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Journal articles on the topic 'Sound ambiances'

Author: Grafiati

Published: 29 September 2023

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1

Laplace, Josée, and Catherine Guastavino. "Evaluating the restorative potential of church buildings." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 265, no. 2 (2023): 5206–18. http://dx.doi.org/10.3397/in_2022_0758.

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We report the preliminary results of a study on the experience of soundscape and architectural ambiances of church buildings, with an emphasis on their restorative qualities. Through questionnaires, soundwalks and interviews with 16 diverse participants, we aim to characterize the sensory qualities of 2 contrasting church buildings in Montreal. Our data collection instruments operationalize concepts at the intersection of different research fields: soundscapes, attention restoration, quiet areas, architectural ambiances and heritage (including religious) places. As such, it encompasses a broad

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2

Solomos, Makis. "From Sound to Sound Space, Sound Environment, Soundscape, Sound Milieu or Ambiance …" Paragraph 41, no. 1 (2018): 95–109. http://dx.doi.org/10.3366/para.2018.0253.

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This article proposes approaching the phenomenon of sound as a fabric of relationships. Critiquing the notion of a sound object as it has become defined thanks to the fixity enabled by sound recording, it focuses on the characteristics of sound that converge towards a relational approach and suggests that there is an inextricable link between the vibrating object, the milieu in which the vibration spreads and the subject who listens. It is probably for this reason that current research — whether in music, sound art or other disciplines that centre on sound, from sound studies to environmental

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3

Lescop, Laurent, and Anetta Kępczyńska-Walczak. "Envisioning ambiances: Representing (past,present and future) atmospheres for architecture and the built environment." SHS Web of Conferences 64 (2019): 00002. http://dx.doi.org/10.1051/shsconf/20196400002.

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The concept of “ambiance” has been shaped over the years by questioning the interactions between three attractors: architecture and the city, climatic and sound phenomena, uses and perception. Studied in pairs, each of these attractors refers to very different disciplinary fields; architecture and phenomena concern the physics of the city, architecture and uses interest sociology and uses and phenomena are rather turned to comfort. Studies concerning ambiances are therefore highly interdisciplinary and raise many questions: living spaces, urban renewal and heritage, urban prospective and the c

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4

Talantikite, Soundouss I., and Meriama Bencherif. "Effect of Spatial Ambiances on the Patient Satisfaction and Well-Being in Hospitals: The Case of UHC Ibn Sina Annaba and UHC Benbadis Constantine—Algeria." HERD: Health Environments Research & Design Journal 14, no. 3 (2021): 83–107. http://dx.doi.org/10.1177/1937586720986106.

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Objectives: In this work, we aim to have a better understanding of the impact of the architectural ambiance on patient well-being, by exploring patient’s perception of physical ambiantal factors in their rooms. Background: Perception of ambiantal factors is beginning to be relatively documented in space psychology, including health. There is no research in this field in Algeria; therefore, we would like to fill this gap and draw attention to the importance of the ambiantal physical factors in our hospitals. Methods: We conducted a practical study via a 19-item questionnaire at the neurology ho

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FILIMON, ROSINA CATERINA. "Syncretism and synaesthesia in music – unification of arts and perceptions." ARTES. JOURNAL OF MUSICOLOGY 27, no. 27-28 (2023): 167–84. http://dx.doi.org/10.35218/ajm-2023-0010.

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Archaeological and ethnological research has revealed that, since antiquity, music had a syncretic nature. Music, dance, and poetry made up a single whole, aiming at expressing human feelings, sensations and perceptions through melody, rhythm, words, and gestures, and accompanying everyday activities that had various functions. Artistic syncretism is doubled by another structural principle – synaesthesia. The brain process that unifies senses and perceptions, synaesthesia is defined as the spontaneous association of several senses and sensations, in response to the action of a single stimulus.

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6

MARRY, Solène. "Ordinary sonic public space. Sound perception parameters in urban public spaces and sonic representations associated with urban forms." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 2, no. 1 (2012): 171–96. http://dx.doi.org/10.7146/se.v2i1.5231.

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The research referred to in the article concerns the factors influencing the perception of ordinary sonic public space and everyday sounds. Sound perception parameters, such as vegetation or sound sources, are analysed in urban public spaces. This research, which is based on my PhD project, tries to understand how urban people perceive their sonic environment and try to contribute to sonic ambiance knowledge. The research is based on a qualitative investigation conducted among 29 people. It is, on the one hand, based on questionnaires and focus groups in situ and, on the other hand, on individ

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DATCU, Raluca, Andreea MIHALACHE, Andreea MUCIBABICI, and Andreea STAN. "Călătorind printr-o harpă – amenajarea unui portic." Argument. Spațiul construit. Concept și expresie, no. 10 (2018): 261–72. http://dx.doi.org/10.54508/argument.10.15.

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As far as today’s civilization development environment is concerned, man is living in an uninterrupted sound environment. Everywhere he is accompanied by a multitude of sounds and noises of varying intensity, having more or less violent effects on his hearing and his health. We can define noise as a representation of the sound vibration, not having a systematic attribute that is transmitted through various environments (air, water etc.) and that sensitizes the human ear negatively. In the Larousse dictionary, noise is a harmless sound system. Scientists with a specialization in physics charact

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8

Viaud-Delmon, Isabelle, Jane Mason, Karim Haddad, Markus Noisternig, Frédéric Bevilacqua, and Olivier Warusfel. "A Sounding Body in a Sounding Space: the Building of Space in Choreography – Focus on Auditory-motor Interactions." Dance Research 29, supplement (2011): 433–49. http://dx.doi.org/10.3366/drs.2011.0027.

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In the last 4 years, we have developed a partnership between dance and neuroscience to study the relationships between body space in dance and the surrounding space, and the link between movement and audition as experienced by the dancer. The opportunity to work with a dancer/choreographer, an expert in movement, gives neuroscientists better access to the significance of the auditory-motor loop and its role in perception of the surrounding space. Given that a dancer has a very strong sense of body ownership (probably through a very accurate dynamic body schema) ( Walsh et al. 2011 ), she is an

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9

Catania, Pietro, and Mariangela Vallone. "Application of A Precision Apiculture System to Monitor Honey Daily Production." Sensors 20, no. 7 (2020): 2012. http://dx.doi.org/10.3390/s20072012.

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Precision beekeeping or precision apiculture is an apiary management strategy based on the monitoring of individual bee colonies to minimize resource consumption and maximize the productivity of bees. Bees play a fundamental role in ensuring pollination; they can also be considered as indicators of the state of pollution and are used as bio monitors. Beekeeping needs continuous monitoring of the animals and can benefit from advanced intelligent ambiance technologies. The aim of this study was the design of a precision apiculture system (PAS) platform for monitoring and controlling the followin

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10

bundtzen, lynda k. "Lucent Figs and Suave Veal Chops: Sylvia Plath and Food." Gastronomica 10, no. 1 (2010): 79–90. http://dx.doi.org/10.1525/gfc.2010.10.1.79.

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In popular mythology, poet Sylvia Plath is regarded as a tragic suicide and/or a feminist martyr. If you read her journals and letters, though, you learn that she loved to cook, loved to eat, and often devoted as much time to preparing meals for her husband Ted Hughes as she did to her writing. Cooking was, in fact, often a convenient distraction when she had writer's block, or did not want to prepare classes for teaching, or when she was pregnant and longed for no more intellectual challenge than reading recipes from her beloved Joy of Cooking or The Ladies’’ Home Journal. Plath's huge appeti

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11

Mansion-Vaquié, Julie. "« The Long Night » ou la multiplicité sonore." Filigrane 27 (September 2022). http://dx.doi.org/10.56698/filigrane.1295.

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Les équilibres entre musiques, sound design et ambiances sonores participent aux aspects narratifs et sensitifs de l’épisode 3 de la dernière saison de Game of Thrones : « The Long Night ». En effet, celui-ci concentre les tensions d’une bonne partie de la série dans un combat qui, à l’écran, joue sur l’imperceptibilité des scènes. Ainsi, le son, dans toute sa multiplicité, prend une réelle importance dans la perception de la narration et de l’impact sur le spectateur. Nous nous attacherons donc à montrer comment les différents éléments musicaux et, en particulier le sound design, œuvrent dans

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12

Collins, Rebecca Louise. "Sound, Space and Bodies: Building Relations in the Work of Invisible Flock and Atelier Bildraum." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1222.

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IntroductionIn this article, I discuss the potential of sound to construct fictional spaces and build relations between bodies using two performance installations as case studies. The first is Invisible Flock’s 105+dB, a site-specific sound work which transports crowd recordings of a soccer match to alternative geographical locations. The second is Atelier Bildraum’s Bildraum, an installation performance using live photography, architectural models, and ambient sound. By writing through these two works, I question how sound builds relations between bodies and across space as well as questionin

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13

Wilken, Rowan. "Walkie-Talkies, Wandering, and Sonic Intimacy." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1581.

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IntroductionThis short article examines contemporary artistic use of walkie-talkies across two projects: Saturday (2002) by Sabrina Raaf and Walk That Sound (2014) by Lukatoyboy. Drawing on Dominic Pettman’s notion of sonic intimacy, I argue that both artists incorporate walkie-talkies as part of their explorations of mediated wandering, and in ways that seek to capture sonic ambiances and intimacies. One thing that is striking about both these works is that they rethink what’s possible with walkie-talkies; both artists use them not just as low-tech, portable devices for one-to-one communicati

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14

Soares da Silva, Luciane. "AGORA ABAIXE O SOM: UPPS, ordem e música na cidade do Rio de Janeiro." Caderno CRH 27, no. 70 (2014). http://dx.doi.org/10.9771/ccrh.v27i70.19354.

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Desde a década de 70, nas favelas cariocas, boa parte da produção cultural e de entretenimento está diretamente ligada à música negra norte-americana, passando por releituras em sua estrutura rítmica e adaptando as letras para o cenário nacional. A favela tem ocupado um lugar decisivo na produção e consumo musical, principalmente nos bailes funk, ambientes propícios à suspensão dos problemas do cotidiano, interação entre diferentes classes sociais, geração de renda e lócus privilegiado para demonstração do poder das facções. A música, nesse contexto, torna-se importante forma de comunicação e

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15

"Development and Implementation of Projection-Based Installation in Gallery Space and Visitors Experience." International Journal of Innovative Technology and Exploring Engineering 9, no. 2 (2019): 2050–54. http://dx.doi.org/10.35940/ijitee.b8007.129219.

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In this paper, we present a projection-based installation designed for gallery-based exhibition. The installation system based on the Spatial Augmented Reality or known as "SAR," in which digital images were projected onto real objects or materials using projectors such as projection mapping techniques. This project studied the use of digital technology for gallery exhibition installation works to enrich and create an engaging audience's art experience through an immersive space created through SAR application. The study involved 79 youth who responded about their experience after viewing the

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16

Tawa, Michael. "Consilient Discrepancy: Porosity and Atmosphere in Cinema and Architecture." Architecture_MPS, March 1, 2017. http://dx.doi.org/10.14324/111.444.amps.2017v11i3.001.

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Cinema constitutes a way of looking at the world, at a world – its aspect, its appearance; but it also presents how that world looks, its prospect – by the prospective glance it throws back toward us. The “look” of a film – its mood, ambiance or atmosphere – eclipses formal and aesthetics registers. It is fundamentally world-forming, and therefore both cosmogonic and ethical: cosmogonic because it produces a world in the midst of, and as , the temporality that devolves through its passage; and ethical because the world it brings about is an inhabited world, a conjugation of people and place th

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17

Jaaniste, Luke Oliver. "The Ambience of Ambience." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.238.

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Well, you couldn't control the situation to that extent. The world just comes in on top of you. It creeps under the door. It falls out of the sky. It's all around. (Leunig) Like the world that cartoonist Michael Leunig describes, ambience is all around. Everywhere you go. You cannot get away from it. You cannot hide from it. You cannot be without it. For ambience is that which surrounds us, that which pervades. Always-on. Always by-your-side. Always already. Here, there and everywhere. Super-surround-sound. Immersive. Networked and cloudy. Ubiquitous. Although you cannot avoid ambience, you ma

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18

Hardley, Jess. "Embodied Perceptions of Darkness." M/C Journal 24, no. 2 (2021). http://dx.doi.org/10.5204/mcj.2756.

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Introduction The past decade has seen a burgeoning new field titled “night studies” or “darkness studies” (Gwiazdzinski, Maggioli, and Straw). Key theorists Straw, Shaw, Dunn, and Edensor have spearheaded this new field, publishing a recent flurry of books and other scholarly work dedicated to various aspects of the night. Topics range, for instance, from the history of artificial lighting (Shaw), atmospheres of urban light and darkness (Sumartojo, Edensor, and Pink), street music and public space at night (Reia), the experience of eating in the dark (Edensor and Falconer), walking at night (M

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Cantrell, Kate, Ariella Van Luyn, and Emma Doolan. "Wandering." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1598.

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Wandering is an embodied movement through a landscape, cityscape, or soundscape; it is a venture that one may undertake voluntarily or reluctantly. It is similar to wayfaring and roaming, and different to walking. As a metaphor and as a figuration of subjectivity, wandering allows for a number of non-linear engagements: loitering, overhearing, wildflowering, meandering, even time travel. When coupled with an act of memory or imagination, wandering can instigate wondering, and vice versa. It can refer to the physical movement of the body through space or the abstract wandering of the mind throu

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20

Waelder, Pau. "The Constant Murmur of Data." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.228.

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Our daily environment is surrounded by a paradoxically silent and invisible flow: the coming and going of data through our network cables, routers and wireless devices. This data is not just 1s and 0s, but bits of the conversations, images, sounds, thoughts and other forms of information that result from our interaction with the world around us. If we can speak of a global ambience, it is certainly derived from this constant flow of data. It is an endless murmur that speaks to our machines and gives us a sense of awareness of a certain form of surrounding that is independent from our actual, p

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21

Fougeyrollas, Patrick. "Handicap." Anthropen, 2016. http://dx.doi.org/10.17184/eac.anthropen.013.

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Handicap : nom commun d’origine anglo-saxonne dont l’étymologie proviendrait de Hand in Cap, une pratique populaire pour fixer la valeur d'échange d’un bien. Dans le domaine des courses de chevaux, le handicap vise à ajouter du poids aux concurrents les plus puissants pour égaliser les chances de gagner la course pour tous les participants. Il apparait dans le dictionnaire de l’Académie française dans les années 1920 dans le sens de mettre en état d’infériorité. Son utilisation pour désigner les infirmes et invalides est tardive, après les années 1950 et se généralise au début des années 1970.

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