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Books on the topic 'Sound essay'

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Published: 10 December 2022
Last updated: 28 January 2023

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1

Printing, London College of. Brian Eno - painter of sound: Complementary studies essay for BA MPD 1986. London: LCP, 1986.

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2

William Faulkner "The Sound and the Fury". The Corruption of Southern Aristocratic Values: An Essay. Munich: GRIN Verlag GmbH, 2014.

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3

Peter, Kivy, ed. Sound sentiment: An essay on the musical emotions, including the complete text of The Corded shell. Philadelphia: Temple University Press, 1989.

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4

Leppert, Richard D. Sound judgment: Selected essays. Aldershot, Hants, England: Ashgate, 2007.

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5

Essays on sound and vision. Helsinki: Yliopistopaino, University of Helsinki Press, 2009.

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6

Deshays, Daniel. De l'écriture sonore: Essai. Marseille: Entre vues, 1999.

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7

Andy, Linehan, Association for Recorded Sound Collections., British Library. National Sound Archive., and International Association of Sound and Audiovisual Archives., eds. Aural history: Essays on recorded sound. London: British Library, 2001.

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8

Snodgrass, W. D. To sound like yourself: Essays on poetry. Rochester, N.Y: BOA Editions, 2002.

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9

Manhire, Bill. Doubtful sounds: Essays and interviews. Wellington, N.Z: Victoria University Press, 2000.

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10

Senerviratne, Maureen. The sound of echoes: A miscellany of essays. Colombo: English Writers Cooperative of Sri Lanka, 1992.

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11

Veit, Erlmann, ed. Hearing cultures: Essays on sound, listening, and modernity. Oxford: Berg, 2004.

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12

The sound of silent guns and other essays. Delhi: Oxford University Press, 1989.

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13

Seneviratne, Maureen. The sound of echoes: A miscellany of essays. [Colombo: English Writers Cooperative of Sri Lanka], 1992.

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14

Avaz, Komil. Olis oḣanglar: Badia = : Distant sounds and melodies : essay. Toshkent: Ghafur Ghulom nomidagi Adabiët va sanʺat nashriëti, 1997.

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15

Sounds and perception: New philosophical essays. Oxford: Oxford University Press, 2009.

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16

Audio book: Essays on sound technologies in narrative fiction. Lanham, MD: Lexington Books, 2008.

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17

Ebhodaghe, John U. Safe and sound banking practices in Nigeria: Selected essays. Lagos: Page Publishers Services, 1997.

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18

Listening, playing, creating: Essays on the power of sound. Albany: State University of New York Press, 1995.

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19

Ndour, Saliou. L'industrie musicale au Sénégal: Essai d'analyse. Dakar, Sénégal: Codesria, 2008.

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20

Raine, Michael, and Johan Nordström, eds. The Culture of the Sound Image in Prewar Japan. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789089647733.

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This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a ‘culture of the sound image’, it restores complexity to a media transition that is often described simply as slow and reluctant. In that vibrant sound culture, the talkie was introduced on the radio before it could be heard in the cinema, and pop music adaptations substituted for musicals even as cinema musicians and live narrators resisted the introduction of recorded sound. Taken together, the essays show that the development of sound technology shaped the economic structure of the film industry and its labour practices, the intermedial relation between cinema, radio, and popular music, as well as the architecture of cinemas and the visual style of individual Japanese films and filmmakers.
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21

Damousi, Joy. Talking and Listening edited: Essays on the history of sound. Canberra: ANU Press, 2007.

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22

Jones, Earl William. Sound, self, and song: Essays on the teaching of singing. Metuchen, N.J: Scarecrow Press, 1989.

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23

1962-, Alter Nora M., and Koepnick Lutz P, eds. Sound matters: Essays on the acoustics of modern German culture. New York: Berghahn Books, 2004.

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24

Theo, Vennemann, Workshop "Reconstructions of the Proto-Indo-European Sound System and Their Consequences" (1985 : University of Pavia), and International Conference on Historical Linguistics (7th : 1985 : University of Pavia), eds. The New sound of Indo-European: Essays in phonological reconstruction. Berlin: Mouton de Gruyter, 1989.

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25

Dimock, Edward C. The sound of silent guns and other essays: Edward C. Dimock. Delhi: Oxford University Press, 1989.

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26

Aural films, oral cultures: Essays on cinema : from the early sound era. Kolkata: Jadvapur University Press, 2012.

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27

Rascaroli, Laura. Sound. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190238247.003.0006.

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In embracing an understanding of essay film’s soundscape that does not stop at voiceover, but extends to all the elements of a complex environment made up of speech, music, sounds, noise, and silence, this chapter moves beyond traditional logocentric and vococentric approaches to the essay film to explore the disjunctive interstice of Deleuze’s sound image. The complexly imbricated auditory space of Language Gulf in the Shouting Valley (2013) by Lawrence Abu Hamdan is considered in light of an essayistic use of voice and sound as political agents. Hypothesizing a genre of musical essay films, the chapter also examines sound in Pier Paolo Pasolini’s La rabbia (Rage, 1963), seen in comparison with Santiago Álvarez’s Now! (1964) and Erik Gandini’s Surplus: Terrorized into Being Consumers (2003). The Barthesian Neutral and ideas of dissonance form the basis of a discussion of musical queering as a form of protestation.
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28

Sykes, Ingrid. The Politics of Sound. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.5.

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This essay explores the important contribution of blind musicians to French eighteenth-century culture and examines the ways in which they negotiated the dramatic political and social changes that occurred between 1750 and 1830. Sonic regeneration was considered pivotal to French society both before and after the Terror of Revolution. Blind musicians exploited their abilities in the sonic sensory arts by brilliantly adapting their musical abilities to late eighteenth-century medical codes of health and preventive care. This enabled them not only to ensure their important position within a regenerated modern French society but also to lead the way in establishing new creative modes of musical expression within the new citizen-state.
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29

Alemán-Padilla, Norberto. Emerging Adult Essay. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190260637.003.0008.

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My name is Norberto Alemán-Padilla. I am an 18-year-old Mexican American currently living in Evanston, Illinois. I have attended public school my whole life, always earning high grades and earning respect and accolades. I am of sound health and good temperament; I have been in a healthy, loving relationship since 2013; and overall I am doing quite well in life. My life might seem like a teenage life highlighted in a feel-good movie, or a young-adult book. However, despite my achievements, my life is not easy—It has not been easy since I was 5 years old. My parents had become fed up with butting heads, and they got divorced, leaving me and my younger brother to travel between their two houses every other week. At 18, it’s still hard having to go back and forth every week. How my younger brother has had the strength to do this for 13 years, I don’t know. My 5-year-old mind didn’t quite comprehend the gravity of what a divorce was, so I was somewhat numb to the whole experience....
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30

Elliott, John. Philosophical Observations on the Senses of Vision and Hearing: To Which Are Added, a Treatise on Harmonic Sounds, and an Essay on Combustion and Animal Heat. University of Cambridge ESOL Examinations, 2013.

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31

Elliott, John. Philosophical Observations on the Senses of Vision and Hearing: To Which Are Added, a Treatise on Harmonic Sounds, and an Essay on Combustion and Animal Heat. University of Cambridge ESOL Examinations, 2014.

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32

Treatise on musical objects: An essay across disciplines. University of California Press, 2017.

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33

Rascaroli, Laura. How the Essay Film Thinks. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190238247.001.0001.

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Less than a decade ago the expression "essay film" was still encountered only sporadically; today, the term has been widely integrated into film criticism, and is increasingly adopted by filmmakers and artists worldwide to characterize their work-while continuing to offer a precious margin of resistance to closed definitions. Eschewing essentialist notions of genre and form, and bringing issues of practice and praxis to the fore, this book offers a novel understanding of the epistemological strategies that are mobilized by the essay film, and of where such strategies operate. On the backdrop of Theodor W. Adorno’s discussion of the essay form’s anachronistic, anti-systematic and disjunctive mode of resistance, and capitalizing on the centrality of the interstice in Gilles Deleuze’s understanding of the cinema as image of thought, the book discusses the essay film as future philosophy-as a contrarian, political cinema whose argumentation engages with us in a space beyond the verbal. A diverse range of case studies discloses how the essay can be a medium of thought on the basis of its dialectic use of audiovisual interstitiality. The book shows how the essay film’s disjunctive method comes to be realized at the level of medium, montage, genre, temporality, sound, narration, and framing-all of these emerging as interstitial spaces of intelligence that illustrate how essayistic meaning can be sustained, often in contexts of political, historical or cultural extremity. The essayistic urge is not to be identified with a fixed generic form, but is rather situated within processes of filmic thinking that thrive in gaps.
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34

Sound and Score: Essays on Sound, Score, and Notation. Leuven University Press, 2013.

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35

The Dawn of sound: Essays. New York: Museum of Modern Art, 1989.

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36

Butler, Ashley. Dear Sound of Footstep: Essays. Sarabande Books, Incorporated, 2009.

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37

Dictionary of Science: Comprising Astronomy, Chemistry, Dynamics, Electricity, Heat, Hydrodynamics, Hydrostatics, Light, Magnetism, Mechanics, Meteorology, Pneumatics, Sound and Statics; Preceded by an Essay on the History of the Physical Sciences. Creative Media Partners, LLC, 2015.

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38

Marquardt, Gina. Sound Bites: Essays by Gina Marquardt. Booklocker.com, 2003.

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39

Linehan, Andy. Aural History: Essays on Recorded Sound. The British Library, 2002.

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40

David, Hume, and Imlac. Insecurity Of The British Funds : Essay On Public Credit : By David Hume ... : With Observations On The Sound And Prophetic Nature Of Its Principles: ... In The Pitt And Paper System Must Eventually. Franklin Classics, 2018.

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41

David, Hume, and Imlac. Insecurity of the British Funds : Essay on Public Credit : By David Hume ... : With Observations on the Sound and Prophetic Nature of Its Principles: ... in the Pitt and Paper System Must Eventually. Franklin Classics Trade Press, 2018.

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42

Essays In Sound: First, Technophonia, Diffractions, Final. ARMEDIA, 2016.

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43

Towers, Paige. Sound of Undoing: A Memoir in Essays. University of Nebraska Press, 2023.

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44

Thomson, Marie, and Ian Biddle, eds. Sound, Music, Affect. Bloomsbury Publishing Plc, 2013. http://dx.doi.org/10.5040/9781501382871.

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Sound, Music, Affect features brand new essays that bring together the burgeoning developments in sound studies and affect studies. The first section sets out key methodological and theoretical concerns, focussing on the relationships between affective models and sound. The second section deals with particular musical case studies, exploring how reference to affect theory might change or reshape some of the ways we are able to make sense of musical materials. The third section examines the politics and practice of sonic disruption: from the notion of noise as 'prophecy', to the appropriation of 'bad vibes' for pleasurable aesthetic and affective experiences. And the final section engages with some of the ways in which affect can help us understand the politics of chill, relaxation and intimacy as sonic encounters. The result is a rich and multifaceted consideration of sound, music and the affective, from scholars with backgrounds in cultural theory, history, literary studies, media studies, architecture, philosophy and musicology.
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45

Semler, L. E. ‘Fortify Yourself in Your Decay’. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0006.

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This chapter surveys some of the intricacies of rhyme and rhyming effects in Shakespeare’s Sonnets. It addresses the sonnet as a musical, rhetorical, and logical text that occurs as a real-time sonic event. It begins with discussion of the tripartite structure and end-rhyme scheme to argue for the architectonic orderliness of the sonnet. Sonnet 18 is analysed in terms of its subtle sound effects before the chapter moves to explore the ways that rhyme and rhyming effects serve as binders to hold together individual quatrains and sonnets, and also to hold multiple sonnets in sequences. Sonnet 87’s peculiar end-rhyme effects are examined in relation to its argument. Throughout the essay attention is given to the effects of early modern pronunciation on rhyme and sound echoes. The pleasure and power of rhyme are explored via its association with memory, sound, time, concord and friendship. The chapter concludes with remarks on the extraordinary structure and rhyming effects of Sonnet 126.
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46

New essays on The Sound and the fury. New York: Cambridge University Press, 1994.

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47

Titon, Jeff Todd. Toward a Sound Ecology: New and Selected Essays. Indiana University Press, 2020.

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48

Small Wonder: Essays (Chivers Sound Library American Collections). Sound Library, 2002.

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49

Erlmann, Veit. Hearing Cultures: Essays on Sound, Listening and Modernity. Taylor & Francis Group, 2020.

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50

New essays on The Sound and the fury. Cambridge: Cambridge University Press, 1993.

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