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Books on the topic 'Sound film'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Kotas, Joanna. Film sound. London: LCP, 2002.

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2

Altman, Rick. Silent film sound. New York, NY: Columbia University Press, 2005.

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3

Silent film sound. New York: Columbia University Press, 2004.

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4

Cardullo, R. J. Teaching Sound Film. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-726-9.

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5

Sound-on-film: Interviews with creators of film sound. Westport, Conn: Praeger, 1994.

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6

Film, a sound art. New York: Columbia University Press, 2009.

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7

Sisto, Antonella C. Film Sound in Italy. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137387714.

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8

Sound for picture: Film sound through the 1990s. 2nd ed. Vallejo, Calif: MixBooks, 2000.

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9

Holman, Tomlinson. Sound for film and television. 3rd ed. Amsterdam: Focal Press, 2010.

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10

Holman, Tomlinson. Sound for film and television. 3rd ed. Burlington, MA: Focal Press, 2010.

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11

Holman, Tomlinson. Sound for film and television. Boston, Mass: Focal Press, 1997.

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12

Sound for film and television. 2nd ed. Boston, Mass: Focal Press, 2002.

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13

Group, Society of Archivists (Great Britain) Film and Sound. Film and sound archive sourcebook. London: Society of Archivists, 1999.

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14

Society of Archivists. Film and Sound Group. Film and sound archive sourcebook. London: Society of Archivists, 1999.

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15

Cinesonica: Sounding film and video. Manchester: Manchester University Press, 2010.

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16

Sound effects: Radio, TV, and film. Boston: Focal Press, 1990.

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17

Barton, Ruth, and Simon Trezise, eds. Music and Sound in Silent Film. New York : Routledge, 2019. | Series: Routledge music and screen media series: Routledge, 2018. http://dx.doi.org/10.4324/9781315276274.

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18

Western film series of the sound era. Jefferson, N.C: McFarland, 2009.

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19

Rose, Jay. Producing great sound for film and video. 3rd ed. Burlington, MA: Elsevier, Focal Press, 2008.

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20

Rose, Jay. Producing great sound for film and video. 3rd ed. Burlington, MA: Elsevier, Focal Press, 2008.

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21

Rose, Jay. Producing great sound for film and video. 3rd ed. Burlington, MA: Elsevier, Focal Press, 2008.

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22

Audio postproduction for film and video. 2nd ed. Burlington, MA: Elsevier/Focal Press, 2009.

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23

Ascoltare il cinema: Studi sul suono nel film. Roma: Bulzoni editore, 2014.

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24

The Dolby era: Film sound in contemporary Hollywood. Manchester: Manchester University Press, 2004.

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25

Geräusche und Film: Materialbezogene und darstellerische Aspekte eines Gestaltungsmittels. Frankfurt am Main: P. Lang, 1996.

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26

Reid, Carolyn. Journey through sound: A film raising Deaf awareness. Tyne and Wear: Village Films, 2003.

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27

Lee, D. M. Film and sound archives in non-specialist repositories. S.L: Society of Archivists, 2001.

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28

Altman, Rick. Silent Film Sound. Columbia University Press, 2007.

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29

Lewis, Hannah. Imagining Sound Film. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.003.0002.

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Abstract:

Chapter 1 focuses on writings in the French press by filmmakers, composers, and critics about sound film and its arrival in France. From sound film’s first successes in Hollywood, French critics paid careful attention to the new technology, and they wrote prolifically and prescriptively about how they believed the French film industry should respond to it. Many filmmakers expressed concern that sound film would upset cinema’s aesthetic development, but many others approached the new technology with excitement, particularly when it came to its musical applications. The debates in the French press surrounding sound film reveal how the new medium, and music’s role within it, was by no means a fixed entity for composers, directors, journalists, or audiences.

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30

Jacobs, Lea. Film Rhythm after Sound. University of California Press, 2014.

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31

Jacobs. Film Rhythm after Sound. University of California Press, 2014.

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32

Altman, Rick. Silent Silent Film Sound. Columbia University Press, 2004.

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33

Towne, Robert. Film: Chinatown (Sight & Sound). Faber and Faber, 1999.

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34

Altman. SOUND THEORY/SOUND PRACTICE CL (Afi Film Readers). Other, 1992.

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35

Sound for film and television. Burlington, MA: Taylor and Francis, 2010.

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36

Sight and sound film review. London: British Film Institute, 1992.

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37

Blatty, William Peter. The Exorcist. Faber and Faber, 1998.

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38

Holman, Tomlinson. Sound for Film and Television. Taylor & Francis Group, 2012.

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39

Schrader, Paul. Film: Taxi Driver *Sight Sound*. Faber and Faber Ltd, 1999.

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40

Holman, Tomlinson. Sound for Film and Television. Taylor & Francis Group, 2012.

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41

Film Sound: Theory and Practice. Columbia University Press, 1985.

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42

Holman, Tomlinson. Sound for Film and Television. Taylor & Francis Group, 2012.

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43

Sound for film and television. 2nd ed. Boston, Mass: Focal Press, 2002.

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44

Harper, Graeme. Companion to Sound, Film, Visual. Continuum International Publishing Group, 2007.

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45

E, Coen J. &. Film: Blood Simple *Sight & Sound*. Faber and Faber Ltd, 1999.

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46

Holman, Tomlinson. Sound for Film and Television. Taylor & Francis Group, 2012.

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47

Teaching Sound Film: A Reader. BRILL, 2016.

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48

Holman, Tomlinson. Sound for Film and Television. Routledge, 2012. http://dx.doi.org/10.4324/9780240814322.

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49

Holman, Tomlinson. Sound for Film and Television. 2nd ed. Focal Press, 2001.

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50

C, Crowe. Film: Almost Famous *Sight & Sound*. Faber and Faber Ltd, 2001.

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