.2979/filmhistory.30.3.04.
Johnston, Nessa. "Beneath sci-fi sound." Alphaville: Journal of Film and Screen Media, no. 3 (August 8, 2012): 49–63. http://dx.doi.org/10.33178/alpha.3.04.
Abbate, Carolyn. "Sound Object Lessons." Journal of the American Musicological Society 69, no. 3 (2016): 793–829. http://dx.doi.org/10.1525/jams.2016.69.3.793.
Plewa, Elżbieta. "Polskie tłumaczenie napisowe w 1930 roku." Między Oryginałem a Przekładem 25, no. 44 (June 15, 2019): 59–72. http://dx.doi.org/10.12797/moap.25.2019.44.03.
KROTSCHECK, E., and M. D. MILLER. "GENERIC ELECTRON MOBILITY IN SURFACE STATES ON HELIUM FILMS." International Journal of Modern Physics B 21, no. 13n14 (May 30, 2007): 2103–14. http://dx.doi.org/10.1142/s0217979207043506.
McCartney, Andra. "Alien intimacies: hearing science fiction narratives in Hildegard Westerkamp's Cricket Voice (or ‘I don't like the country, the crickets make me nervous’)." Organised Sound 7, no. 1 (April 2002): 45–49. http://dx.doi.org/10.1017/s1355771802001073.
Animbom Ngong, Paul. "Music and sound in documentary film communication: an exploration of Une Affaire de Nègres and Chef!" CINEJ Cinema Journal 8, no. 1 (March 11, 2020): 156–84. http://dx.doi.org/10.5195/cinej.2020.265.
Benson-Allott, Caetlin. "Listening to Metal." Film Quarterly 74, no. 4 (2021): 62–67. http://dx.doi.org/10.1525/fq.2021.74.4.62.
Mollaghan, Aimee. "An audio-visual Gallivant: Psychogeographical soundscapes in the films of Andrew Ktting." Soundtrack 3, no. 2 (December 1, 2010): 125–30. http://dx.doi.org/10.1386/st.3.2.125_1.
Hallock, R. B. "Third sound and 3He–4He mixture films." Canadian Journal of Physics 65, no. 11 (November 1, 1987): 1517–24. http://dx.doi.org/10.1139/p87-242.
Ding, Yi, Jun Hong Su, and Hai Feng Liang. "Acoustic Method of Detection of Optical Thin Films Damage." Advanced Materials Research 301-303 (July 2011): 965–69. http://dx.doi.org/10.4028/www.scientific.net/amr.301-303.965.
Smith, Kate Bolgar. "‘Ghosts of Songs’: The Haunting Soundtracks of the Black Audio Film Collective." New Soundtrack 5, no. 2 (September 2015): 89–101. http://dx.doi.org/10.3366/sound.2015.0072.
Loeb, Jacqueline. "Dissonance Rising: Subversive Sound in Zhang Yimou's Raise the Red Lantern." Film-Philosophy 15, no. 1 (February 2011): 204–19. http://dx.doi.org/10.3366/film.2011.0011.
Blumstein, Daniel T., Richard Davitian, and Peter D. Kaye. "Do film soundtracks contain nonlinear analogues to influence emotion?" Biology Letters 6, no. 6 (May 26, 2010): 751–54. http://dx.doi.org/10.1098/rsbl.2010.0333.
Breslavets, G. "Artistic reconstruction of the folklore text in the works of Yu. Illienko (on the example of a film-apologue “A well for the thirsty ones”)." Culture of Ukraine, no. 72 (June 23, 2021): 71–75. http://dx.doi.org/10.31516/2410-5325.072.10.
Lewis, Hannah. "The singing film star in early French sound cinema." Soundtrack 12, no. 1 (November 1, 2020): 21–37. http://dx.doi.org/10.1386/ts_00010_1.
Hoar, Peter. "“A Lucid lecturess”: The Voices of New Zealand’s Silent Cinema." Back Story Journal of New Zealand Art, Media & Design History, no. 1 (December 1, 2016): 81–96. http://dx.doi.org/10.24135/backstory.vi1.14.
Wingfield, Nancy Meriwether. "When Film Became National:“Talkies” and the Anti-German Demonstrations of 1930 in Prague." Austrian History Yearbook 29, no. 1 (January 1998): 113–38. http://dx.doi.org/10.1017/s006723780001482x.